BiblioVault - Books about Mentoring of authors

Among Friends

Engendering the Social Site of Poetry

Anne Dewey and Libbie Rifkin

University of Iowa Press, 2013

Philosophers and theorists have long recognized both the subversive and the transformative possibilities of friendship, the intimacy of which can transcend the impersonality of such identity categories as race, class, or gender. Unlike familial relations, friendships are chosen, opening a space of relative freedom in which to create and explore new identities. This process has been particularly valuable to poets marginalized by gender or sexuality since the second half of the twentieth century, as friendship provides both a buffer against and a wedge into predominantly male homosocial poetic communities.

Among Friends presents a richly theorized evocation of friendship as a fluid, critical social space, one that offers a vantage point from which to explore the gendering of poetic institutions and practices from the postwar period to the present. With friendship as an optic, the essays in this volume offer important new insights into the gender politics of the poetic avant-garde, since poetry as an institution has continued to be transformed by dramatic changes wrought by second-wave feminism, sexual liberation, and gay rights. These essays reveal the intimate social negotiations that fight, fracture, and queer the conventions of authority and community that have long constrained women poets and the gendering of poetic subjectivities.

From this shared perspective, the essays collected here investigate a historically and aesthetically wide-ranging array of subjects: from Joanne Kyger and Philip Whalen’s trans-Pacific friendship, to Patti Smith’s grounding of her punk persona in the tension between her romantic friendships with male artists and her more professional connections to the poets of the St. Mark’s scene, and from the gender dynamics of the Language School to the Flarf network’s reconception of poetic community in the digital age and the Black Took Collective’s creation of an intimate poetics of performance. Together, these explorations of poetic friendship open up new avenues for interrogating contemporary American poetry.

Contributors: Maria Damon, Andrew Epstein, Ross Hair, Duriel E. Harris, Daniel Kane, Dawn Lundy Martin, Peter Middleton, Linda Russo, Lytle Shaw, Ann Vickery, Barrett Watten, Ronaldo V. Wilson

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Fitzgerald's Mentors

Edmund Wilson, H. L. Mencken, and Gerald Murphy

Ronald Berman

University of Alabama Press, 2012

A fresh and compelling study of F. Scott Fitzgerald’s intellectual friendship with Edmund Wilson, H. L. Mencken, and Gerald Murphy

Fitzgerald was shaped through his engagements with key literary and artistic figures in the 1920s. This book is about their influence— and also about the ways that Fitzgerald defended his own ideas about writing. Influence was always secondary to independence.

Fitzgerald’s education began at Princeton with Edmund Wilson. There Wilson imparted to Fitzgerald many ideas about education and literary values, among them respect for the classics and an acute awareness of literary tradition.

In New York H. L. Mencken impressed upon Fitzgerald his belief in the stifling effect of public morality on writers. Furthermore, Mencken’s The American Language changed Fitzgerald’s thinking about the power of everyday language.

After moving to France in 1924, Fitzgerald’s intellectual life took a very different turn. Gerald Murphy exposed him to the visual arts— including the work of Fernand Leger, Pablo Picasso, and Man Ray—and to people deeply interested in the perception of art in daily life. Equally important, Fitzgerald had many discussions about artistic values with both Gerald and Sara Murphy.

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A Manner of Being

Writers on Their Mentors

Annie Liontas

University of Massachusetts Press, 2015

What do the punk singer Henry Rollins, the Guatemalan writer Rodrigo Rey Rosa, the American authors Tobias Wolff, Tayari Jones, and George Saunders, the Canadian writer Sheila Heti, and the Russian poet Polina Barskova have in common? At some point they all studied the art of writing deeply with someone.

The nearly seventy short essays in A Manner of Being, by some of the best contemporary writers from around the world, pay homage to mentors—the writers, teachers, nannies, and sages—who enlighten, push, encourage, and sometimes hurt, fail, and limit their protégés. There are mentors encountered in the schoolhouse and on farms, in NYC and in MFA programs; mentors who show up exactly when needed, offering comfort, a steadying hand, a commiseration, a dose of tough love. This collection is rich with anecdotes from the heartfelt to the salacious, gems of writing advice, and guidance for how to live the writing life in a world that all too often doesn't care whether you write or not.

Each contribution is intimate and distinct—yet a common theme is that mentors model a manner of being.

Selections include:

Arthur Flowers on John O'Killens
James Franco on Harmony Korine
Mary Gaitskill on an Ann Arbor bookstore owner
Noy Holland and Sam Lipsyte on Gordon Lish
Tayari Jones on Ron Carlson
Henry Rollins on Hubert Selby Jr.
Rodrigo Rey Rosa on Paul Bowles
George Saunders on Douglas Unger and Tobias Wolff
Christine Schutt on Elizabeth Hardwick
Tobias Wolff on John L'Heureux
. . . and many more

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Women Poets on Mentorship

Efforts and Affections

Arielle Greenberg

University of Iowa Press, 2008

Imagine being a young poet, nurturing your craft without the benefit of established mentors. Imagine having never been in a class taught by a woman poet or not having a bookshelf filled with books written by living women poets. Luckily, young women poets today don’t have to. Arielle Greenberg and Rachel Zucker’s Women Poets on Mentorship: Efforts and Affections collects both personal essays and representative poems by women born after 1960 whose careers were influenced—directly or indirectly—by the women who preceded them.

The poets in this collection describe a new kind of influence, one less hierarchical, less patriarchal, and less anxious than forms of mentorship in the past. Vivid and intelligent, these twenty-four essays explore the complicated nature of the mentoring relationship, with all its joys and difficulties, and show how this new sense of writing out of female experience and within a community of writers has fundamentally changed women’s poetry.

Includes:
Jenny Factor on Marilyn Hacker
Beth Ann Fennelly on Denise Duhamel
Miranda Field on Fanny Howe
Katie Ford on Jorie Graham
Joy Katz on Sharon Olds
Valerie Martínez on Joy Harjo
Erika Meitner on Rita Dove
Aimee Nezhukumatathil on Naomi Shihab Nye
Eleni Sikelianos on Alice Notley
Tracy K. Smith on Lucie Brock-Broido
Crystal Williams on Lucille Clifton
Rebecca Wolff on Molly Peacock

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