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Building Successful and Sustainable Film and Television Businesses
A Cross-National Perspective
Edited by Eva Bakoy, Roel Puijk, and Andrew Spicer
Intellect Books, 2017
This edited collection focuses on successful small and medium-sized film and television companies in Norway, Denmark, the Netherlands, and the United Kingdom. The contributors explore case studies of businesses that have prospered over a period of at least five years and have made several successful productions, both in terms of popularity and critical acclaim. The chapters investigate each company’s history and evolution and offer comparisons and contrasts. The book presents an overview of the film and television sectors in each country and draws together the common elements that may explain how they have been able to survive and thrive.
 
Building Successful and Sustainable Film and Television Businesses provides a truly cross-national, comparative dialogue that is vital to the field of media industry studies today.
 
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front cover of Writing with Authority
Writing with Authority
Students' Roles as Writers In Cross-National Perspective
David Foster
Southern Illinois University Press, 2006

Writing with Authority: Students’ Roles as Writers in Cross-National Perspective offers a comparison of student writers in two university cultures—one German and one American—as the students learn to connect their writing to academic content. David Foster demonstrates the effectiveness of using cross-cultural comparisons to assess differences in literacy activities and suggests teaching approaches that will help American students better develop their roles as writers in knowledge-based communities. He proposes that American universities make stronger efforts to nurture the autonomy of American undergraduates as learner-writers and to create apprenticeship experiences that more closely reflect the realities of working in the academic community.

This comparative analysis identifies crucial differences in the ways German and American students learn to become academic writers, emphasizing two significant issues: the importance of self-directed, long-term planning and goal setting in developing knowledge-based projects and the impact of time structures on students’ writing practices. Foster suggests that students learn to write as knowledge makers, using cumulative, recursive task development as reflexive writing practices. He argues for the full integration of extended, self-managed, knowledge-based writing tasks into the American undergraduate curriculum from the onset of college study.

A cross-national perspective offers important insights into the conditions that influence novice writers, Foster says, including secondary preparations and transitions to postsecondary study. Foster proposes that students be challenged to write transformatively—to master new forms of authorship and authority based on self-directed planning, researching, and writing in specific academic communities. The text also addresses contested issues of power relations in students’ roles as academic writers and their perception of personal authority and freedom as writers.

A course model incorporates significant, self-directed writing projects to help students build sustainable roles as transformative writers, outlines “change goals” to help teachers develop curricular structures that support cumulative writing projects across the undergraduate curriculum, and shows how teachers can develop self-directed writing projects in a variety of program environments.

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