Like her father before her, Bette Husted grew up on stolen land. The bench land above the Clearwater River in north-central Idaho had been a home for the Nez Perce Indians until the Dawes Act opened their reservation to settlement in 1895. As a child on the family homestead, Husted felt the presence of the Nez Perce: "But they were always just out of sight, like a smoky shadow behind me that I couldn't quite turn around quickly enough to catch."
Above the Clearwater chronicles her family's history on the land, revealing their joys and sorrows, their triumphs and tragedies. In a series of graceful and moving essays, Husted traces this intimate history, from her Cold War childhood to her struggles as a parent and finally to her life as a woman and teacher in the rural West. Her family's stories echo those of countless other families in the American West: the conflicts with guns, the struggles over land ownership and water rights, the isolation of women, the separations by race and class, the family secrets of mental illness and suicide.
With a powerful, poetic voice, Husted illuminates the tangled relationship between the history of a particular place and the history of the families who inhabit that place over time. As Above the Clearwater explores one family's search for a home on land taken from its original inhabitants, it quietly asks all readers to examine their own homes in the same light.
The keeping of journals and diaries became an almost everyday pastime for many Americans in the nineteenth century. Adeline and Julia Graham, two young women from Berrien Springs, Michigan, were both drawn to this activity, writing about the daily events in their lives, as well as their 'grand adventures.' These are fascinating, deeply personal accounts that provide an insight into the thoughts and motivation of two sisters who lived more than a century ago. Adeline began keeping a diary when she was sixteen, from mid-1880 through mid-1884; through it we see a young woman coming of age in this small community in western Michigan. Paired with Adeline's account is her sister Julia's diary, which begins in 1885 when she sets out with three other young women to homestead in Greeley County, Kansas, just east of the Colorado border. It is a vivid and colorful narrative of a young woman's journey into America's western landscape.
Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
In her fiction, Jessie Brown Pounds preserved the flavor of Ohio’s rural village culture as the nineteenth century drew to a close. This anthology rediscovers Pounds’s varied works and reminds modern students that Middle-Western culture included women writers as social critics and mythmakers. Included are short stories, sketches, one undated short story published posthumously in 1921, and Rachael Sylvestre, a first-person historical novel written in 1904.
In these pages, the reader will witness the dramatic creation of the Tetons; the arrival of the first humans, bands of fur-clad Early Hunters who ventured into the valley some 10,000 years ago; the coming and going of the later Indian tribes; and the nearly incredible journey of John Colter, who back in 1807 is said to have been the first white man to have found his way through the wilderness and into Jackson Hole.
Here, too, the reader will meet the boisterous mountain men, trappers such as Jim Bridger and the former slave, Jim Beckwourth, who roamed the Rockies when St. Louis was still a frontier village; a little Mormon boy who ran away from home and lived with the Indians before becoming a Pony Express rider; a most unusual Englishman who describes a terrible tragedy that befell his Indian wife and half-breed children; a glory-seeking lieutenant who led six cavalrymen on a foolhardy expedition that almost cost them their lives; and a nineteenth-century president of the United States who took a pack trip through Jackson Hole, allegedly leaving a trail of empty bottles behind.
And there is more, much more--the story of the pioneers, those hardy few who dared to settle in this high and inhospitable land; the story of outlaws, a shoot-out, vigilance committees and an Indian "massacre" that embarrassed the New York Times; the story of the deliverance of the world's largest elk herd from the many perils that threatened it with extinction; and, finally, the story of the long and angry controversy over the preservation of the Tetons and Jackson Hole as a national park, a struggle called "one of the most remarkable conservation fights of the twentieth century."
All these and still other episodes in the long and colorful cavalcade of Jackson Hole are woven together to form a work of Western Americana rich in anecdotes and portraits of delightfully eccentric characters.
New England was built on letters. Its colonists left behind thousands of them, brittle and browning and crammed with curls of purplish script. How they were delivered, though, remains mysterious. We know surprisingly little about the way news and people traveled in early America. No postal service or newspapers existed—not until 1704 would readers be able to glean news from a “public print.” But there was, in early New England, an unseen world of travelers, rumors, movement, and letters. Unearthing that early American communications frontier, American Passage retells the story of English colonization as less orderly and more precarious than the quiet villages of popular imagination.
The English quest to control the northeast entailed a great struggle to control the flow of information. Even when it was meant solely for English eyes, news did not pass solely through English hands. Algonquian messengers carried letters along footpaths, and Dutch ships took them across waterways. Who could travel where, who controlled the routes winding through the woods, who dictated what news might be sent—in Katherine Grandjean’s hands, these questions reveal a new dimension of contest and conquest in the northeast. Gaining control of New England was not solely a matter of consuming territory, of transforming woods into farms. It also meant mastering the lines of communication.
During the last third of the twentieth century, white supremacists moved, both literally and in the collective imagination, from midnight rides through Mississippi to broadband-wired cabins in Montana. But while rural Montana may be on the geographical fringe of the country, white supremacist groups were not pushed there, and they are far from "fringe elements" of society, as many Americans would like to believe. Evelyn Schlatter's startling analysis describes how many of the new white supremacist groups in the West have co-opted the region's mythology and environment based on longstanding beliefs about American character and Manifest Destiny to shape an organic, home-grown movement.
Dissatisfied with the urbanized, culturally progressive coasts, disenfranchised by affirmative action and immigration, white supremacists have found new hope in the old ideal of the West as a land of opportunity waiting to be settled by self-reliant traditional families. Some even envision the region as a potential white homeland. Groups such as Aryan Nations, The Order, and Posse Comitatus use controversial issues such as affirmative action, anti-Semitism, immigration, and religion to create sympathy for their extremist views among mainstream whites—while offering a "solution" in the popular conception of the West as a place of freedom, opportunity, and escape from modern society. Aryan Cowboys exposes the exclusionist message of this "American" ideal, while documenting its dangerous appeal.
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