A SCHOLARLY BOOK REPOSITORY
The Complete Story of the First Attempt to Assassinate President Abraham Lincoln
"In a thrilling detective story of conspiracy, treachery and assassination, Michael J. Kline suggests how close the Baltimore plotters came to achieving their goal, and reveals how Lincoln and a few guards outwitted them. Meticulously researched and written with verve, "The Baltimore Plot" takes readers aboard Lincoln's inaugural train for a perilous and unforgettable journey." —James L. Swanson, author of the Edgar Award-winning New York Times bestseller Manhunt: The 12-Day Chase for Lincoln's Killer
On February 11, 1861, the "Lincoln Special" - Abraham Lincoln's private train—began its journey from Springfield, Illinois, to the City of Washington, carrying the president-elect to his inauguration as the sixteenth president of the United States. Considered a "sectional candidate" by the South, and winning the election without the popular vote, Lincoln was so despised that seven states immediately seceded from the Union. Over the next twelve days, Lincoln would speak at numerous stops, including Indianapolis, Columbus, Cleveland, Pittsburgh, Buffalo, Albany, New York, and Philadelphia, expressing his desire to maintain the Union. But as Lincoln made his way east, America's first private detective, Allan Pinkerton, and a separate undercover operation by New York City detectives, uncovered startling evidence of a conspiracy to assassinate Lincoln during his next-to-last stop in Baltimore. Long a site of civil unrest—even Robert E. Lee's father, Henry "Light Horse Harry" Lee, was nearly beaten to death in its streets—Baltimore provided the perfect environment for a strike. The largest city of a border state with secessionist sympathies, Baltimore had been infiltrated by paramilitary groups bent on killing Lincoln, the "Black Republican." The death of the president-elect would, it was supposed, throw the nation into chaos and allow the South to establish a new nation and claim Washington as its capital. Warned in time, Lincoln outfoxed the alleged conspirators by slipping through Baltimore undetected, but at a steep price. Ridiculed by the press for "cowardice" and the fact that no conspirators were charged, Lincoln would never hide from the public again. Four years later, when he sat unprotected in the balcony of Ford's Theatre, the string of conspiracies against his life finally succeeded. One of the great presidential mysteries and long a source of fascination among Lincoln scholars, the Baltimore Plot has never been fully investigated until now. In The Baltimore Plot: The First Conspiracy to Assassinate Abraham Lincoln, Michael J. Kline turns his legal expertise to evaluating primary sources in order to discover the extent of the conspiracy and culpability of the many suspects surrounding the case. Full of memorable characters, including Kate Warne, the first female undercover agent, and intriguing plot twists, the story is written as an unfolding criminal proceeding in which the author allows the reader to determine whether there was a true plot to kill Lincoln and if the perpetrators could have been brought to trial.
"A Coin in Nine Hands has . . . passages that move close to poetry and a story that belongs in both literature and history."—Doris Grumbach, Los Angeles Times Book Review
"What lingers at the end of A Coin in Nine Hands is the shadowiness and puppetlike vagueness of the Dictator, and the compelling specificity of the so-called 'common people' revolving all around him."—Anne Tyler, The New Republic
"Within a few pages we have met half the major characters in this haunting, brilliantly constructed novel. . . . The studied perfection, the structural intricacy and brevity remind one of Camus. Yet by comparison, Yourcenar's prose is lavish, emotional and imagistic."—Cynthia King, Houston Post
"Transcends its specific time and place to become a portrait of vividly delineated characters caught in the vise of a tragically familiar political situation."—Publisher's Weekly
Best known as the author of Memoirs of Hadrian and The Abyss, Marguerite Yourcenar (1903-87) achieved countless literary honors and was the first woman ever elected to the Académie Française.
