Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated.

In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn.

Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts.

American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.

This edition of Isaac Newton’s Principia is the first edition that enables the reader to see at a glance the stages of evolution of the work from the completion of the manuscript draft of the first edition in 1685 to the publication of the third edition, authorized by Newton, in 1726.

A photographic reprint of this final version, the present edition exhibits on the same page the variant readings from the seven other texts. This design allows the reader to see all the changes that Newton introduced and to determine exactly how the last and definitive edition, published a few months before Newton’s death, grew from earlier versions.

A series of appendices provides additional material on the development of the Principia; the contributions of Roger Cotes and of Henry Pemberton; drafts of Newton’s preface to the third edition; a bibliography of the Principia, describing in detail the three substantive editions and all the known subsequent editions; an index of names mentioned in the third edition; and a complete table of contents of the third edition.

All bodily activity is the result of the interplay of vastly complex physiological processes, and all of these processes depend on temperature. For insects, the struggle to keep body temperature within a suitable range for activity and competition is often a matter of life and death.

A few studies of temperature regulation in butterflies can be found dating back to the late 1800s, but only recently have scientists begun to study the phenomenon in other insects. In The Thermal Warriors Bernd Heinrich explains how, when, and in general what insects regulate their body temperature and what it means to them. As he shows us, the ingenuity of the survival strategies insects have evolved in the irreducible crucible of temperature is astonishing: from shivering and basking, the construction of turrets (certain tiger beetles), and cooling with liquid feces to stilting (some desert ants and beetles), "panting" in grasshoppers and "sweating cicada," and counter- and alternating-currents of blood flow for heat retention and heat loss.

In The Thermal Warriors Heinrich distills his great reference work, The Hot-Blooded Insects, to its essence: the most significant and fascinating stories that illustrate general principles, all conveyed in the always engaging prose we have come to expect from this author.

This book is an attempt to get to the bottom of an acute and perennial tension between our best scientific pictures of the fundamental physical structure of the world and our everyday empirical experience of it. The trouble is about the direction of time. The situation (very briefly) is that it is a consequence of almost every one of those fundamental scientific pictures--and that it is at the same time radically at odds with our common sense--that whatever can happen can just as naturally happen backwards.

Albert provides an unprecedentedly clear, lively, and systematic new account--in the context of a Newtonian-Mechanical picture of the world--of the ultimate origins of the statistical regularities we see around us, of the temporal irreversibility of the Second Law of Thermodynamics, of the asymmetries in our epistemic access to the past and the future, and of our conviction that by acting now we can affect the future but not the past. Then, in the final section of the book, he generalizes the Newtonian picture to the quantum-mechanical case and (most interestingly) suggests a very deep potential connection between the problem of the direction of time and the quantum-mechanical measurement problem.

The book aims to be both an original contribution to the present scientific and philosophical understanding of these matters at the most advanced level, and something in the nature of an elementary textbook on the subject accessible to interested high-school students.