Abraham Lincoln as a Man of Ideas
Allen C. Guelzo, with a Foreword by Michael Lind Southern Illinois University Press, 2017 Library of Congress E457.2.G875 2009 | Dewey Decimal 973.7092
Despite the most meager of formal educations, Lincoln had a tremendous intellectual curiosity that drove him into the circle of Enlightenment philosophy and democratic political ideology. And from these, Lincoln developed a set of political convictions that guided him throughout his life and his presidency. This compilation of ten essays from Lincoln scholar Allen C. Guelzo uncovers the hidden sources of Lincoln’s ideas and examines the beliefs that directed his career and brought an end to slavery and the Civil War.
Clemence Royer was a 19th-century Frenchwoman probably best known for producing the first French translation of Charles Darwin. However, her efforts went much further, encompassing anthropology, physics, philosophy, cosmology, and chemistry. In this full-scale biography, Harvey, a science historian and former associate editor of Cambridge University's Darwin Correspondence Project, traces Royer's remarkable life.
A feminist who made lifelong enemies almost as readily as she made friends, Royer was never able to undertake formal, advanced education and was a product of her own self-study efforts. Only in her last few years was she formally recognized by several professional societies and awarded the French Legion of Honor. Harvey includes an overview of earlier biographical treatments, the text of an 1874 communication on "Women, Science, and the Birth Rate," and extensive notes.
The idea that a Senator—Republican or Democrat—would put the greater good of the country ahead of party seems nearly impossible to imagine in our current climate of gridlock and divisiveness. But this hasn’t always been the case. Arthur H. Vandenberg (1884–1951), Republican from Grand Rapids, Michigan, was the model of a consensus builder, and the coalitions he spearheaded continue to form the foundation of American foreign and domestic policy today. Edward R. Murrow called him “the central pivot of the entire era,” yet, despite his significance, Vandenberg has never received the full public attention he is due—until now. With this authoritative biography, Hendrik Meijer reveals how Vandenberg built and nurtured the bipartisan consensus that created the American Century.
Originally the editor and publisher of the Grand Rapids Herald, Vandenberg was appointed and later elected to the Senate in 1928, where he became an outspoken opponent of the New Deal and a leader among the isolationists who resisted FDR’s efforts to aid European allies at the onset of World War II. But Vandenberg soon recognized the need for unity at the dawn of a new world order; and as a Republican leader, he worked closely with Democratic administrations to build the strong bipartisan consensus that established the Marshall Plan, the United Nations, and NATO. Vandenberg, as Meijer reveals, was instrumental in organizing Congressional support for these monumental twentieth-century foreign policy decisions.
Vandenberg’s life and career offer powerful lessons for today, and Meijer has given us a story that suggests an antidote to our current democratic challenges. After reading this poignant biography, many will ask: Where is the Vandenberg of today?
A prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal.
Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity.
Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.
A classic story of a young man’s journey to adulthood, The Boy of Battle Ford covers Blackman’s years growing up in early post-settlement Illinois, where he gave in to temptations such as drinking, gambling, and the lure of prostitutes before joining the army, finding God and becoming a preacher. Blackman, who notes that he is determined to “write facts” in this book, peppers his story with the sordid details of the sinful times of his life as well as with discussions of faith and of struggling to understand his God and his beliefs.
A Bull of a Man
John Powers Harvard University Press, 2009 Library of Congress BQ4570.M365P68 2009 | Dewey Decimal 294.337
The androgynous, asexual Buddha of contemporary popular imagination stands in stark contrast to the muscular, virile, and sensual figure presented in Indian Buddhist texts. In this groundbreaking study of previously unexplored aspects of the early Buddhist tradition, John Powers skillfully adapts methodological approaches from European and North American historiography to the study of early Buddhist literature, art, and iconography, highlighting aspects of the tradition that have been surprisingly invisible in earlier scholarship.
Islamist thinkers used to debate the doctrine of the caliphate of man, which holds that God is sovereign but has appointed the multitude of believers as His vicegerent. Andrew March argues that the doctrine underpins a democratic vision of popular rule over governments and clerics. But is this an ideal regime destined to survive only in theory?
The City and Man consists of provocative essays by the late Leo Strauss on Aristotle's Politics, Plato's Republic, and Thucydides' Peloponnesian Wars. Together, the essays constitute a brilliant attempt to use classical political philosophy as a means of liberating modern political philosophy from the stranglehold of ideology. The essays are based on a long and intimate familiarity with the works, but the essay on Aristotle is especially important as one of Strauss's few writings on the philosopher who largely shaped Strauss's conception of antiquity. The essay on Plato is a full-scale discussion of Platonic political philosophy, wide in scope yet compact in execution. When discussing Thucydides, Strauss succeeds not only in presenting the historian as a moral thinker of high rank, but in drawing his thought into the orbit of philosophy, and thus indicating a relation of history and philosophy that does not presuppose the absorption of philosophy by history.
Textiles that have been uncovered in archaeological excavations include garments, household fabrics, and sails. But until now, systematic analyses of such discoveries had not yet been undertaken for Dutch artifacts. Closing this considerable gap, Clothes Make the Man focuses on textile remains dating from between 400 and 1000 CE that have been recovered from settlements and cemeteries in what is now the Netherlands. As Chrystel R. Brandenburgh shows, such fabrics enable valuable reconstructions of burial clothing and yield important data about their production processes and techniques.
An enthusiast's look at American comedies and the physical comedians who made them great.
Winner of the Theater Library Association's Special Jury Prize for Distinguished Achievement (2001).
"Comedy is famously difficult to analyze. But Alan Dale shows that you can talk about a joke without completely stepping on it. In Comedy Is a Man in Trouble, Dale seasons his weightier theories about slapstick in film with engaging opinions and witty asides. Dale tackles many of the great film comedians, from Charlie Chaplin to Jim Carrey. His seemingly encyclopedic knowledge, back to the most obscure silent films, produces admirable close readings." --Ted Loos, New York Times Book Review
"A delightful study. Fun to read." --The Bloomsbury Review
"A delicate balancing act between traditional cinematic criticism and pie-in-the-face pratfalls, and Dale manages to pull it off with the skill and aplomb of the silent slapstick clowns he so clearly idolizes. Rather than attempt of account for every low-comedy star and his/her entire repertoire, Dale focuses on a handful of key superstars-specifically Charlie Chaplin, Buster Keaton, Harold Lloyd, the Marx Brothers and Jerry Lewis-and combines biography with cinematic analysis to create a convincing timeline of the rise, fall, and rebirth of one of the movies' most popular genres. He also takes time to examine the controversial role of women in Hollywood comedy, ultimately anointing Katherine Hepburn as the Queen of Slapstick. Comedy is a Man in Trouble hits the mark." --Fade In
Legendary screen comedian Jerry Lewis once said, "The premise of all comedy is a man in trouble." The films that endeared Lewis and others to us hinged on the physical assault of their hero, the pie in the face or slip on the banana peel that reduced the movie star to the level of the audience. Comedy Is a Man in Trouble presents the legacy of physical humor from the performances of vaudeville actors and circus clowns-who coined the term "slapstick" by playfully and noisily beating each other with wooden paddles-to its ongoing popularity today in the films of Jim Carrey and the Farrelly brothers.
Alan Dale's personal and passionate tour of movie slapstick begins with an original assessment of the work of famed silent clowns Charlie Chaplin, Harold Lloyd, and Buster Keaton. Dale rejects the long-held notion that the talent of these comedians lies in their ability to combine comedy and tragedy and suggests that their riotous imaginations and their physical grace revealed greatness in comedy for its own sake. A decade later the Marx Brothers exploited the new technology of sound film in their fast-paced verbal exchanges-and, in doing so, invented a verbal form of slapstick later exploited by directors such as Preston Sturges and Howard Hawks. Throughout the 1950s and 1960s, Jerry Lewis energetically revised and combined the physical and verbal humor of his predecessors for a new generation of viewers.
