This biographical study illuminates one of the most important yet misunderstood figures in the history of science. Barbara McClintock (1902-1992), a geneticist who integrated classical genetics with microscopic observations of the behavior of chromosomes, was regarded as a genius and as an unorthodox, nearly incomprehensible thinker. In 1946, she discovered mobile genetic elements, which she called "controlling elements." Thirty-seven years later, she won a Nobel Prize for this work, becoming the third woman to receive an unshared Nobel in science. Since then, McClintock has become an emblem of feminine scientific thinking and the tragedy of narrow-mindedness and bias in science.
Using McClintock's research notes, newly available correspondence, and dozens of interviews with McClintock and others, Comfort argues that McClintock's work was neither ignored in the 1950s nor wholly accepted two decades later. Nor was McClintock marginalized by scientists; throughout the decades of her alleged rejection, she remained a distinguished figure in her field. Comfort replaces the "McClintock myth" with a new story, rich with implications for our understanding of women in science and scientific creativity.
Tarsiiformes, or tarsiers for short, are a group of living species of special interest to primatologists because their combination of derived and ancient characters make them pivotal to understanding the roots of primate evolution. These small-bodied, nocturnal, solitary creatures resemble lower primates in their behavior but genetically, DNA evidence aligns them more closely with higher primates, such as monkeys, apes, and humans. These astounding creatures exhibit an ability found in no other living mammal¾they can turn their heads 180 degrees in either direction to see both prey and predators. The world’s only exclusive carnivorous primate, they eat live food (primarily insects, but the occasional vertebrate, such as lizards, snakes, or frogs will also do). This unique combination of behavior and anatomy makes the tarsier an especially interesting and controversial animal for study among primate behaviorists, evolutionists, and taxonomists, who view the tarsiers as “living fossils” that link past and present, lower and higher, primates in the long chain of evolutionary history.
This new volume presents alternative and contrasting perspectives on the most debated questions that have arisen in tarsier studies. Top researchers bring together perspectives from anatomical, behavioral, genetic, and conservation studies in this new and exciting addition to the understanding of primate evolution.
This book is a volume in the Rutgers Series on Human Evolution, edited by Robert Trivers, Lee Cronk, Helen Fischer, and Lionel Tiger.
Insightful, good-humored essays on the possibilities of alien life and the uses of space exploration, based on an astrobiologist’s everyday conversations with his fellow humans—taxi drivers, to be precise.
If you’ve ever sat in the back seat of a taxi, you know that cabbies like to talk. Sports or politics, your job or theirs, taxi drivers are fine conversationalists on just about any topic. And when the passenger is astrobiologist Charles Cockell, that topic is usually space and what, if anything, lives out there.
Inspired by conversations with drivers all over the world, Taxi from Another Planet tackles the questions that everyday people have about the cosmos and our place in it. Will we understand aliens? What if there isn’t life out in the universe? Is Mars our Plan B? And why is the government spending tax dollars on space programs anyway? Each essay in this genial collection takes questions like these as a starting point on the way to a range of insightful, even poignant, observations. Cockell delves into debates over the inevitability of life and looks to both human history and scientific knowledge to consider what first contact will be like and what we can expect from spacefaring societies. He also offers a forceful argument for the sympathies between space exploration and environmentalism.
A shrewd and entertaining foray into the most fundamental mysteries, Taxi from Another Planet brings together the wisdom of scientific experts and their fellow citizens of Earth, the better to understand how life might unfold elsewhere.
An Independent Publisher Book Awards Gold Medal Winner
A Progressive Book of the Year
A TechCrunch Favorite Read of the Year
“Deeply researched and thoughtful.”
—Nature
“An extended exercise in myth busting.”
—Outside
“A critique of both popular and scientific understandings of the hormone, and how they have been used to explain, or even defend, inequalities of power.”
—The Observer
Testosterone is a familiar villain, a ready culprit for everything from stock market crashes to the overrepresentation of men in prisons. But your testosterone level doesn’t actually predict your appetite for risk, sex drive, or athletic prowess. It isn’t the biological essence of manliness—in fact, it isn’t even a male sex hormone. So what is it, and how did we come to endow it with such superhuman powers?
T’s story begins when scientists first went looking for the chemical essence of masculinity. Over time, it provided a handy rationale for countless behaviors—from the boorish to the enviable. Testosterone focuses on what T does in six domains: reproduction, aggression, risk-taking, power, sports, and parenting, addressing heated debates like whether high-testosterone athletes have a natural advantage as well as disagreements over what it means to be a man or woman.
“This subtle, important book forces rethinking not just about one particular hormone but about the way the scientific process is embedded in social context.”
—Robert M. Sapolsky, author of Behave
“A beautifully written and important book. The authors present strong and persuasive arguments that demythologize and defetishize T as a molecule containing quasi-magical properties, or as exclusively related to masculinity and males.”
