front cover of Doris Lessing
Doris Lessing
The Poetics of Change
Gayle Greene
University of Michigan Press, 1997

Doris Lessing has been a chronicler of our age for nearly half a century, and a study of her writing career does not yield easy generalizations. Difficult though she is to categorize, she is always concerned with change, with a search for "something new" against "the nightmare repetition" of history. The feminist quest she articulated in The Children of Violence and The Golden Notebook entered the culture with the force of a new myth: these books changed lives. The Golden Notebook--together with such works as The Second Sex and The Feminine Mystique--raised the consciousness of a generation of women readers and played a major part in making the second wave of feminism. It is the power of Lessing's novels to change people's lives, the effect she had raising the consciousness of a generation of women and the effect she continues to have on young readers, that is the subject of this book.

Gayle Greene employs an eclectic range of approaches (psychoanalytic, Marxist, biographical, historical, intertextual, formalist, feminist) to shed new light on Lessing's remarkable achievement. She sees Lessing as a feminist writer, not in offering strong female role models who climb top the top of existing social structures, but in envisioning, and indeed helping to bring about, a transformation of those structures. Lessing critiques Western values of individualism, competition, and materialism in terms similar to those developed by feminism; and, in getting us to view our culture from without, in teaching us to read cultural constructs as systems, her novels perform the deconstructing and demystifying work of feminism.

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front cover of Missing Persons
Missing Persons
A Memoir
Gayle Greene
University of Nevada Press, 2017
Missing Persons is a memoir about dealing with death in a culture that gives no help. As the last of her family, Greene’s losses are stark, first her aunt, then her mother, in quick succession. She is as ill-equipped for the challenges of caring for a dying person at home as she is for the other losses, long repressed, that rise to confront her at this time: the suicide of her younger brother, the death of her father. As the professional identity on which she’s based her selfhood comes to feel brittle and trivial, she is catapulted into questions of “who am I?” and “what have I done with my life?”

The memoir is structured as an account of her mother's and aunt’s final days and the year that follows, a year in which she reconstructs her life. This is a powerful story about family, what it means to have one, to lose one, never to have made one, and what, if anything, might take its place. It’s the story of a vexed mother-daughter relationship that mellows with age. It is also a search for home, as the very landscape shifts around her and the vast orchards are dug up and paved over for tract housing, strip malls, freeways, and the Santa Clara Valley, once known as the Valley of Heart’s Delight, is transformed to “Silicon.”
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The Woman Who Knew Too Much
Alice Stewart and the Secrets of Radiation
Gayle Greene
University of Michigan Press, 2001

This biography illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk.

In the 1950s Alice Stewart began research that led to her discovery that fetal X rays double a child's risk of developing cancer. Two decades later---when she was in her seventies---she again astounded the scientific world with a study showing that the U.S. nuclear weapons industry is about twenty times more dangerous than safety regulations permit. This finding put her at the center of the international controversy over radiation risk. In 1990, the New York Times called Stewart "perhaps the Energy Department's most influential and feared scientific critic."

The Woman Who Knew Too Much traces Stewart's life and career from her early childhood in Sheffield to her medical education at Cambridge to her research positions at Oxford University and the University of Birmingham.

Gayle Greene is Professor of Women's Studies and Literature, Scripps College.

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front cover of The Woman Who Knew Too Much, Revised Ed.
The Woman Who Knew Too Much, Revised Ed.
Alice Stewart and the Secrets of Radiation
Gayle Greene
University of Michigan Press, 2017
The Woman Who Knew Too Much illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk. For more than 40 years, Alice Stewart (1906–2002) warned that low-dose radiation was more dangerous than anyone acknowledged. In the 1950s she discovered that fetal x-rays double a child’s risk of developing cancer. Two decades later, in her 70s, she again astounded the scientific world by showing that the U.S. nuclear weapons industry was about 20 times more dangerous than safety regulations admitted. This finding put her at the center of an international controversy over radiation risk. In 1990, the New York Times called Stewart “perhaps the Energy Department's most influential and feared scientific critic.”   

Author Gayle Greene traces Stewart's life and career as she came up against ever more powerful authorities, first the British medical profession, then the U.S. nuclear industry, and finally the regulatory agencies that set radiation safety standards throughout the world. Stewart endured the fate of other women scientists in having her findings dismissed and funding cut, but today is recognized as a pioneering figure in epidemiological research on the dangers of nuclear radiation. In her preface to the second edition, Greene looks at new information that’s come out about the forces and individuals responsible for marginalizing her as a scientist and downplaying the disturbing implications of her research.
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