front cover of The Career of Nicodemus Dyzma
The Career of Nicodemus Dyzma
A Novel
Tadeusz Dolega-Mostowicz; Translated from the Polish by Ewa Malachowska-Pasek and Megan Thomas and with an introduction by Benjamin Paloff
Northwestern University Press, 2020

Winner of the 2021 Found in Translation Award

First published in Polish in 1932, The Career of Nicodemus Dyzma was Tadeusz Dołęga-Mostowicz’s breakout novel. Dyzma is an unemployed clerk who crashes a swanky party, where he makes an offhand crass remark that sets him on a new course. Soon high society—from government ministers to drug-fueled aristocrats—wants a piece of him. As Dyzma’s status grows, his vulgarity is interpreted as authenticity and strength. He is unable to comprehend complicated political matters, but his cryptic responses are celebrated as wise introspection. His willingness to do anything to hold on to power—flip-flopping on political positions, inventing xenophobic plots, even having enemies assaulted—only leads to greater success. 

Dołęga-Mostowicz wrote his novel in a newly independent Poland rampant with political corruption and populist pandering. Jerzy Kosinski borrowed heavily from the novel when he wrote Being There, and readers of both books will recognize similarities between their plots. This biting political satire—by turns hilarious and disturbing, contemptuous and sympathetic—is an indictment of a system in which money and connections matter above all else, bluster and ignorance are valorized, and a deeply incompetent man rises to the highest spheres of government.

[more]

front cover of Charlotte Delbo
Charlotte Delbo
A Life Reclaimed
Ghislaine Dunant, Translated by Kathryn M. Lachman
University of Massachusetts Press, 2021
In 1943, Charlotte Delbo and 229 other women were deported to a station with no name, which they later learned was Auschwitz. Arrested for resisting the Nazi occupation of Paris, Delbo was sent to the camps, enduring both Auschwitz and Ravensbrück for twenty-seven months. There, she, her fellow deportees, and millions of others were subjected to slave labor and nearly succumbed to typhus, dysentery, and hunger. She sustained herself by reciting Molière and resolved to someday write a book about herself and her fellow deportees, a stunning work called None of Us Will Return. After the camps, Delbo devoted her life to the art of writing and the duty of witnessing, fiercely advocating for the power of the arts to testify against despotism and tyranny.

Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.
[more]

front cover of Children of Zion
Children of Zion
Henryk Grynberg
Northwestern University Press, 1997
In Children of Zion, Henryk Grynberg takes an extraordinary collection of interviews conducted by representatives of the Polish government-in-exile in Palestine in 1943 and arranges them in such a way that their voices become unforgettable. The interviewees--all Polish children--tell of their wartime experiences. Rather than using traditional form, Grynberg has turned their voices into a large "choral" group. The children recall their lives before the war (most were well off), their memories of the war's outbreak and the arrival of the Germans and Russians, and their experiences after leaving work camps and the ways many coped with their lives as orphans.
[more]

logo for University of Chicago Press
The Church and the Left
Adam Michnik
University of Chicago Press, 1992
Writing in The New Republic, Nobel laureate Czeslaw Milosz said of Adam Michnik, "Before his unbending will, which pushes him to pay with his own person every time he encounters injustice. I feel what probably was felt by an average Hindu confronted by the devotion of Gandhi: admiration mixed with incredulity and hope. . . . Michnik is one of those who bring honor to the last two decades of the twentieth century."

Years in advance of the collapse of communism in Eastern Europe, Poland underwent one of the most radical and painful social and political upheavals of our century. Through a wide body of writing and an unswerving political commitment that took him from prison to parliament, Adam Michnik was a central figure in these events—culminating in 1989 with his role in formulating the political deal that brought Solidarity to power. Michnik's writings, most of them smuggled out of prison, have been translated into many languages; but until now, only isolated essays have appeared in English.

In The Church and the Left, Michnik gives full expression to the ideas that have shaped the drama of Poland and of our time. The unlikely alliance of the Catholic Church and the dissident Left is one of the most fascinating and confusing features of the Polish revolutionary movement. No other book better explains the logic of this powerful coalition—or its future implications. In superb discussions of liberalism and nationalism, of secularism and clericalism, Michnik illuminates the unique makeup and direction of Poland's social revolution and, at the same time, offers unparalleled insight into the internal struggles still present in Eastern Europe.

