A SCHOLARLY BOOK REPOSITORY
As the first full-length work of scholarship to develop a tribally specific Indigenous Queer or Two-Spirit critique, Asegi Stories examines gender and sexuality in Cherokee cultural memory, how they shape the present, and how they can influence the future.
The theoretical and methodological underpinnings of Asegi Stories derive from activist, artistic, and intellectual genealogies, referred to as “dissent lines” by Maori scholar Linda Tuhiwai Smith. Driskill intertwines Cherokee and other Indigenous traditions, women of color feminisms, grassroots activisms, queer and Trans studies and politics, rhetoric, Native studies, and decolonial politics. Drawing from oral histories and archival documents in order to articulate Cherokee-centered Two-Spirit critiques, Driskill contributes to the larger intertribal movements for social justice.
In Center Places and Cherokee Towns, Christopher B. Rodning opens a panoramic vista onto protohistoric Cherokee culture. He posits that Cherokee households and towns were anchored within their cultural and natural landscapes by built features that acted as “center places.”
Rodning investigates the period from just before the first Spanish contact with sixteenth-century Native American chiefdoms in La Florida through the development of formal trade relations between Native American societies and English and French colonial provinces in the American South during the late 1600s and 1700s. Rodning focuses particularly on the Coweeta Creek archaeological site in the upper Little Tennessee Valley in southwestern North Carolina and describes the ways in which elements of the built environment were manifestations of Cherokee senses of place.
Drawing on archaeological data, delving into primary documentary sources dating from the eighteenth century, and considering Cherokee myths and legends remembered and recorded during the nineteenth century, Rodning shows how the arrangement of public structures and household dwellings in Cherokee towns both shaped and were shaped by Cherokee culture. Center places at different scales served as points of attachment between Cherokee individuals and their communities as well as between their present and past. Rodning explores the ways in which Cherokee architecture and the built environment were sources of cultural stability in the aftermath of European contact, and how the course of European contact altered the landscape of Cherokee towns in the long run.
In this multi-faceted consideration of archaeology, ethnohistory, and recorded oral tradition, Rodning adeptly demonstrates the distinct ways that Cherokee identity was constructed through architecture and other material forms. Center Places and Cherokee Towns will have a broad appeal to students and scholars of southeastern archaeology, anthropology, Native American studies, prehistoric and protohistoric Cherokee culture, landscape archaeology, and ethnohistory.
"Any serious historian or reader of Native American literature must add Dr. King's classic book to their collection to appreciate its dimension and quality of research reporting."
—Don Shadburn, Forsyth County News (Cummings, GA)
In powerful poetry of epic proportions, which Harold Bloom has called his best work, Smith paints a stark and vivid picture of this ordeal and its principal participants, among them Sequoyah, the inventor of the Cherokee alphabet, and Osceola, the Seminole chief.
After a century of archaeological research in the Southeastern United States, there are still areas about which little is known. Surprisingly, one of these areas is the Appalachian Summit, which in historic times was inhabited by the Cherokee people whose rich culture and wide influence made their name commonplace in typifying Southeastern Indians. The culture of the people who preceded the historic Cherokees was no less rich, and their network of relationships with other groups no less wide. Until recently, however, the prehistoric cultural remains of the Southern Appalachians had received only slight attention.
Archaeological sites in the Appalachians usually do not stand out dramatically on the landscape as do the effigy mounds of the Ohio Valley and the massive platform mounds of the Southeastern Piedmont and Mississippi Valley. Prehistoric settlements in the Southern Appalachians lay in the bottomlands along the clear, rocky rivers, hidden in the folds of the mountains. Finding and investigating these sites required a systematic approach. From 1964 to 1971, under the direction of Joffre L. Coe, the Research Laboratories of Anthropology at the University of North Carolina, Chapel Hill, conducted an archaeological project that was designed to investigate the antecedents of the historic Cherokees in the Appalachian Summit, and included site surveys over large portions of the area and concentrated excavations at several important sites in the vicinity of the historic Cherokee Middletowns.
