“This book is nothing less than the definitive study of a text long considered central to understanding the Renaissance and its place in Western culture.”
—James Hankins, Harvard University
Pico della Mirandola died in 1494 at the age of thirty-one. During his brief and extraordinary life, he invented Christian Kabbalah in a book that was banned by the Catholic Church after he offered to debate his ideas on religion and philosophy with anyone who challenged him. Today he is best known for a short speech, the Oration on the Dignity of Man, written in 1486 but never delivered. Sometimes called a “Manifesto of the Renaissance,” this text has been regarded as the foundation of humanism and a triumph of secular rationality over medieval mysticism.
Brian Copenhaver upends our understanding of Pico’s masterwork by re-examining this key document of modernity. An eminent historian of philosophy, Copenhaver shows that the Oration is not about human dignity. In fact, Pico never wrote an Oration on the Dignity of Man and never heard of that title. Instead he promoted ascetic mysticism, insisting that Christians need help from Jews to find the path to heaven—a journey whose final stages are magic and Kabbalah. Through a rigorous philological reading of this much-studied text, Copenhaver transforms the history of the idea of dignity and reveals how Pico came to be misunderstood over the course of five centuries. Magic and the Dignity of Man is a seismic shift in the study of one of the most remarkable thinkers of the Renaissance.
The contributors to Man and Beast, writing from an array of academic disciplines, collectively rethink human relationships with other animals. Pointing to the ethical implications of taxonomic classifications and distinctions drawn by the natural sciences, one essay argues that these categories are neither as abstract nor as neutral as commonly assumed. Another essay offers a historicizing study of species barriers to examine the way in which zoological classifications have been breached, relegating some humans to the category of “animal” or, alternately, including in the human circle nonhuman species. Other essays consider the attribution of a human speech impediment to such famous talking cartoon animals as Porky Pig, read the social implications of such popular animal-human hybrids as “Bat Boy” of the tabloid press, and examine the representation of animals as moral agents in fables dating to Aesop, noting the appearance of such tales during periods of social upheaval and instability. All of these suggest that the category of “beast,” like that of human being, has never been either homogeneous or stable.
Contributors. Howard Bloch, Judith L. Goldstein, Harriet Ritvo, Marc Shell, Barbara Herrnstein Smith
In nineteenth-century America, the law insisted that marriage was a permanent relationship defined by the husband's authority and the wife's dependence. Yet at the same time the law created the means to escape that relationship. How was this possible? And how did wives and husbands experience marriage within that legal regime? These are the complexities that Hendrik Hartog plumbs in a study of the powers of law and its limits.
Exploring a century and a half of marriage through stories of struggle and conflict mined from case records, Hartog shatters the myth of a golden age of stable marriage. He describes the myriad ways the law shaped and defined marital relations and spousal identities, and how individuals manipulated and reshaped the rules of the American states to fit their needs. We witness a compelling cast of characters: wives who attempted to leave abusive husbands, women who manipulated their marital status for personal advantage, accidental and intentional bigamists, men who killed their wives' lovers, couples who insisted on divorce in a legal culture that denied them that right.
As we watch and listen to these men and women, enmeshed in law and escaping from marriages, we catch reflected images both of ourselves and our parents, of our desires and our anxieties about marriage. Hartog shows how our own conflicts and confusions about marital roles and identities are rooted in the history of marriage and the legal struggles that defined and transformed it.
On Earth Day 1970 twenty million Americans displayed their commitment to a clean environment. It was called the largest demonstration in human history, and it permanently changed the nation’s political agenda. By Earth Day 2000 participation had exploded to 500 million people in 167 countries.
The seemingly simple idea—a day set aside to focus on protecting our natural environment—was the brainchild of U.S. Senator Gaylord Nelson of Wisconsin. It accomplished, far beyond his expectations, his lifelong goal of putting the environment onto the nation’s and the world’s political agendas.
A remarkable man, Nelson ranks as one of history’s leading environmentalists. He also played a major role as an early, outspoken opponent of the Vietnam War, and as a senate insider was a key player in civil rights, poverty, civil liberties and consumer protection issues.
