Víctor Montejo’s story recounts the near-death experience of his grandfather, Antonyo Mekel Lawuxh (Antonio Esteban), who fell gravely ill in Guatemala in the late 1920s but survived to tell his family and community what he had witnessed of the afterlife.

Narrated from Antonio’s perspective, the reader follows along on a journey to the Maya underworld of Xibalba, accompanied by two spirit guides. Antonio traverses Xibalba’s levels of heaven and hell, encountering instructive scenes of punishment and reward: in one chapter, conquistadors are perpetually submerged in a pool of their victims’ blood; in another, the souls of animal abusers are forever unable to cross a crocodile-infested river. Infused with memory, the author illustrates Guatemala’s unique religious syncretism, exploring conceptions of heaven and hell shared between Catholicism and Indigenous Maya spirituality. In the tradition of both the Popol Vuh and the Divine Comedy, Montejo’s narrative challenges easy categorization—this is a work of family history, religious testimony, political allegory, and sacred literature.

Neighbors of the better-known Itza in the central Petén lakes region of Guatemala, the Kowoj Maya have been studied for little more than a decade. The Kowoj: Identity, Migration, and Geopolitics in Late Postclassic Petén, Guatemala summarizes the results of recent research into this ethno-political group conducted by Prudence Rice, Don Rice, and their colleagues.

Chapters in The Kowoj address the question "Who are the Kowoj?" from varied viewpoints: archaeological, archival, linguistic, ethnographic, and bioarchaeological. Using data drawn primarily from the peninsular site of Zacpetén, the authors illuminate Kowoj history, ritual components of their self-expressed identity, and their archaeological identification. These data support the Kowoj claim of migration from Mayapán in Yucatán, where they were probably affiliated with the Xiw, in opposition to the Itza. These enmities extended into Petén, culminating in civil warfare by the time of final Spanish conquest in 1697.

The first volume to consider Postclassic Petén from broadly integrative anthropological, archaeological, and historical perspectives, The Kowoj is an important addition to the literature on late Maya culture and history in the southern lowlands. It will be of particular interest to archaeologists, historians, ethnohistorians, art historians, and epigraphers.