A SCHOLARLY BOOK REPOSITORY
Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined.
In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
The Destiny of a King examines one of the "little" epics within the Mahabharata—the legend of King Yayati, a distant ancestor of the Pandavas, the heroes of the larger epic. Dumézil compares Yayati's attributes and actions with those of the legendary Celtic king Eochaid Feidlech and also finds striking similarities in the stories surrounding the daughters of these two kings, the Indian Madhavi and the Celtic Medb. When he compares these two traditions with the "first king" legends from Iran, he finds such common themes as the apportionment of the earth and the "sin of the sovereign."
Barbara bore his children and took on a crucial job as his booking agent when the agent he was using failed to obtain show dates for the group. Female booking agents were non-existent at that time but she persevered and went on to become the first female booking agent on Music Row. She also endured years of physical and emotional abuse at Martin's hands. With courage and candor, Barbara tells of the suffering and traces the hard-won personal growth she found inside motherhood and her work. Her vivid account of Martin's explosive personality and torment over his exclusion from the Grand Ole Opry fill in the missing details on a career renowned for being stormy. Barbara also shares her own journey, one of good humor and proud achievements, and filled with fond and funny recollections of the music legends and ordinary people she met, befriended, and represented along the way.
Straightforward and honest, Don't Give your Heart to a Rambler is a woman's story of the world of bluegrass and one of its most colorful, conflicted artists.
The Idylls of the King is one of the indisputably great long poems in the English language. Yet Tennyson's doom-laden prophecy of the fall of the West has been dismissed as a Victorian-Gothic fairy tale. John D. Rosenberg maintains that no poem of comparable magnitude has been so misread or so maligned in the twentieth century as Tennyson's symbolist masterpiece.
In The Fall of Camelot the author calls into question the modernist orthodoxy that rejects all of Victorian poetry as a Waste Land and ignores the overriding importance of Tennyson to the development of Yeats, T. S. Eliot,and the symbolists. Far from being an escapist medieval charade, the Idylls offers an apocalyptic prevision of the nightmare of modern history. Concealed under the exquisitely romantic surface of the verse is a world of obsessive sensuality and collapsing values that culminates in the "last dim weird battle the West." Perhaps the subtlest anatomy of the failure of ideality in our literature, the Idylls is not only about hazards of mistaking illusion for reality; it dramatically enacts those dangers, ensnaring the reader in the same delusions that maim and destroy the characters.
Rosenberg shows that Tennyson has created a new genre whose true originality criticism has yet to perceive. By employing landscape as a symbolic extension of character, Tennyson obliterates the gap between self and scene and frees himself from bondage toconventional narration.
Throughout the Idylls charactercannot be extricated from setting orsymbol, and neither has substanceapart from the narrative in which it isenmeshed. In essence, the narrativeis a sequence of symbols protracted intime, the symbolism a kind ofcondensed narration.
"Timescape" in the Idylls, like landscape, serves to bind all eventsof the poem into a continuous present.Arthur is at once a Christ figure andSun-King whose career parallels that ofhis kingdom, waxing and waningwith the annual cycle. At the heart ofArthur's story lies the dual cycle of hispassing and promised return.Incorporating this cycle into itsstructure, the Idylls is itself a kind ofliterary second coming of Arthur, aresurrection in Victorian England of thelong sequence of Arthuriads extendingback before Malory and forwardthrough Spenser, Dryden, Scott, andTennyson.
Taking place during the first half of the sixteenth century, The Fall of the King tells the story of dreamy, slacking student Mikkel Thøgersen and the entanglements that ultimately bring him into service as a mercenary under King Christian II of Denmark. Moving from the Danish countryside to Stockholm during the execution of Swedish nobility and finally to the imprisonment of Mikkel and Christian, the narrative is a lyrical encapsulation of “the fall”—the fall of country, history, individuals, and nature.
Twice voted as the most important Danish novel of the twentieth century, The Fall of the King is both an epic depiction of real events and a complex psychological novel. Half pure narration, half prose poem, its scenes of brute realism mixed with rhapsodical passages make it a work of artistic genius.
The most up-to-date sourcebook on warfare in the ancient Near East
Fighting for the King and the Gods provides an introduction to the topic of war and the variety of texts concerning many aspects of warfare in the ancient Near East. These texts illustrate various viewpoints of war and show how warfare was an integral part of life. Trimm examines not only the victors and the famous battles, but also the hardship that war brought to many. While several of these texts treated here are well known (i.e., Ramses II's battle against the Hittites at Qadesh), others are known only to specialists. This work will allow a broader audience to access and appreciate these important texts as they relate to the history and ideology of warfare.