The life of Nelson, a small town boy who learned his values and progressive political principles at an early age, is woven through the political history of the twentieth century. Nelson’s story intersects at times with Fighting Bob La Follette, Joe McCarthy, and Bill Proxmire in Wisconsin, and with George McGovern, Lyndon Johnson, Hubert Humphrey, Russell Long, Walter Mondale, John F. Kennedy, and others on the national scene.
Winner, Elizabeth A. Steinberg Prize, University of Wisconsin Press
There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit.
The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs.
Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.
A flamboyant and controversial figure, William Marion Reedy was one of the most successful literary entrepreneurs of his day. Editor of the Mirror, a St. Louis weekly, from 1891 to 1920, Reedy played a large role in breaking down the genteel literary tradition, developing a native poetry, and helping to form some fifty significant poets. Emily Dickinson, Stephen Crane, Ezra Pound, Edwin Arlington Robinson, Amy Lowell, Sara Teasdale, Carl Sandburg, and Vachel Lindsay are just a few of the writers whose works Reedy featured in his magazine.
The Man in the Mirror offers a colorful description of Reedy's boyhood in St. Louis during the turbulent period following the Civil War. This well-documented biography follows Reedy throughout his years as a reporter in the early days of the St. Louis Post-Dispatch and Globe-Democrat and as editor of the St. Louis Star. Only seven years after Reedy founded the Mirror as a national journal of opinion--a potpourri of political comment, social gossip, and literary miscellany—the magazine's circulation far surpassed that of the Dial, Atlantic Monthly, or Nation.
Max Putzel truly conveys the spirit and personality of Reedy by carefully examining his life within the context of the literary world he influenced so significantly. Full chapters are devoted to his relationships with Theodore Dreiser, Ezra Pound, Vachel Lindsay, Amy Lowell, and others. Edgar Lee Masters, whose Spoon River Anthology first appeared in the Mirror, called Reedy both the "Literary Boss of the Middle West" and his best friend. In fact, Reedy had quite a range of friends, from librarians to politicians, St. Louis locals to Teddy Roosevelt. His personal effect on people, writers and readers alike, is what has made him such an important historical figure.
It is a tribute to Reedy's critical judgment that the reputations he helped to build would later overshadow his own. The Man in the Mirror, lauded as "the first substantial study of Reedy's work" by American Literature, reveals Reedy's notable contribution to the literary world.
"Science claims it will one day be able to eliminate fathers from the equation by mating bone marrow with ovum. When that day comes, I imagine this book, along with a handful of other works (King Lear, Fun Home) will become even more necessary. Herein find the blueprints for the mystery, the maps for the uncharted, the keys to the archetype."
—Nick Flynn, author of The Reenactments and Another Bullshit Night in Suck City
"At this moment, I find myself at loose ends, lost in the various vacuums left by my father's dying and my sons' departures out into the voids. Yet this stunning constellation of essays centered me, became for me fine instruments of reckoning of where to stand in the ceaseless entropic dynamic of kin, of paternal keening. These waxing meditations demonstrate the inflationary universe, the heft and velocity of that big ol' nothing. They elegantly fill, with sober hope and the balm of joy, the terrifying, infinite spaces between those waning stars."
—Michael Martone, author of Michael Martone and Four for a Quarter
"What an unreachable mystery the father is, preoccupied, unknowable, pervasive. In these fascinating essays, a shared portrait emerges as writers articulate the perpetual puzzle of the father and, with grace and candor, explore what it means to not know him, to never know him. As one voice, these essays investigate the man—his inventories, his myths, his mere traces—who makes up our horizons, who forever shimmers there beyond our collective grasp."
