American mariners made more than 175 voyages to the Northwest Coast during the half-century after the ships Columbia and Washington pioneered the route from Boston in 1787. Although obtaining sea otter pelts for the China trade was the original purpose of the voyages, the art and culture of Northwest Coast Indians so intrigued and fascinated American sailors that the collecting of ethnographic artifacts became an important secondary trade. The Indians traded masks, hats, paddles, pipes, fishhooks, spoons, clothing, and canoe models from their canoes to the decks of Yankee vessels.

In this act of exchange, the artifacts moved from one world to another—first to shipboard, and later to the “cabinets of curiosities” of learned societies in Massachusetts, where many of them found homes. The objects were the first examples of Northwest Coast Indian material culture to enter American museums, and they influenced perceptions of Northwest Coast Indian people and their complex cultures.

By carefully researching the records of ten institutions and the shipboard journals of more than a dozen mariners, Mary Malloy has brought details about these early collections together for the first time. From utilitarian objects to artistic masterpieces, these souvenirs tell a story of commerce and cultural exchange that reached across the continent during the period when Americans were first beginning to look westward.

Nearly twenty-five years ago, David Stuart published an article titled “The Arrival of Strangers,” in which he proposed that “Spearthrower Owl,” a prominent historical figure cited in the Early Classic inscriptions of Tikal, might be a ruler of Teotihuacan. Stuart expands on this provocative argument in Spearthrower Owl: A Teotihuacan Ruler in Maya History, offering evidence that Spearthrower Owl was a historical individual whose political legacy reverberated for generations in the Maya Lowlands and Central Mexico. Many of the epigraphic, iconographic, and historical particulars surrounding his life are presented here for the first time; these varied lines of evidence point to him being a powerful foreign individual in the history and dynastic politics of the Maya Lowlands as well as a ruler of Teotihuacan from 374 to 439 CE. To contextualize this examination of Spearthrower Owl, the volume looks more closely at the Entrada of January 16, 378, especially in light of newer archaeological discoveries, epigraphic readings, and historical interpretations. The resulting historical framework, even vague as it sometimes is, highlights the complexity and nuance of the Teotihuacan-Maya relationship in the Early Classic period.

Spirit Lands of the Eagle and Bear explores advances in the prehistory and early history of Numic hunter-gatherers in the Rocky Mountain West through the presentation and analysis of archaeological and historic research on the period from the earliest established presence in the Rockies and its borderlands more than a thousand years ago to the forced removal of Ute, Shoshone, and other tribes to reservations in the mid-nineteenth century.
 
New research into Numic archaeology, ethnohistory, and ethnography is significantly changing the understanding of migratory patterns, cultural interactions, chronology, and shared cultural-religious practices of regionally defined Numic branches and non-Numic populations of the American West. Contributors examine case studies of Ute and Shoshone material culture (ceramics, lithics, features and structures, trade and seasonal migration), chronology (dendrochronology, radiocarbon dating, thermoluminescence), and subsistence systems (hunting camps, game drives, faunal and botanical evidence of food sources). They also delineate different hunter-gatherer “ethnic groups” who co-occupied or interacted within one another’s territories through trade, raiding, or seasonal subsistence migrations, such as the Late Fremont/Ute and the Shoshone or the early Navajo/Ute and the Shoshone.
 
With a strong emphasis on diverse cases and new and original archaeological, ethnohistoric, and ethnographic lines of evidence, Spirit Lands of the Eagle and Bear interweaves anthropological theory and innovative applications of leading-edge scientific methodologies and technologies. The book presents a cross-section of field, laboratory, and ethnohistoric studies—including indigenous consultation—that explore past, recent, and ongoing developments in Numic cultural history and prehistory. It will be of interest to scholars of Southwestern archaeology, as well as private and government cultural resource specialists and museum staff.
 
Contributors:
Richard Adams, John Cater, Christine Chady, David Diggs, Rand Greubel, John Ives, Byron Loosle, Curtis Martin, Sally McBeth, Lindsay Montgomery, Bryon Schroeder, Matthew Stirn
 

A detailed study of one of the oldest largely intact churches in England.

The Chapel of St Peter-on-the-Wall, built on the ruins of a Roman fort, dates from the mid-seventh century and is one of the oldest largely intact churches in England. It stands in splendid isolation on the shoreline at the mouth of the Blackwater Estuary in Essex, where the land meets and interpenetrates with the sea and the sky. This book brings together contributors from across the arts, humanities, and social sciences to uncover the premodern contexts and modern resonances of this medieval building and its landscape setting. In analyzing the significance of the chapel and surrounding landscape over more than a thousand years, this collection additionally contributes to wider debates about the relationship between space and place, and particularly the interfaces between both medieval and modern cultures and also heritage and the natural environment.
 

