A SCHOLARLY BOOK REPOSITORY
The books Dancing at the Crossroads: Stories for Mentoring At-Risk Youth, Practitioner’s Guidebook and Caregiver’s Guidebook are packed with the lessons of fifteen years in the field working with at-risk populations in runaway shelters, group homes, residential treatment facilities and one-on one with youth and parents. Out of a real understanding of these young people and their needs, and a passion for helping guide them into the adult circle, Lorna MacDonald Czarnota has compiled a collection of time-tested stories with activities, advice and information for parents and families, and a series of programs that storytellers, mental health workers, counselors, therapists, and others can utilize with groups of their own.
The books Dancing at the Crossroads: Stories for Mentoring At-Risk Youth, Practitioner’s Guidebook and Caregiver’s Guidebook are packed with the lessons of fifteen years in the field working with at-risk populations in runaway shelters, group homes, residential treatment facilities and one-on one with youth and parents. Out of a real understanding of these young people and their needs, and a passion for helping guide them into the adult circle, Lorna MacDonald Czarnota has compiled a collection of time-tested stories with activities, advice and information for parents and families, and a series of programs that storytellers, mental health workers, counselors, therapists, and others can utilize with groups of their own.
As the nomadic hunters and gatherers of the ancient Near East turned to agriculture for their livelihood and settled into villages, religious ceremonies involving dancing became their primary means for bonding individuals into communities and households into villages. So important was dance that scenes of dancing are among the oldest and most persistent themes in Near Eastern prehistoric art, and these depictions of dance accompanied the spread of agriculture into surrounding regions of Europe and Africa.
In this pathfinding book, Yosef Garfinkel analyzes depictions of dancing found on archaeological objects from the Near East, southeastern Europe, and Egypt to offer the first comprehensive look at the role of dance in these Neolithic (7000-4000 BC) societies. In the first part of the book, Garfinkel examines the structure of dance, its functional roles in the community (with comparisons to dance in modern pre-state societies), and its cognitive, or symbolic, aspects. This analysis leads him to assert that scenes of dancing depict real community rituals linked to the agricultural cycle and that dance was essential for maintaining these calendrical rituals and passing them on to succeeding generations. In the concluding section of the book, Garfinkel presents and discusses the extensive archaeological data—some 400 depictions of dance—on which his study is based.
Combining scientific curiosity with travel and adventure, Dancing at the Dead Sea takes the reader on an intimate tour through the world's environmental hotspots. Readers join Mitchell as she tracks the spectacular biodiversity of regions as extraordinary as the island of Madagascar, the rain forests of Suriname, the parched oases of Jordan, the Arctic desert of Banks Island, the volcanic crests of Iceland, and, ultimately, the Galapagos archipelago, where Darwin conducted his famous research. Along the way, Mitchell introduces us to the numerous scientists and conservationists who are working to protect these endangered places. She also chronicles the courageous efforts of everyday men and women in these regions as they try to convince governments to turn the world's hotspots into environmentally protected areas.
Ultimately, Mitchell's travels around the world compel her to ponder our shelf life as a species in the grand evolutionary scheme of the planet. She wonders what Darwin would make of the profound ecological destruction she witnesses. Is the human race suicidal? What can help our species avert extinction? Posing tough and cutting questions such as these, Dancing at the Dead Sea is a must-read for aficionados of good science writing and travel literature alike.
In her work, Ostriker can be controversial, as when she attacks the academic establishment for rejecting the erotic dimension of poetry, or when she meditates on the significance of the black poet Lucille Clifton to herself as a reader, or when she argues that Allen Ginsberg's "Howl"--famous as the primary poem of the Beat Generation--is also a profoundly Jewish poem. Yet her writing is always lively and readable, free of academic jargon, inviting the reader to enjoy a wide range of poetic styles and experiences.
Ostriker's criticism, like her poetry, is both feminist and deeply humane. These essays on American poetry will appeal to students of poetry, scholars of American literature, and anyone who enjoys the work of the poets discussed in the book.
Alicia Ostriker is the author of nine books of poetry, including The Imaginary Lover, which won the William Carlos Williams Award and The Crack in Everything, which was a National Book award finalist in 1996, and which received the Paterson Prize in 1997 and the San Fransisco State Poetry Center Award in 1998. She is Distinguished Professor of English at Rutgers University.
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