Today, as religious revivals proliferate and secular progress, whether liberal or communist, comes under suspicion, the relationship of religion to politics has become a pressing issue far beyond the boundaries of Poland. As none has done before, Michnik's clear and thoughtful book gives us the means to understand this volatile mix as it has transformed Poland and as it figures in the future we see taking shape.
[more]

front cover of The Clash of Moral Nations
The Clash of Moral Nations
Cultural Politics in Pilsudski’s Poland, 1926–1935
Eva Plach
Ohio University Press, 2006

The May 1926 coup d’état in Poland inaugurated what has become known as the period of sanacja or “cleansing.” The event has been explored in terms of the impact that it had on state structures and political styles. But for both supporters and opponents of the post-May regime, the sanacja was a catalyst for debate about Polish national identity, about citizenship and responsibility to the nation, and about postwar sexual morality and modern gender identities.

The Clash of Moral Nations is a study of the political culture of interwar Poland, as reflected in and by the coup. Eva Plach shifts the focus from strictly political contexts and examines instead the sanacja’s open-ended and malleable language of purification, rebirth, and moral regeneration.

In tracking the diverse appropriations and manipulations of the sanacja concept, Plach relies on a wide variety of texts, including the press of the period, the personal and professional papers of notable interwar women activists, and the official records of pro-sanacja organizations, such as the Women’s Union for Citizenship Work.

The Clash of Moral Nations introduces an important cultural and gendered dimension to understandings of national and political identity in interwar Poland.

[more]

front cover of Colonial Fantasies, Imperial Realities
Colonial Fantasies, Imperial Realities
Race Science and the Making of Polishness on the Fringes of the German Empire, 1840–1920
Lenny A. Ureña Valerio
Ohio University Press, 2019

In Colonial Fantasies, Imperial Realities, Lenny Ureña Valerio offers a transnational approach to Polish-German relations and nineteenth-century colonial subjectivities. She investigates key cultural dynamics in the history of medicine, colonialism, and migration that bring Germany and Prussian Poland closer to the colonial and postcolonial worlds in Africa and Latin America. She also analyzes how Poles in the German Empire positioned themselves in relation to Germans and native populations in overseas colonies. She thus recasts Polish perspectives and experiences, allowing new insights into identity formation and nationalist movements within the German Empire.

Crucially, Ureña Valerio also studies the medical projects and scientific ideas that traveled from colonies to the German metropole, and vice versa, which were influential not only in the racialization of Slavic populations, but also in bringing scientific conceptions of race to the everydayness of the German Empire. As a whole, Colonial Fantasies, Imperial Realities illuminates nested imperial and colonial relations using sources that range from medical texts and state documents to travel literature and fiction. By studying these scientific and political debates, Ureña Valerio uncovers novel ways to connect medicine, migration, and colonialism and provides an invigorating model for the analysis of Polish history from a global perspective.

[more]

front cover of Comics and Nation
Comics and Nation
Power, Pop Culture, and Political Transformation in Poland
Ewa Stanczyk
The Ohio State University Press, 2022
Winner, 2023 Comics Studies Society Charles Hatfield Book Prize

Comics and Nation offers a fresh perspective on the role of popular culture in the one-hundred-year history of the Polish state, from its foundation in 1918 to the present. Drawing on dozens of press articles, interviews, and readers’ letters, Ewa Stańczyk discusses how journalists, artists, and audiences used comics to probe the boundaries of national culture and scrutinize the established notions of Polishness. Critical moments of Poland’s political transformation ––the establishment of the interwar Polish Republic, the Cold War, the liberalization of the 1970s, the 1989 democratic transition, the turn to memory politics in the 2000s––have all been reflected in the history of Polish comics. Stańczyk offers new insights into how the production of homegrown comics and the influx of foreign works enabled commentators to express their fears, hopes, and disillusionment with political, economic, and cultural changes in Poland and beyond. At its core, Comics and Nation rethinks the impact of popular culture and transnational exchange on Polish nation building, citizenship formation, and the legitimation of power.
[more]

front cover of Considering Maus
Considering Maus
Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust
Deborah R. Geis
University of Alabama Press, 2007

The first collection of critical essays on Maus, the searing account of one Holocaust survivor's experiences rendered in comic book form.

