What happens to ethnic communities when they have two homelands to love—one real and immediate, the other distant but treasured in the heart and imagination?
Ukrainian Otherlands is an innovative exploration of modern ethnic identity, focused on diaspora/homeland understandings of each other in Ukraine and in Ukrainian ethnic communities around the globe. Exploring a rich array of folk songs, poetry and stories, trans-Atlantic correspondence, family histories, and rituals of homecoming and hosting that developed in the Ukrainian diaspora and Ukraine during the twentieth century, Natalia Khanenko-Friesen asserts that many important aspects of modern ethnic identity form, develop, and reveal themselves not only through the diaspora's continued yearning for the homeland, but also in a homeland's deeply felt connection to its diaspora. Yet, she finds each group imagines the "otherland" and ethnic identity differently, leading to misunderstandings between Ukrainians and their ethnic-Ukrainian "brothers and sisters" abroad.
An innovative exploration of the persistence of vernacular culture in the modern world, Ukrainian Otherlands, amply informed by theory and fieldwork, will appeal to those interested in folklore, ethnic and diaspora studies, modernity, migration, folk psychology, history, and cultural anthropology.
Unfastened examines literary works and films by Asian Americans and Asian Canadians that respond critically to globality—the condition in which traditional national, cultural, geographical, and economic boundaries have been—supposedly—surmounted.
In this wide-ranging exploration, Eleanor Ty reveals how novelists such as Brian Ascalon Roley, Han Ong, Lydia Kwa, and Nora Okja Keller interrogate the theoretical freedom that globalization promises in their depiction of the underworld of crime and prostitution. She looks at the social critiques created by playwrights Betty Quan and Sunil Kuruvilla, who use figures of disability to accentuate the effects of marginality. Investigating works based on fantasy, Ty highlights the ways feminist writers Larissa Lai, Chitra Divakaruni, Hiromi Goto, and Ruth Ozeki employ myth, science fiction, and magic realism to provide alternatives to global capitalism. She notes that others, such as filmmaker Deepa Mehta and performers/dramatists Nadine Villasin and Nina Aquino, play with the multiple identities afforded to them by transcultural connections.
Ultimately, Ty sees in these diverse narratives unfastened mobile subjects, heroes, and travelers who use everyday tactics to challenge inequitable circumstances in their lives brought about by globalization.
Established in 1877, just seven years after the founding of the province itself, the University of Manitoba has grown to become an international centre of research and study. It is the birthplace of discoveries such as the cure for Rh disease of newborns and the development of Canola, and its alumni include Marshal McLuhan, Margaret Laurence, Monty Hall, Israel Asper and Ovide Mercredi.Historian J.M. Bumsted looks at how the university was forged out of the assembly of several, small, denominational colleges, and how it survived and even thrived during challenges such as the 1932 defalcation and the 1950 Manitoba flood. He gives special attention to student life at the university, tracing the changes, from Freshie initiations in the 1920s and student musicals in the 1950s to the activism of the 1960s and 1970s.The University of Manitoba: An Illustrated History is an entertaining and lively social history of an institution whose development has reflected the changes of society at large.
In Usable Pasts, fourteen authors examine the manipulation of traditional expressions among a variety of groups from the United States and Canada: the development of a pictorial style by Navajo weavers in response to traders, Mexican American responses to the appropriation of traditional foods by Anglos, the expressive forms of communication that engender and sustain a sense of community in an African American women's social club and among elderly Yiddish folksingers in Miami Beach, the incorporation of mass media images into the "C&Ts" (customs and traditions) of a Boy Scout troop, the changing meaning of their defining Exodus-like migration to Mormons, Newfoundlanders' appropriation through the rum-drinking ritual called the Schreech-In of outsiders' stereotypes, outsiders' imposition of the once-despised lobster as the emblem of Maine, the contest over Texas's heroic Alamo legend and its departures from historical fact, and how yellow ribbons were transformed from an image in a pop song to a national symbol of "resolve."