Features
- References to recent secondary literature for further study
- Early Greek and Chinese illustrative texts for comparisons with other cultures
- Indices to help guide the reader
Daniel S. Matson and Bernard L. Fontana have translated the Bringas document and added an informative introduction, notes, and references. They analyze Spanish methods of indoctrination and examine the implications in terms of the modern world.
Friar Bringas carefully explained various missionary and secular policies, laws, and regulations. He pointed out why, in his opinion, Spanish efforts to convert the Piman Indians had failed. He also provided a report of the orders establishing the ill-fated Yuma missions. His fascinating account of the Gila River Pimas is one of the most complete ethnographic descriptions from that era.
Friar Bringas Reports to the King is an important study of Spain’s attempts to assimilate the Indians. It offers a deeper understanding of the history of the Pimería Alta.
In 1758 Peter Williamson appeared on the streets of Aberdeen, Scotland, dressed as a Native American and telling a remarkable tale. He claimed that as a young boy he had been kidnapped from the city and sold into slavery in America. In performances and in a printed narrative he peddled to his audiences, Williamson described his tribulations as an indentured servant, Indian captive, soldier, and prisoner of war. Aberdeen’s magistrates called him a liar and banished him from the city, but Williamson defended his story.
Separating fact from fiction, Timothy J. Shannon explains what Williamson’s tale says about how working people of eighteenth-century Britain, so often depicted as victims of empire, found ways to create lives and exploit opportunities within it. Exiled from Aberdeen, Williamson settled in Edinburgh, where he cultivated enduring celebrity as the self-proclaimed “king of the Indians.” His performances and publications capitalized on the curiosity the Seven Years’ War had ignited among the public for news and information about America and its native inhabitants. As a coffeehouse proprietor and printer, he gave audiences a plebeian perspective on Britain’s rise to imperial power in North America.
Indian Captive, Indian King is a history of empire from the bottom up, showing how Williamson’s American odyssey illuminates the real-life experiences of everyday people on the margins of the British Empire and how those experiences, when repackaged in travel narratives and captivity tales, shaped popular perceptions about the empire’s racial and cultural geography.
Victoria Bricker shows that "history" sometimes rests on mythological foundations and that "myth" can contain valid historical information. Her book, which is a highly original critique of postconquest historiography about the Maya, challenges major assumptions about the relationship between myth and history implicit in structuralist interpretations. The focus of the book is ethnic conflict, a theme that pervades Maya folklore and is also well documented historically.
The book begins with the Spanish conquest of the Maya. In chapters on the postconquest history of the Maya, five ethnic conflicts are treated in depth: the Cancuc revolt of 1712, the Quisteil uprising of 1761, the Totonicapan rebellion of 1820, the Caste War of Yucatan (1847-1901), and the Chamulan uprising in 1869. Analytical chapters consider the relationship between historical events and modern folklore about ethnic conflict. Bricker demonstrates that myths and rituals emphasize structure at the expense of temporal and geographical provenience, treating events separated by centuries or thousands of miles as equivalent and interchangeable.
An unexpected result of Bricker's research is the finding that many seemingly aboriginal elements in Maya folklore are actually of postconquest origin, and she shows that it is possible to determine precisely when and, more important, why they become part of myth and ritual. Furthermore, she finds that the patterning of the accretion of events in folklore over time provides clues to the function, or meaning, of myth and ritual for the Maya.
Bricker has made use of many unpublished documents in Spanish, English, and Maya, as well as standard synthetic historical works. The appendices contain extensive samples of the oral traditions that are explained by her analysis.
The Mason County “Hoo Doo” War in Texas began as a war over range rights, but it swiftly deteriorated into blood vengeance and spiraled out of control as the body count rose. In this charnel house Ringo gained a reputation as a dangerous gunfighter and man killer. He was proclaimed throughout the state as a daring leader, a desperate man, and a champion of the feud. Following incarceration for his role in the feud, Ringo was elected as a lawman in Mason County, the epicenter of the feud’s origin.
