front cover of Kaufmann's
Kaufmann's
The Family That Built Pittsburgh's Famed Department Store
Marylynne Pitz and Laura Malt Schneiderman
University of Pittsburgh Press, 2023

In 1868, Jacob Kaufmann, the nineteen-year-old son of a German farmer, stepped off a ship onto the shores of New York. His brother Isaac soon followed, and together they joined an immigrant community of German Jews selling sewing items to the coal miners and mill workers of western Pennsylvania. After opening merchant tailor shops in Pittsburgh’s North and South sides, the Kaufmann brothers caught the wave of a new type of merchandising—the department store—and launched what would become their retail dynasty with a downtown storefront at Fifth Avenue and Smithfield Street. In just two decades, Jacob and his brothers had ascended Pittsburgh’s economic and social ladder, rising from hardscrabble salesmen into Gilded Age multimillionaires.

Generous and powerful philanthropists, the Kaufmanns left an indelible mark on the city and western Pennsylvania. From Edgar and Liliane’s famous residence, the Frank Lloyd Wright masterpiece called Fallingwater, to the Kaufmann clock, a historic landmark that inspired the expression “meet me under the clock,” to countless fond memories for residents and shoppers, the Kaufmann family made important contributions to art, architecture, and culture. Far less known are the personal tragedies and fateful ambitions that forever shaped this family, their business, and the place they called home. Kaufmann’s recounts the story of one of Pittsburgh’s most beloved department stores, pulling back the curtain to reveal the hardships, triumphs, and complicated legacy of the prominent family behind its success.

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Killing Time
Leisure and Culture in Southwestern Pennsylvania, 1800–1850
Scott C. Martin
University of Pittsburgh Press, 1995

Scott C. Martin examines leisure as a “contested cultural space” in which nineteenth-century Americans articulated and developed ideas about ethnicity, class, gender, and community.  This new perspective demonstrates how leisure and sociability mediated the transition from an agricultural to an industrial society.  Martin argues persuasively that southwestern Pennsylvanians used leisure activities to create identities and define values in a society being transformed by market expansion.  The transportation revolution brought new commercial entertainments and recreational opportunities but also fragmented and privatized customary patterns of communal leisure.

By using leisure as a window on the rapid changes sweeping through the region, Martin shows how southwestern Pennsylvanians used voluntary associations, private parties, and public gatherings to construct social identities better suited to their altered circumstances.  The prosperous middle class devised amusements to distinguish them from workers who, in turn, resisted reformers’ attempts to constrain their use of free time.  Ethnic and racial minorities used holiday observances and traditional celebrations to define their place in American society, while women tested the boundaries of the domestic sphere through participation in church fairs, commercial recreation, and other leisure activities.

This study illuminates the cultural history of the region and offers broader insights into perceptions of free time, leisure, and community in antebellum America.

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Klezmer
Music and Community in Twentieth-Century Jewish Philadelphia
Hankus Netsky
Temple University Press, 2017
Klezmer presents a lively and detailed overview of the folk musical tradition as practiced in Philadelphia's twentieth-century Jewish community. Through interviews, archival research, and recordings, Hankus Netsky constructs an ethnographic portrait of Philadelphia’s Jewish musicians, the environment they worked in, and the repertoire they performed at local Jewish lifestyle and communal celebrations.

Netsky defines what klezmer music is, how it helped define Jewish immigrant culture in Philadelphia, and how its current revival has changed klezmer’s meaning historically. Klezmer also addresses the place of musicians and celebratory music in Jewish society, the nature of klezmer culture, the tensions between sacred and secular in Jewish music, and the development of Philadelphia's distinctive “Russian Sher” medley, a unique and masterfully crafted composition.

Including a significant amount of musical transcriptions, Klezmer chronicles this special musical genre from its heyday in the immigrant era, through the mid-century period of its decline through its revitalization from the 1980s to today.
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Knickerbocker
The Myth behind New York
Bradley, Elizabeth L
Rutgers University Press, 2009
Deep within New York's compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. The name may be familiar today: his story gave rise to generations of popular tributes—from a beer brand to a basketball team and more—but Knickerbocker himself has been forgotten. In fact, he was New York's first truly homegrown chronicler, and as a descendant of the Dutch settlers, he singlehandedly tried to reclaim the city for the Dutch. Almost singlehandedly, that is. Diedrich Knickerbocker was created in 1809 by a young Washington Irving, who used the character to narrate his classic satire, A History of New York. According to Irving's partisan narrator, everything good and distinctive, proud and powerful, about New York City—from the doughnuts to the twisting streets of lower Manhattan—could be traced back to New Amsterdam. Terrific general interest, cultural history of a city with a rich and lively literary past. First-ever book on the eponymous myth that has informed New York City culture since the early 1800s. Coincides with the two-hundredth anniversary of Washington Irving's publication of A History of New York. Perfect gift book or addition to library collection of New York Cityùthemed books.

Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does.

Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

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Korea Letters in the William Elliot Griffis Collection
An Annotated Selection
Young-mee Yu Cho
Rutgers University Press, 2024
William Elliot Griffis (1843 – 1928) graduated from Rutgers College in 1869 and taught four years in Fukui and Tokyo. After his return to the United States, he devoted himself to his research and writing on East Asia throughout his life. He authored 20 books about Japan and five books about Korea including, Corea: The Hermit Nation (1882), Corea, Without and Within: Chapters on Corean History, Manners and Religion (1885), The Unmannerly Tiger, and Other Korean Tales (1911), A Modern Pioneer in Korea: The Life Story of Henry G. Appenzeller (1912), and Korean Fairy Tales (1922). In particular, his bestseller, Corea: The Hermit Nation (1882) was reprinted numerous times through nine editions over thirty years. He was not only known as "the foremost interpreter of Japan to the West before World War I but also the American expert on Korea. After his death, his collection of books, documents, photographs and ephemera was donated to Rutgers.

The Korean materials in the Griffis Collection at Rutgers University consist of journals, correspondence, articles, maps, prints, photos, postcards, manuscripts, scrapbooks, and ephemera. These papers reflect Griffis's interests and activities in relation to Korea as a historian, scholar, and theologian. They provide a rare window into the turbulent period of late nineteenth- and twentieth-century Korea, witnessed and evaluated by Griffis and early American missionaries in East Asia. The Korea Letters in the William Elliot Griffis Collection are divided into two parts: letters from missionaries and letters from Japanese and Korean political figures. Newly available and accessible through this collection, these letters develop a multifaceted history of early American missionaries in Korea, the Korean independence movement, and Griffis's views on Korean culture.
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