Verdi’s Attila, his ninth opera, had its premiere at Venice’s Teatro La Fenice in March 1846. Based on the German play Attila, King of the Huns, the libretto has its own storied history: as Verdi fell seriously ill before the work’s completion, the main librettist moved permanently to Madrid, leaving the last act of Attila only a sketch. It was then that Verdi called upon Francesco Maria Piave, the librettist for two of his earlier works, who at the composer’s behest scratched plans for a large choral finale and decided instead to concentrate on the dramatic roles of the protagonists.

In years since, Attila has become one of Verdi’s most popular and oft-staged early works. The composer's inimitable vitality, soaring arcs of melody, grand choruses, and passion are here amply apparent. This critical edition, based on Verdi’s autograph full score preserved at the British Library, restores the opera’s original text and accurately reflects the composer's colorful and elaborate musical setting, while Helen M. Greenwald’s masterful introduction discusses the opera’s origins, sources, and performance questions, and her critical commentary details editorial problems and their solutions.

Drawing on a wealth of historical sources, Lloyd demonstrates that despite the persistent hope that a new technology (from the telegraph to the Internet) will rise to serve the needs of the republic, none has solved the fundamental problems created by corporate domination. After examining failed alternatives to the strong publicly owned communications model, such as antitrust regulation, the public trustee rules of the Federal Communications Commission, and the underfunded public broadcasting service, Lloyd argues that we must re-create a modern version of the Founder’s communications environment, and offers concrete strategies aimed at empowering citizens.

Hunan province has long interested students of modern China. A citadel of orthodoxy in the nineteenth century and a mainspring of revolution in the twentieth, it is an ideal focus for a study of the great transformation that occurred during the last two decades of the Ch'ing dynasty.

Hunan's experience illuminates key questions. How did foreign imperialism affect Chinese society? What ties bound the provinces to the central government, and how were these ties loosened to permit the secession movement of 1911? Why did nationalism emerge so abruptly and strongly after 1895? How did it differ from the antiforeignism that preceded it, and what did it contribute to the movement against the dynasty? As nationalism became strong, why did social revolution remain weak?

Since Hunanese leadership, moving from orthodoxy through revolution, constitutes one of the great continuities in China's modern history, the answers that a study of Hunan gives to these questions are relevant to larger patterns of change in China as a whole. Charlton Lewis has written a valuable handbook of national as well as provincial events during the turbulent period around the turn of the century.