—Los Angeles Review of Books
“Provides fruitful ground for understanding what it means to be human, not as isolated physical bodies but as dynamic social beings.”
—Science
Biology until recently has been the neglected stepchild of science, and many educated people have little grasp of how biology explains the natural world. Yet to address the major political and moral questions that face us today, we must acquire an understanding of their biological roots. This magisterial new book by Ernst Mayr will go far to remedy this situation. An eyewitness to this century's relentless biological advance and the creator of some of its most important concepts, Mayr is uniquely qualified to offer a vision of science that places biology firmly at the center, and a vision of biology that restores the primacy of holistic, evolutionary thinking.
As he argues persuasively, the physical sciences cannot address many aspects of nature that are unique to life. Living organisms must be understood at every level of organization; they cannot be reduced to the laws of physics and chemistry. Mayr's approach is refreshingly at odds with the reductionist thinking that dominated scientific research earlier in this century, and will help to redirect how people think about the natural world.
This Is Biology can also be read as a "life history" of the discipline--from its roots in the work of Aristotle, through its dormancy during the Scientific Revolution and its flowering in the hands of Darwin, to its spectacular growth with the advent of molecular techniques. Mayr maps out the territorial overlap between biology and the humanities, especially history and ethics, and carefully describes important distinctions between science and other systems of thought, including theology. Both as an overview of the sciences of life and as the culmination of a remarkable life in science, This Is Biology will richly reward professionals and general readers alike.
Most people, when they contemplate the living world, conclude that it is a designed place. So it is jarring when biologists come along and say this is all wrong. What most people see as design, they say--purposeful, directed, even intelligent--is only an illusion, something cooked up in a mind that is eager to see purpose where none exists. In these days of increasingly assertive challenges to Darwinism, the question becomes acute: is our perception of design simply a mental figment, or is there something deeper at work?
Physiologist Scott Turner argues eloquently and convincingly that the apparent design we see in the living world only makes sense when we add to Darwin's towering achievement the dimension that much modern molecular biology has left on the gene-splicing floor: the dynamic interaction between living organisms and their environment. Only when we add environmental physiology to natural selection can we begin to understand the beautiful fit between the form life takes and how life works.
In The Tinkerer's Accomplice, Scott Turner takes up the question of design as a very real problem in biology; his solution poses challenges to all sides in this critical debate.
The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Ponty’s career, “The phenomenology of perception fulfills itself as a philosophy of expression.” In Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology, Véronique M. Fótiaddresses the guiding yet neglected theme of expression in Merleau-Ponty’s thought. She traces Merleau-Ponty’s ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the “new biology” in the second of his lecture courses on nature of 1957–58, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et l’invisible (The Visible and the Invisible). With the exception of a discussion of Merleau-Ponty’s 1945 essay “Cezanne’s Doubt,” Fóti engages with Merleau-Ponty’s late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Ponty’s thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy.
Did you know that you are more closely related to a mushroom than to a daisy? That crocodiles are closer to birds than to lizards? That dinosaurs are still among us? That the terms "fish," "reptiles," and "invertebrates" do not indicate scientific groupings? All this is the result of major changes in classification, whose methods have been totally revisited over the last thirty years.
Modern classification, based on phylogeny, no longer places humans at the center of nature. Groups of organisms are no longer defined by their general appearance, but by their different individual characteristics. Phylogeny, therefore, by showing common ancestry, outlines a tree of evolutionary relationships from which one can retrace the history of life.
This book diagrams the tree of life according to the most recent methods of classification. By showing how life forms arose and developed and how they are related, The Tree of Life presents a key to the living world in all its dazzling variety.,
One of our most brilliant evolutionary biologists, Richard Lewontin has also been a leading critic of those—scientists and non-scientists alike—who would misuse the science to which he has contributed so much. In The Triple Helix, Lewontin the scientist and Lewontin the critic come together to provide a concise, accessible account of what his work has taught him about biology and about its relevance to human affairs. In the process, he exposes some of the common and troubling misconceptions that misdirect and stall our understanding of biology and evolution.
The central message of this book is that we will never fully understand living things if we continue to think of genes, organisms, and environments as separate entities, each with its distinct role to play in the history and operation of organic processes. Here Lewontin shows that an organism is a unique consequence of both genes and environment, of both internal and external features. Rejecting the notion that genes determine the organism, which then adapts to the environment, he explains that organisms, influenced in their development by their circumstances, in turn create, modify, and choose the environment in which they live.
The Triple Helix is vintage Lewontin: brilliant, eloquent, passionate, and deeply critical. But it is neither a manifesto for a radical new methodology nor a brief for a new theory. It is instead a primer on the complexity of biological processes, a reminder to all of us that living things are never as simple as they may seem.
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