One result of the Cherokee project is this book, the purpose of which is to present an initial description and synthesis of a late prehistoric phase in the Appalachian Summit, a phase that lasted from the beginnings of South Appalachian Mississippian culture to the emergence of identifiable Cherokee culture. At various points Professor Dickens draws these data into the broader picture of Southeastern prehistory, and occasionally presents some interpretations of the human behavior behind the material remains, however, is to make available some new information on a previously unexplored area. Through this presentation Cherokee Prehistory helps to provide a first step to approaching, in specific ways, the problems of cultural process and systemics in the aboriginal Southeast.
Established by the Cherokee Nation in 1851 in present-day eastern Oklahoma, the nondenominaional Cherokee Female Seminary was one of the most important schools in the history of American Indian education. Devon Mihesuah explores its curriculum, faculty, administration, and educational philosophy.
"[An] important work. . . . It tells the fascinating and occasionally poignant story of the Cherokee Female Seminary, which enrolled its first class of 'Rosebuds,' as the seminarians called themselves, in 1851." --Choice
"I recommend it to any serious student of the Cherokee people." -- Robert J. Conley, author of Mountain Windsong
"Of the many books about Cherokee history, few deal with the issue of acculturation in the post-removal period and none so effectively as Devon Mihesuah's Cultivating the Rosebuds." -- Nancy Shoemaker, Western Historical Quarterly
"Required reading for anyone remotely interested in the history of Native American education." -- David W. Adams, History of Education Quarterly
Dark Thirty takes us on a loosely autobiographical trip through Cherokee country, the backwoods towns and the big cities, giving us clear-eyed portraits of Native people surviving contemporary America. In Frazier’s world, there is no romanticizing of Native American life. Here cops knock on the door of a low-rent apartment after a neighbor has been stabbed. Here a poem’s narrator recalls firing a .38 pistol—“barrel glowing like oil in a gutter-puddle”—for the first time. Here a young man catches a Greyhound bus to Flagstaff after his ex-girlfriend tells him he has fathered a child. Yet even in the midst of violence and despair there is time for the beauty of the world to shine through: “The Cutlass rattling out / the last fumes of gas, engine stops, / the night dimly lit by the moon / hung over the treetops; / owls calling each other from / hilltop to valley bend.”
Like viewing photographs that repel us even as they draw us in, we are pulled into these poems. We’re compelled to turn the page and read the next poem. And the next. And each poem rewards us with a world freshly seen and remade for us of sound and image and voice.
This volume presents the story of the Eastern Band of Cherokees during the nineteenth century. This group – the tribal remnant in North Carolina that escaped removal in the 1830’s – found their fortitude and resilience continually tested as they struggled with a variety of problems, including the upheavals of the Civil War and Reconstruction, internal divisiveness, white encroachment on their lands, and a poorly defined relationship with the state and federal governments. Yet despite such stresses and a selective adaptation in the face of social and economic changes, the Eastern Cherokees retained a sense of tribal identity as they stood at the threshold of the twentieth century.
Interviewees include a great range of informants, from native speakers of Cherokee with extensive knowledge of traditional fishing methods to Euro-American English speakers whose families have lived in North Carolina for many generations and know about contemporary fishing practices in the area. The topic of fishing thus offers perspective on the Cherokee language, the vigor of the Cherokee system of native knowledge, and the history of the relationship between Cherokee people and the local environment. Heidi Altman also examines the role of fishing as a tourist enterprise and how fishing practices affect tribal waters.
The Creek War of 1813–1814 is studied primarily as an event that impacted its two main antagonists, the defending Creeks in what is now the State of Alabama and the expanding young American republic. Scant attention has been paid to how the United States’ Cherokee allies contributed to the war and how the war transformed their society. In Forging a Cherokee-American Alliance in the Creek War, Susan M. Abram explains in engrossing detail the pivotal changes within Cherokee society triggered by the war that ultimately ended with the Cherokees’ forced removal by the United States in 1838.
