Coloniality in the Maya Lowlands explores what has been required of the Maya to survive both internal and external threats and other destabilizing forces. These include shifting power dynamics and sociocultural transformations, tumultuous political regimes, the precarity of newly formed nation states, migration in search of refuge, and newly globalizing economies in the Yucatecan lowlands in the Late Colonial to Early National periods—the times when formal Spanish colonial rule was giving way to Yucatecan and Mexican neocolonial settler systems.
 
The work takes a hemispheric approach to the historical and material analysis of colonialism, bridging the often disparate literatures on coloniality and settler colonialism. Archaeologists and anthropologists working in what are today southeastern Mexico, Belize, Guatemala, and Honduras grapple with the material realities of coloniality at a regional level. They provide sustained discussions of Maya experiences with wide-ranging colonial endurances: violence, resource insecurity, land rights, refugees, the control of borders, the movement of contraband, surveillance, individual and collective agency, consumption, and use of historic resources.
 
Considering a future for historical archaeologies of the Maya region that bridges anthropology, ethnohistory, Indigenous studies, settler colonial studies, and Latin American studies, Coloniality in the Maya Lowlands presents a new understanding of how ways of being in the Maya world have formed and changed over time, as well as the shared investments of historical archaeologists and sociocultural anthropologists working in the Maya region.
 
 
Contributors: Fernando Armstrong-Fumero, Alejandra Badillo Sánchez, Adolfo Iván Batún Alpuche, A. Brooke Bonorden, Maia C. Dedrick, Scott L. Fedick, Fior García Lara, John Gust, Brett A. Houk, Rosemary A. Joyce, Gertrude B. Kilgore, Jennifer P. Mathews, Patricia A. McAnany, James W. Meierhoff, Fabián A. Olán de la Cruz, Julie K. Wesp
 

A thousand years ago, the Comitán Valley, in the Mexican state of Chiapas, was the western edge of the Maya world. Far from the famous power centers of the Classic period, the valley has been neglected even by specialists. Here, Caitlin C. Earley offers the first comprehensive study of sculpture excavated from the area, showcasing the sophistication and cultural vigor of a region that has largely been ignored.

Supported by the rulers of the valley’s cities, local artists created inventive works that served to construct civic identities. In their depictions of warrior kings, ballgames, rituals, and ancestors, the artists of Comitán made choices that reflected political and religious goals and distinguished the artistic production of the Comitán Valley from that of other Maya locales. After the Maya abandoned their powerful lowland centers, those in Comitán were maintained, a distinction from which Earley draws new insights concerning the Maya collapse. Richly illustrated with never-before-published photographs of sculptures unearthed from key archaeological sites, The Comitán Valley is an illuminating work of art historical recovery and interpretation.

Comparative Anthropology of Ancient Greece looks at the anthropology of the Greeks and other cultures across space and time, and in the process discovers aspects of the art of comparability. Historians and ethnologists can pool a wealth of knowledge about different cultures across space and time. Their joint task is to analyze human societies and to understand cultural products. Comparative analysis involves working together in an experimental and constructive enterprise. Marcel Detienne, alerted by dissonances, tries to see how cultural systems react not just to a touchstone category, but also to the questions and concepts that arise from the reaction. What does it mean to found something, or rather to establish a territory, or to have or not have roots? What is a site or a place?

From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin, and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China. Based on a close analysis of previously neglected archives in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal of art and antiquities abroad, understanding their trade as currency for a cosmopolitan elite. In the decades after the 1911 Revolution, however, these antiquities went from being “diplomatic capital” to disputed icons of the emerging nation-state. A new generation of Chinese scholars began to criminalize the prior activities of archaeologists, erasing all memory of the pragmatic barter relationship that once existed in China. Recovering the voices of those local officials, scholars, and laborers who shaped the global trade in antiquities, The Compensations of Plunder brings historical grounding to a highly contentious topic in modern Chinese history and informs heated debates over cultural restitution throughout the world.