Comedy Is a Man in Trouble presents a lively, accessible, and lavishly illustrated look at a form of comedy that has its origins in ancient Greece and in American vaudeville and has been expanded and refashioned in film by everyone from W. C. Fields and Marion Davies to Katharine Hepburn and Cary Grant. Here is not only an amusing look at film comedy history, but an insight into the human condition and what causes us to laugh.
Alan Dale worked at a Los Angeles talent agency before earning a Ph.D. in comparative literature from Princeton University. He lives in Hoboken, New Jersey.
De Grazia: The Man and the Myths
James W. Johnson with Marilyn D. Johnson University of Arizona Press, 2014 Library of Congress N6537.D4J64 2014 | Dewey Decimal 709.2
Artist Ted De Grazia (1909–1982) lived life with passion and verve, embracing risk and romance, becoming a legend in Arizona, and gaining international acclaim. De Grazia: The Man and the Myths is a biography that reveals the eccentric, colorful man behind the myths.
Born in Arizona Territory to Italian immigrant parents, De Grazia had a humble childhood as a copper miner’s son, which later influenced his famous persona. De Grazia often held forth at his gallery in Tucson’s Catalina foothills dressed in a pseudo-prospector’s getup of scraggly beard, jeans, flannel shirt, boots, and beat-up cowboy hat. Outrageous stories of womanizing, scores of children, and drinking binges created an eclectic image that fueled stories of mythic proportions, along with global sales of his colorful paintings inspired by the Southwest and Mexico. He made millions through his paintings and the licensing of his art for greeting cards and trinkets. Critics called his work kitsch or commercial, yet thousands of admirers continue to love it.
Calling De Grazia a complicated man doesn’t begin to explain him. He once described himself as “not saint nor devil, but both.” In this first comprehensive biography of De Grazia, authors James W. Johnson with Marilyn D. Johnson tell the story of a life remarkably lived.
El Q'anil: Man of Lightning
Victor Montejo University of Arizona Press, 2001 Library of Congress PS501.S85 vol. 46 | Dewey Decimal 810.8
The legend of El Q'anil, the "Man of Lightning," stands alongside such classic Maya literary artifacts as Popol Vuh and Chilam Balam but has been preserved only through the oral tradition of the Jakaltek Maya. In this tale, the young man Xhuwan Q'anil brings lightning to his people in order to save them from destruction. He undertakes a journey of adventure, participates in a great war, and is subsequently immortalized. It is a story that all Jakaltek children learn, one that reinforces their identity by showing that their people have a hero who lives in each Jakaltek Maya today. Víctor Montejo, who was raised in Maya culture and knows its lore intimately, compiled several versions of the legend in Guatemala during the height of paramilitary operations in that country in the 1980s. His contemporary reconstruction lovingly preserves this legend and reflects concern for the survival of Maya culture in the face of oppression. Just as the Maya people of western Guatemala continue to pray for peace at the sanctuary of Q'anil, the legend of the Man of Lightning affirms a culture's enduring traditions. In this edition, the text is presented in English, Spanish, and Jakaltek Maya to secure its deserved place in world literature.
Debugging the Anthropocene’s insistence on apocalyptic tropes
Where the Anthropocene has become linked to an apocalyptic narrative, and where this narrative carries a widespread escapist belief that salvation will come from a supernatural elsewhere, Joanna Zylinska has a different take. The End of Man rethinks the prophecy of the end of humans, interrogating the rise in populism around the world and offering an ethical vision of a “feminist counterapocalypse,” which challenges many of the masculinist and technicist solutions to our planetary crises. The book is accompanied by a short photo-film, Exit Man, which ultimately asks: If unbridled progress is no longer an option, what kinds of coexistences and collaborations do we create in its aftermath?
Forerunners: Ideas First is a thought-in-process series of breakthrough digital publications. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Darwin's work of 1872 still provides the point of departure for research in the theory of emotion and expression. Although he lacked the modern research tool of cybernetics, his basic methods have not been improved upon: the study of infants, of the insane, of paintings and sculpture, of some of the commoner animals; the use of photographs of expression submitted to different judges; and the comparative study of expression among different peoples. This new edition will be warmly welcomed by those behavioral scientists who have recently shown an intense interest in the scientific study of expression. Lay readers, too, will be struck by the freshness and directness of this book, which includes, among other data, Darwin's delightfully objective analysis of his own baby's smiles and pouts.
In his debut collection Fantasia for the Man in Blue, Tommye Blount orchestrates a chorus of distinct, unforgettable voices that speak to the experience of the black, queer body as a site of desire and violence. A black man’s late-night encounter with a police officer—the titular “man in blue”—becomes an extended meditation on a dangerous erotic fantasy. The late Luther Vandross, resurrected here in a suite of poems, addresses the contradiction between his public persona and a life spent largely in the closet: “It’s a calling, this hunger / to sing for a love I’m too ashamed to want for myself.” In “Aaron McKinney Cleans His Magnum,” the convicted killer imagines the barrel of the gun he used to bludgeon Matthew Shepard as an “infant’s small mouth” as well as the “sad calculator” that was “built to subtract from and divide a town.” In these and other poems, Blount viscerally captures the experience of the “other” and locates us squarely within these personae.
“In addition to his accomplishments as a talented novelist, a thorough historian, and an excellent essayist, Frank Waters is that rare breed of man who has merged heart and mind early in his life and moved forward to confront ultimate questions. This dilemma of faith and heritage, religion and identity, and commitment and comfort has never been resolved intellectually. Even with profound faith and rigorous discipline of self, mystics have found it difficult to resolve through action and prayer. … I look at the life and writing of Frank Waters … and find … a remarkable journey of inquiry spanning nearly a century and illuminating questions which I did not think possible to formulate.”
—Vine Deloria, Jr., editor
Contributors to this volume are Alvin M. Josephy, Jr., Bobby Bridger, Steven Wall, Will Wright, William Eastlake, Larry Evers, David Jongeward, Max Evans, Win Blevins, Barbara Waters, Rudolfo Anaya, Thomas J. Lyon, Joe Gordon, Robert Kostka, Charles Adams, Father Peter J. Powell, Quay Grigg, Alexander Blackburn, and T. N. Luther.
Upon its publication, The Origin of Species was critically embraced in Europe and North America. But how did Darwin’s theories fare in other regions of the world? Adriana Novoa and Alex Levine offer here a history and interpretation of the reception of Darwinism in Argentina, illuminating the ways culture shapes scientific enterprise.
In order to explore how Argentina’s particular interests, ambitions, political anxieties, and prejudices shaped scientific research, From Man to Ape focuses on Darwin’s use of analogies. Both analogy and metaphor are culturally situated, and by studying scientific activity at Europe’s geographical and cultural periphery, Novoa and Levine show that familiar analogies assume unfamiliar and sometimes startling guises in Argentina. The transformation of these analogies in the Argentine context led science—as well as the interaction between science, popular culture, and public policy—in surprising directions. In diverging from European models, Argentine Darwinism reveals a great deal about both Darwinism and science in general.
Novel in its approach and its subject, From Man to Ape reveals a new way of understanding Latin American science and its impact on the scientific communities of Europe and North America.
Perhaps no other person could ever achieve the preeminent position in American history and culture occupied by George Washington. Born in 1732, Washington’s life–long commitment to self-improvement and discipline helped him become a legend in his own lifetime. Whether as a statesman, military man, or America’s first president, Washington created a legacy that has scarcely diminished in over two centuries. Yet the passage of time and the superlatives reserved for Washington have knit together and made it difficult to find the real man. Historian and editor John P. Kaminski has amassed an extraordinary body of quotations by and about George Washington that brings us closer to the essence of this great leader. This collection paints an intricate picture of the man who Henry 'Lighthorse' Lee of Virginia eulogized as: "First in war, first in peace, first in the hearts of his countrymen."
