Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a camera’s viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents.
Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book.
The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthal’s words recapture the emotions and feel of those times as vividly as his lens recorded their passing.
This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the book’s most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthal’s tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.
This eye-opening personal history tells the story of an American college professor’s twenty-year engagement with a thriving Africa rarely encountered by Western visitors, including an extraordinary connection to poets across the continent. At once adventurous, spiritual, political, dreamlike, and humorous, Joining Africa is a unique documentary of a journey through the continent, including an intense five-year encounter with economically struggling but culturally fertile Eritrea. The Africa presented here is neither a postcolonial study nor an exotic tourist destination. It is rich with the voices of its people, whose languages, Cantalupo argues, have greater potential to effect change than any NGO or high-profile celebrity. In vibrant prose, Cantalupo’s book extends a stirring invitation to reevaluate how we engage—both individually and collectively—with this remarkable part of the world.
In 1841 Thomas Worthington King accepted a position as supercargo on the Helena, a ship some have called “the first American clipper,” as it was about to make its maiden voyage to China. Journal of a Voyage around the World recounts the travel of Thomas Worthington King on the Helena from 1841 to 1842.
In full and well-written entries, King recounts the routines and surprises of life at sea, where storms and calms could be equally threatening, and the next day might bring a stop at St. Helena to see Napoleon’s tomb or an encounter with pirates. King provides details often missing from histories that give a real sense of the period. In his description of Chile and Peru we learn about activities as diverse as cockfighting and courtship. We learn about produce and prisons, mints and monasteries, fruits and fashions. In his account of China, King vividly describes rivers so full of boats that one could “see no water—nothing but the large mat sales” and calm groves of “green lychee, or broad leaved & rustling plantain.”
Perhaps the most important subject of the diary is the diarist himself, whose talent and confidence develop on the pages of his record. Thomas Worthington King was born and raised in Chillicothe, Ohio, and was the grandson of two Ohio Senators: Rufus King and Thomas Worthington.
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