An examination of archaeology in Jordan and Palestine, Competitive Archaeology in Jordan explores how antiquities have been used to build narratives and national identities. Tracing Jordanian history, and the importance of Jerusalem within that history, Corbett analyzes how both foreign and indigenous powers have engaged in a competition over ownership of antiquities and the power to craft history and geography based on archaeological artifacts. She begins with the Ottoman and British Empires—under whose rule the institutions and borders of modern Jordan began to take shape—asking how they used antiquities in varying ways to advance their imperial projects. Corbett continues through the Mandate era and the era of independence of an expanded Hashemite Kingdom, examining how the Hashemites and other factions, both within and beyond Jordan, have tried to define national identity by drawing upon antiquities.

Competitive Archaeology in Jordan traces a complex history through the lens of archaeology’s power as a modern science to create and give value to spaces, artifacts, peoples, narratives, and academic disciplines. It thus considers the role of archaeology in realizing Jordan’s modernity—drawing its map; delineating sacred and secular spaces; validating taxonomies of citizens; justifying legal frameworks and institutions of state; determining logos of the nation for display on stamps, currency, and in museums; and writing history. Framing Jordan’s history in this way, Corbett illustrates the manipulation of archaeology by governments, institutions, and individuals to craft narratives, draw borders, and create national identities.

Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of South America’s first “modern” armed conflict, the Chaco War (1932–35), and its effects on modern-day Paraguay. Esther Breithoff not only focuses on conventional archaeological remains but also takes an ontological approach to heterogeneous assemblages of objects, texts, practices, and landscapes shaped by industrial war. What she shows is that these assemblages are not simply dead memorials to a bloody war, but rather have been, and continue to be, active in making, unmaking, and remaking worlds—both for those who saw the war itself and for those who continue to live with its effects in the present.
 
Framing the study as an exploration of modern, industrialized warfare as a sort of “hyper object”, Breithoff shows how the material culture and heritage of modern conflict fuse together objects, people, and landscapes, connecting them physically and conceptually across vast, almost unimaginable distances and time periods. This book makes a major contribution to key debates in anthropology, archaeology, critical heritage, and material culture studies on the significance of conflict in understanding the Anthropocene, and the roles played by its persistent heritages in assembling worlds.
 

This book traces the emergence of the South Indian city of Kanchi as a major royal capital and multireligious pilgrimage destination during the era of the Pallava and Chola dynasties (circa seventh through thirteenth centuries). It presents the first-ever comprehensive picture of historical Kanchi, locating the city and its more than 100 spectacular Hindu temples at the heart of commercial and artistic exchange that spanned India, Southeast Asia, and China. The author demonstrates that Kanchi was structured with a hidden urban plan, which determined the placement and orientation of temples around a central thoroughfare that was also a burgeoning pilgrimage route. Moving outwards from the city, she shows how the transportation networks, river systems, residential enclaves, and agrarian estates all contributed to the vibrancy of Kanchi’s temple life. The construction and ongoing renovation of temples in and around the city, she concludes, has enabled Kanchi to thrive continuously from at least the eighth century, through the colonial period, and up until the present.

In this wide-ranging study, Hyung Il Pai examines how archaeological finds from throughout Northeast Asia have been used in Korea to construct a myth of state formation. This myth emphasizes the ancient development of a pure Korean race that created a civilization rivaling those of China and Japan and a unified state controlling a wide area in Asia.

Through a new analysis of the archaeological data, Pai shows that the Korean state was in fact formed much later and that it reflected diverse influences from throughout Northern Asia, particularly the material culture of Han China. Her deconstruction of the uses of the archaeological finds by nationalistic historians reveals how they have been utilized to legitimate Korean nationalism and a particular form of national identity.

The contemporary archaeology of urban mega-events.

This book explores the traces of London’s most significant modern “mega events”: the Great Exhibition of 1851, the 1951 Festival of Britain’s South Bank Exhibition, and the 2012 Olympic and Paralympic Games. Though only open for a few weeks or months, mega events permanently and disruptively reshape their host cities and societies: they demolish and rebuild whole districts, they draw in materials and participants from around the globe, and their organizers self-consciously seek to leave a “legacy” that will endure for decades or more. The book argues that these spectacles must thus be seen as long-lived and persistent, rather than simply transient or short-term phenomena. It explores the long-term history of each event through contemporary archaeology, examining the contents and building materials of the Great Exhibition’s Crystal Palace and their extraordinary afterlife at Sydenham, South London; how the Festival of Britain’s South Bank Exhibition employed displays of ancient history to construct a new postwar British identity; and how London 2012 dealt with competing visions of the past as archaeology, waste, and heritage in creating a vision of the future.

