front cover of Embracing a Western Identity
Embracing a Western Identity
Jewish Oregonians, 1849-1950
Ellen Eisenberg
Oregon State University Press, 2015
Not all of Oregon’s pioneers were Christian farmers or bachelor prospectors. Indeed, many of the first brick buildings on Oregon’s newly platted Main Streets were built by Jewish merchants whose services were essential to town founding and growth.

In Embracing a Western Identity, Ellen Eisenberg places Jewish history in the larger context of western narratives, challenging the traditional view that the “authentic” North American Jewish experience stems from New York. The westward paths of Jewish Oregonians and their experiences of place shaped the communities, institutions, and identities they created, distinguishing them from other American Jewish communities. Eisenberg traces the Oregon Jewish experience from its pioneer beginnings in the mid-nineteenth century to the highly concentrated Portland communities of the mid-twentieth century.

Drawing on extensive archival resources at the Oregon Jewish Museum, this historical commentary explores patterns of migration and settlement, the place of Jews in the state’s ethnic landscape, their engagement in politics, the development of institutions, and their relationship to Zionism. Departing from familiar treatments of the Jewish experience, Embracing a Western Identity provides a critical look at the impact of place and opportunity upon the identities of migrants both as Oregonians and as American Jews. Readers and scholars interested in western history—religious, ethnic, expansionist, and otherwise—will enjoy Eisenberg’s accessible writing style and rich photograph collection.
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front cover of Embracing the Nonhuman in the Gospel of Mark
Embracing the Nonhuman in the Gospel of Mark
Dong Hyeon Jeong
SBL Press, 2023
In Embracing the Nonhuman in the Gospel of Mark, Dong Hyeon Jeong approaches the Gospel of Mark through the lens of nonhuman studies with an eye toward ecological consciousness. Drawing on the fields of nonhuman studies and postcolonial ecocriticism, Jeong disrupts nthropocentric readings of Mark by engaging animality, vegetality, and animacy theories in light of (colonized) ethnicity. His intersectional reading of Mark highlights the importance of engaging nonhuman biblical interpretation while being sensitive to the issue of racism arising from animalizing the other. By doing so, this book reimagines the Markan Jesus as the colonized messiah who embraces the nonhuman. Jeong encourages readers to consider the interconnectedness of humans, animals, and the environment, while also addressing issues of power, oppression, and marginalization.
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front cover of Embracing the Void
Embracing the Void
Rethinking the Origin of the Sacred
Richard Boothby
Northwestern University Press, 2023

A radical reinterpretation of the origin of religion through a psychoanalytic theorization of the unknown
 
Renowned psychoanalytic philosopher Richard Boothby puts forward a novel theory of religion inspired by Jacques Lacan’s theory of das Ding, the disquieting, inaccessible dimension of fellow human beings. This notion of an unfathomable excess, originally encountered in the figure of the mother, led Lacan to break with Freud’s formulation of the Oedipus complex and underlies Lacan’s distinctive conception of unconscious dynamics. Leaning on this account, Boothby shows how our sense of the sacred arises from our relation to what we do not know.
 
Embracing the Void lays out the range of Freud’s attempts at a psychoanalytic theory of religion and then sketches the rough contours of Lacan’s contrasting approach. From there, Boothby offers the theoretical tools for interpreting the religious impulse and analyzes key religious traditions, from ancient Greek polytheism to Judaism and Christianity, and from Hinduism and Buddhism to Islam, finally turning to modern capitalist culture and the seductive deity that dominates it—money. Lucid, accessible, and compelling, the book provides a cogent intervention in one of the psychoanalytic tradition’s most contentious topics and offers a new approach to our understanding of religion.

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front cover of Go Deep. Take Chances.
Go Deep. Take Chances.
Embracing the Muse and Creative Writing
Roger Armbrust
Parkhurst Brothers, Inc., 2018

What are the drivers of creative writing:: passion, drive, and fear of rejection? What is the cardinal rule: honesty (to a vision, a voice)? Armbrust, an editor and creative-writing instructor, argues that the struggle to write is reflective of the deeper spiritual consciousness of the writer. 

He challenges writers to address their inner demons, being honest to their truest selves, and to wrestle their eepest doubts in their quest to produce the best literature. 

“One semester, my creative mentor William Packard asked me to teach his poetry-writing course at New York University’s School of Continuing Education and Professional Studies. He did so because I had taken the course, he considered me a good poet, and knew I was teaching a professional-writing course of my own at NYU. Each time I’d walk in to instruct his poetry-writing class, I’d scratch on the chalkboard two brief sentences: Go Deep. Take Chances. These two suggestions represent, I believe, the keys to creativity.” Many nutsand- bolts pointers (gleaned from decades of writing and advising others) benefit writers of all experience levels. 

This book leads writers to better understand and execute the extremely focused work of creative writing, while at the same time enjoying a fuller sense of self, serenity and fulfillment.

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front cover of Lake|Flato Houses
Lake|Flato Houses
Embracing the Landscape
Lake|Flato Architects
University of Texas Press, 2014
Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Lake|Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards. Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.
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