front cover of British Soldiers, American War
British Soldiers, American War
Voices of the American Revolution
Donald N. Hagist
Westholme Publishing, 2012
Nine Rare and Fascinating First-Person Profiles of Soldiers Who Fought for the British Crown
Much has been written about the colonists who took up arms during the American Revolution and the army they created. Far less literature, however, has been devoted to their adversaries. The professional soldiers that composed the British army are seldom considered on a personal level, instead being either overlooked or inaccurately characterized as conscripts and criminals. Most of the British Redcoats sent to America in defense of their government’s policies were career soldiers who enlisted voluntarily in their late teens or early twenties. They came from all walks of British life, including those with nowhere else to turn, those aspiring to improve their social standing, and all others in between. Statistics show that most were simply hardworking men with various amounts of education who had chosen the military in preference to other occupations. Very few of these soldiers left writings from which we can learn their private motives and experiences.
British Soldiers, American War: Voices of the American Revolution is the first collection of personal narratives by British common soldiers ever assembled and published. Author Don N. Hagist has located first-hand accounts of nine soldiers who served in America in the 1770s and 1780s. In their own words we learn of the diverse population—among them a former weaver, a boy who quarelled with his family, and a man with wanderlust—who joined the army and served tirelessly and dutifully, sometimes faithfully and sometimes irresolutely, in the uniform of their nation. To accompany each narrative, the author provides a contextualizing essay based on archival research giving background on the soldier and his military service. Taken as a whole these true stories reveal much about the individuals who composed what was, at the time, the most formidable fighting force in the world.
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front cover of From Downing Street to the Trenches
From Downing Street to the Trenches
First-hand Accounts from the Great War, 1914-1916
Mike Webb
Bodleian Library Publishing, 2014
As we look back on World War I on the occasion of its hundredth anniversary, we do so with the benefit of hindsight and the accumulated wisdom of a century of writing and thought. But what was it like to experience firsthand those first few years of war—to see an aerial view of the famous Battle of the Somme? How did key political figures make the difficult decision to go to war? And what did young men of the time believe their role ought to be?
           
From Downing Street to the Trenches gathers eyewitness accounts and photographs that vividly convey this lived experience. The letters of Prime Minister H. H. Asquith show the strain of wartime leadership and shed light on his later downfall, while letters home from the young Harold Macmillan are suffused with his experiences in the trenches and mark the beginning of his road to Downing Street. Although it was forbidden to record cabinet discussions, Secretary of State Lewis Harcourt’s unauthorized diary provides a window into the government of the time, complete with character sketches of some of the leading figures, including Winston Churchill. In addition to political figures, the book draws on many local records, including the diary of an Essex rector, written to record the impact of the war on his community and parish.
           
Filled with fear and sorrow but also suffused with hope for the future, the accounts collected here paint a highly personal and immediate picture of the war as it was happening to real people of the time.
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front cover of To Tilt at Windmills
To Tilt at Windmills
A Memoir of the Spanish Civil War
Fred A. Thomas
Michigan State University Press, 1996

To Tilt at Windmills is the memoir of Briton Fred Thomas who served with the International Brigades in the Spanish Civil War (July 1936-March 1939).
     Inspired by a memorable return to Iberian battlefields forty years later, and based on diaries kept during the many months Thomas spent as a gunner with the British Anti-Tank Battery, the narrative moves eloquently along a journey into the war zone, through the several campaigns in which he fought and where he was twice wounded, and finally to the withdrawal of the Brigades from the conflict. What distinguishes Thomas' account is the remarkable detail provided by the diaries and the measured tone of his reminiscence, There is, as well, the poignant inquiry of the veteran into the shape and meaning of experience as a young soldier. The historian Paul Preston has cited the "warmth, directness and deep humanity" of To Tilt at Windmills, "an important contribution to the collective memory of the war.

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front cover of Undertones of War
Undertones of War
Edmund Blunden
University of Chicago Press, 2007
“I took my road with no little pride of fear; one morning I feared very sharply, as I saw what looked like a rising shroud over a wooden cross in the clustering mist. Horror! But on a closer study I realized that the apparition was only a flannel gas helmet. . . . What an age since 1914!”

In Undertones of War, one of the finest autobiographies to come out of World War I, the acclaimed poet Edmund Blunden records his devastating experiences in combat. After enlisting at the age of twenty, he took part in the disastrous battles at the Somme, Ypres, and Passchendaele, describing them as “murder, not only to the troops but to their singing faiths and hopes.”

All the horrors of trench warfare, all the absurdity and feeble attempts to make sense of the fighting, all the strangeness of observing war as a writer—of being simultaneously soldier and poet—pervade Blunden’s memoir. In steely-eyed prose as richly allusive as any poetry, he tells of the endurance and despair found among the men of his battalion, including the harrowing acts of bravery that won him the Military Cross.

Now back in print for American readers, the volume includes a selection of Blunden’s war poems that unflinchingly juxtapose death in the trenches with the beauty of Flanders’s fields. Undertones of War deserves a place on anyone’s bookshelf between Siegfried Sassoon’s poetry and Robert Graves’s Goodbye to All That.
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