front cover of Five Plays from the Children’s Theatre Company of Minneapolis
Five Plays from the Children’s Theatre Company of Minneapolis
John Clark Donahue and Linda Walsh Jenkins, Editors
University of Minnesota Press, 1975

Five Plays from the Children's Theatre Company of Minneapolis was first published in

1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Among the notable productions of the Children's Theatre Company of the Minneapolis Society of Fine Arts, a leading exponent of children's theater in this country, have been plays that are adaptations of classics in children's literature. This volume makes available the scripts of five of these adaptations, along with illuminating information about the productions and the company itself.

The plays include two adaptations by Frederick Gaines, two by Timothy Mason, and one by Richard Shaw. Mr. Gaines's plays are based on Washington Irving's The Legend of Sleepy Hollow and Charles Dickens's A Christmas Carol.One of Mr. Mason's plays, Kidnapped in London, is an adaptation of part of Master Skylark by John Bennett, and the other, Robin Hood: A Story of the Forest, is based on part of the Robin Hood legend. Mr. Shaw's play is an adaptation in Kabuki form of the Grimms' fairy tale Sleeping Beauty.

Linda Walsh Jenkins writes a general introduction and commentary. Background information about each play includes excerpts from discussions among directors, composers, designers, and playwrights about the plays themselves and about various phases of the development of the productions. Highlights of the history of the Children's Theatre Company and of the aims and accomplishments of its director, John Clark Donahue, are given, and these will be of particular interest to anyone in the children's theater field.

The photographic illustrations, which include a number in color, show various aspects of Children's Theatre Company productions. There are also musical examples from the original scores for the plays.

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Katrina on Stage
Five Plays
Suzanne M. Trauth
Northwestern University Press, 2011
The plays collected in this volume give artistic expression to the devastation wrought by Hurricane Katrina. In so doing, they also illuminate many social, political, and environmental issues central to American life. Besides telling the kinds of stories that the news media could not, these plays explore the deeply rooted problems plaguing New Orleans. The factual basis of these plays serves a documentary purpose, but, as drama, they also depict the flood's consequences for individuals—unimaginable loss, powerlessness, displacement. The plays collected here - Rising Water by John Biguenet; The Breach by Catherine Filloux, Tarell Alvin McCraney, and Joe Sutton; Because They Have No Words by Tim Maddock and Lotti Louise Pharrissis; Trash Bag Tourist by Samuel Brett Williams; and Katrina: The K Word by Lisa Brenner and Suzanne Trauth—show how theatre can both enhance our understanding of disastrous events and facilitate a sense of community between audiences and those who experienced them.
 
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