It takes no great powers of observation to see that Hollywood has long been far to the left of the general American public. Even in stories that have no overt political content, the social and moral assumptions in films rated from GP to R are often at odds with the deeply held values of most of the viewing audience. But that’s not the whole story, argues the literary and cultural critic Mark Royden Winchell in God, Man, and Hollywood. A surprising number of films articulate culturally unfashionable attitudes—and it is from these movies that we learn the most about our society and ourselves.
Beginning with D. W. Griffith’s The Birth of a Nation and ending with Mel Gibson’s The Passion of the Christ, Winchell reveals the politically incorrect notions at the heart of eighteen classic films, including Ben-Hur, Intruder in the Dust, The Man Who Shot Liberty Valance, Patton, The Deer Hunter, A Clockwork Orange, Gangs of New York, and Gettsyburg. Along the way, he shows how a number of filmmakers, sometimes unwittingly, have produced unconventionally honest explorations of the nature and meaning of race relations, love, family, community, worship, and other aspects of our shared human experience. Winchell ends with synoptic assessments of an additional one hundred politically incorrect films, from About Schmidt to Zulu. The result is an indispensable film guide showing that sometimes even Hollywood has done better than we typically give it credit for.
When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.
Across all imaginable borders, Johnny Cash fans show the appeal of a thoroughly American performer who simultaneously inspires people worldwide. A young Norwegian shows off his Johnny Cash tattoo. A Canadian vlogger sings “I Walk the Line” to camel herders in Egypt’s White Desert. A shopkeeper in Northern Ireland plays Cash as his constant soundtrack. A Dutchwoman coordinates the activities of Cash fans worldwide and is subsequently offered the privilege of sleeping in Johnny’s bedroom. And on a more global scale, millions of people watch Cash’s videos online, then express themselves through commentary and debate.
In Johnny Cash International, Hinds and Silverman examine digital and real-world fan communities and the individuals who comprise them, profiling their relationships to Cash and each other. Studying Johnny Cash’s international fans and their love for the man reveals new insights about music, fandom, and the United States.
Lee Kuan Yew, Singapore's first prime minister (from 1959 to1990), has been an international figure not only for establishing Singapore's political and economic stability but also for fostering economic development throughout Asia. He is particularly renowned as a principle architect of the 'Asian values' campaign of the 1990s, which sought to preserve the undemocratic traits of Asian culture while attending to the demands of a capitalist economy operating globally.
A critical examination of Lee's life, career, and ideas, this is the first book to analyze the origins and substance of Lee's political thought. Augmenting established primary sources with his own interviews and correspondence with Lee's old associates, Barr shows how Lee has been influenced by British and Chinese racism and elitism, western progressivism, and even the cultural evolutionism of Arnold Toynbee. This reassessment of Lee's achievements and worldview sheds new light on a key figure on the world stage.
Pico della Mirandola, one of the most remarkable thinkers of the Renaissance, has become known as a founder of humanism and a supporter of secular rationality. Brian Copenhaver upends this understanding of Pico, unearthing the magic and mysticism in the most famous work attributed to him, The Oration on the Dignity of Man.
Gruel and truffles, wine and gin, opium and cocaine. Making a Man: Gentlemanly Appetites in the Nineteenth-Century British Novel addresses consumption of food, drink, and drugs in the conspicuously consuming nineteenth century in order to explore the question of what, in fact, makes a man in novels of the period. Gwen Hyman analyzes the rituals of dining room, drawing room, opium den, and cocaine lab, and the ways in which these alimentary behaviors make, unmake, and remake the gentlemanly body.
The gentleman, Making a Man argues, is a dangerous alimental force. Threatened with placelessness, he seeks to locate and mark himself through his feasting and fasting. But in doing so, he inevitably threatens to starve, to subsume, to swallow the community around him. The gentleman is at once fundamental and fundamentally threatening to the health of the nation: his alimental monstrousness constitutes the nightmare of the period’s striving, anxious, alimentally fraught middle class.
Making a Man makes use of food history and theory, literary criticism, anthropology, gender theory, economics, and social criticism to read gentlemanly consumers from Mr. Woodhouse, the gruel-eater in Jane Austen’s Emma, through the vampire and the men who hunt him in Bram Stoker’s Dracula. Hyman argues that appetite is a crucial means of casting light on the elusive identity of the gentleman, a figure who is the embodiment of power and yet is hardly embodied in Victorian literature.
In the autumn of 2012, Maxim Februari—known until then as writer and philosopher Marjolijn Februari—announced his intention to live as a man. The news was greeted with a diversity of reactions, from curiosity to unease. These responses made it absolutely clear to Februari that most of us don’t know how to think about transsexuality. The Making of a Man explores this lacuna through a deeply personal meditation on a profoundly universal aspect of our identities.
Februari contemplates the many questions that sexual transitions entail: the clinical effects of testosterone, the alteration of sexual organs, and its effects on sexual intimacy; how transsexuality figures in the law; and how it challenges the way we talk about sex and gender, such as the seemingly minor—but crucially important—difference between the terms “transsexual” and “transgender.” He analyzes our impressions of effeminate men and butch women, separating apparent acceptance from actual prejudice, and critically examines the curious requirement in many countries that one must demonstrate a psychological disturbance—a “gender identity disorder”—in order to be granted sex change therapies. From there he explores the seemingly endless minutiae changing genders or sex effect, from the little box with an M or an F on passports to the shockingly sudden way testosterone can adjust physical features.
With his characteristically clear voice combined with intimate—sometimes moving, sometimes funny—ruminations, Februari wakes readers up to all the ways, big and small, our world is structured by sex and gender.
The question of what it means to be human is at the core of Western philosophical and scientific inquiry. As conceptualized in the Western tradition, “humanity” has been understood and defined in opposition to the animal, which is said to lack the rationality and language that we adduce as the clearest evidence of our difference from beasts. Recent scientific research and rigorous examinations of taxonomy, however, have raised controversial questions regarding the relationship between humans and animals. Man and Beast poses these central philosophical and scientific questions from a different perspective, not simply asking where the line is or ought to be drawn between man and beast but examining and analyzing the stakes in transgressing or maintaining species barriers.
The contributors to Man and Beast, writing from an array of academic disciplines, collectively rethink human relationships with other animals. Pointing to the ethical implications of taxonomic classifications and distinctions drawn by the natural sciences, one essay argues that these categories are neither as abstract nor as neutral as commonly assumed. Another essay offers a historicizing study of species barriers to examine the way in which zoological classifications have been breached, relegating some humans to the category of “animal” or, alternately, including in the human circle nonhuman species. Other essays consider the attribution of a human speech impediment to such famous talking cartoon animals as Porky Pig, read the social implications of such popular animal-human hybrids as “Bat Boy” of the tabloid press, and examine the representation of animals as moral agents in fables dating to Aesop, noting the appearance of such tales during periods of social upheaval and instability. All of these suggest that the category of “beast,” like that of human being, has never been either homogeneous or stable.
Contributors. Howard Bloch, Judith L. Goldstein, Harriet Ritvo, Marc Shell, Barbara Herrnstein Smith
No single view of American cities captures the many problems of urban life-whether the city is analyzed by a politician, an architect, an urban planner, a sociologist, or a psychologist. Man and the Modern City presents the view of ten distinguished urban critics whose variety of approaches places the crucial issues of the city in a broad perspective.
Man and the Sacred
Roger Caillois University of Illinois Press, 1959 Library of Congress BL60.C313 2001 | Dewey Decimal 306.6
Throughout the world, people believe that much of what they do is accidental, ordinary, and inconsequential, while other acts can bring on divine retribution or earn eternal grace. In Man and the Sacred, Caillois demonstrates how humanity's ambiguous attitude toward the sacred influences behavior and culture.
Drawing on a diverse array of ethnographic contexts, including the sexual rituals of the Ba-Thong of South Africa and evidence drawn from aboriginal Australian, Eskimo, and traditional Chinese social systems, Caillois analyzes the role of the forbidden in the social cohesion of the group. He examines the character of the sacred in the light of specific instances of taboos and transgressions, exploring wide differences in attitudes toward diet and sex and extreme behaviors associated with the sacred, such as rapture and paroxysm. He also discusses the festival--an exuberant explosion following a period of strict repression--and compares its functions with those of modern war.
