Concentrating on a powerful, emerging genre, Tatiana Konrad’s Climate Change Fiction and Ecocultural Crisis provides a survey of popular narratives that further our understanding of climate change in contemporary fiction. Konrad advocates for the expansion and redefinition of the cli-fi genre and argues that industrial fiction from the nineteenth century is the first example of climate change fiction. Tracing the ways through which cli-fi outlines a history of our modern ecocultural crisis, this book demonstrates how the genre employs four major thematic clusters to achieve this narrative: weather, science, religion, and place.

Focusing on a diverse range of issues, including fossil fuels, cheap energy, the intricacies of human–more-than-human relationships, and postcolonial geographies, Konrad illustrates how cli-fi transcends mere storytelling. The genre ultimately emerges as an important means to forecast, imagine, and contemplate climatic events.

The book invites a broadening of the environmental humanities discourse, asking readers not only to deepen their understanding of the current climate crisis, but also to consider how cli-fi culture can be viewed as an effective method to address climate change.
 

Drawing on contemporary and historic literary and media examples of Western colonialism and Anglophone writings, Disability, the Environment, and Colonialism traces how the perverse nature of colonialism continues to dominate the globe today.

The editor and contributors provide a careful analysis of the intersection of disability, the environment, and colonialism to understand issues such as eco-ableism, environmental degradation, homogenized approaches to environmentalism, and climate change. They also look at the body as a site of colonial oppression and environmental exploitation.

Contributors: Holly Caldwell, Matthew J. C. Cella, John Gulledge, Memona Hossain, Nancy J. Hirschmann, Iain Hutchison, Andrew B. Jenks, Suha Kudsieh, Gordon M. Sayre, Jessica A. Schwartz, Anna Stenning, Aubrey Tang, Alice Wexler, and the editor.

Informed by transdisciplinary research in social and environmental justice, Race and Environmental Justice in the Era of Climate Change and COVID-19 is a contribution to the scholarly discourse as well as a form of activism for environmental, climate, and health justice. Using race and Indigeneity as an analytical lens, the book explores how justice in the era of climate change and COVID-19 is envisioned, depicted, and achieved. With a focus largely on humans and environments, its explorations of (in)justice illustrate the wide health and safety gaps between individuals, communities, and even nations living under different environmental conditions. The volume also moves beyond the human toward justice for all beings. This book foregrounds voices from world communities, provides solutions to environmental and health crises, and advances environmental justice.

What do we see when we look at a battlefield? How do we come to understand environments as battlefields in the first place? What happens to our perception of war when we focus on the physical spaces of conflict? Warscapes is the first collection to pursue answers to such questions by considering the relationship between war, environment, and media along three lines: imagined geographies of control that prefigure environments as spaces of war; representations of resistance to occupation and ecocidal violence; and elemental reframings of archives and cultural memories of war. This book offers novel perspectives on historical conflict environments while also examining how hypothetical spaces of conflict are imagined. Deploying theoretical perspectives gleaned from film and media studies, ecocriticism, environmental history, urban studies, and postcolonial/decolonial studies, among others, authors highlight an international spectrum of 21st-century fiction films and television series, documentaries, and video installations that challenge how we look at war.