The reputation he earned in Texas, further inflated by his willingness to shoot it out with Victorio’s raiders during a deadly confrontation in New Mexico, preceded him to Tombstone in territorial Arizona. Ringo became immersed in the area’s partisan politics and factionalized violence. A champion of the largely Democratic ranchers, Ringo would become known as a leader of one of these elements, the Cowboys. He ran at bloody, tragic odds with the Earp brothers and Doc Holliday, finally being part of the posse that hounded these fugitives from Arizona. In the end, Ringo died mysteriously in the Arizona desert, his death welcomed by some, mourned by others, wrongly claimed by a few. Initially published in 1996, John Ringo has been updated to a second edition with much new information researched and uncovered by David Johnson and other Ringo researchers.
Approaching the characters in Bovary and Lear from both an analytic and a critical viewpoint, Speziale-Bagliacca reinterprets many issues and events that involve archetypal figures of modern literary mythology. In fact, he reverses much of the received opinion about them. Charles Bovary, for example, far from being a victim of his wife’s neurotic restlessness or the epitome of a passive imbecile, is a masochist of the highest order who makes a decisive contribution to Emma’s miserable end. Lear, rather than a tragedy involving the sweet Cordelia, noble Kent, and the Fool as good and loyal supporters of an old king driven to madness by his overbearing evil daughters, is precisely the opposite. The sympathetic understanding of the reader should go, Speziale-Bagliacca suggests, also to Regan, Goneril, and Edmund, while the king, whose crisis is interpreted in the light of psychoanalytic findings on depression, finally becomes the true unbeloved "bastard" of the play.
Roberto Speziale-Bagliacca is a psychoanalyst and Professor of Psychotherapy at the Medical School of the University of Genoa. He is the author of On the Shoulders of Freud and many other works.
And it is here that the novel opens, two men in hiding, mere miles apart. But when his grandfather dies unexpectedly, Keith is left to continue the farce alone. With the aid of a guidebook, Keith writes a series of letters home to his brothers and sisters, detailing their imaginary travels and the bizarre sights they see. These start off harmlessly, but before long he starts adding invented details: non-stop dental hygiene shows on television, dog vaccinations at the post office—and the letters get longer and longer. Engaging, strange, and ultimately moving, this hilarious novel from Tilman Rammstedt won him the prestigious Ingeborg Bachmann Prize in 2008 and confirmed him as one of Germany’s most compelling writers.
King of Hearts shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic.
Queer scholar Baker A. Rogers—who has also performed as drag king Macon Love—takes you on an insider’s tour of Southern drag king culture, exploring its history, the communal bonds that unite it, and the controversies that have divided it. King of Hearts offers a groundbreaking look at a subculture that presents a subversion of gender norms while also providing a vital lifeline for non-gender-conforming Southerners.
Written by Asfa-Wossen Asserate, Haile Selassie’s grandnephew, this is the first major biography of this final “king of kings.” Asserate, who spent his childhood and adolescence in Ethiopia before fleeing the revolution of 1974, knew Selassie personally and gained intimate insights into life at the imperial court. Introducing him as a reformer and an autocrat whose personal history—with all of its upheavals, promises, and horrors—reflects in many ways the history of the twentieth century itself, Asserate uses his own experiences and painstaking research in family and public archives to achieve a colorful and even-handed portrait of the emperor.
The characters here represent all walks of L.A. life—from Satan’s reluctant Craigslist roommate to a young girl coping with trauma at her brother’s wake—and their tales ebb and flow among various styles, including magical realism, social realism, and speculative fiction. Like a jazz album, they glide and bop, tease and illuminate, sadden and hearten as they navigate effortlessly from meta to fabulist, from flash fiction to longer, more complex narratives.
These are literary sketches of a Los Angeles that will surprise, connect, and disrupt readers wherever they may live.
A celebrated writer returns to his hometown of Odessa, pondering a deal with the secret police, pining for a daughter living abroad, and hoping to pen one last homage to his own past. Isaac Babel, the world famous spinner of tales about Cossacks and gangsters, arrives in Odessa to be treated for asthma-and perhaps help a condemned prisoner to escape. Or is it Babel who intends to escape?
For six decades our only record of Babel's visit has been the contents of letters and postcards sent abroad to his mother and sister. In King of Odessa, Robert A. Rosenstone imagines a version of this visit and the novel Babel wrote during those weeks. Babel himself is concerned with more than literary plots as he considers an escape just as he starts an affair with an actress who may be a police spy. He also ruminates on his past-his childhood as a sickly Jewish boy, the horrifying 1905 pogrom, the famous rides with the Cossacks that inspired Red Calvary, and above all his complicated relationships with women. Throughout the novel Rosenstone captures Babel's lively wit, his exhaustion with fame and the Soviet system, and his infectious charm.