A classic study of one of the most fundamental aspects of human social and spiritual life, Man and the Sacred--presented here in Meyer Barash's superb English translation--is a companion volume to Caillois's Man, Play and Games.
On Earth Day 1970 twenty million Americans displayed their commitment to a clean environment. It was called the largest demonstration in human history, and it permanently changed the nation’s political agenda. More than 1 billion people now participate in annual Earth Day activities.
The seemingly simple idea—a day set aside to focus on protecting our natural environment—was the brainchild of U.S. Senator Gaylord Nelson of Wisconsin. It accomplished, far beyond his expectations, his lifelong goal of putting the environment onto the nation’s and the world’s political agendas.
The life of Nelson, a small-town boy who learned his values and progressive political principles at an early age, is woven through the political history of the twentieth century. Nelson’s story intersects at times with Fighting Bob La Follette, Joe McCarthy, and Bill Proxmire in Wisconsin, and with George McGovern, Lyndon Johnson, Hubert Humphrey, Russell Long, Walter Mondale, John F. Kennedy, and others on the national scene.
Winner, Elizabeth A. Steinberg Prize, University of Wisconsin Press
Man from Nebraska: A Play
Tracy Letts Northwestern University Press, 2006 Library of Congress PS3612.E887M36 2006 | Dewey Decimal 812.6
A Man in Charge: A Novel
Morris Philipson University of Chicago Press, 2000 Library of Congress PS3566.H475M3 2000 | Dewey Decimal 813.54
An old-fashioned man of character, Conrad Taylor is executive vice-president of a eastern university who, after leading a satisfying and well-ordered life, finds himself suddenly on shaky ground, struggling to do the right thing in the face of crisis, confrontation, and opportunity. A Man in Charge is an intricate novel about the uncertainties of personal power and the discovery of its limits.
There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit.
The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs.
Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.
A flamboyant and controversial figure, William Marion Reedy was one of the most successful literary entrepreneurs of his day. Editor of the Mirror, a St. Louis weekly, from 1891 to 1920, Reedy played a large role in breaking down the genteel literary tradition, developing a native poetry, and helping to form some fifty significant poets. Emily Dickinson, Stephen Crane, Ezra Pound, Edwin Arlington Robinson, Amy Lowell, Sara Teasdale, Carl Sandburg, and Vachel Lindsay are just a few of the writers whose works Reedy featured in his magazine.
The Man in the Mirror offers a colorful description of Reedy's boyhood in St. Louis during the turbulent period following the Civil War. This well-documented biography follows Reedy throughout his years as a reporter in the early days of the St. Louis Post-Dispatch and Globe-Democrat and as editor of the St. Louis Star. Only seven years after Reedy founded the Mirror as a national journal of opinion--a potpourri of political comment, social gossip, and literary miscellany—the magazine's circulation far surpassed that of the Dial, Atlantic Monthly, or Nation.
Max Putzel truly conveys the spirit and personality of Reedy by carefully examining his life within the context of the literary world he influenced so significantly. Full chapters are devoted to his relationships with Theodore Dreiser, Ezra Pound, Vachel Lindsay, Amy Lowell, and others. Edgar Lee Masters, whose Spoon River Anthology first appeared in the Mirror, called Reedy both the "Literary Boss of the Middle West" and his best friend. In fact, Reedy had quite a range of friends, from librarians to politicians, St. Louis locals to Teddy Roosevelt. His personal effect on people, writers and readers alike, is what has made him such an important historical figure.
It is a tribute to Reedy's critical judgment that the reputations he helped to build would later overshadow his own. The Man in the Mirror, lauded as "the first substantial study of Reedy's work" by American Literature, reveals Reedy's notable contribution to the literary world.
"Science claims it will one day be able to eliminate fathers from the equation by mating bone marrow with ovum. When that day comes, I imagine this book, along with a handful of other works (King Lear, Fun Home) will become even more necessary. Herein find the blueprints for the mystery, the maps for the uncharted, the keys to the archetype." —Nick Flynn, author of The Reenactments and Another Bullshit Night in Suck City
"At this moment, I find myself at loose ends, lost in the various vacuums left by my father's dying and my sons' departures out into the voids. Yet this stunning constellation of essays centered me, became for me fine instruments of reckoning of where to stand in the ceaseless entropic dynamic of kin, of paternal keening. These waxing meditations demonstrate the inflationary universe, the heft and velocity of that big ol' nothing. They elegantly fill, with sober hope and the balm of joy, the terrifying, infinite spaces between those waning stars." —Michael Martone, author of Michael Martone and Four for a Quarter
"What an unreachable mystery the father is, preoccupied, unknowable, pervasive. In these fascinating essays, a shared portrait emerges as writers articulate the perpetual puzzle of the father and, with grace and candor, explore what it means to not know him, to never know him. As one voice, these essays investigate the man—his inventories, his myths, his mere traces—who makes up our horizons, who forever shimmers there beyond our collective grasp." —Susanna Sonnenberg, author of Her Last Death and She Matters: A Life in Friendships
Selected from the country's leading literary journals and publications—Crazyhorse, Colorado Review, The Nervous Breakdown, Creative Nonfiction, Georgia Review, Gulf Coast, The Missouri Review, The Normal School, and others—Man in the Moon brings together essays in which sons, daughters, and fathers explore the elusive nature of this intimate relationship and find unique ways to frame and understand it: through astronomy, arachnology, storytelling, map-reading, television, puzzles, DNA, and so on. In the collection's title essay, Bill Capossere considers the inextricable link between his love of astronomy and memories of his father: "The man in the moon is no stranger to me,” he writes. "I have seen his face before, and it is my father's, and his father's, and my own.” Other essays include Dinty Moore's "Son of Mr. Green Jeans: A Meditation on Missing Fathers,” in which Moore lays out an alphabetic investigation of fathers from popular culture—Ward Cleaver, Jim Anderson, Ozzie Nelson—while ruminating on his own absent father and hesitation to become a father himself. In "Plot Variations,” Robin Black attempts to understand, through the lens of teaching fiction to creative writing students, her inability to attend her father's funeral. Deborah Thompson tries to reconcile her pride in her father's pioneering research in plastics and her concerns about their toxic environmental consequences in "When the Future Was Plastic.” At turns painfully familiar, comic, and heartbreaking, the essays in this collection also deliver moments of seari
Man of Fire: Selected Writings
Ernesto Galarza, Edited by Armando Ibarra and Rodolfo D. Torres University of Illinois Press, 2013 Library of Congress E184.M5G319 2013 | Dewey Decimal 305.86872073
Activist, labor scholar, and organizer Ernesto Galarza (1905–1984) was a leading advocate for Mexican Americans and one of the most important Mexican American scholars and activists after World War II. This volume gathers Galarza's key writings, reflecting an intellectual rigor, conceptual clarity, and a constructive concern for the working class in the face of America's growing influence over Mexico's economic system.
Throughout his life, Galarza confronted and analyzed some of the most momentous social transformations of the twentieth century. Inspired by his youthful experience as a farm laborer in Sacramento, he dedicated his life to the struggle for justice for farm workers and urban working-class Latinos and helped build the first multiracial farm workers union, setting the foundation for the emergence of the United Farm Workers Union. He worked to change existing educational philosophies and curricula in schools, and his civil rights legacy includes the founding of the Mexican American Legal Defense Fund (MALDEF) and the National Council of La Raza (NCLR). In 1979, Galarza was the first U.S. Latino to be nominated for the Nobel Prize in Literature, for works such as Strangers in Our Fields, Merchants of Labor, Barrio Boy, and Tragedy at Chualar.
