A SCHOLARLY BOOK REPOSITORY7 start with B start with B
Long considered a pervasive value of Latino cultures both south and north of the US border, machismo—a hypermasculinity that obliterates any other possible influences on men’s attitudes and behavior—is still used to define Latino men and boys in the larger social narrative. Yet a closer look reveals young, educated Latino men who are going beyond machismo to a deeper understanding of women’s experiences and a commitment to ending gender oppression. This new Latino manhood is the subject of Beyond Machismo.
Applying and expanding the concept of intersectionality developed by Chicana feminists, Aída Hurtado and Mrinal Sinha explain how the influences of race, class, ethnicity, sexuality, and gender shape Latinos’ views of manhood, masculinity, and gender issues in Latino communities and their acceptance or rejection of feminism. In particular, the authors show how encountering Chicana feminist writings in college, as well as witnessing the horrors of sexist oppression in the United States and Latin America, propels young Latino men to a feminist consciousness. By focusing on young, high-achieving Latinos, Beyond Machismo elucidates this social group’s internal diversity, thereby providing a more nuanced understanding of the processes by which Latino men can overcome structural obstacles, form coalitions across lines of difference, and contribute to movements for social justice.
Bringing together Czech fiction published by women between 1890 and 1910, Beyond the World of Men presents works that confront pivotal issues of the time, including the “woman question” and women’s rights, class conflict, lesbian love, and the relationship between the aristocracy and the Czech peasantry (as in two stories originally written in German by the aristocrat Marie von Ebner-Eschenbach). The collection contains stories that are of literary merit, but also hold historical value. In these works, the authors offer trenchant social commentary while injecting both comic and sentimental elements into their writing, employing humanity and subtlety.
As a whole, the collection suggests a revision of the critical understanding of Czech literary modernism; these writers represent voices that were not usually heard in the male writing of the period. They also demand evaluation in their differing (but constant) reactions to earlier women’s writing in Czech and in other European languages, but particularly that of the central figure of Božena Nemcová, to whose canonic novel Babicka they constantly return.
In the past two decades, men have gone from being excluded from the delivery room to being admitted, then invited, and, finally, expected to participate actively in the birth of their children. No longer mere observers, fathers attend baby showers, go to birthing classes, and share in the intimate, everyday details of their partners' pregnancies.
In this unique study, Richard Reed draws on the feminist critique of professionalized medical birthing to argue that the clinical nature of medical intervention distances fathers from child delivery. He explores men's roles in childbirth and the ways in which birth transforms a man's identity and his relations with his partner, his new baby, and society. In other societies, birth is recognized as an important rite of passage for fathers. Yet, in American culture, despite the fact that fathers are admitted into delivery rooms, little attention is given to their transition to fatherhood.
The book concludes with an exploration of what men's roles in childbirth tell us about gender and American society. Reed suggests that it is no coincidence that men's participation in the birthing process developed in parallel to changing definitions of fatherhood more broadly. Over the past twenty years, it has become expected that fathers, in addition to being strong and dependable, will be empathetic and nurturing.
Well-researched, candidly written, and enriched with personal accounts of over fifty men from all parts of the world, this book is as much about the birth of fathers as it is about fathers in birth.
As the nation headed toward armed conflict, these men waged their own war by establishing model interracial communities, forming a new political party, and embracing violence. Their revolutionary ethos bridged the divide between the sacred and the profane, black and white, masculine and feminine, and civilization and savagery that had long girded western culture. In so doing, it embraced a malleable and "black-hearted" self that was capable of violent revolt against a slaveholding nation, in order to usher in a kingdom of God on earth. In tracing the rise and fall of their prophetic vision and alliance, Stauffer reveals how radical reform helped propel the nation toward war even as it strove to vanquish slavery and preserve the peace.
Challenging the standard portrayals of Black men in African American literature
From Frederick Douglass to the present, the preoccupation of black writers with manhood and masculinity is a constant. Black Manhood in James Baldwin, Ernest J. Gaines, and August Wilson explores how in their own work three major African American writers contest classic portrayals of black men in earlier literature, from slave narratives through the great novels of Richard Wright and Ralph Ellison.
Keith Clark examines short stories, novels, and plays by Baldwin, Gaines, and Wilson, arguing that since the 1950s the three have interrupted and radically dismantled the constricting literary depictions of black men who equate selfhood with victimization, isolation, and patriarchy. Instead, they have reimagined black men whose identity is grounded in community, camaraderie, and intimacy.
Delivering original and startling insights, this book will appeal to scholars and students of African American literature, gender studies, and narratology.
To explain why this industry had such a widespread and enduring impact on American literature, Jennifer Schell juxtaposes and analyzes a wide array of eighteenth- and nineteenth-century whaling narratives. Drawing on various studies of masculinity, labor history, and transnationalism, Schell shows how this particular type of maritime work, and the traits and values associated with it, helped to shape the American literary, cultural, and historical imagination. In the process, she reveals the diverse, flexible, and often contradictory meanings of gender, class, and nation in nineteenth-century America.
As Spain consolidated its Empire in the sixteenth and seventeenth centuries, discourses about the perfect Spanish man or "Vir" went hand-in-hand with discourses about another kind of man, one who engaged in the "abominable crime and sin against nature"—sodomy. In both Spain and Mexico, sodomy came to rank second only to heresy as a cause for prosecution, and hundreds of sodomites were tortured, garroted, or burned alive for violating Spanish ideals of manliness. Yet in reality, as Federico Garza Carvajal argues in this groundbreaking book, the prosecution of sodomites had little to do with issues of gender and was much more a concomitant of empire building and the need to justify political and economic domination of subject peoples.
Drawing on previously unpublished records of some three hundred sodomy trials conducted in Spain and Mexico between 1561 and 1699, Garza Carvajal examines the sodomy discourses that emerged in Andalucía, seat of Spain's colonial apparatus, and in the viceroyalty of New Spain (Mexico), its first and largest American colony. From these discourses, he convincingly demonstrates that the concept of sodomy (more than the actual practice) was crucial to the Iberian colonizing program. Because sodomy opposed the ideal of "Vir" and the Spanish nationhood with which it was intimately associated, the prosecution of sodomy justified Spain's domination of foreigners (many of whom were represented as sodomites) in the peninsula and of "Indios" in Mexico, a totally subject people depicted as effeminate and prone to sodomitical acts, cannibalism, and inebriation.
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