This would prove to be Babel's last visit to Odessa. Three years later, he was arrested as a spy and executed. Rosenstone, the acclaimed biographer of writer and activist John Reed, mixes historical facts and fiction with the talent of a gifted storyteller. The result is a captivating exploration of a great writer surrounded by history and on the brink of falling out of it forever.
The story of a much different Minneapolis, through the words and photographs of one of its most colorful characters—now in paperback
City blue laws drove the liquor trade and its customers—hard-drinking lumberjacks, pensioners, farmhands, and railroad workers—into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city’s Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood’s last days through photographs and film of his clientele.
The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich’s death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich’s stories recreate the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis’s most intriguing figures—spinning some of its most enduring and enthralling tales.
King of the Cowboys, Queen of the West presents these two celebrities in the most comprehensive and inclusive account to date. Part narrative, part reference, this impeccably researched, highly accessible survey spans the entire scope of Rogers's and Evans's careers, illuminating and celebrating their place in twentieth-century American popular culture. Following the pair through each stage of their professional and personal trajectories, author Raymond E. White explores the unique alchemy of the singing cowboy and his free-spirited yet feminine partner. In a dual biography, he shows how Rogers and Evans carefully husbanded their public image and—of particular note—incorporated their Christian faith into their performances. And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike. With its engaging tone and meticulous research, King of the Cowboys, Queen of the West is bound to become the definitive source on the lives of these two great American icons.
Born 130 years ago in the heart of Mississippi, Charlie Patton (c. 1891–1934) is considered by many to be a father of the Delta blues. With his bullish baritone voice and his fluid slide guitar touch, Patton established songs like “Pony Blues,” “A Spoonful Blues,” and “High Water Everywhere” in the blues lexicon and, through his imitators, in American music. But over the decades, his contributions to blues music have been overshadowed in popularity by those of Robert Johnson, Muddy Waters, and other mid-century bluesmen and women who’ve experienced a resurgence in their music. King of the Delta Blues Singers, originally published in 1988, began a small renaissance in blues and Patton research and set a new scholarly precedent touching even the spelling his name—which, to Patton himself, was "Charlie," not the "Charley" of the early records. And now, with the wide availability of Patton’s complete discography in multiple formats, this revised second edition brings the legend of Charlie Patton into a clarity of detail that was previously impossible.
Gayle Dean Wardlow and the late Stephen Calt (1946–2010) originally probed Patton’s career in the Mississippi Delta, his early performances and recordings, and his musical legacy that continues to influence today’s guitarists and performers, including such musicians as Jack White and Larkin Poe. For this second edition, Wardlow and Edward Komara refined the text and rewrote major sections, updating them with new scholarship on Patton and Delta blues. And finally, Komara has added a new afterword bringing Patton into the contemporary blues conversation and introducing numerous musical examples for the modern researcher and musician.
The second edition of King of the Delta Blues Singers will further cement Patton’s legacy among important blues musicians, and it will be of interest to anyone absorbed in the beginnings of the Delta blues and music biographies.
King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country.
A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.
Philip Mansel’s King of the World is the most comprehensive and up-to-date biography in English of this hypnotic, flawed figure who continues to captivate our attention. This lively work takes Louis outside Versailles and shows the true extent of his global ambitions, with stops in London, Madrid, Constantinople, Bangkok, and beyond. We witness the importance of his alliance with the Spanish crown and his success in securing Spain for his descendants, his enmity with England, and his relations with the rest of Europe, as well as Asia, Africa, and the Americas. We also see the king’s effect on the two great global diasporas of Huguenots and Jacobites, and their influence on him as he failed in his brutal attempts to stop Protestants from leaving France. Along the way, we are enveloped in the splendor of Louis’s court and the fascinating cast of characters who prostrated and plotted within it.
King of the World is exceptionally researched, drawing on international archives and incorporating sources who knew the king intimately, including the newly released correspondence of Louis’s second wife, Madame de Maintenon. Mansel’s narrative flair is a perfect match for this grand figure, and he brings the Sun King’s world to vivid life.