The Copan Sculpture Museum in western Honduras features the extraordinary stone carvings of the ancient Maya city known as Copan. The city’s sculptors produced some of the finest and most animated buildings and temples in the Maya area, in addition to stunning monolithic statues and altars. The ruins of Copan were named a UNESCO World Heritage site in 1980, and more than 150,000 national and international tourists visit the ancient city each year.

Opened in 1996, the Copan Sculpture Museum was initiated as an international collaboration to preserve Copan’s original stone monuments. Its exhibits represent the best-known examples of building façades and sculptural achievements from the ancient kingdom of Copan. The creation of this on-site museum involved people from all walks of life: archaeologists, artists, architects, and local craftspeople. Today it fosters cultural understanding and promotes Hondurans’ identity with the past.

In The Copan Sculpture Museum, Barbara Fash—one of the principle creators of the museum—tells the inside story of conceiving, designing, and building a local museum with global significance. Along with numerous illustrations and detailed archaeological context for each exhibit in the museum, the book provides a comprehensive introduction to the history and culture of the ancient Maya and a model for working with local communities to preserve cultural heritage.

Although the treasury of King Croesus held great quantities of gold and silver plate, the Lydians clearly loved fine ceramic wares imported from Greece. This preference was entirely appropriate for the capital of the expansive Lydian Kingdom, which occupied a pivotal position between the city states of the Greeks and the gigantic empire of the Persians. The importation of Greek pottery corresponds to the visits from poets, philosophers, and politicians mentioned by the historian Herodotus.

This collaborative work consists of three generously illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. Judith Snyder Schaeffer analyzes the Corinthian imports, Nancy H. Ramage the Attic, and Crawford H. Greenewalt, Jr., the Lakonian. Their study of this material from the Harvard-Cornell excavations at Sardis offers new evidence of the taste for specific Greek wares and shapes in Anatolia before the time of Alexander the Great.

The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. When complete, the Corpus will have published the inscriptions from over 200 sites and 2,000 monuments. The series has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world.

Volume 1 includes a Spanish translation of the Introduction text and six appendices: sources of sculpture and their codes; list of abbreviations and symbols used in the Corpus series; table of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a complete Calendar Round in tabular form, giving the position of tun-endings between 8.1.15.0.0 and 10.9.3.0.0; a method for the quick computation of Calendar Round position, by John S. Justeson; and Moon Age tables, by Lawrence Roys.

The goal of the Corpus of Maya Hieroglyphic Inscriptions is to document in photographs and detailed line drawings all known Maya inscriptions and their associated figurative art. As monuments continue to be discovered, the CMHI series is ongoing and far from complete. It has been instrumental in the remarkable success of the ongoing process of deciphering Maya writing, making available hundreds of texts to epigraphers working around the world, in addition to assisting studies among Maya communities and scholars.

This folio-sized volume documents thirty stelae at Yaxchilan, a Classic Maya city located on the Usumacinta River in the state of Chiapas, Mexico. Precisely rendered line drawings and three-dimensional scans bring out details of the monuments that would otherwise be invisible to the naked eye. These illustrations are accompanied by descriptions of the stelae in English and Spanish.

An archaeological history of the Assyrian Empire’s four capitals.

The Assyrian Empire moved and rebuilt its capital city three times—at Kar-Tukulti-Ninurta, Kalhu, Dur-Šarruken, and Nineveh. Creating Capitals explores why and how Assyria constructed these capitals as well as how they functioned within the empire. Drawing on extensive research, Aris Politopoulos offers a sweeping comparative analysis of these four ancient cities and proposes a new framework for understanding the construction of capitals in human history.

Our early ancestors lived in small groups and worked actively to preserve social equality. As they created larger societies, however, inequality rose, and by 2500 bce truly egalitarian societies were on the wane. In The Creation of Inequality, Kent Flannery and Joyce Marcus demonstrate that this development was not simply the result of population increase, food surplus, or the accumulation of valuables. Instead, inequality resulted from conscious manipulation of the unique social logic that lies at the core of every human group.