—Susanna Sonnenberg, author of Her Last Death and She Matters: A Life in Friendships
Selected from the country's leading literary journals and publications—Crazyhorse, Colorado Review, The Nervous Breakdown, Creative Nonfiction, Georgia Review, Gulf Coast, The Missouri Review, The Normal School, and others—Man in the Moon brings together essays in which sons, daughters, and fathers explore the elusive nature of this intimate relationship and find unique ways to frame and understand it: through astronomy, arachnology, storytelling, map-reading, television, puzzles, DNA, and so on. In the collection's title essay, Bill Capossere considers the inextricable link between his love of astronomy and memories of his father: "The man in the moon is no stranger to me,” he writes. "I have seen his face before, and it is my father's, and his father's, and my own.” Other essays include Dinty Moore's "Son of Mr. Green Jeans: A Meditation on Missing Fathers,” in which Moore lays out an alphabetic investigation of fathers from popular culture—Ward Cleaver, Jim Anderson, Ozzie Nelson—while ruminating on his own absent father and hesitation to become a father himself. In "Plot Variations,” Robin Black attempts to understand, through the lens of teaching fiction to creative writing students, her inability to attend her father's funeral. Deborah Thompson tries to reconcile her pride in her father's pioneering research in plastics and her concerns about their toxic environmental consequences in "When the Future Was Plastic.” At turns painfully familiar, comic, and heartbreaking, the essays in this collection also deliver moments of seari
Having worked closely with Harry S. Truman in the triumphant campaign of 1948, Jonathan Daniels believed that President Truman was an "everyday" American, an ordinary human who aspired to greatness and achieved it. Thus, it was Daniels's intention that The Man of Independence not be a conventional biography; rather, he wanted it to reveal in real terms "the Odyssey of the 'everyday' American through our times." As a result, this comprehensive work not only presents Truman's life, it also details the development of the America in which the president grew up.
Truman spent his youth and his political life believing that old- fashioned, determined conservatism was vital to the preservation of personal liberty. Daniels re-creates Truman's remarkable journey through life—employing newspapers, letters, memos, family papers, as well as interviews with Truman, his family, and his close acquaintances. In the process, Daniels provides powerful evocations of the time during which Truman lived.
Daniels tells this extraordinary story by following this simple farm boy from Missouri through his youth and his years as a farmer, a veteran, and a businessman, on to his early career in politics, and then his presidency. Along the way, Daniels deals with issues, events, and ideas that were part of Missouri and American politics in the 1920s, 1930s, and 1940s; ultimately, he gives us the Truman who was to become the legend.
This inside account provides thought-provoking and personal information about Truman. His relationship with Thomas Pendergast, the seeming conflict between Truman's midwestern conservatism and his belief in equality for American blacks, and his momentous decision to use the atomic bomb to end the war—these are just a few of the topics touched on. Ending in 1949 when Truman was for the second time sworn in as president, The Man of Independence provides a fascinating and valuable look at one of America's most important and beloved presidents, as well as a crucial look at the America from which he emerged.
As commissioner of the Arkansas Department of Education from 1953 to 1978, Arch Ford served under five governors. His vision was to expand educational opportunities because he believed education was the foundation for improving people’s lives. Throughout his career, he campaigned for increased educational funding, better-qualified teachers, and higher teachers’ salaries. Ford helped lead the state in peacefully integrating its schools and established twenty-three vocational-technical schools across the state. During Ford’s tenure, the Arkansas Children’s Colony was established to provide educational services to the developmentally disabled, and the Arkansas Educational Television Network was set up to provide instructional programming across the state.
The state also expanded educational opportunities to include kindergarten, special education, community colleges, and adult education. His leadership left Arkansas with a strong educational system that continued to advance. This was his legacy.In 1962, James Meredith famously desegregated the University of Mississippi (a.k.a. Ole Miss). As the first Black American admitted to the school, he demonstrated great courage amidst the subsequent political clashes and tragic violence. After President Kennedy summoned federal troops to help maintain order, the South—and America at large—would never be the same.
Man on a Mission depicts Meredith’s relentless pursuit of justice, beginning with his childhood in rural Mississippi and culminating with the confrontation at Ole Miss. A blend of historical research and creative inspiration, this graphic history tells Meredith’s dramatic story in his own singular voice.
From the dawn of the modern civil rights movement, Meredith has offered a unique perspective on democracy, racial equality, and the meaning of America. Man on a Mission presents his captivating saga for a new generation in the era of Black Lives Matter.
