First published in 1993, the award-winning Cherry Grove, Fire Island tells the story of the extraordinary gay and lesbian resort community near New York City. This new paperback edition includes a new preface by the author.

Margaret Mead Made Me Gay is the intellectual autobiography of cultural anthropologist Esther Newton, a pioneer in gay and lesbian studies. Chronicling the development of her ideas from the excitement of early feminism in the 1960s to friendly critiques of queer theory in the 1990s, this collection covers a range of topics such as why we need more precise sexual vocabularies, why there have been fewer women doing drag than men, and how academia can make itself more hospitable to queers. It brings together such classics as “The Mythic Mannish Lesbian” and “Dick(less) Tracy and the Homecoming Queen” with entirely new work such as “Theater: Gay Anti-Church.”
Newton’s provocative essays detail a queer academic career while offering a behind-the-scenes view of academic homophobia. In four sections that correspond to major periods and interests in her life—”Drag and Camp,” “Lesbian-Feminism,” “Butch,” and “Queer Anthropology”—the volume reflects her successful struggle to create a body of work that uses cultural anthropology to better understand gender oppression, early feminism, theatricality and performance, and the sexual and erotic dimensions of fieldwork. Combining personal, theoretical, and ethnographic perspectives, Margaret Mead Made Me Gay also includes photographs from Newton’s personal and professional life.
With wise and revealing discussions of the complex relations between experience and philosophy, the personal and the political, and identities and practices, Margaret Mead Made Me Gay is important for anyone interested in the birth and growth of gay and lesbian studies.

For two years Ester Newton did field research in the world of drag queens—homosexual men who make a living impersonating women. Newton spent time in the noisy bars, the chaotic dressing rooms, and the cheap apartments and hotels that make up the lives of drag queens, interviewing informants whose trust she had earned and compiling a lively, first-hand ethnographic account of the culture of female impersonators. Mother Camp explores the distinctions that drag queens make among themselves as performers, the various kinds of night clubs and acts they depend on for a living, and the social organization of their work. A major part of the book deals with the symbolic geography of male and female styles, as enacted in the homosexual concept of "drag" (sex role transformation) and "camp," an important humor system cultivated by the drag queens themselves.

"Newton's fascinating book shows how study of the extraordinary can brilliantly illuminate the ordinary—that social-sexual division of personality, appearance, and activity we usually take for granted."—Jonathan Katz, author of Gay American History

"A trenchant statement of the social force and arbitrary nature of gender roles."—Martin S. Weinberg, Contemporary Sociology

      "Definitive and well-rounded. . . . Explores how anthropologists
        manage issues of identity and sexuality in field research and professional
        life. In an era when the field worker's positionality is critical to research
        and ethnographic writing, this insightful book has much to say to gay
        and straight researchers alike." -- Louise Lamphere, University of
        New Mexico
      "Addresses sensitive, controversial, and tabooed subjects. . . .
        Out in the Field will be read by a variety of audiences, within
        and outside of anthropology." -- Jean Jackson, Massachusetts Institute
        of Technology
      Lesbian and gay anthropologists write candidly in Out in the Field
        about their research and personal experiences in conducting fieldwork,
        about the ethical and intellectual dilemmas they face in writing about
        lesbian or gay populations, and about the impact on their careers of doing
        lesbian/gay research.
      The first volume in which lesbian and gay anthropologists discuss personal
        experiences, Out in the Field offers compelling illustrations of
        professional lives both closeted and out to colleagues and fieldwork informants.
        It also concerns aligning career goals with personal sexual preferences
        and speaks directly to issues of representation and authority currently
        being explored throughout the social sciences.
      CONTRIBUTORS: Geoffrey Burkhart, Liz Goodman, Delores M. Walters, Walter
        L. Williams, Sabine Lang, Ellen Lewin, William L. Leap, Ralph Bolton,
        Elizabeth Lapovsky Kennedy, Madeline Davis, Will Roscoe, Esther Newton,
        Stephen O. Murray, James Wafer, Kath Weston, Sue-Ellen Jacobs