Observations of the sun, moon, planets, and stars played a central role in ancient Maya lifeways, as they do today among contemporary Maya who maintain the traditional ways. This pathfinding book reconstructs ancient Maya astronomy and cosmology through the astronomical information encoded in Precolumbian Maya art and confirmed by the current practices of living Maya peoples.

Susan Milbrath opens the book with a discussion of modern Maya beliefs about astronomy, along with essential information on naked-eye observation. She devotes subsequent chapters to Precolumbian astronomical imagery, which she traces back through time, starting from the Colonial and Postclassic eras. She delves into many aspects of the Maya astronomical images, including the major astronomical gods and their associated glyphs, astronomical almanacs in the Maya codices [painted books], and changes in the imagery of the heavens over time. This investigation yields new data and a new synthesis of information about the specific astronomical events and cycles recorded in Maya art and architecture. Indeed, it constitutes the first major study of the relationship between art and astronomy in ancient Maya culture.

Throughout the four hundred thousand years that humanity has been collecting fossils, sea urchin fossils, or echinoids, have continually been among the most prized, from the Paleolithic era, when they decorated flint axes, to today, when paleobiologists study them for clues to the earth’s history. 

In The Star-Crossed Stone, Kenneth J. McNamara, an expert on fossil echinoids, takes readers on an incredible fossil hunt, with stops in history, paleontology, folklore, mythology, art, religion, and much more. Beginning with prehistoric times, when urchin fossils were used as jewelry, McNamara reveals how the fossil crept into the religious and cultural lives of societies around the world—the roots of the familiar five-pointed star, for example, can be traced to the pattern found on urchins. But McNamara’s vision is even broader than that: using our knowledge of early habits of fossil collecting, he explores the evolution of the human mind itself, drawing striking conclusions about humanity’s earliest appreciation of beauty and the first stirrings of artistic expression. Along the way, the fossil becomes a nexus through which we meet brilliant eccentrics and visionary archaeologists and develop new insights into topics as seemingly disparate as hieroglyphics, Beowulf, and even church organs.

An idiosyncratic celebration of science, nature, and human ingenuity, The Star-Crossed Stone is as charming and unforgettable as the fossil at its heart.

For centuries scholars have pondered and speculated over the uses of the chipped stone implements uncovered at archaeological sites. Recently a number of researchers have attempted to determine prehistoric tool function through experimentation and through observation of the few remaining human groups who still retain this knowledge. Learning how stone tools were made and used in the past can tell us a great deal about ancient economic systems, exchange networks, and the social and political structure of prehistoric societies.

Suzanne M. Lewenstein used the artifacts from Cerros, an important Late Preclassic (200 BC–AD 200) Mayan site in northern Belize, to study stone tool function. Through a comprehensive program of experimentation with stone tool replicas, she was able not only to infer the tasks performed by individual tool specimens but also to recognize a wide variety of past activities for which stone tools were used.

Unlike previous works that focused on hunter-gatherer groups, Stone Tool Use at Cerros is the first comprehensive experimental study of tool use in an agricultural society. The lithic data are used in an economic interpretation of a lowland Mayan community within a hierarchically complex society.

Apart from its significance to Mayan studies, this innovative work offers the beginnings of a reference collection of identifiable tool functions that may be documented for sedentary, complex society. It will be of major interest to all archaeologists and anthropologists, as well as those interested in economic specialization and artisanry in complex societies.

Welcoming 800,000 visitors each year, Stonehenge is the most famous prehistoric monument in all of Europe. It has inspired modern replicas throughout the world, including one constructed entirely of discarded refrigerators. This curious structure is the subject of cult worship, is a source of pride for Britons, and offers an intellectual challenge for academics. It has captured the imagination and the attention of thousands of people for thousands of years.

Over the centuries, “experts” have tried to discover the meaning behind Stonehenge. While each new theory contradicts earlier speculation, every new proposal attributes a purpose to the site. From bards of the twelfth century to Black Sabbath, from William Blake to archaeologists of the twenty-first century, Stonehenge has embodied a wealth of intention. Was it designed for winter solstice, for goddess worship, or as a funerary temple? While all have been suggested, even “proven,” the mystery continues.

Through the eyes of its most eloquent apologists, Rosemary Hill guides the reader on a tour of Stonehenge in all its cultural contexts, as a monument to many things—to Renaissance Humanism, Romantic despair, Victorian enterprise, and English Radicalism. In the end, the stones remain compelling because they remain mysterious—apparently simple yet incomprehensible—that is the wonder, the enchantment, of Stonehenge.