Selected as one of baseball literature's Golden Dozen by Roger Kahn, Man on Spikes is an uncompromisingly realistic novel about a baseball player who struggles through sixteen years of personal crises and professional ordeals before finally appearing in a major league game. In a preface to this new edition, Eliot Asinof reveals the longsuffering ballplayer and friend upon which the novel is based.
Russian psychologist A. R. Luria presents a compelling portrait of a man’s heroic struggle to regain his mental faculties. A soldier named Zasetsky, wounded in the head at the battle of Smolensk in 1943, suddenly found himself in a frightening world: he could recall his childhood but not his recent past; half his field of vision had been destroyed; he had great difficulty speaking, reading, and writing.
Much of the book consists of excerpts from Zasetsky’s own diaries. Laboriously, he records his memories in order to reestablish his past and to affirm his existence as an intelligent being. Luria’s comments and interpolations provide a valuable distillation of the theory and techniques that guided all of his research. His “digressions” are excellent brief introductions to the topic of brain structure and its relation to higher mental functions.
Captured While Attempting to Smuggle Slaves to Freedom in 1844, the Only Man Branded in a Courtroom by a United States Marshal
Sailing around the Florida Keys in 1844, forty-five-year-old Jonathan Walker had a price on his head. On board the small boat he had built that winter in Alabama were seven fugitives from slavery. The Cape Cod sailor and abolitionist was wanted in Pensacola, Florida, for his crime: stealing slaves. The slaves’ owners had posted $100 each as reward money for their property and $1,000 for Walker’s apprehension. Only a day’s sail from their goal of freedom in British-controlled Bahamas, Walker and the slaves were stopped and seized by bounty hunters and taken to a Key West court. Ordered back to Pensacola for trial, Walker ended up spending a year in jail. He was fined and sentenced to stand in the pillory; in addition, he was to suffer a unique punishment in American history: while a packed courtroom watched, a United States marshal was ordered to use a hot branding iron to burn the letters SS, for “slave stealer,” into Walker’s right hand.
Walker survived his ordeal, spending much of his incarceration in isolation. Once released, he remained active in the antislavery movement even while he and his devoted wife Jane raised their nine children. His attempt to help form a new colony in Mexico for runaway American slaves also led to punishing experiences for Walker and one of his sons. Living later with his family in Plymouth, Massachusetts, in the years before the Civil War, Walker made room in his crowded house to shelter runaway slaves along the Underground Railroad. He participated in abolitionist lecture tours across the North where he would be urged to reveal his branded hand—made famous by John Greenleaf Whittier’s poem “The Branded Hand”—to astonished audiences. Too old to enlist in the Civil War, Walker instead headed to Virginia in the war’s final year to help educate African Americans fleeing Confederate forces. In The Man With the Branded Hand: The Life of Jonathan Walker, Abolitionist, distinguished journalist Alvin F. Oickle relates this entire remarkable story of a life devoted to the supposition that “all men are created equal.”
The Molds and Man was first published in 1965. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
This highly readable volume on a little-known but important subject has been widely used as a text and reference book by the student as well as the interested layman.
The idea of evolution: it fascinates some of us, disturbs others, and leaves only a very few people indifferent. In a major new interpretation of evolutionary theory, Michael Ruse pinpoints the common source of this attraction and discomfort. A renowned writer on evolutionary theory and its history, Ruse has long been sensitive to the fact that many people--and not simply religious enthusiasts--find something deeply troubling about much of what passes for science in evolutionary circles. What causes this tension, he finds in his search of evolutionism's 250-year history, is the intimate relationship between evolution and the secular ideology of progress.
Ubiquitous in Darwin's time, the idea of an unceasing improvement in life insinuated its way into evolutionary theory from the first. In interviews with today's major figures in evolutionary biology--including Stephen Jay Gould, Edward O. Wilson, Ernst Mayr, and John Maynard Smith--and in an intimate look at the discoveries and advances in the history and philosophy of science, Ruse finds this belief just as prevalent today--however it might be denied or obscured. His book traces the delicate line between those who argue that science is and must be objective and those who deem science a "social construction" in the fashion of religion or the rest of culture. It offers an unparalleled account of evolutionary theory, from popular books to museums to the most complex theorizing, at a time when its status as science is under greater scrutiny than ever before.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press