"Greek drama demands a story of origins," writes Karen Bassi in Acting Like Men. Abandoning the search for ritual and native origins of Greek drama, Bassi argues for a more secular and less formalist approach to the emergence of theater in ancient Greece. Bassi takes a broad view of Greek drama as a cultural phenomenon, and she discusses a wide variety of texts and artifacts that include epic poetry, historical narrative, philosophical treatises, visual media, and the dramatic texts themselves.
In her discussion of theaterlike practices and experiences, Bassi proposes new conceptual categories for understanding Greek drama as a cultural institution, viewing theatrical performance as part of what Foucault has called a discursive formation. Bassi also provides an important new analysis of gender in Greek culture at large and in Athenian civic ideology in particular, where spectatorship at the civic theater was a distinguishing feature of citizenship, and where citizenship was denied women.
Acting Like Men includes detailed discussions of message-sending as a form of scripted speech in the Iliad, of disguise and the theatrical body of Odysseus in the Odyssey, of tyranny as a theaterlike phenomenon in the narratives of Herodotus, and of Dionysus as the tyrannical and effeminate god of the theater in Euripides' Bacchae and Aristophanes' Frogs. Bassi concludes that the validity of an idealized masculine identity in Greek and Athenian culture is highly contested in the theater, where--in principle--citizens become passive spectators. Thereafter the author considers Athenian theater and Athenian democracy as mutually reinforcing mimetic regimes.
Acting Like Men will interest those interested in the history of the theater, performance theory, gender and cultural studies, and feminist approaches to ancient texts.
Karen Bassi is Associate Professor of Classics, University of California, Santa Cruz.
In Archiving Mexican Masculinities in Diaspora, Nicole M. Guidotti-Hernández challenges machismo—a shorthand for racialized and heteronormative Latinx men's misogyny—with nuanced portraits of Mexican men and masculinities along and across the US-Mexico border. Guidotti-Hernández foregrounds Mexican men's emotional vulnerabilities and intimacies in their diasporic communities. Highlighting how Enrique Flores Magón, an anarchist political leader and journalist, upended gender norms through sentimentality and emotional vulnerability that he performed publicly and expressed privately, Guidotti-Hernández documents compelling continuities between his expressions and those of men enrolled in the Bracero program. Braceros—more than 4.5 million Mexican men who traveled to the United States to work in temporary agricultural jobs from 1942 to 1964—forged domesticity and intimacy, sharing affection but also physical violence. Through these case studies that reexamine the diasporic male private sphere, Guidotti-Hernández formulates a theory of transnational Mexican masculinities rooted in emotional and physical intimacy that emerged from the experiences of being racial, political, and social outsiders in the United States.
"A classic..., a brilliant interpretation of the origins of mass warfare. In Arms and Men, Walter Millis has helped to explain not only how war has come to dominate our age, but the often troubled, anomalous relationship between the military and the rest of American society. For everyone, from the beginning student to the advanced scholar, there is not a more comprehensive, more stimulating, or more lively introduction to the men, the ideas, the policies, and the forces that have shaped the development of American military power."
--Richard H. Kohn
"In my opinion Arms and Men is a splendid piece of work, clearly organized, well argued and beautifully written. We have long needed an informed and intelligent commentary on the evolution of American military policy; and in Mr. Millis' book we have it. I think that his book will awaken great interest and be widely used. I am sure also that professional students of the subject will find it possible, after reading this book, to see the course of American military affairs with a new perspective. That is one of the great services performed by Mr. Millis. He has covered the whole subject with authority, but - thank heaven - in a short book, in which the arguments are not blunted by unnecessary detail."
--Gordon A. Craig
"This author knows weapons, politics and human nature. His perceptive grasp of these complexes shines in the writing."
--The New York Times