In this sweeping book, Thomas Milan Konda traces the country’s obsession with conspiratorial thought from the early days of the republic to our own anxious moment. Conspiracies of Conspiracies details centuries of sinister speculations—from antisemitism and anti-Catholicism to UFOs and reptilian humanoids—and their often incendiary outcomes. Rather than simply rehashing the surface eccentricities of such theories, Konda draws from his unprecedented assemblage of conspiratorial writing to crack open the mindsets that lead people toward these self-sealing worlds of denial. What is distinctively American about these theories, he argues, is not simply our country’s homegrown obsession with them but their ongoing prevalence and virulence. Konda proves that conspiracy theories are no harmless sideshow. They are instead the dark and secret heart of American political history—one that is poisoning the bloodstream of an increasingly sick body politic.
Conspiracy is a thread that runs throughout the tapestry of Roman history. From the earliest days of the Republic to the waning of the Empire, conspiracies and intrigues created shadow worlds that undermined the openness of Rome's representational government. To expose these dark corners and restore a sense of order and safety, Roman historians frequently wrote about famous conspiracies and about how their secret plots were detected and the perpetrators punished. These accounts reassured readers that the conspiracy was a rare exception that would not happen again—if everyone remained vigilant.
In this first book-length treatment of conspiracy in Roman history, Victoria Pagán examines the narrative strategies that five prominent historians used to disclose events that had been deliberately shrouded in secrecy and silence. She compares how Sallust, Livy, and Tacitus constructed their accounts of the betrayed Catilinarian, Bacchanalian, and Pisonian conspiracies. Her analysis reveals how a historical account of a secret event depends upon the transmittal of sensitive information from a private setting to the public sphere—and why women and slaves often proved to be ideal transmitters of secrets. Pagán then turns to Josephus's and Appian's accounts of the assassinations of Caligula and Julius Caesar to explore how the two historians maintained suspense throughout their narratives, despite readers' prior knowledge of the outcomes.
In this detailed cultural history, Michael Mark Cohen argues that a legal, ideological, and representational politics of conspiracy contributed to the formation of a genuinely revolutionary mass culture in the United States, starting with the 1886 Haymarket bombing. Drawing on a wealth of primary sources, The Conspiracy of Capital offers a new history of American radicalism and the alliance between the modern business corporation and national security state through a comprehensive reassessment of the role of conspiracy laws and conspiracy theories in American social movements.
Ever since the Warren Commission concluded that a lone gunman assassinated President John F. Kennedy, people who doubt that finding have been widely dismissed as conspiracy theorists, despite credible evidence that right-wing elements in the CIA, FBI, and Secret Service—and possibly even senior government officials—were also involved. Why has suspicion of criminal wrongdoing at the highest levels of government been rejected out-of-hand as paranoid thinking akin to superstition?
Conspiracy Theory in America investigates how the Founders’ hard-nosed realism about the likelihood of elite political misconduct—articulated in the Declaration of Independence—has been replaced by today’s blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term “conspiracy theory” entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commission’s report. He asks tough questions and connects the dots among five decades’ worth of suspicious events, including the assassinations of John and Robert Kennedy, the attempted assassinations of George Wallace and Ronald Reagan, the crimes of Watergate, the Iran-Contra arms-for-hostages deal, the disputed presidential elections of 2000 and 2004, the major defense failure of 9/11, and the subsequent anthrax letter attacks.
Sure to spark intense debate about the truthfulness and trustworthiness of our government, Conspiracy Theory in America offers a powerful reminder that a suspicious, even radically suspicious, attitude toward government is crucial to maintaining our democracy.
It’s 2006, and a cloud of darkness seems to have descended over the Earth—or at least over the minds of a ragtag assortment of Bay Area writers, drug dealers, social workers, porn directors, and Melvin, a street kid and refugee from his Mormon family. A shooter runs amok in an Amish schoolhouse, the president runs amok in the Middle East, a child is kidnapped from Disneyland, and on the local literary scene, a former child prostitute and wunderkind author that nobody has ever met has become a media sensation.
But something is fishy about this author, Huey Beauregard, and so Melvin and his friends Felicia and Philip launch an investigation into the webs of self-serving stories, lies, rumors, and propaganda that have come to constitute our sad, fractured reality.
Glory Hole is a novel about the ravages of time and the varied consequences of a romantic attitude toward literature and life. It is about AIDS, meth, porn, fake biographies, street outreach, the study of Arabic verb forms, Polish transgender modernists, obsession, and future life forms. It’s about getting lost in the fog, about prison as both metaphor and reality, madness, evil clowns, and mystical texts.