This is a global biography of a global king, whose power was extensive but also limited by laws and circumstances, and whose interests and ambitions stretched far beyond his homeland. Through it all, we watch Louis XIV progressively turn from a dazzling, attractive young king to a belligerent reactionary who sets France on the path to 1789. It is a convincing and compelling portrait of a man who, three hundred years after his death, still epitomizes the idea of le grand monarque.
Velimir Khlebnikov, who died in 1922 at the age of thirty-six, is one of the great, untranslated Russian poets of this century. Hailed by his contemporaries and by later writers and scholars as the creative genius behind the Russian Futurist movement, Khlebnikov is famous more for his inaccessibility than for the excellence of what he actually produced. Even Russians are generally baffled by him.
Now, in a powerful American rendition, we are given access to the strange and beautiful world of Khlebnikov, “the word’s wild highwayman.” Trained in the natural sciences and mathematics and by temperament an artist, Khlebnikov thought he had discovered the Laws of Time and Tables of Destiny, by which enlightened humans could live in harmony with themselves and with nature. He coined the terms “Futurian” and “Presidents of Planet Earth” for himself and his friends, and he devoted all of his short, restless life to finding a language appropriate to his vision. Experiments with words became magical paths to a reinvigorated future, and produced some of the most extraordinary poems in the Russian language.
These goals and researches were variously embodied as well in stories, plays, and visionary essays in which Khlebnikov advances architectural plans for mobile cities, a new alphabet based on universal meanings of sounds, and communication by way of vast television networks. The result is poetry of startling originality, modernity, and linguistic virtuosity—a true challenge to translators and one that has been met brilliantly here by Paul Schmidt and Charlotte Douglas.
The King of Time is a representative sampling of Khlebnikov’s writings, taken from the translation of his complete works prepared under the auspices of the Dia Art Foundation. It includes many pieces, among them the full text of the astounding poem-play Zangezi, never before translated. General readers will be introduced to the legendary Khlebnikov, and cognoscenti will applaud the inventiveness of the rendering.
At the time of Spanish contact in A.D. 1540, the Mississippian inhabitants of the great valley in northwestern Georgia and adjacent portions of Alabama and Tennessee were organized into a number of chiefdoms distributed along the Coosa and Tennessee rivers and their major tributaries. The administrative centers of these polities were large settlements with one or more platforms mounds and a plaza. Each had a large resident population, but most polity members lived in a half dozen or so towns located within a day’s walk of the center. This book is about one such town, located on the Coosa River in Georgia and known to archaeologists as the King site.
Excavations of two-thirds of the 5.1 acre King site reveal a detailed picture of the town’s domestic and public architecture and overall settlement plan. Intensive analysis of architectural features, especially of domestic structures, enables a better understanding of the variation in structure size, compass orientation, construction stages, and symbolic cosmological associations; the identification of multi-family households; and the position of individual structures within the town’s occupation sequence or life history. Comparison of domestic architecture and burials reveals considerable variation between households in house size, shell bead wealth, and prominence of adult members. One household is preeminent in all these characteristics and may represent the household of the town chief or his matrilineal extended family. Analysis of public architectural features has revealed the existence of a large meeting house with likely historical connections to 18th-century Creek town houses; a probable cosmological basis for the town’s physical layout; and an impressive stockade-and-ditch defensive perimeter.
The King site represents a nearly ideal opportunity to identify the kinds of status positions that were held by individual inhabitants; analyze individual households and investigate the roles they played in King site society; reconstruct the community that existed at King, including size, life history, symbolic associations, and integrative mechanisms; and place King in the larger regional political system. With excavations dating back to 1973, and supported in part by the National Endowment for the Humanities and the National Geographic Society, this is social archaeology at its best.
Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson’s The Likeness of the King challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as “the first modern portraits.”
Unwilling to accept the anachronistic nature of these claims, Perkinson both resists and complicates grand narratives of portraiture art that ignore historical context. Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways. Through an examination of well-known images of the fourteenth- and early fifteenth-century kings of France, as well as largely overlooked objects such as wax votive figures and royal seals, Perkinson demonstrates that the changes evident in these images do not constitute a revolutionary break with the past, but instead were continuous with late medieval representational traditions.