The Man of Independence
Jonathan Daniels University of Missouri Press, 1998 Library of Congress E814.D3 1998 | Dewey Decimal 973.918092
Having worked closely with Harry S. Truman in the triumphant campaign of 1948, Jonathan Daniels believed that President Truman was an "everyday" American, an ordinary human who aspired to greatness and achieved it. Thus, it was Daniels's intention that The Man of Independence not be a conventional biography; rather, he wanted it to reveal in real terms "the Odyssey of the 'everyday' American through our times." As a result, this comprehensive work not only presents Truman's life, it also details the development of the America in which the president grew up.
Truman spent his youth and his political life believing that old- fashioned, determined conservatism was vital to the preservation of personal liberty. Daniels re-creates Truman's remarkable journey through life—employing newspapers, letters, memos, family papers, as well as interviews with Truman, his family, and his close acquaintances. In the process, Daniels provides powerful evocations of the time during which Truman lived.
Daniels tells this extraordinary story by following this simple farm boy from Missouri through his youth and his years as a farmer, a veteran, and a businessman, on to his early career in politics, and then his presidency. Along the way, Daniels deals with issues, events, and ideas that were part of Missouri and American politics in the 1920s, 1930s, and 1940s; ultimately, he gives us the Truman who was to become the legend.
This inside account provides thought-provoking and personal information about Truman. His relationship with Thomas Pendergast, the seeming conflict between Truman's midwestern conservatism and his belief in equality for American blacks, and his momentous decision to use the atomic bomb to end the war—these are just a few of the topics touched on. Ending in 1949 when Truman was for the second time sworn in as president, The Man of Independence provides a fascinating and valuable look at one of America's most important and beloved presidents, as well as a crucial look at the America from which he emerged.
As commissioner of the Arkansas Department of Education from 1953 to 1978, Arch Ford served under five governors. His vision was to expand educational opportunities because he believed education was the foundation for improving people’s lives. Throughout his career, he campaigned for increased educational funding, better-qualified teachers, and higher teachers’ salaries. Ford helped lead the state in peacefully integrating its schools and established twenty-three vocational-technical schools across the state. During Ford’s tenure, the Arkansas Children’s Colony was established to provide educational services to the developmentally disabled, and the Arkansas Educational Television Network was set up to provide instructional programming across the state.
The state also expanded educational opportunities to include kindergarten, special education, community colleges, and adult education. His leadership left Arkansas with a strong educational system that continued to advance. This was his legacy.
During the Khmer Rouge's brutal reign in Cambodia during the mid-to-late 1970s, a former math teacher named Duch served as the commandant of the S-21 security center, where as many as 20,000 victims were interrogated, tortured, and executed. In 2009 Duch stood trial for these crimes against humanity. While the prosecution painted Duch as evil, his defense lawyers claimed he simply followed orders. In Man or Monster? Alexander Hinton uses creative ethnographic writing, extensive fieldwork, hundreds of interviews, and his experience attending Duch's trial to create a nuanced analysis of Duch, the tribunal, the Khmer Rouge, and the after-effects of Cambodia's genocide. Interested in how a person becomes a torturer and executioner as well as the law's ability to grapple with crimes against humanity, Hinton adapts Hannah Arendt's notion of the "banality of evil" to consider how the potential for violence is embedded in the everyday ways people articulate meaning and comprehend the world. Man or Monster? provides novel ways to consider justice, terror, genocide, memory, truth, and humanity.
In an analysis that promises to be controversial, Man to Man: Desire, Homosociality, and Authority in Late-Roman Manhood surveys the presence of same-sex desire between men in the later Roman empire. Most accounts of recent years have either noted that sexual desire between men was forbidden or they have ignored it. This book argues that desire between men was known and that it was a way to express friendship, patronage, solidarity, and other important relationships among elite males in late antiquity. The evocation of this desire and its possible attendant corporeal satisfactions made it a compelling metaphor for friendship. A man’s grandeur could also be portrayed metaphorically as sexual attractiveness, and the substantial status differences often seen in late antiquity could be ameliorated by a superior using amatory language to address an inferior.
At the same time, however, there was a marked ambivalence about same-sex desire and sexual behavior between men, and indeed same-sex sexual behavior was criminalized as it had never been before. While rejection and condemnation may seem to indicate a decisive distancing between authority and this desire and behavior, authority gained power from maintaining a relation to them. Demonstrating knowledge of the actual mechanics of sex between men suggested to a witness that there was nothing unknown to the authority making the demonstration: authority that knew of scandalous masculine sexual pleasure could project its power pretty much anywhere.
This startling dissonance between positive uses of same-sex desire between men and its criminalization in one and the same moment—a dissonance which recent discussions have been unable to address—requires further investigation, and this book supplies it.
Captured While Attempting to Smuggle Slaves to Freedom in 1844, the Only Man Branded in a Courtroom by a United States Marshal
Sailing around the Florida Keys in 1844, forty-five-year-old Jonathan Walker had a price on his head. On board the small boat he had built that winter in Alabama were seven fugitives from slavery. The Cape Cod sailor and abolitionist was wanted in Pensacola, Florida, for his crime: stealing slaves. The slaves’ owners had posted $100 each as reward money for their property and $1,000 for Walker’s apprehension. Only a day’s sail from their goal of freedom in British-controlled Bahamas, Walker and the slaves were stopped and seized by bounty hunters and taken to a Key West court. Ordered back to Pensacola for trial, Walker ended up spending a year in jail. He was fined and sentenced to stand in the pillory; in addition, he was to suffer a unique punishment in American history: while a packed courtroom watched, a United States marshal was ordered to use a hot branding iron to burn the letters SS, for “slave stealer,” into Walker’s right hand.
Walker survived his ordeal, spending much of his incarceration in isolation. Once released, he remained active in the antislavery movement even while he and his devoted wife Jane raised their nine children. His attempt to help form a new colony in Mexico for runaway American slaves also led to punishing experiences for Walker and one of his sons. Living later with his family in Plymouth, Massachusetts, in the years before the Civil War, Walker made room in his crowded house to shelter runaway slaves along the Underground Railroad. He participated in abolitionist lecture tours across the North where he would be urged to reveal his branded hand—made famous by John Greenleaf Whittier’s poem “The Branded Hand”—to astonished audiences. Too old to enlist in the Civil War, Walker instead headed to Virginia in the war’s final year to help educate African Americans fleeing Confederate forces. In The Man With the Branded Hand: The Life of Jonathan Walker, Abolitionist, distinguished journalist Alvin F. Oickle relates this entire remarkable story of a life devoted to the supposition that “all men are created equal.”
You probably haven’t ever noticed them. But they’ve noticed you. They notice everything. That’s their job. Sitting quietly in a nondescript car outside a bank making note of the tellers’ work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack.
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
Parker goes under the knife in The Man with the Getaway Face, changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—WashingtonPost Book World
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los AngelesTimes
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
Among all the fifty-six men who have served as New York’s governor, none was more complicated, self-righteous, pugilistic, and exasperating than Mario Cuomo.
As governor, Mario Cuomo is remembered most for his advocacy of the “personally-opposed-but” position on abortion that led to confrontations with Catholic Church hierarchy, and for dithering about his presidential ambitions, that led the media to dub him the “Hamlet on the Hudson.” His political style reminded many of Machiavelli; Cuomo styled himself a successor to St. Thomas More.
In this political profile, George J. Marlin sets the record straight on Mario Cuomo.
Marlin traces Cuomo’s political rise and documents how and why he abandoned his public opposition to abortion to be elected New York’s chief executive.
In great detail, Marlin describes the protracted conflict between Cuomo and his church on abortion and refutes the governor’s claim that his “position on abortion is absolutely theologically sound.”
Marlin critiques Cuomo’s famous 1984 Democratic convention speech as nothing more than the usual high-toned partisan liberal bromides that offered little, if anything, that hadn’t been touted by his party for half a century.
The book also uncovers New York State’s fiscal, economic, and social decline during Cuomo’s 12 years as governor. It explains why voters repudiated Cuomo’s version of a welfare state when he sought a fourth term in 1994 and why, in the words of his son, Governor Andrew Cuomo, his father was “more accomplished as a speech-giver than as a governor.”