The Creek War (also known as the Red Stick War) is generally seen as a local manifestation of the global War of 1812 and a bright footnote of military glory in the dazzling rise of Andrew Jackson. Jackson’s victory, which seems destined only in historic hindsight, was greatly aided by Cherokee fighters. Yet history has both marginalized Cherokee contributions to that conflict and overlooked the fascinating ways Cherokee society changed as it strove to accommodate, rationalize, and benefit from an alliance with the expanding American republic. Through the prism of the Creek War and evolving definitions of masculinity and community within Cherokee society, Abram delineates as has never been done before the critical transitional decades prior to the Trail of Tears.
Deeply insightful, Abram illuminates the ad hoc process of cultural, political, and sometimes spiritual transitions that took place among the Cherokees. Before the onset of hostilities, the Cherokees already faced numerous threats and divisive internal frictions. Abram concisely records the Cherokee strategies for meeting these challenges, describing how, for example, they accepted a centralized National Council and replaced the tradition of conflict-resolution through blood law with a network of “lighthorse regulators.” And while many aspects of masculine war culture remained, it too was filtered and reinterpreted through contact with the legalistic and structured American military.
Rigorously documented and persuasively argued, Abram’s award-winning Forging a Cherokee-American Alliance in the Creek War fills a critical gap in the history of the early American republic, the War of 1812, the Cherokee people, and the South.
Who was Acorn Whistler, and why did he have to die? A deeply researched analysis of a bloody eighteenth-century conflict and its tangled aftermath, The Four Deaths of Acorn Whistler unearths competing accounts of the events surrounding the death of this Creek Indian. Told from the perspectives of a colonial governor, a Creek Nation military leader, local Native Americans, and British colonists, each story speaks to issues that transcend the condemned man’s fate: the collision of European and Native American cultures, the struggle of Indians to preserve traditional ways of life, and tensions within the British Empire as the American Revolution approached.
At the hand of his own nephew, Acorn Whistler was executed in the summer of 1752 for the crime of murdering five Cherokee men. War had just broken out between the Creeks and the Cherokees to the north. To the east, colonists in South Carolina and Georgia watched the growing conflict with alarm, while British imperial officials kept an eye on both the Indians’ war and the volatile politics of the colonists themselves. They all interpreted the single calamitous event of Acorn Whistler’s death through their own uncertainty about the future. Joshua Piker uses their diverging accounts to uncover the larger truth of an early America rife with violence and insecurity but also transformative possibility.
Alice is a motherless child, born to a motherless child, and raised with neither care nor grace. Her response to this multiple abandonment is a lifelong obsession with her best friend Ingrid, or Thingy, as Alice calls her, and a sort of fantastic narcissism wherein she figures herself as the nexus of a supernatural world she understands through a blend of mountain lore, indigenous Cherokee legend, and the dangerous idiom of the fairy-tale girl who enters the forest despite being warned.
The novel is written in blended parts and is crafted as an address to Thingy’s daughter, Ingrid the Second, who is now in Alice’s care. Alice attempts to tell Ingrid the story of her life: her friendship with Thingy; her troubled relationships with her father, a small-town sexual troubadour; her stepmother, a hard-minded business woman who treats all interactions as commerce; her marriage to her husband Jacob, a silent figure of tremendous will; and her growing suspicion that Ingrid is another girl-child around whom disaster accumulates. Simultaneously, Alice tells the child the kind of bedtime stories she herself has used to make sense of her world. For Alice, and thus in Hex, the line between fantasy and reality is nonexistent, the mountain is older than its geology, and the world a limbo in which everything that has ever happened is coming around again.
Hex is a novel about violence—the violence of the fist, of the womb, of the story. It is also a novel about language and how we use it to build a world when the one we find around us is irretrievably broken.