Vast and ambitious, comic and tragic, the novel also serves as a version of the I Ching, meaning it can be used as an oracle.
Julius Caesar, Shakespeare’s famous Roman tragedy, chronicles the chaos leading up to the fateful murder of Caesar and the ensuing political fallout upon his death. Shishir Kurup’s translation updates Shakespeare’s language to allow more of the playwright’s ideas to come through; it opens the wonders and blazing relevance of the play’s rhetorical brilliance to the twenty-first century.
This translation of Julius Caesar was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
In Much Ado About Nothing, a series of miscommunications and misunderstandings spiral out of control, leaving two sets of lovers to untangle their words and their hearts. Ranjit Bolt, an accomplished translator, takes on Shakespeare’s well-loved comedy to update much of the obscure language while maintaining the humor, characterization, and wit that audiences know and love. For modern readers, Beatrice, Benedick, Hero, and Claudio are just as enchanting as always—and perhaps funnier than ever before.
This translation of Much Ado About Nothing was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present work from “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
An examination of the American fascination with conspiracy and the distrust it sows
The recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracy (i.e., Vietnam and the Pentagon Papers, Area 51, Iran-Contra Affair), Samuel Chase Coale reminds us in this book that conspiracy is foundational in American culture—from the apocalyptic Biblical narratives in early Calvinist households to the fear of Mormon, Catholic, Jewish, and immigrant populations in the 19th century.
Coale argues that contemporary culture—a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust—has fostered a radical skepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.
Conspiracy as embodied in narrative form provides a fertile field for explorations of the anxiety lying at the heart of the postmodern experience. Thomas Pynchon's The Crying of Lot 49, Don DeLillo's Underworld, Toni Morrison's Jazz and Paradise, Joan Didion's Democracy, Tim O'Brien's In the Lake of the Woods, and Paul Auster's New York City Trilogy are some of the texts Coale examines for their representations of isolated individuals at the center of massive, anonymous master plots that lay beyond their control. These narratives remind us that our historical sense of national identity has often been based on the demonizing of others and that American fiction arose and still flourishes with apocalyptic visions.
Some pieces develop conversations that reveal the post-Cold War situations of countries such as Italy, Russia, Slovenia, and the United States where conspiratorial explanations of national dramas seem to make sense. Other pieces tackle paranoia as a style of debate in such diverse realms as science, psychotherapy, and popular entertainment, where conspiracy theories emerge as a compelling way to address the inadequacies of rational expertise and organization in the face of immense changes that undermine them. Like all of the volumes in the Late Edition series, Paranoia Within Reason offers a provocative challenge to our ways of understanding the ongoing watershed changes that face us.
The working classes, colonial subjects, European nationalists, and Roman Catholics—these groups generated intense anxiety for Victorian England’s elite public, which often responded by accusing them of being dangerous conspirators. Bringing together a wide range of literary and historical evidence, Albert D. Pionke argues that the pejorative meanings attached to such opportunistic accusations of conspiracy were undermined by the many valorized versions of secrecy in Victorian society.
After surveying England’s evolving theories of representative politics and individual and collective secretive practices, Pionke traces the intersection of democracy and secrecy through a series of case histories. Using works by Thomas Carlyle, Wilkie Collins, Charles Dickens, Benjamin Disraeli, John Henry Newman, and others, along with periodicals, histories, and parliamentary documents of the period, he shows the rhetorical prominence of groups such as the Freemasons, the Thugs, the Carbonari, the Fenians, and the Jesuits in Victorian democratic discourse.
By highlighting the centrality of representations of conspiracy in every case, Plots of Opportunity shows for the first time the markedly similar strategies of repression, resistance, and concealment used by competing agents in the democracy debate.
The turbulent history of the United States has provided a fertile ground for conspiracies, both real and imagined. From the American Revolution to the present day, conspiracy discourse—linguistic and symbolic practices and artifacts revolving around themes, claims, or accusations of conspiracy—has been a staple of political rhetoric. Some conspiracy theories never catch on with the public, while others achieve widespread popularity. Whether successful or not, the means by which particular conspiracy theories spread is a rhetorical process, a process in which persuasive language, symbolism, and arguments act upon individual minds within concrete historical and political settings.
