Mother, daughter, granddaughter, and great-granddaughter—an impressive line of prominent women all named Zina. One converted to Mormonism in New York in 1835. The next married Joseph Smith and Brigham Young successively and served as the church’s general Relief Society president. The third assisted her husband, Charles Ora Card, in founding Cardston, Alberta. The fourth married future church apostle Hugh B. Brown.

Collectively this extended family had a significant impact on a large region of the American West. Individually each helped shape her particular era. Zina Young and Zina Card worked tirelessly for woman’s suffrage, and they encouraged women to study nursing and to become involved in industry. The two promoted drama and literature, and they inspired others through their speeches and expressions of spirituality, including speaking in tongues. They helped Mormon women feel good about themselves, and in the process they made the territory not only habitable but livable.

“This intimate account of the four-generation female dynasty of Zinas runs parallel to the traditional story of the LDS church, depicting a woman’s world, where revered men visit occasionally. The Zinas were central to all the important LDS female movements: spiritual gifts, celestial marriage, suffrage, the Relief Society, as well as motherhood and education. The authors have turned this rich, compelling record into a cohesive and illuminating window on the past.”
• CLAUDIA L. BUSHMAN, Adjunct Professor of History, Columbia University

“A rare view of a family of women from the beginnings of Mormon history, Four Zinas traces with a fine line the inter-generational strings which bind the heart. We need this book—because the authors offer an unprecedented analysis that stretches over both time and geography. It is an extraordinary story.”
• VALEEN TIPPETTS AVERY, Associate Professor of History, Northern Arizona University

The era of the Scientific Revolution has long been epitomized by Galileo. Yet many women were at its vanguard, deeply invested in empirical culture. They experimented with medicine and practical alchemy at home, at court, and through collaborative networks of practitioners. In academies, salons, and correspondence, they debated cosmological discoveries; in their literary production, they used their knowledge of natural philosophy to argue for their intellectual equality to men.

Meredith Ray restores the work of these women to our understanding of early modern scientific culture. Her study begins with Caterina Sforza’s alchemical recipes; examines the sixteenth-century vogue for “books of secrets”; and looks at narratives of science in works by Moderata Fonte and Lucrezia Marinella. It concludes with Camilla Erculiani’s letters on natural philosophy and, finally, Margherita Sarrocchi’s defense of Galileo’s “Medicean” stars.

Combining literary and cultural analysis, Daughters of Alchemy contributes to the emerging scholarship on the variegated nature of scientific practice in the early modern era. Drawing on a range of under-studied material including new analyses of the Sarrocchi–Galileo correspondence and a previously unavailable manuscript of Sforza’s Experimenti, Ray’s book rethinks early modern science, properly reintroducing the integral and essential work of women.

Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This pathbreaking study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them.

Drawing upon newspaper accounts, society columns, theater criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life.

Daughters of Eve is a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.

Finalist, 2022 Los Angeles Times Book Prize for Poetry
Finalist, 2022 Foreword INDIES for Poetry
Finalist, 2022 Golden Poppy Award for Poetry
Finalist, 2022 San Francisco/Nomadic Literary Award for Poetry

Drawing inspiration from the life of Harriet Tubman, Cynthia Parker-Ohene’s poetic narratives follow a historical arc of consciousness of Black folks: mislaid in potters’ fields and catalogued with other misbegotten souls, now unsettled as the unknown Black denominator. Who loved them? Who turned them away? Who dismembered their souls? In death, they are the institutionalized marked Black bodies assigned to parcels, scourged beneath plastic sheets identified as a number among Harriets as black, marked bodies. These poems speak to how the warehousing of enslaved and somewhat free beings belies their humanity through past performances in reformatories, workhouses, and hospitals for the negro insane. To whom did their Black lives belong? How are Black grrls socialized within the family to be out in the world? What is the beingness of Black women? How have the Harriets—the descended daughters of Harriet Tubman—confronted issues of caste and multiple oppressions? These poems give voice to the unspeakable, the unreachable, the multiple Black selves waiting to become.

Daughters of the Union casts a spotlight on some of the most overlooked and least understood participants in the American Civil War: the women of the North. Unlike their Confederate counterparts, who were often caught in the midst of the conflict, most Northern women remained far from the dangers of battle. Nonetheless, they enlisted in the Union cause on their home ground, and the experience transformed their lives.

Nina Silber traces the emergence of a new sense of self and citizenship among the women left behind by Union soldiers. She offers a complex account, bolstered by women's own words from diaries and letters, of the changes in activity and attitude wrought by the war. Women became wage-earners, participants in partisan politics, and active contributors to the war effort. But even as their political and civic identities expanded, they were expected to subordinate themselves to male-dominated government and military bureaucracies.

Silber's arresting tale fills an important gap in women's history. She shows the women of the North--many for the first time--discovering their patriotism as well as their ability to confront new economic and political challenges, even as they encountered the obstacles of wartime rule. The Civil War required many women to act with greater independence in running their households and in expressing their political views. It brought women more firmly into the civic sphere and ultimately gave them new public roles, which would prove crucial starting points for the late-nineteenth-century feminist struggle for social and political equality.

Sociologist Neil Gong explains why mental health treatment in Los Angeles rarely succeeds, for the rich, the poor, and everyone in between.
 
In 2022, Los Angeles became the US county with the largest population of unhoused people, drawing a stark contrast with the wealth on display in its opulent neighborhoods. In Sons, Daughters, and Sidewalk Psychotics, sociologist Neil Gong traces the divide between the haves and have-nots in the psychiatric treatment systems that shape the life trajectories of people living with serious mental illness. In the decades since the United States closed its mental hospitals in favor of non-institutional treatment, two drastically different forms of community psychiatric services have developed: public safety-net clinics focused on keeping patients housed and out of jail, and elite private care trying to push clients toward respectable futures.

In Downtown Los Angeles, many people in psychiatric crisis only receive help after experiencing homelessness or arrests. Public providers engage in guerrilla social work to secure them housing and safety, but these programs are rarely able to deliver true rehabilitation for psychological distress and addiction. Patients are free to refuse treatment or use illegal drugs—so long as they do so away from public view.

Across town in West LA or Malibu, wealthy people diagnosed with serious mental illness attend luxurious treatment centers. Programs may offer yoga and organic meals alongside personalized therapeutic treatments, but patients can feel trapped, as their families pay exorbitantly to surveil and “fix” them. Meanwhile, middle-class families—stymied by private insurers, unable to afford elite providers, and yet not poor enough to qualify for social services—struggle to find care at all.

Gong’s findings raise uncomfortable questions about urban policy, family dynamics, and what it means to respect individual freedom. His comparative approach reminds us that every “sidewalk psychotic” is also a beloved relative and that the kinds of policies we support likely depend on whether we see those with mental illness as a public social problem or as somebody’s kin. At a time when many voters merely want streets cleared of “problem people,” Gong’s book helps us imagine a fundamentally different psychiatric system—one that will meet the needs of patients, families, and society at large.