In Massacre at Cavett’s Station, noted archaeologist and Tennessee historian Charles Faulkner reveals the true story of the massacre and its aftermath, separating historical fact from pervasive legend. In doing so, Faulkner focuses on the interplay of such early Tennessee stalwarts as John Sevier, James White, and William Blount, and the role each played in the white settlement of east Tennessee while drawing the ire of the Cherokee who continued to lose their homeland in questionable treaties. That enmity produced some of history’s notable Cherokee war chiefs including Doublehead, Dragging Canoe, and the notorious Bob Benge, born to a European trader and Cherokee mother, whose red hair and command of English gave him a distinct double identity. But this conflict between the Cherokee and the settlers also produced peace-seeking chiefs such as Hanging Maw and Corn Tassel who helped broker peace on the Tennessee frontier by the end of the 18th century. After only three decades of peaceful co-existence with their white neighbors, the now democratic Cherokee Nation was betrayed and lost the remainder of their homeland in the Trail of Tears.
Faulkner combines careful historical research with meticulous archaeological excavations conducted in developed areas of the west Knoxville suburbs to illuminate what happened on that fateful day in 1793. As a result, he answers significant questions about the massacre and seeks to discover the genealogy of the Cavetts and if any family members survived the attack. This book is an important contribution to the study of frontier history and a long-overdue analysis of one of East Tennessee’s well-known legends.
The Eastern Band’s economic decisions of the 1900s did not occur in a vacuum. In fact, these decisions reflected regional changes and the broader development of the post-Civil War American South. The Eastern Band of Cherokee Indians formally incorporated under North Carolina law in the 1880s, and their economic policies evolved as the country experienced Jim Crow segregation, the Great Depression, World War II, and the civil rights movement. During the twentieth century, members of the Eastern Band embraced an economic strategy partially based on tourism. In the late 1900s, they pursued policies that facilitated the rise of casino gaming.
Divided into five chapters, Christopher Arris Oakley’s New South Indians traces the economic development of the Eastern Band throughout the twentieth century to better contextualize the Cherokee Tribal Council’s 1990s decision to incorporate gaming into the nation’s economic strategy. In building his contextual framework, Oakley discusses the interdependent relationships forged by Cherokee Tribal Council members with various public and private entities in order to protect their land, manage their resources, and advance the well-being of their nation’s economy and community.
New South Indians also situates the story within the history of the American South. Thus, the saga of the Eastern Band’s struggle for economic autonomy and financial stability throughout the stormy twentieth century can be seen as an integral part of the historical account of western North Carolina.
A multifaceted glimpse into a vital aspect of contemporary southern history, New South Indians is sure to appeal to a wide variety of readers, from those captivated by Native American culture and the history of the modern South to those interested in economic history.
Power in the Blood: A Family Narrative traces Linda Tate’s journey to rediscover the Cherokee-Appalachian branch of her family and provides an unflinching examination of the poverty, discrimination, and family violence that marked their lives. In her search for the truth of her own past, Tate scoured archives, libraries, and courthouses throughout Kentucky, Tennessee, Alabama, Illinois, and Missouri, visited numerous cemeteries, and combed through census records, marriage records, court cases, local histories, old maps, and photographs. As she began to locate distant relatives — fifth, sixth, seventh cousins, all descended from her great-greatgrandmother Louisiana — they gathered in kitchens and living rooms, held family reunions, and swapped stories. A past that had long been buried slowly came to light as family members shared the pieces of the family’s tale that had been passed along to them.
Power in the Blood is a dramatic family history that reads like a novel, as Tate’s compelling narrative reveals one mystery after another. Innovative and groundbreaking in its approach to research and storytelling, Power in the Blood shows that exploring a family story can enhance understanding of history, life, and culture and that honest examination of the past can lead to healing and liberation in the present.
Marcoux studies the material remains of daily life in order to identify the strategies that households enacted while adapting to the social, political, and economic disruptions associated with European contact. The author focuses on households as the basic units of analysis because these represent the most fundamental and pervasive unit of economic and social production in the archaeological record. His investigations show how the daily lives of Cherokee households changed dramatically as they coped with the shifting social, political, and economic currents of the times. He demonstrates that the community excavated at the Townsend site was formed by immigrant households who came together from geographically disparate and ethnically distinct Cherokee settlements as a way to ameliorate population losses. He also explores changes in community and household patterning, showing how the spatial organization of the Townsend community became less formal and how households became more transient compared to communities predating contact with Europeans. From this evidence, Marcoux concludes that these changes reflect a broader strategic shift to a more flexible lifestyle that would have aided Cherokee households in negotiating the social, political, and economic uncertainty of the period.