Conspiracy rhetoric was a driving force in the evolution of antebellum political culture, contributing to the rise and fall of the great parties in the nineteenth century. One conspiracy theory in particular—the "slave power" conspiracy—was instrumental in facilitating the growth of the young Republican Party's membership and ideology. The Political Style of Conspiracy analyzes the concept and reality of the "slave power" in the rhetorical discourse of the mid-nineteenth-century, in particular the speeches and writing of politicians Salmon P. Chase, Charles Sumner, and Abraham Lincoln. By examining their mainstream texts, Pfau reveals that, in addition to the "paranoid style" of conspiracy rhetoric that inhabits the margins of political life, Lincoln, Chase, and Sumner also engaged in a distinctive form of conspiracy rhetoric that is often found at the center of mainstream American society and politics.
In 1468, on the final night of Carnival in Rome, Pope Paul II sat enthroned above the boisterous crowd, when a scuffle caught his eye. His guards had intercepted a mysterious stranger trying urgently to convey a warning—conspirators were lying in wait to slay the pontiff. Twenty humanist intellectuals were quickly arrested, tortured on the rack, and imprisoned in separate cells in the damp dungeon of Castel Sant’Angelo.
Anthony D’Elia offers a compelling, surprising story that reveals a Renaissance world that witnessed the rebirth of interest in the classics, a thriving homoerotic culture, the clash of Christian and pagan values, the contest between republicanism and a papal monarchy, and tensions separating Christian Europeans and Muslim Turks. Using newly discovered sources, he shows why the pope targeted the humanists, who were seen as dangerously pagan in their Epicurean morals and their Platonic beliefs about the soul and insurrectionist in their support of a more democratic Church. Their fascination with Sultan Mehmed II connected them to the Ottoman Turks, enemies of Christendom, and the love of the classical world tied them to recent rebellious attempts to replace papal rule with a republic harking back to the glorious days of Roman antiquity.
From the cosmetic-wearing, parrot-loving pontiff to the Turkish sultan, savage in war but obsessed with Italian culture, D’Elia brings to life a Renaissance world full of pageantry, mayhem, and conspiracy and offers a fresh interpretation of humanism as a dynamic communal movement.
“This is a sophisticated and fascinating argument written in a very enjoyably entertaining style. It is hard for me to see how readers initially interested in these texts will not be ‘swept off their feet’ by the core assertions of this author, and the devastatingly comprehensive way in which he demonstrates those arguments.”
—Brent Steele, University of Kansas
In Textual Conspiracies, James R. Martel applies the literary, theological, and philosophical insights of Walter Benjamin to the question of politics and the predicament of the contemporary left. Through the lens of Benjamin’s theories, as influenced by Kafka, of the fetishization of political symbols and signs, Martel looks at the ways in which various political and literary texts “speak” to each other across the gulf of time and space, thereby creating a “textual conspiracy” that destabilizes grand narratives of power and authority and makes the narratives of alternative political communities more apparent.
However, in keeping with Benjamin’s insistence that even he is complicit with the fetishism that he battles, Martel decentralizes Benjamin’s position as the key theorist for this conspiracy and contextualizes Benjamin in what he calls a “constellation” of pairs of thinkers and writers throughout history, including Alexis de Tocqueville and Edgar Allen Poe, Hannah Arendt and Federico García Lorca, and Frantz Fanon and Assia Djebar.
In this vivid history, Jo Ann Trogdon reveals William Clark’s highly questionable activities during the years before his famous journey west of the Mississippi. Delving into the details of Clark’s diary and ledger entries, Trogdon investigates evidence linking Clark to a series of plots—often called the Spanish Conspiracy—in which corrupt officials sought to line their pockets with Spanish money and to separate Kentucky from the United States. The Unknown Travels and Dubious Pursuits of William Clark gives readers a more complex portrait of the American icon than has been previously written.
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