A few societies allowed talented and ambitious individuals to rise in prestige while still preventing them from becoming a hereditary elite. But many others made high rank hereditary, by manipulating debts, genealogies, and sacred lore. At certain moments in history, intense competition among leaders of high rank gave rise to despotic kingdoms and empires in the Near East, Egypt, Africa, Mexico, Peru, and the Pacific.

Drawing on their vast knowledge of both living and prehistoric social groups, Flannery and Marcus describe the changes in logic that create larger and more hierarchical societies, and they argue persuasively that many kinds of inequality can be overcome by reversing these changes, rather than by violence.

This book applies heritage studies to the present and the future of Europe.

Cultural and natural heritage are central to ideas of what Europe and “the European project’” are. Heritage studies were prevalent in the emergence of nation-states in the eighteenth and nineteenth centuries, where they were used to justify differences over which border conflicts were fought. Later, the idea of a “common European heritage” provided a rationale for the development of the European Union. Now, the emergence of “new” populist nationalisms shows how the imagined past continues to play a role in cultural and social governance, while a series of interlinked social and ecological crises are changing the ways that heritage operates, with new discourses and ontologies emerging to reconfigure heritage for the circumstances of the present and the uncertainties of the future.
 

Critical Perspectives on Cultural Memory and Heritage focuses on the importance of memory and heritage for individual and group identity, and for their sense of belonging. It aims to expose the motives and discourses related to the destruction of memory and heritage during times of war, terror, sectarian conflict and through capitalist policies. It is within these affected spheres of cultural heritage where groups and communities ascribe values, develop memories, and shape their collective identity. It is an essential read for researchers in Museum and Heritage Studies, Archaeology and History who seek a global, comprehensive study of cultural memory and heritage.
 

Most of the papers published in this volume were originally presented at a conference of the same name, organised by the editors, and held in Atlanta, Georgia, in November 2003. The Wadi Arabah falls between the two areas of southern Jordan and Negev, and has traditionally been seen as a barrier and border. This book (and the conference it came out of) is an attempt to look at this neglected area anew: bridge, rather than barrier.

Adrian Boas, an archaeologist with four decades' experience in the field, takes a fresh approach to investigating the experiences of crusaders, pilgrims, and settlers in the crusader states during the twelfth and thirteenth centuries. The book opens up the experience of medieval travel and crusading by drawing on personal reflection and comparison with contemporary events. Topics covered include wonderment at the strangeness of the East, adjusting to life in the Levant, the horrors of warfare, the drama of fortress and battlefield, and the theatrical beauty of religious architecture, together with new perceptions of a selection of characters known and less-known. The book encourages the reader to think more deeply as to the meaning of the topics involved.

Increasingly, the role of heritage management is to anticipate and guide future environmental change rather than to simply protect landscapes of the past. This charge presents a paradox for those invested in the preservation of the past: in order to preserve the historic environment, they have to collaborate with others who wish to change it, and in order to apply their expert knowledge, they must demonstrate its benefits for policy and society. The solution advocated here is an integrative landscape approach that draws on multiple disciplines and establishes links between archaeological-historical heritage and planning and between research and policy.

To some, the Chalcolithic (4700/4500-3700/3600 BC cal.), as the first period with metallurgy, large sprawling villages, rich mortuary offerings, and cult centres, represents a developmental stage on the road to the urban Bronze Age, the "dawn of history". Others have called it 'the end of prehistory'. More recent scholarship focuses upon the diversification of the subsistence economy, elaborated craft production, and expanded networks for resource acquisition. Many of today's Chalcolithic specialists were taught by biblical archaeologists, such that the culture history paradigm remains deeply embedded. This volume grew out of a workshop held in Madrid in 2006 and aims to kick start a dialogue about how to move beyond culture history and chronology in order to re-engage with larger theoretical discourses. A vast swathe of research in the region ignores these issues and considers theory to be irrelevant. One has the impression that the political realities of the region (including a predilection for biblical archaeology) has left a large proportion of archaeologists in the region, including prehistorians, lost without a map. Contributors to this volume recognize that culture history is the platform upon which current archaeological research is discussed but differ in the degree of emphasis placed on previously defined entities or phases. Delineating levels of difference and similarity between temporal boundaries is critical in this process. The two themes of this volume - culture and chronology - combine the need for theoretical engagement with the establishment of broader, more precise empirical data using explicit classificatory schemes. This is, essentially, the rock and the hard place where much archaeological debate is wedged, and as such the volume will have resonance for scholars of other periods and regions.