In 1992, Art Spiegelmans two-volume illustrated work Maus: A Survivor’s Tale was awarded a special-category Pulitzer Prize. In a comic book form, Spiegelman tells the gripping, heart-rending story of his father's experiences in the Holocaust. The book renders in stark clarity the trials Spiegelman's father endured as a Jewish refugee in the ghettos and concentration camps of Poland during World War II, his American life following his immigration to New York, and the author's own troubled sense of self as he grapples with his father's history. Mixing autobiography, biography, and oral history in the comic form, Maus has been hailed as a daring work of postmodern narration and as a vivid example of the power of the graphic narrative.


Now, for the first time in one collection, prominent scholars in a variety of fields take on Spiegelman's text and offer it the critical and artistic scrutiny it deserves. They explore many aspects of the work, including Spiegelman’s use of animal characters, the influence of other "comix" artists, the role of the mother and its relation to gender issues, the use of repeating images such as smoke and blood, Maus's position among Holocaust testimonials, its appropriation of cinematic technique, its use of language and styles of dialect, and the implications of the work’s critical and commercial success.


Informed readers in many areas of study, from popular culture and graphic arts to psychoanalysis and oral history, will value this first substantial collection of criticism on a revered work of literature.

[more]

front cover of Contested Memories
Contested Memories
Poles and Jews during the Holocaust and Its Aftermath
Zimmerman, Joshua D.
Rutgers University Press, 2003
Few issues have divided Poles and Jews more deeply than the Nazi occupation of Poland during the Second World War and the subsequent slaughter of almost ninety percent of Polish Jewry. Many Jewish historians have argued that, during the occupation, Poles at best displayed indifference to the fate of the Jews and at worst were willing accomplices of the Nazis. Many Polish scholars, however, deny any connection between the prewar culture of antisemitism and the wartime situation. They emphasized that Poles were also victims of the Nazis and, for the most part, tried their best to protect the Jews.

This collection of essays, representing three generations of Polish and Jewish scholars, is the first attempt since the fall of Communism to reassess the existing historiography of Polish-Jewish relations just before, during, and after the Second World War. In the spirit of detached scholarly inquiry, these essays fearlessly challenge commonly held views on both sides of the debates. The authors are committed to analyzing issues fairly and to reaching a mutual understanding. Contributors cover six topics:
1. The prewar legacy
2. The deterioration of Polish-Jewish relations during the first years of the war
3. Institutional Polish responses to the Nazi Final Solution
4. Poles and the Polish nation through Jewish eyes
5. The destruction of European Jewry and Polish popular opinion
6. Polish-Jewish relations since 1945
[more]

front cover of The Crosses of Auschwitz
The Crosses of Auschwitz
Nationalism and Religion in Post-Communist Poland
Geneviève Zubrzycki
University of Chicago Press, 2006

In the summer and fall of 1998, ultranationalist Polish Catholics erected hundreds of crosses outside Auschwitz, setting off a fierce debate that pitted Catholics and Jews against one another. While this controversy had ramifications that extended well beyond Poland’s borders, Geneviève Zubrzycki sees it as a particularly crucial moment in the development of post-Communist Poland’s statehood and its changing relationship to Catholicism.

In The Crosses of Auschwitz, Zubrzycki skillfully demonstrates how this episode crystallized latent social conflicts regarding the significance of Catholicism in defining “Polishness” and the role of anti-Semitism in the construction of a new Polish identity. Since the fall of Communism, the binding that has held Polish identity and Catholicism together has begun to erode, creating unease among ultranationalists. Within their construction of Polish identity also exists pride in the Polish people’s long history of suffering. For the ultranationalists, then, the crosses at Auschwitz were not only symbols of their ethno-Catholic vision, but also an attempt to lay claim to what they perceived was a Jewish monopoly over martyrdom.

This gripping account of the emotional and aesthetic aspects of the scene of the crosses at Auschwitz offers profound insights into what Polishness is today and what it may become.

[more]


Send via email Share on Facebook Share on Twitter