A major economic industry among American Indian tribes is the public promotion and display of aspects of their cultural heritage in a wide range of tourist venues. Few do it better than the Eastern Band of the Cherokee, whose homeland is the Qualla Boundary of North Carolina. Through extensive research into the work of other scholars dating back to the late 1800s, and interviews with a wide range of contemporary Cherokees, Beard-Moose presents the two faces of the Cherokee people. One is the public face that populates the powwows, dramatic presentations, museums, and myriad roadside craft locations. The other is the private face whose homecoming, Indian fairs, traditions, belief system, community strength, and cultural heritage are threatened by the very activities that put food on their tables. Constructing an ethnohistory of tourism and comparing the experiences of the Cherokee with the Florida Seminoles and Southwestern tribes, this work brings into sharp focus the fine line between promoting and selling Indian culture.
Slavery was practiced among North American Indians long before Europeans arrived on these shores, bringing their own version of this “peculiar institution.” Unlike the European institution, however, Native American slavery was function of warfare among tribes, replenishment of population lost through intertribal conflict or disease, and establishment and preservation of tribal standards of behavior. American Indians had little use, in primary purpose of slavery among Europeans.
Theda Perdue here traces the history of slavery among the Cherokee Indians as it evolved from 1540 to 1866, indicating not only why the intrusion of whites, “slaves” contributed nothing to the Cherokee economy. During the colonial period, however, Cherokees actively began to capture members of other tribes and were themselves captured and sold to whites as chattels for the Caribbean slave trade. Also during this period, African slaves were introduced among the Indians, and when intertribal warfare ended, the use of forced labor to increase agricultural and other production emerged within Cherokee society.
Well aware that the institution of black slavery was only one of many important changes that gradually broke down the traditional Cherokee culture after 1540, Professor Perdue integrates her concern with slavery into the total picture of cultural transformation resulting from the clash between European and Amerindian societies. She has made good use of previous anthropological and sociological studies, and presents an excellent summary of the relevant historical materials, ever attempting to see cultural crises from the perspective of the Cherokees. The first over-all account of the effect of slavery upon the Cherokees, Perdue’s acute analysis and readable narrative provide the reader with a new angle of vision on the changing nature of Cherokee culture under the impact of increasing contact with Europeans.
Sounds of Tohi: Cherokee Health and Well-Being in Southern Appalachia is the result of almost two decades of work by medical anthropologist Lisa J. Lefler and Cherokee elder and traditionalist Thomas N. Belt. The narrative consists of a dialogue between them that displays traditional Indigenous knowledge as well as the importance of place for two people from cultures and histories that intersect in the mountains of Southern Appalachia. Together, Lefler and Belt decolonize thinking about health, well-being, and environmental issues through the language and experiences of people whose identity is inextricably linked to the mountains and landscape of western North Carolina.
Lefler and Belt discuss several critical cultural concepts that explain the science of relationships with this world, with the spirit world, and with people. They explore tohi, the Cherokee concept of health, which offers a more pervasive understanding of relationships in life as balanced and moving forward in a good way. They converse about the importance of matrilineality, particularly in light of community healing, the epistemologies of Cherokee cosmography, and decolonizing counseling approaches.
The discussions here offer a different way of approaching the issues that face Americans in this difficult time of division. Lefler and Belt share their urgency to take action against the wholesale exploitation of public lands and the shared environment, to work to perpetuate tribal languages, to preserve the science that can make a difference in how people treat one another, and to create more forums that are inclusive of Native and marginalized voices and that promote respect and appreciation of one another and the protection of sacred places. Throughout, they rely on the preservation of traditional knowledge, or Native science, via Native language to provide insight as to why people should recognize a connection to the land.