In this volume, an international and interdisciplinary team of scholars—Czech and American archaeologists, paleoanthropologists, geologists, and biologists—report on the results of the investigations from 1980 through the 1990s at Stránská skála, a complex of open-air loess sites on the outskirts of the Brno Basin in the Czech Republic.

The volume presents in-depth studies of the geology, paleopedology, frost processes, vegetation, fauna, and archaeological features of Stránská skála that break new ground in our understanding of early modern humans in central Europe.

The Sumerians are widely believed to have created the world’s earliest civilization on the fertile floodplains of southern Iraq from about 3500 to 2000 BCE. They have been credited with the invention of nothing less than cities, writing, and the wheel, and therefore hold an ancient mirror to our own urban, literate world. But is this picture correct? Paul Collins reveals how the idea of a Sumerian people was assembled from the archaeological and textual evidence uncovered in Iraq and Syria over the last one hundred fifty years. Reconstructed through the biases of those who unearthed them, the Sumerians were never simply lost and found, but reinvented a number of times, both in antiquity and in the more recent past.

The sixteen-volume Handbook of Middle American Indians, completed in 1976, has been acclaimed the world over as the most valuable resource ever produced for those involved in the study of Mesoamerica. When it was determined in 1978 that the Handbook should be updated periodically, Victoria Reifler Bricker, well-known cultural anthropologist, was selected to be series editor.

This first volume of the Supplement is devoted to the dramatic changes that have taken place in the field of archaeology. The volume editor, Jeremy A. Sabloff, has gathered together detailed reports from the directors of many of the most significant archaeological projects of the mid-twentieth century in Mesoamerica, along with discussions of three topics of general interest (the rise of sedentary life, the evolution of complex culture, and the rise of cities).

In 1981, under the editorship of Victoria Bricker, UT Press began to issue supplemental volumes to the classic sixteen-volume work Handbook of Middle American Indians. These supplements are intended to update scholarship in various areas and to cover topics of current interest that may not have been included in the original Handbook.

This volume is designed to recognize the important role that epigraphy has come to play in Middle American scholarship and to document significant achievements in three areas: dynastic history, phonetic decipherment, and calendrics. The book covers four of the major pre-Columbian scripts in the region (Zapotec, Mixtec, Aztec, and Maya) and one that is relatively unknown (Tlapanec).

The great metropolis of Asia Minor, Sardis was the place where legendary Croesus ruled, where coinage was invented. Since 1958 a Harvard-Cornell archaeological team has worked at the site to retrieve evidence of the greatness of Lydian culture as well as of the prehistoric, Hellenistic, Roman, Byzantine, and Turkish civilizations that preceded and followed the Lydian kingdom. Here is the first of the richly illustrated volumes that will report their work.

Eight authors, experts from a variety of disciplines, put Sardis into its setting—physical, economic, and cultural. They offer a topographic survey of the city; a study of the vast defensive circuit of the Roman City Wall; and the first detailed examination of the sacred Precinct of Artemis, which housed one of the grandest temples of antiquity. The precinct's changing fortunes from archaic to Turkish times and the nature of the earliest temple on the site are discussed on the basis of new soundings, and reasons for the change to a temple dedicated jointly to Zeus and Artemis are outlined.

Also included is evidence for an archaic Lydian and a larger Hellenistic altar and for Lydian dwellings at the northeast boundary of the precinct. Located outside the City Walls, a Roman bath having fragments of Early Byzantine paintings illustrates experiments in combining Hellenistic masonry and Roman concrete structural systems.

Sustainability and Water Management in the Maya World and Beyond investigates climate change and sustainability through time, exploring how political control of water sources, maintenance of sustainable systems, ideological relationships with water, and fluctuations in water availability have affected and been affected by social change. Contributors focus on and build upon earlier investigations of the global diversity of water management systems and the successes and failures of their employment, while applying a multitude of perspectives on sustainability.
 
The volume focuses primarily on the Precolumbian Maya but offers several analogous case studies outside the ancient Maya world that illustrate the pervasiveness of water’s role in sustainability, including an ethnographic study of the sustainability of small-scale, farmer-managed irrigation systems in contemporary New Mexico and the environmental consequences of Angkor’s growth into the world’s most extensive preindustrial settlement. The archaeological record offers rich data on past politics of climate change, while epigraphic and ethnographic data show how integrated the ideological, political, and environmental worlds of the Maya were.
 
