Bede and Aethelthryth asks why Christians in Britain around the year 700 enjoyed Latin poetry. What did they see in it? What did they get from it? This book attempts to reconstruct the horizon of expectation of a highly learned, Latin-speaking nun as she encounters a fifty-line poem by the Venerable Bede, the Hymn to Aethelthryth.
The reconstruction is hypothetical and derived from grammatical manuals, learned commentaries from the early medieval period (especially Servius’s commentary on Virgil), and a wide variety of aesthetic observations by classical and medieval readers. The first four chapters describe basic expectations of a reader of Christian Latin poetry. The fifth chapter places the Hymn in its context within Bede’s Ecclesiastical History. A few pages after Bede records his hymn, Caedmon will recite his own hymn under the watchful eye of Whitby’s Abbess Hild, who was a friend of Aethelthryth.
Both hymns are attempts to reform the lyric traditions of pagan Rome and pagan Anglo-Saxon England in the light of Christian teaching. The last three chapters contain a line-by-line commentary on Bede’s alphabetic, epanaleptic elegy.
The essays in this book use the nine-line poem known as Cædmon’s Hymn as a lens on the world of Bede’s Ecclesiastical History. A cowherd who is given a divine gift, Cædmon retells the great narratives of Christian history in the traditional form of Anglo-Saxon verse. An immense amount has been written about this episode, much of it concentrating on the hymn’s significance in the history of English literature. Relatively little attention, however, has been paid to what the story of Cædmon and his hymn might tell us about the material, as well as the textual, culture of Bede’s world. The essays in this collection seek to connect Cædmon’s Hymn to Bede’s material world in various ways. Each chapter begins with the hymn and moves from the text to the worlds of scientific thought, settlements and social hierarchy, monastic reform, and ordinary things. The connections explored here are a sampling of the material concerns Cædmon’s Hymn raises.
Works prior to this book focused on Bede as not only a European, but also as an English scholar, historian, scientist, or a biographer of saints, and have used a traditional approach towards his explanation of the Bible. Bede's interpretation of his work, its continuous progress, and the reasons behind his hurried appointment to an authority almost as high as the Church Fathers are all topics examined within the text. Essays are by Roger Ray, Faith Wallis, Calvin B. Kendall, George Hardin Brown, Scott DeGregorio, Arthur G. Holder, Lawrence T. Martin, Walter Goffart, and Joyce Hill.
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