An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

The climate change crisis has become part of aesthetic discourse and critical research in culture and the arts. Future-oriented, ecologically conceived possibilities for action are being explored by artists, curators, and scholars alike. eco-operations addresses these emerging aesthetic ecologies and new technologies of cooperation that both challenge and shape a sustainable future, foregrounding interruptions, ruptures, disconnections, dissonances, exclusions, and allochronism. Moving beyond the concepts of “flow” and “network” as a single, coherent (ecological or technological) system, eco-operations instead emphasizes the frictions within asynchronously running systems. The infrastructures and formats of artistic production and exhibition play a central role here, as they themselves constitute ecosystems that invite and regulate processes of sharing and exchange. Artists and activists are embedded in these ecosystems, in which they simultaneously intervene when searching for alternative ways of creating collaborative practice. Bringing together scholars, artists, writers, and curators, and working across a range of disciplines, eco-operations explores this field of tension between global and local ecologies and aims to speculate on where dissonances imply both creative potential and political challenges.

eco-operations features contributions by Dalida María Benfield, Ursula Biemann, Lisa Blackmore, Mateo Chacón Pino, Lucrezia Cippitelli, T. J. Demos, Sandra Frimmel, Laura Flórez, Lorena Cely, Alexandra Gelis, Liliana Gómez, Fabienne Liptay, Uriel Orlow, and Dorota Sajewska.
 

An original perspective on the mythologies and ecologies of water, the poetics and politics of voice, and the invocation of a communal spirit through film and other arts.

“Follow the Water Follow the Sound” is a call and response. Far removed from the associations of seduction and fear that the siren—both as mythological figure and alarm device—has inspired, it is an invitation to another perceptual attunement to our environment. Offering an original perspective, this bookengages with notions of singing, voicing, and listening that reach into a sonic pluriverse and imagine the "sirenic" as a practice oriented towards emergent futures, fabulations of becoming, and pedagogies of transformation. Through these notions, it provides the grounds for an expanded conception of cinema emerging through sound, music, and performance. Bringing together scholars, curators, and artists from across disciplines, Sirenic unfolds as a polyphonic publication. 

With contributions by Ruth Baettig, Dalida María Benfield, Elena Biserna, Mattia Capelletti, Caroline Courrioux, Alice Jasmine Crippa, Giuseppe Di Salvatore, Magali Dougoud, Burcu Dogramaci, Lidia Gasperoni, Alexandra Gelis, Tobias Gerber, Ute Holl, Roberta Ioli, Pauline Julier, Fabienne Liptay, Niccolò Moronato, Gabriel Paiuk, Dorota Sajewska, Alice Sartori, Alexandra Tsiamparta, and Matthias Wittmann.