While Sustainability and Water Management in the Maya World and Beyond stresses how lessons from the past offer invaluable insight into current approaches of adaptation, it also advances our understanding of those adaptations by making the inevitable discrepancies between past and present climate change less daunting and emphasizing the sustainable negotiations between humans and their surroundings that have been mediated by the changing climate for millennia. It will appeal to students and scholars interested in climate change, sustainability, and water management in the archaeological record.
 
Contributors: Mary Jane Acuña, Wendy Ashmore, Timothy Beach, Jeffrey Brewer, Christopher Carr, Adrian S. Z. Chase, Arlen F. Chase, Diane Z. Chase, Carlos R. Chiriboga, Jennifer Chmilar, Nicholas Dunning, Maurits W. Ertsen, Roland Fletcher, David Friedel, Robert Griffin, Joel D. Gunn, Armando Anaya Hernández, Christian Isendahl, David Lentz, Sheryl Luzzadder-Beach, Dan Penny, Kathryn Reese-Taylor, Michelle Rich, Cynthia Robin, Sylvia Rodríguez, William Saturno, Vernon Scarborough, Payson Sheets, Liwy Grazioso Sierra, Michael Smyth, Sander van der Leeuw, Andrew Wyatt
 

In 1919, C. Burton and Hattie S. Cosgrove bought land in Grant Country, New Mexico, and began excavating ruins containing Classic Mimbres (ca. A.D. 1000-1150) ceramics. The self-trained archaeologists took great care in uncovering and recording their findings. They so impressed A.V. Kidder of the Peabody Museum when he visited the site he invited them to manage a museum expedition to the Swarts Ruin.

Long out of print, this classic volume is the Cosgrove's report of their Mimbres Valley Expedition seasons of 1924 to 1927. The excavation recorded nearly 10,000 artifacts, including an extraordinary assemblage of Mimbres ceramics. Hattie Cosgrove's meticulous line drawings of over 700 individual Swarts Ruin pots have long been an invaluable design catalog for contemporary Native American artists and serve as a rich resource for designers seeking Southwest inspiration in their work.

This clothbound facsimile edition of the original 1932 publication will be an essential to the libraries of all scholars, artists, and admirers of Native American art and archaeology.

This classic volume on the evocative and enigmatic pottery of the Mimbres people has become an irreplaceable design catalogue for contemporary Native American artists. Burt and Harriet (Hattie) Cosgrove were self-trained archaeologists who began excavating Mimbres materials in 1919. When their meticulous research came to the attention of Alfred V. Kidder of the Peabody Museum, he invited them to direct the Mimbres Valley Expedition at the Swarts Ranch in southern New Mexico on behalf of the Peabody.

Working in the summers of 1924 to 1927, the Cosgroves recovered nearly 10,000 artifacts at the Swarts site, including an extraordinary assemblage of Mimbres ceramics. Like their original 1932 report, this paperbound facsimile edition includes over 700 of Hattie Cosgrove’s beautiful line drawings of individual Mimbres pots. It also presents a new introduction by archaeologist Steven A. LeBlanc, who reviews the eighty years of research on the Mimbres that have followed the Cosgroves’ groundbreaking study. The Peabody’s reissue of The Swarts Ruin once again makes available a rich resource for scholars, artists, and admirers of Native American art, and it places in historical context the Cosgroves’ many contributions to North American archaeology.

In late prehistory, the ancestors of the present-day Hopi in Arizona created a unique and spectacular painted pottery tradition referred to as Hopi Yellow Ware. This ceramic tradition, which includes Sikyatki Polychrome pottery, inspired Hopi potter Nampeyo’s revival pottery at the turn of the twentieth century.

How did such a unique and unprecedented painting style develop? The authors compiled a corpus of almost 2,000 images of Hopi Yellow Ware bowls from the Peabody Museum’s collection and other museums. Focusing their work on the exterior, glyphlike painted designs of these bowls, they found that the “glyphs” could be placed into sets and apparently acted as a kind of ­signature.

The authors argue that part-time specialists were engaged in making this pottery and that relatively few households manufactured Hopi Yellow Ware during the more than 300 years of its production.Extending the Peabody’s influential Awatovi project of the 1930s, Symbols in Clay calls into question deep-seated assumptions about pottery production and specialization in the precontact American Southwest.

The Synagogue at Sardis, discovered by the Harvard-Cornell expedition in 1962, is the largest synagogue known in the ancient world. Its great size, its location within a bath-gymnasium complex, its elaborate and expensive interior decorations, and the high status of many of the donors caused significant revision of previous assumptions about Judaism in the Roman Empire.

This long-awaited volume discusses in detail the history of the building, its decoration, and the place of the Jewish community in the larger society. Copiously illustrated with plans and photos, the book also includes catalogs of the decorative elements, coins, and other objects associated with this monumental religious space.