A storyteller and avid fly fisherman, Jeff Metcalf is, for compelling personal reasons, an enhanced observer of the human condition, who finds himself often in the streams of the American West. Not only rivers run through his essays, his cancer does too. But so do camaraderie, adventures, reveling in nature and outdoor devotions, and the sheer bliss of focused engagement with the fish and the cast. Metcalf’s keenly observed companions are river guides, small-town locals, academics, and other city folk, all like him among those who run to the river for solace and joy.
 
These essays are much more than fish stories; they reveal the community and communion of fishing and the bonds to place the author nurtured through it. Whether he recalls carousing and tale-swapping with friends or excellence found through the challenge of the cast, Metcalf’s words, sometimes roiling and turbulent, sometimes calm and reflective, like a western river, vividly convey the pull of the steelhead and the fight for survival. Whether or not you fish, Metcalf’s sharp-eyed, open and honest look at life will draw you in.

"These waters have been my home, and I fish them more than most. In truth, they have saved my life on more than a few occasions. I seek refuge in the quiet solitude of rivers, and in dark hours of my life—including this particular year—I need desperately to be fly-fishing." —From the book
 

Joan Weimer had spent three years researching the life of nineteenth-century novelist Constance Fenimore Woolson for a critical biography when a devastating back injury left her virtually immobile. Pain reshaped her research as she discovered more about Woolson's writing, family, and grief. The imaginative relationship she developed with Woolson—chronicled in this heart-felt book— helped Weimer to escape her physical disability as she wrestled with the question of how to redefine herself.

In this elegant, humorous, and brutally frank memoir, Weimer's discoveries—documentative and imaginative, historical and personal—reveal much about what motivates research, and what motivates healing.

“Illness, in the larger sense of mortality,” Don Hardy writes, “is an inescapable shared trait among all living creatures, and we humans know about it, whether or not we want to talk about it.”

Because I’d Hate to Just Disappear is a portrait of a husband and wife, Don and Heather Hardy, thrown into the physical and emotional machinery of Don being diagnosed with leukemia and going through chemotherapy and treatment over a period of close to two years.

In this thoughtful and exquisite account, Don and Heather narrate Don’s struggle in real-time. Disarmingly honest, they recount each intimate stage of a couple living through cancer together, the mental and physical struggles, the humor and visceral emotion to reveal how two very different personalities shape—and are shaped by—the experience of cancer and its treatment. Through these moments emerge a constant flow of human kindness and discovery that lifts them each day.

Something other than a memoir of a life well lived, Body Story conveys Julia K. De Pree's troubling journey from adolescence to adulthood and from anorexia to health.

For De Pree, between being a girl and being a woman, there was starvation. Body Story is her intimate account of girlhood, virginity, anorexia, and motherhood. De Pree's prose is spare and unguarded, revealing in vivid flashbacks and poignant vignettes the sources of her inner pain.

In high school, the five-foot-ten De Pree weighed as little as 114 pounds. She was too weak to raise her arms above her head. “In a paradoxical way, I starved my body in order to understand my life,” she writes. “I had to place my body in suspension before I could move physically into sexuality. Starving allowed me to create an interim space between innocence and experience.”

De Pree renders the starkness of anorexia along with the process of recovery, relapse, and, ultimately, redemption. She also tells the story of the physical landscape, from her origins in the Midwest to the American South, Paris, and the vast New Mexican desert, as well as the psychic landscape of her body as it encounters the joys and challenges of maturation, childbirth, and motherhood.

De Pree offers readers a new way of understanding women¿s bodily experience, as she writes about the mystery and the meaning of her illness. As many as eight million Americans suffer from eating disorders. Body Story, unlike clinical reports or news accounts, illuminates the complexity of anorexia as the narrative moves toward a subjective and deeply personal truth.

This evocative and often radiant vision is a unique window into womanhood and selfhood in middle-class, contemporary America.

When she was 54, Lisa Knopp’s weight dropped to a number on the scale that she hadn’t seen since seventh grade. The severe food restricting that left her thin and sick when she was 15 and 25 had returned. This time, she was determined to understand the causes of her malady and how she could heal from a condition that is caused by a tangle of genetic, biological, familial, psychological, cultural, and spiritual factors. This compelling memoir, at once a food and illness narrative, explores the forces that cause eating disorders and disordered eating, including the link between those conditions in women, middle-aged and older, and the fear of aging and ageism.

Winner of the 2017 Nebraska Book Award for Memoir

2017 Choice Outstanding Academic Title

“It all began with the bite of a mosquito. Yes, with a bite of this pesky, but seemingly so innocuous little insect that had been sucking her blood. Not just one, but hundreds had punctured her arms and legs with red marks which later swelled to small welts. Who would ever have thought that our family's life would become derailed, that its tightly woven fabric would eventually fray and break—all from the bite of a mosquito?”