front cover of Captain Billy's Troopers
Captain Billy's Troopers
A Writer's Life
William Cobb
University of Alabama Press, 2015
Opens a candid window into the life of a writer and teacher who overcame years of addiction and serious health problems as his voice, artistic vision, and sense of self evolved and matured

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).
 
Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.
 
From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.
 
In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.
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front cover of The Primacy of Perception
The Primacy of Perception
And Other Essays on Phenomenological Psychology, the Philosophy of Art, History and Politics
Maurice Merleau-Ponty
Northwestern University Press, 1964
The Primacy of Perception brings together a number of important studies by Maurice Merleau-Ponty that appeared in various publications from 1947 to 1961. The title essay, which is in essence a presentation of the underlying thesis of his Phenomenology of Perception, is followed by two courses given by Merleau-Ponty at the Sorbonne on phenomenological psychology. "Eye and Mind" and the concluding chapters present applications of Merleau-Ponty's ideas to the realms of art, philosophy of history, and politics. Taken together, the studies in this volume provide a systematic introduction to the major themes of Merleau-Ponty's philosophy.
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front cover of The Remembered Gate
The Remembered Gate
Memoirs by Alabama Writers
Jay Lamar
University of Alabama Press, 2002
Showcases nineteen nationally known writers who have roots in Alabama

In The Remembered Gate, nationally prominent fiction writers, essayists, and poets recall how their formative years in Alabama shaped them as people and as writers. The essays range in tone from the pained and sorrowful to the wistful and playful, in class from the privileged to the poverty-stricken, in geography from the rural to the urban, and in time from the first years of the 20th century to the height of the Civil Rights era and beyond.

In all the essays we see how the individual artists came to understand something central about themselves and their art from a changing Alabama landscape. Whether from the perspective of C. Eric Lincoln, beaten for his presumption as a young black man asking for pay for his labors, or of Judith Hillman Paterson, floundering in her unresolved relationship with her troubled family, these personal renderings are intensely realized visions of a writer's sense of being a writer and a human being. Robert Inman tells of exploring his grandmother's attic, and how the artifacts he found there fired his literary imagination. William Cobb profiles the lasting influence of the town bully, the diabolical Cletus Hickey. And in “Growing up in Alabama: A Meal in Four Courses, Beginning with Dessert,” Charles Gaines chronicles his upbringing through the metaphor of southern cooking.

What emerges overall is a complex, richly textured portrait of men and women struggling with, and within, Alabama’s economic and cultural evolution to become major voices of our time.
 
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