In this book, distinguished historian Robin Waterfield draws on his deep understanding of Greek history to bring us into the world of this complicated, splintered empire. He shows how, while Antigonus was confirming his Macedonian rule through constitutional changes, the Greeks were making moves toward independence. Two great confederacies of Greek cities emerged, forming powerful blocs that had the potential to resist the power of Macedon. The Making of a King charts Antigonus’s conflicts with the Greeks and with his perennial enemy, Ptolemy of Egypt. But Antigonus’s diplomatic and military successes were not enough to secure peace, and in his final years he saw his control of Greece whittled away by rebellion and the growing power of the Greek confederacies. Macedon’s lack of firm control over Greece ultimately made it possible for Rome to take its place as the arbiter of the Greeks’ future.
The Making of a King is Waterfield’s third volume about the Greeks in the era after Alexander the Great. Completing the story begun in his previous two books, Dividing the Spoils and Taken at the Flood, it brings Antigonus and his turbulent era to life. With The Making of a King—the first book in more than a century to tell in full the story of Antigonus Gonatas’s reign—this fascinating figure finally receives his due.
Available for the first time as an independent work, David Grene’s legendary translation of Oedipus the King renders Sophocles’ Greek into cogent, vivid, and poetic English for a new generation to savor. Over the years, Grene and Lattimore’s Complete Greek Tragedies have been the preferred choice of millions of readers—for personal libraries, individual study, and classroom use. This new, stand-alone edition of Sophocles’ searing tale of jealousy, rage, and revenge will continue the tradition of the University of Chicago Press’s classic series.
Praise for David Grene and Richmond Lattimore’s Complete Greek Tragedies
“This is it. No qualifications. Go out and buy it everybody.”—Kenneth Rexroth, Nation
“The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary. . . . They have life and speed and suppleness of phrase.”—Times Education Supplement
In The People and the King, John Leddy Phelan reexamines a well-known but long misunderstood event in eighteenth-century Colombia. When the Spanish colonial bureaucratic system of conciliation broke down, indigenous groups resorted to armed revolt to achieve their political ends.
As Phelan demonstrates in these pages, the crisis of 1781 represented a constitutional clash between imperial centralization and colonial decentralization. Phelan argues that the Comunero revolution was not, as it has often been portrayed, a precursor of political independence, nor was it a frustrated social upheaval. The Comunero leaders and their followers did not advocate any basic reordering of society, Phelan concludes, but rather made an appeal for revolutionary reform within a traditionalist framework.
A critical resource that traces the reign of Sargon in context
Josette Elayi's book is the only existing biography of Sargon II, the famous Assyrian king, who was a megalomaniac and a warlord. Elayi addresses such important questions, including what was his precise role in the disappearance of the kingdom of Israel; how did Sargon II succeed in enlarging the borders of the Assyrian Empire by several successful campaigns; how did he organize his empire (administration, trade, agriculture, libraries), and what was the so-called sin of Sargon?
Features:
- Interpretations of decisive events during the life and reign of the Assyrian king
- An evaluation of Sargon II s reign
- Maps, tables, and illustrations
A critical resource for students and scholars of the ancient Near East and the Bible
Josette Elayi’s Sennacherib, King of Assyria is the only biography of Sargon II’s famous son. Elayi traces the reign of Sennacherib in context in order to illuminate more fully the life and contributions of this warlord, builder, innovator, and social reformer—a unique figure among the Assyrian kings. Elayi offers both an evaluation of this royal figure and an assessment of the Assyrian Empire by interpreting the historical information surrounding the decisive events of his reign.
Features:
- Exploration of why Sennacherib did not seize Jerusalem or remove Hezekiah from the throne
- An extensive investigation of annals, royal inscriptions, letters, palace reliefs, clay tablets, and excavation reports
- Maps and tables
Founded before the Civil War, the King and Kenedy Ranches have become legendary for their size, their wealth, and their endless herds of cattle. A major factor in the longevity of these ranches has always been the loyal workforce of vaqueros (Mexican and Mexican American cowboys) and their families. Some of the vaquero families have worked on the ranches through five or six generations.
In this book, Jane Clements Monday and Betty Bailey Colley bring together the voices of these men and women who make ranching possible in the Wild Horse Desert. From 1989 to 1995, the authors interviewed more than sixty members of vaquero families, ranging in age from 20 to 93. Their words provide a panoramic view of ranch work and life that spans most of the twentieth century.
The vaqueros and their families describe all aspects of life on the ranches, from working cattle and doing many kinds of ranch maintenance to the home chores of raising children, cooking, and cleaning. The elders recall a life of endless manual labor that nonetheless afforded the satisfaction of jobs done with skill and pride. The younger people describe how modernization has affected the ranches and changed the lifeways of the people who work there.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press