Marlin skillfully separates the Cuomo “Public Intellectual” myth from the political man.
Mario Cuomo, three times Governor of New York, an eloquent hard edged Catholic from Queens, dominated not only his home state but national liberal politics in the age of Reagan. Whether the subject was police or theology, Cuomo rhetorically overpowered the reporters who covered him. But he’s finally met his match in George Marlin’s Mario Cuomo The Myth and the Man. Marlin’s extraordinary equipment; a former candidate for Mayor of N.Y.C., former executive director of the New York and New Jersey Port Authority, author of books on Catholic voters and the Archbishops of New York, has made him the ideal author of what’s sure to be seen as the definitive political biography of Mario Cuomo. —Fred Siegel, Author, The Prince of the City: Giuliani, New York, and the Genius of American Life and The Future Once Happened Here: New York, D.C., L.A., and the Fate of America’s Big Cities.
“It’s easy to forget what an important and fascinating figure Mario Cuomo was during New York’s raucous political heyday of the 1970s, 80s and 90s, when the likes of Hugh Carey, Ed Koch, Al D’Amato, and Rudy Giuliani strode the political stage. Thankfully, George Marlin’s wonderful new Cuomo biography will help everyone remember both the good and bad of the remarkable man who served three terms as governor, turned down a seat on the Supreme Court and rejected the chance to run for President. Here are both Cuomo’s successes and failures — and of the latter there were many. An important work that helps restore our collective memory. — Fredric U. Dicker, the New York Post’s longtime state editor and a TV and radio commentator, covered six governors during 40 years at the state Capitol in Albany.
George Marlin is virtually peerless in blending high principle with knowledge of street-level politics and the nuts-and-bolts of otherwise mundane governance to produce readable, yet deeply insightful, social and political portraits. Mario Cuomo: The Myth and the Man, examines in fine detail one of one of New York state’s most consequential, if also deeply flawed, 20th-century gubernatorial incumbencies. Plus, readers get a bonus: Insight into what shaped the career of Mario Cuomo’s Democratic superstar son, Andrew. Marlin has been in the trenches himself and thus can separate blarney from beefsteak – which this fine volume once again demonstrates. —Bob McManus, Contributing Editor, The City Journal, was the New York Post’s Editorial Page Editor (2000-2013), and The Albany Times Union’s Executive City Editor (1975-1981).
“George Marlin not only captures the political life and journey of Mario Cuomo, but details his policy approach that led to the near demise of the Empire State. Fortunately, the Conservative Party of New York was there to carry the torch and provide the margin of victory for George Pataki ending the senior Cuomo’s reign.” —Michael Long, State Chairman, Conservative Party of New York (1988-2019)
“For both better and worse, Mario Cuomo was the quintessential American Catholic politician of an entire postwar generation: ambitious, brilliant, articulate, serious about his faith, and flexible in how and where he applied it. George Marlin is a writer of considerable skill, and he uses here it to produce a provocative, absorbing portrait of the man and his career. —Francis X. Maier, Senior Fellow in Catholic Studies at the Ethics and Public Policy Center
The Molds and Man was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This highly readable volume on a little-known but important subject has been widely used as a text and reference book by the student as well as the interested layman.
In interviews with today's major figures in evolutionary biology--including Stephen Jay Gould, E. O. Wilson, Ernst Mayr, and John Maynard Smith--Ruse offers an unparalleled account of evolutionary theory, from popular books to museums to the most complex theorizing, at a time when its status as science is under greater scrutiny than ever before.
In the most comprehensive assessment of baseball legend Stan Musial's life and career to date, James N. Giglio places the St. Louis Cardinal star within the context of the times-the Great Depression and wartime and postwar America-and the issues then prevalent in professional baseball, particularly race and the changing economics of the game. Giglio illuminates how the times shaped Musial and delves further into his popular image as a warm, unfailingly gracious role model known for good sportsmanship and devotion to family.
Psychologist Wilson Van Dusen explores the secret spaces of our inner world with clues drawn from his own personal experience, his work with psychiatric patients, and his study of Eastern and Western philosophy. Drawing from the insights of Swedish visionary Emanuel Swedenborg, Van Dusen discusses self-reflection, dreams, hallucinations, and the mystical experience.
The true key to all the perplexities of the human condition, Rousseau boldly claims, is the “natural goodness of man.” It is also the key to his own notoriously contradictory writings, which, he insists, are actually the disassembled parts of a rigorous philosophical system rooted in that fundamental principle. What if this problematic claim—so often repeated, but as often dismissed—were resolutely followed and explored?
Arthur M. Melzer adopts this approach in The Natural Goodness of Man. The first two parts of the book restore the original, revolutionary significance of this now time-worn principle and examine the arguments Rousseau offers in proof of it. The final section unfolds and explains Rousseau’s programmatic thought, especially the Social Contract, as a precise solution to the human problem as redefined by the principle of natural goodness.
The result is a systematic reconstruction of Rousseau’s philosophy that discloses with unparalleled clarity both the complex weave of his argument and the majestic unity of his vision. Melzer persuasively resolves one after another of the famous Rousseauian paradoxes–enlarging, in the process, our understanding of modern philosophy and politics. Engagingly and lucidly written, The Natural Goodness of Man will be of interest to general as well as scholarly readers.
Robert B. Parker's detective Spenser. John Rambo, created by David Morrell and played on the silver screen by Sylvester Stallone. Bruce Springsteen. All three, Douglas Robinson claims, are central figures in a new form of popular men’s art: art that explores what it means to be a man in a feminist age. Robinson develops a three-stage transformation myth out of Joseph Campbell’s studies of hero mythology: the road of trials, on which repressive “normality” is tested and found lacking (Spenser); a symbolic death in which defensive rational ego-structures are surrendered (the Rambo of First Blood); and regeneration and return, the gradual rebirth of masculinity in a redemptive transformation (Springsteen).
Driving straight to the heart of the most contentious issue in American history, Sean Wilentz argues controversially that, far from concealing a crime against humanity, the U.S. Constitution limited slavery’s legitimacy—a limitation which in time inspired the antislavery politics that led to Southern secession, the Civil War, and Emancipation.
Driving straight to the heart of the most contentious issue in American history, Sean Wilentz argues controversially that, far from concealing a crime against humanity, the U.S. Constitution limited slavery’s legitimacy—a limitation which in time inspired the antislavery politics that led to Southern secession, the Civil War, and Emancipation.
For a decade straddling the turn of the twentieth century, Mark Hanna was one of the most famous men in America. Portrayed as the puppet master controlling the weak-willed William McKinley, Hanna was loved by most Republicans and reviled by Democrats, in large part because of the way he was portrayed by the media of the day. Newspapers and other media outlets that supported McKinley reported positively about Hanna, but those sympathetic to William Jennings Bryan, the Democrats’ presidential nominee in 1896 and 1900, attacked Hanna far more aggressively than they attacked McKinley himself. Their portrayal of Hanna was wrong, but powerful, and this negative image of him survives to this day.
In this study of Mark Hanna’s career in presidential politics, William T. Horner demonstrates the flaws inherent in the way the news media cover politics. He deconstructs the myths that surround Hanna and demonstrates the dangerous and long-lasting effect that inaccurate reporting can have on our understanding of politics. When Karl Rove emerged as the political adviser to George W. Bush’s presidential campaigns, reporters quickly began to compare Rove to Hanna even a century after Hanna’s death. The two men played vastly different roles for the presidents they served, but modern reporters consistently described Rove as the second coming of Mark Hanna, another political Svengali.
Ohio’s Kingmaker is a compelling story about a fascinating character in American politics and serves to remind us of the power of (mis)perceptions.
The legend of the Destroying Angel of Mormondom was well established by the time of his death, of natural causes, in 1878. Travelers sang ballads about him as they gathered around their campfires at night. Mothers used his name to frighten children into obedience. He was accused of literally hundreds of murders, all in the name of the Mormon Church.
