During the early part of the Cold War, Japan emerged as a model ally, and Japanese Americans were seen as a model minority. From Confinement to Containment examines the work of four Japanese and Japanese/American artists and writers during this period: the novelist Hanama Tasaki, the actor Yamaguchi Yoshiko, the painter Henry Sugimoto, and the children’s author Yoshiko Uchida. The backgrounds of the four figures reveal a mixing of nationalities, a borrowing of cultures, and a combination of domestic and overseas interests.

Edward Tang shows how the film, art, and literature made by these artists revealed to the American public the linked processes of U.S. actions at home and abroad. Their work played into—but also challenged—the postwar rehabilitated images of Japan and Japanese Americans as it focused on the history of transpacific relations such as Japanese immigration to the United States, the Asia-Pacific War, U.S. and Japanese imperialism, and the wartime confinement of Japanese Americans. From Confinement to Containment shows the relationships between larger global forces as well as how the artists and writers responded to them in both critical and compromised ways.

In 1945 the United States saw the Soviet Union as its principal ally. By 1947, it saw the Soviet Union as its principal opponent. How did this happen? Historian John Lukacs has provided an answer to this question through an exchange of letters with George F. Kennan. Their correspondence deals with the antecedents of containment between 1944 and 1946, during most of which time Kennan was at the American embassy in Moscow.

Kennan had strong opinions about America's appropriate role during and after World War II and is perhaps best known as the architect of America's containment policy. Much has been written about Kennan and containment, but relatively little is known about the events that made him compose and send the Long Telegram in 1946 that ultimately became the draft for foreign policy dealing with the Soviets in the following forty years.

These letters show Kennan's fear of the extent to which the United States misunderstood the Soviet regime. Especially in 1944, at the time of the Russians' betrayal of the Warsaw Uprising, it became evident that the Soviets were interested in establishing their rigid domination of Eastern and Central Europe and dividing the continent.

Kennan's letters to Lukacs are thorough and detailed, suggesting that the Truman administration was not in the least premature in opposing the Soviet Union. Indeed, both correspondents suggest that these decisions should have been made earlier. This series of letters will add greatly to our understanding of what preceded containment and the Cold War in 1947.

First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure. 
 
Hero Me Not offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman. 
 
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you. 

The peoples of Namibia have been on the move throughout history. The South Africans in 1915 took over from the Germans in trying to fit Namibia into a colonial landscape. This book is about the clashes and stresses which resulted from the first three decades of South African colonial rule.

Namibia under South African Rule is a major contribution to Namibian historiography, exploring, in particular, many new themes in twentieth-century Namibian history. Here is exciting new work from a host of scholars and writers on a heretofore under-researched subject.