front cover of Black on the Block
Black on the Block
The Politics of Race and Class in the City
Mary Pattillo
University of Chicago Press, 2007
In Black on the Block, Mary Pattillo—a Newsweek Woman of the 21st Century—uses the historic rise, alarming fall, and equally dramatic renewal of Chicago’s North Kenwood–Oakland neighborhood to explore the politics of race and class in contemporary urban America.
           
There was a time when North Kenwood–Oakland was plagued by gangs, drugs, violence, and the font of poverty from which they sprang. But in the late 1980s, activists rose up to tackle the social problems that had plagued the area for decades. Black on the Block tells the remarkable story of how these residents laid the groundwork for a revitalized and self-consciously black neighborhood that continues to flourish today. But theirs is not a tale of easy consensus and political unity, and here Pattillo teases out the divergent class interests that have come to define black communities like North Kenwood–Oakland. She explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old-timers as they clash over the social implications of gentrification. Along the way, Pattillo highlights the conflicted but crucial role that middle-class blacks play in transforming such districts as they negotiate between established centers of white economic and political power and the needs of their less fortunate black neighbors.
 
“A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one.”—Chicago Reader
 
“To see how diversity creates strange and sometimes awkward bedfellows . . . turn to Mary Pattillo's Black on the Block.”—Boston Globe
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front cover of The Wolf at the End of the Block
The Wolf at the End of the Block
A Play
Ike Holter
Northwestern University Press, 2020
Taut and fast-paced, The Wolf at the End of the Block tells the story of Abe, a resident of the Rightlynd neighborhood of Chicago, who seeks justice after a mysterious, late-night interatction at a boarded-up bar. The intrigue envelops Abe, his sister, his boss, and a morally complicated reporter in pursuit of the truth. But as the clock ticks down, the play discloses the hidden motives of each character, leading to a finale of unpredictable twists, turns, and reveals.
 
A modern-day neo-noir, The Wolf at the End of the Block remixes several different genres to present a new kind of thriller that is socially conscious, relentlessy suspenseful, and bitingly funny. Praised for its power and grace, the play is one of Holter’s most unforgettable.
 
The Wolf at the End of the Block is one of seven plays in Holter’s Rightlynd Saga, set in Chicago’s fictional fifty-first ward. The other plays in the cycle are Rightlynd, Exit Strategy, Sender, Prowess, Red Rex, and Lottery Day.
 
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