Yet behind all the myth was a man, a human being. Orrin Porter Rockwell believed in his prophet, Joseph Smith. He spent most of a year chained in an Independence dungeon for his belief, then walked across Missouri to Nauvoo, stumbling into Joseph’s house on Christmas Day. Joseph said to him then, “Cut not thy hair and no bullet or blade can harm thee,” and the legend was born.
Rockwell continued to serve the leaders of his church—as hunter, guide, messenger, scout, guerilla, emissary to the Indians, and lawman. He traveled thousands of miles, raised three families, accumulated land and wealth—and favorably impressed almost everyone who met him. But although he walked with presidents and generals, scholars and scoundrels, in a life lived at the center of many of the great events of the American frontier, he has remained an enigma, a source of continuing controversy.
Harold Schindler’s remarkable investigative skills led him into literally thousands of unlikely places in his search for the truth about Rockwell. Dale L. Morgan, one of the west’s foremost historians, called the first edition “…an impressive job of research, one of the most impressive in recent memory, in the Mormon field. Mr. Schindler has shown great energy and sagacity in dealing with a difficult, highly controversial subject; and he has also made maximum use of the latest scholarship and newly available archival resources.”
But the author was not satisfied until he had probed even more deeply, and this revised and enlarged second edition contains greatly expanded documentation as well as textual additions that flesh out the characters and events of this classic drama of early America.
is the story of two voyages: an Atlantic crossing in the 33-foot cutter
, bound for Scotland; and the hard voyage of self-discovery that finally brought Bill Storandt to his life partner.
Storandt’s account of the adventure he had carefully planned with longtime partner Brian Forsyth and their friend Bob soon turns into a white-knuckled sailing tale, as they encounter a fierce storm four hundred miles from the Irish coast that tests their courage and all their sailing skills. The sea story, vividly evoking life in a small boat on a big ocean, is interwoven with Storandt’s flashbacks to his earlier life. Outbound delivers its share of excitement, but it’s also a moving reflection on how circuitous our paths can be, even when the destination is clear and beckoning.
What is the common element linking the right to health care and the right of free speech, the right to leisure and the right of free association, the right to work and the right to be protected? Debates on the rights of man abound in the media today, but all too often they remain confused and fail to recognize the fundamental political conceptions on which they hinge.
Several French theorists have recently attempted a new account of rights, one that would replace the discredited Marxist view of rights as mere formalities concealing the realities of class domination. In this final volume of Political Philosophy, Luc Ferry and Alain Renaut summarize these efforts and put forward their own set of arguments.
Quantum Anthropology offers a fresh look at humans, cultures, and societies that builds on advances in the fields of quantum mechanics, quantum philosophy, and quantum consciousness. Radek Trnka and Radmila Lorencová have developed an inspiring theoretical framework that transcends the boundaries of individual disciplines, and in this book they draw on philosophy, psychology, sociology, and consciousness studies to redefine contemporary sociocultural anthropological theory. Quantum anthropology, they argue, is a promising new perspective for the study of humanity that takes into account the quantum nature of our reality. This meta-ontology offers novel pathways for exploring the basic categories of our species’ being.
Despite our admiration for Renaissance achievement in the arts and sciences, in literature and classical learning, the rich and diversified philosophical thought of the period remains largely unknown. This volume illuminates three major currents of thought dominant in the earlier Italian Renaissance: classical humanism (Petrarch and Valla), Platonism (Ficino and Pico), and Aristotelianism (Pomponazzi). A short and elegant work of the Spaniard Vives is included to exhibit the diffusion of the ideas of humanism and Platonism outside Italy. Now made easily accessible, these texts recover for the English reader a significant facet of Renaissance learning.
Originally published in 1813, James Cowles Prichard's Researches into the Physical History of Man was perhaps the most important anthropological work in English of the pre-Darwinian nineteenth century. Attacking the heterodox speculations of "polygenist" writers, Prichard defended the biblically based argument that all mankind was one species. He advanced interesting hypotheses concerning the processes of racial differentiation, and suggested the then daring possibility that the original men were black-skinned.
In his extensive introductory essay, "From Chronology to Ethnology: Prichard and British Anthropology, 1800-1850," George W. Stocking, Jr., uses Prichard's career to illuminate this previously neglected period—the "dark age" between the Victorian evolutionists and their eighteenth-century Scottish precursors. Focusing on the heritage of Christian chronological writing as a source of nineteenth-century anthropological speculation, Professor Stocking shows how Prichard's work gradually transformed this tradition into "ethnology."
Prichard's central problem was to trace to a single source all the races of men from the earliest historical records to the dispersion of mankind after the Deluge. It was in the attempt to solve this "ethnological problem" that the "embracive" tradition of late nineteenth-century English and American anthropology had its roots. As Prichard's work illustrates, every type of evidence—linguistic, cultural, and physical—was brought forth to establish affinities between different human groups.
Expanded in subsequent editions to five volumes, Prichard's Researches was to remain the major compendium of ethnological knowledge in the English language until the second half of the nineteenth century. The present reprinting of the 1813 edition in its entirety should help to reestablish Prichard's reputation as one of the "fathers" of anthropology.
The first book-length study of Richard Wright (1908–1960) gives a critical, historical, and biographical perspective on the gifted African American writer. It presents Wright not only as an artist whose subjects and themes were affected by his race, but also as a sensitive and talented man who was deeply immersed in the major social and intellectual movements of his day.
Brigano discusses Wright’s artistry and his major public concerns as revealed in his novels, short stories, essays, and poetry: race relations in the United States, the role of Marxism in recent history and the future, the direction of international affairs, and the modes of modern personal and social philosophies.
In New Mexico's Gila Wilderness, 106 Mexican gray wolves may be some of the most monitored wildlife on the planet. Collared, microchipped, and transported by helicopter, the wolves are protected and confined in an attempt to appease ranchers and conservationists alike. Once a symbol of the wild, these wolves have come to illustrate the demise of wilderness in this Human Age, where man's efforts shape life in even the most remote corners of the earth. And yet, the howl of an unregistered wolf—half of a rogue pair—splits the night. If you know where to look, you'll find that much remains untamed, and even today, wildness can remain a touchstone for our relationship with the rest of nature.
In Satellites in the High Country, journalist and adventurer Jason Mark travels beyond the bright lights and certainties of our cities to seek wildness wherever it survives. In California's Point Reyes National Seashore, a battle over oyster farming and designated wilderness pits former allies against one another, as locals wonder whether wilderness should be untouched, farmed, or something in between. In Washington's Cascade Mountains, a modern-day wild woman and her students learn to tan hides and start fires without matches, attempting to connect with a primal past out of reach for the rest of society. And in Colorado's High Country, dark skies and clear air reveal a breathtaking expanse of stars, flawed only by the arc of a satellite passing—beauty interrupted by the traffic of a million conversations. These expeditions to the edges of civilization's grid show us that, although our notions of pristine nature may be shattering, the mystery of the wild still exists — and in fact, it is more crucial than ever.
But wildness is wily as a coyote: you have to be willing to track it to understand the least thing about it. Satellites in the High Country is an epic journey on the trail of the wild, a poetic and incisive exploration of its meaning and enduring power in our Human Age.
Although the ancient Greeks did not have an anthropology as we know it, they did have an acute interest in human nature, especially questions of difference. What makes men different from women, slaves different from free men, barbarians different from Greeks? Are these differences visible in the body? How can they be classified and explained?
Maria Michela Sassi reconstructs Greek attempts to answer such questions from Homer's day to late antiquity, ranging across physiognomy, ethnography, geography, medicine, and astrology. Sassi demonstrates that in the Greek science of man, empirical observations were inextricably bound up with a prejudiced view of the free Greek male as superior to all others. Thus, because women were assumed to have pale skin from staying indoors too much, Greek biology and medicine sought to explain this feature as an indication of the "cold" nature of women, as opposed to the "hot" constitution of men.
For this English translation, Sassi has rewritten the introduction and updated the text and references throughout, and Sir Geoffrey Lloyd has provided a new foreword.