Sovereignty unfolds over two parallel timelines. In present-day Oklahoma, a young Cherokee lawyer, Sarah Ridge Polson, and her colleague Jim Ross defend the inherent jurisdiction of Cherokee Nation in the U.S. Supreme Court when a non-Indian defendant challenges the Nation’s authority to prosecute non-Indian perpetrators of domestic violence. Their collaboration is juxtaposed with scenes from 1835, when Cherokee Nation was eight hundred miles to the east in the southern Appalachians. That year, Sarah’s and Jim’s ancestors, historic Cherokee rivals, were bitterly divided over a proposed treaty with the administration of Andrew Jackson, the Treaty of New Echota, which led to the nation’s removal to Oklahoma on the infamous Trail of Tears.
A direct descendant of nineteenth-century Cherokee leaders John Ridge and Major Ridge, Mary Kathryn Nagle has penned a play that twists and turns from violent outbursts to healing monologues, illuminating a provocative double meaning for the sovereignty of both tribal territory and women’s bodies. Taking as its point of departure the story of one lawyer’s passionate defense of the rights of her people to prosecute non-natives who commit crimes on reservations, Sovereignty opens up into an expansive exploration of the circular continuity of history, human memory, and the power of human relationships.
Emily Legg turns to the Cherokee medicine wheel and cardinal directions as a Cherokee rhetorical discipline of knowledge making in the archives, an embodied and material practice that steers knowledge through the four cardinal directions around all relations. Going beyond historiography, Legg delineates educational practices that are intertwined with multiple strands of traditional Cherokee stories that privilege Indigenous and matriarchal theoretical lenses. Stories of Our Living Ephemera synthesizes the connections between contemporary and nineteenth-century academic experiences to articulate the ways that colonial institutions and research can be Indigenized by centering Native American sovereignty.
By undoing the erasure of Cherokee literacy and educational practices, Stories of Our Living Ephemera celebrates the importance of storytelling, especially for those who are learning about Indigenous histories and rhetorics. This book is of cultural importance and value to academics interested in composition and pedagogy, the Cherokee Nation, and a general audience seeking to learn about Indigenous rhetorical devices and Cherokee history.
“All my work fits in my mouth,” Jo Carson says. “I write performance material no matter what else the pieces get called, and whether they are for my voice or other characters’ voices … they are first to be spoken aloud.” Following an oral tradition that has strong roots in her native Tennessee, the author of Teller Tales invites the reader to participate in events in a way that no conventional history book can.
Both stories in this book are set in East Tennessee in the mid-eighteenth century and share certain characters. The first narrative, “What Sweet Lips Can Do,” recounts the story of the Overmountain Men and the battle of King’s Mountain, a tide-turning battle in the American Revolution. “Men of Their Time” is an exploration of white-Cherokee relationships from early contact through the time of the Revolution.
Although not well known to the outside world, the stories recounted in Teller Tales are cornerstones in the heritage of the Appalachian region and of American history. In ways that will appeal to young and old alike, Jo Carson’s irreverent telling will broaden the audience and the understanding for the stories of native Americans, settlers, explorers, and revolutionaries of early America.
During the 1838 forced Cherokee removal by the US government, a number of close-knit Cherokee communities in the Southern Appalachian Mountains refused to relinquish their homelands, towns, and way of life. Using a variety of tactics, hundreds of Cherokees avoided the encroaching US Army and remained in the region.
In his book Their Determination to Remain: A Cherokee Community’s Resistance to the Trail of Tears in North Carolina, Lance Greene explores the lives of wealthy plantation owners Betty and John Welch who lived on the southwestern edge of the Cherokee Nation. John was Cherokee and Betty was White. Although few Cherokees in the region participated in slavery, the Welches held nine African Americans in bondage.
During removal, the Welches assisted roughly 100 Cherokees hiding in the steep mountains. Afterward, they provided land for these Cherokees to rebuild a new community, Welch’s Town. Betty became a wealthy and powerful plantation mistress because her husband could no longer own land. Members of Welch’s Town experienced a transitional period in which they had no formal tribal government or clear citizenship yet felt secure enough to reestablish a townhouse, stickball fields, and dance grounds.