This volume provides the most comprehensive overview of archaeological research into the late Pleistocene and early Holocene occupation of the North American Far West in over a decade. It focuses on the relationship between stemmed and fluted point technologies in the region, which has recently risen to the forefront of debate about the initial settlement of the Americas. Established and early career researchers apply a wide range of analytical approaches to explore chronological, geographical, and technological aspects of these tools and what they reveal about the people who made them. While such interrelationships have intrigued archaeologists for nearly a century, until now they have not been systematically examined together in a single curated volume.

Contributions are organized into three main sections: stemmed point technologies, fluted point technologies, and broader interactions. Topics range from regional overviews of chronologies and technologies to site-level findings containing extensive new data. The culmination of many years of work by dozens of researchers, this volume lays new groundwork for understanding technological innovation, diversity, and exchange among early Indigenous peoples in North America.

The simple question "How did the Maya come up with a calendar that had only 260 days?" led Vincent Malmström to discover an unexpected "hearth" of Mesoamerican culture. In this boldly revisionist book, he sets forth his challenging, new view of the origin and diffusion of Mesoamerican calendrical systems—the intellectual achievement that gave rise to Mesoamerican civilization and culture.

Malmström posits that the 260-day calendar marked the interval between passages of the sun at its zenith over Izapa, an ancient ceremonial center in the Soconusco region of Mexico's Pacific coastal plain. He goes on to show how the calendar developed by the Zoque people of the region in the fourteenth century B.C. gradually diffused through Mesoamerica into the so-called "Olmec metropolitan area" of the Gulf coast and beyond to the Maya in the east and to the plateau of Mexico in the west.

These findings challenge our previous understanding of the origin and diffusion of Mesoamerican civilization. Sure to provoke lively debate in many quarters, this book will be important reading for all students of ancient Mesoamerica—anthropologists, archaeologists, archaeoastronomers, geographers, and the growing public fascinated by all things Maya.

Una exploración profunda de la historia, la autenticación y la relevancia moderna del Códice Maya de México, el libro más antiguo del continente americano.

Los antiguos escribas mayas registraban profecías y observaciones astronómicas en las páginas de libros pintados. Aunque la mayoría se perdieron por el desgaste del paso del tiempo o porque fueron destruidos, se sabía que tres códices mayas prehispánicos habían sobrevivido. Sin embargo, en la década de 1960 apareció en México, en circunstancias misteriosas, un cuarto libro diferente a los demás. Después de cincuenta años de debate sobre su autenticidad, investigaciones recientes con análisis científicos e histórico-artísticos de vanguardia, determinaron que el Códice Maya de México (antes conocido como Códice Grolier) es, de hecho, el libro más antiguo del continente americano: al menos doscientos años más antiguo que los demás.
 
Este volumen ofrece una introducción multifacética a la creación, el descubrimiento, la interpretación y la autenticación científica del Códice Maya de México. Además, un facsímil a todo color y una guía de la iconografía página por página hacen que un amplio público pueda acceder al códice. Otros temas incluyen los usos y la importancia de los libros sagrados en Mesoamérica, el papel de la astronomía en las antiguas sociedades mayas y la continua relevancia del códice para las comunidades mayas contemporáneas.
 
La publicación de este volumen acompaña la exposición que se exhibirá en el J. Paul Getty Museum ubicado en el Getty Center del 18 de octubre de 2022 al 15 de enero de 2023.

An in-depth exploration of the history, authentication, and modern relevance of Códice Maya de México, the oldest surviving book of the Americas.
 
Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Códice Maya de México (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years.
 
This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Códice Maya de México. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities.
 
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023.
 

An in-depth exploration of the history, authentication, and modern relevance of Códice Maya de México, the oldest surviving book of the Americas.
 
Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Códice Maya de México (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years.
 
This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Códice Maya de México. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities.
 
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023.