Subcommander Marcos made his debut on the world stage on January 1, 1994, the day the North American Free Trade Agreement took effect. At dawn, from a town-hall balcony he announced that the Zapatista Army of National Liberation had seized several towns in the Mexican state of Chiapas in rebellion against the government; by sunset Marcos was on his way to becoming the most famous guerrilla leader since Che Guevara. Subsequently, through a succession of interviews, communiqués, and public spectacles, the Subcommander emerged as a charismatic spokesperson for the indigenous Zapatista uprising and a rallying figure in the international anti-globalization movement.
In this, the first English-language biography of Subcommander Marcos, Nick Henck describes the thought, leadership, and personality of this charismatic rebel spokesperson. He traces Marcos’s development from his provincial middle-class upbringing, through his academic career and immersion in the clandestine world of armed guerrillas, to his emergence as the iconic Subcommander. Henck reflects on what motivated an urbane university professor to reject a life of comfort in Mexico City in favor of one of hardship as a guerrilla in the mountainous jungles of Chiapas, and he examines how Marcos became a conduit through which impoverished indigenous Mexicans could communicate with the world.
Henck fully explores both the rebel leader’s renowned media savvy and his equally important flexibility of mind. He shows how Marcos’s speeches and extensive writings demonstrate not only the Subcommander’s erudition but also his rejection of Marxist dogmatism. Finally, Henck contextualizes Marcos, locating him firmly within the Latin American guerrilla tradition.
The peculiar dilemma of the self in our era has been noted by a wide range of writers, even as they have emphasized different aspects of that dilemma, such as the self’s alienation, disorientation, inflation, or fragmentation. In The Self: Beyond the Postmodern Crisis, Paul C. Vitz and Susan M. Felch bring together scholars from the disciplines of psychology, philosophy, theology, literature, biology, and physics to address the inadequacies of modern and postmodern selves and, ultimately, to suggest what an alternative, “transmodern” account of the self might look like. The transmodern self, the editors argue, acknowledges meaning and purpose transcending the individual. In other words, it reflects an understanding of the human person that is not only intimately connected with the Judeo-Christian tradition but also rejects the twin delusions of absolute autonomy and cosmic meaninglessness that mark the present age.
Ranging from the novels of James Fenimore Cooper to Louis L'Amour, and from classic films like Stagecoach to spaghetti Westerns like A Fistful of Dollars, Mitchell shows how Westerns helped assuage a series of crises in American culture. This landmark study shows that the Western owes its perennial appeal not to unchanging conventions but to the deftness with which it responds to the obsessions and fears of its audience. And no obsession, Lee Mitchell argues, has figured more prominently in the Western than what it means to be a man.
"Elegantly written. . . . provocative . . . characterized by [Mitchell's] own tendency to shoot from the hip."—J. Hoberman, London Review of Books
"[Mitchell's] book would be worth reading just for the way he relates Benjamin Spock's Baby and Child to the postwar Western."—The Observer
"Integrating a careful handling of historical context with a keen eye for textual nuances, Mitchell reconstructs the Western's aesthetic tradition of the 19th century."—Aaron M. Wehner, San Francisco Review
Rafael L. Ramírez presents an insightful examination of Puerto Rican culture and the ways in which Puerto Rican masculinity is constructed.
What It Means to Be a Man begins with a discussion of machismo set in the context of the social construction of masculinity. Ramírez presents his interpretation of what it means to be a Puerto Rican man, discussing the attributes and demands of masculinity, and pointing out the ways in which strength, competition, and sexuality are joined with power and pleasure. He examines the erotic relationships between men as part of the expressions of masculinity, and analyzes how the homosexual experience reproduces the dominant masculine ideology. Finally, Ramírez draws on the literature of the recent men's movements, offering Puerto Rican men the possibility of constructing a new masculinity, liberated from power games, to provide them with a chance to not only be better understood by others, but also to better understand themselves and their place in society.
The ten essays in this groundbreaking compilation cover a broad range of topics, employing a variety of approaches, including theoretical interpretations and textual and comparative analysis, to investigate such issues as race, class, gender, and sexuality, as well as the novel's historical and literary contexts. What's Your Road, Man? Critical Essays on Jack Kerouac's "On the Road" illustrates the richness of the critical work currently being undertaken on this vital American narrative.
Combining essays from renowned Kerouac experts and emerging scholars, What's Your Road, Man? draws on an enormous amount of research into the literary, social, cultural, biographical, and historical contexts of Kerouac's canonical novel. Since its publication in 1957, On the Road has remained in print and has continued to be one of the most widely read twentieth-century American novels.
Several essays enhance understanding of the book by comparing it with alternative versions of the text, like the original 1951 scroll manuscript and some of Kerouac's other novels, and with works by Kerouac's contemporaries such as Sylvia Plath's The Bell Jar. Further studies explore ethnicity, identity, and the novel's place in American literature as well as its relevance to twenty-first century readers.
On the Road has inspired readers for more than fifty years, and the new research included in What's Your Road, Man? introduces fresh perspectives on this classic work of American literature. Editors Hilary Holladay and Robert Holton have successfully woven little-known material with new understandings of familiar topics that will enlighten current and future generations of Kerouac enthusiasts and scholars for years to come.
In The White Plague, René and Jean Dubos argue that the great increase of tuberculosis was intimately connected with the rise of an industrial, urbanized society and—a much more controversial idea when this book first appeared forty years ago—that the progress of medical science had very little to do with the marked decline in tuberculosis in the twentieth century.
The White Plague has long been regarded as a classic in the social and environmental history of disease. This reprint of the 1952 edition features new introductory writings by two distinguished practitioners of the sociology and history of medicine. David Mechanic's foreword describes the personal and intellectual experience that shaped René Dubos's view of tuberculosis. Barbara Gutmann Rosenkrantz's historical introduction reexamines The White Plague in light of recent work on the social history of tuberculosis. Her thought-provoking essay pays particular attention to the broader cultural and medical assumptions about sickness and sick people that inform a society’s approach to the conquest of disease.
This highly readable folklore collection highlights the most representative and evocative tales in the twenty-five hundred pages of backwoods stories collected by Silas Tunbo toward the end of the last century. Turnbo and his informants, antebellum Ozarks natives, believed that the legends of the hunt were, as William Faulkner would write, “the best of all breathing and forever the best of all listening.”
With no apology, the first settlers on the southern frontiers became predators in their own environment. They embraced blood sport and sought its rewards at every turn. The chase promised them a sureness of profit more predictable than land speculation, timbering, or commercial agriculture.
These early opportunists believed that the greatest natural resource along the lush White River drainages in Missouri and Arkansas was large game. Although surrounded by living waters, climax forests, and luxuriant grasses, the tellers of Turnbo’s stories only incidentally made mention of flora. Silas Turnbo and his informants were fascinated by animals and the settlers’ ongoing relationship with them—a relationship often defined by contents for supremacy.
Significantly, Tunbo’s education included only a few years in subscription schools of the 1850s. His writing is direct and in the idiom of hte Ozarks, including spellings that are occasionally whimsical, perfectly befitting these “fireside stories” of the great outdoor drama of the southern frontiers.
Herman Melville wrote White-Jacket; or, The World in a Man-of-War during two months of intense work in the summer of 1849. He drew upon his memories of naval life, having spent fourteen months as an ordinary seaman aboard a frigate as it sailed the Pacific and made the homeward voyage around Cape Horn.
Already that same summer Melville had written Redburn, and he regarded the books as "two jobs, which I have done for money--being forced to it, as other men are to sawing wood." The reviewers were not as hard on White-Jacket as Melville himself was. The English liked its praise of British seamen. The Americans were more interested in Melville's attack on naval abuses, particularly flogging, and his advocacy of humanitarian causes. Soon Melville was acclaimed the best sea writer of the day.
Part autobiography, part epic fiction, White-Jacket remains a brilliantly imaginative social novel by one of the great writers of the sea. This text of the novel is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).