Greene’s innovative study uses an interdisciplinary approach, incorporating historical narrative and archaeological data, to examine how and why the Welches and members of Welch’s Town avoided expulsion and reestablished their ways of life in the midst of a growing White population who resented a continued Cherokee presence. The Welch strategy included Betty’s leadership in demonstrating outwardly their participation in modern Western lifestyles, including enslavement, as John maintained a hidden space—within the boundaries of their land—for the continuation of traditional Cherokee cultural practices. Their Determination to Remain explores the complexities of race and gender in this region of the antebellum South and the real impacts of racism on the community.
As settlers moved beyond the eastern seaboard during the early nineteenth century, the government forced thousands of American Indians from their ancestral lands. The Cherokees, the largest and most important tribe in the Southeast, fought exile with a combination of passive resistance and national publicity for their plight. Because they had successfully resisted the government's efforts to move them from their homeland, their removal was particularly brutal when it finally came. The Trail of Tears across Missouri is a moving account of the 1837-1838 removal of the Cherokees from the southeastern United States to Indian Territory (now Oklahoma).
After providing an overview of the Cherokees' life in the Southeast and of the events leading up to their exile, Joan Gilbert traces the mass exodus state by state from Tennessee to Arkansas. Successive chapters highlight the experiences and the hardships endured by those forced to travel with inadequate supplies of food, clothing, and transportation. It is estimated that four thousand Cherokees, nearly a quarter of the tribe, died.
In bringing the grim realities of the forced march to life, Gilbert draws from such primary sources as letters, newspaper stories, and the writings of missionaries, guides, and doctors who accompanied them. She focuses on the Cherokees' experiences as they passed through Missouri, using the journals of Dr. W. I. I. Morrow and guide B. B. Cannon.
In addition to chronicling the removal of the Cherokees, Gilbert also brings the story up to date by describing how the nation lives today and how the Trail of Tears has been commemorated.
Tuckaleechee Cove’s rich past emerged from years of archaeological and historical research that began in 1999 when a state highway project uncovered a wealth of Native American and Euro-American remains, including burial mounds, fragments of tools, weapons, cooking vessels, and other evidence of past activity. This bountifully illustrated book combines details from that study with fascinating bits of history to tell the story of the cove and its disparate peoples.
The earliest Native Americans to visit the area were hunters and foragers who moved in small bands through the cove setting up temporary camps. Over the millennia, foraging gave way to more settled farming practices, with the establishment of permanent settlements about 2,000 years ago. By the 1600s the area’s residents were Cherokees who would soon encounter European explorers and traders. Displacing the Cherokees, Euro-Americans formed a number of small communities
in the cove with colorful names like Frog Town and Needmore. They farmed the land; built churches, schools, and small businesses; and fought in the Civil War. In 1900, a northern investor named W. B. Townsend recognized the area’s potential as a source of timber, and two years later the town bearing his name was literally abuzz with sawmill activity. By the Great Depression, however, the mills had closed, bringing hardship to cove residents. A measure of relief came in 1934 when the Great Smoky Mountains National Park was established nearby, opening a new, still unfolding chapter in the area’s history.
Boyce N. Driskell is the past director of the Archaeological Research Laboratory and adjunct research professor in the Department of Anthropology at the University of Tennessee, Knoxville.
Robert J. Norrell is a professor and the Bernadotte Schmidt Chair of Excellence in the Department of History at the University of Tennessee, Knoxville.
For the Cherokee, health is more than the absence of disease; it includes a fully confident sense of a smooth life, peaceful existence, unhurried pace, and easy flow of time. The natural state of the world is to be neutral, balanced, with a similarly gently flowing pattern. States of imbalance, tension, or agitation are indicative of physical, mental, emotional, or spiritual illness and whether caused intentionally through omission or commission, or by outside actions or influences, the result affects and endangers the collective Cherokee.
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