Traditionally, social scientists have assumed that past imperialism hinders the future development prospects of colonized nations. Challenging this widespread belief, Matthew Lange argues in Lineages of Despotism and Development that countries once under direct British imperial control have developed more successfully than those that were ruled indirectly.
Combining statistical analysis with in-depth case studies of former British colonies, this volume argues that direct rule promoted cogent and coherent states with high levels of bureaucratization and inclusiveness, which contributed to implementing development policy during late colonialism and independence. On the other hand, Lange finds that indirect British rule created patrimonial, weak states that preyed on their own populations. Firmly grounded in the tradition of comparative-historical analysis while offering fresh insight into the colonial roots of uneven development, Lineages of Despotism and Development will interest economists, sociologists, and political scientists alike.
In Guinea-Bissau, as elsewhere in Africa, there is a disjuncture between the central state and rural civil society. It is this significant and overlooked aspect of Guinea-Bissau’s political evolution—the continuing ability of civil society to evade and thwart state power—that is at the heart of Joshua B. Forrest’s Lineages of State Fragility.
Professor Forrest argues that despite European influences, the contemporary fragility of African states can be fully appreciated only by examining the indigenous social context in which these states evolved. Focusing on Guinea-Bissau, Forrest exposes the emergence of a strong and adaptable “rural civil society” that can be traced back to precolonial times.
Lineages of State Fragility analyzes the social, political, and military experiences of this rural civil society to account for the origins of Guinea-Bissau’s soft state. For example, Forrest identifies interethnic social and military practices that became entrenched in rural social structures and continued to evolve through the colonial period, enabling Guinea-Bissauans to resist state predation.
Lineages of State Fragility offers an unorthodox explanation of African politics by tracing the direct social links among the precolonial, colonial, and postcolonial periods and affirms the role of rural actors in determining present-day political outcomes.
Based on remarkably extensive research conducted in archives in Guinea-Bissau, Senegal, and Portugal, Lineages of State Fragility represents both a new approach to the region’s past and present and an important synthesis of the political analysis that has come before.
The forgotten history of the occult foundations of the early twentieth-century global city.
War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity’s fundamental unity and common fate.
Lineages of the Global City recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period’s most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Shiben Banerji advances a new way of understanding modernist urban space as the design of subjective effects.
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