Nalin Ranasinghe undertakes the monumentally brash assignment of accusing man and then offering his defense, precisely as Homer does of Odysseus in the Iliad. Odysseus is portrayed as a human being deserving of both. For this reason and Homer’s perceptive descriptions, Ranasinghe claims Homer’s epic is the cornerstone of Western civilization. The central insights herein compel Ranasinghe to admit the necessity of heeding its lessons today, of minding its characters and seeing them in action off the page and in our own world.

Predrag Cicovacki in his indispensable preface to the book, elucidates: “In Ranasinghe’s view, Odysseus is both the first recognizable human being and a model of curious and concupiscent human rationality that constantly strives toward the virtues of self-knowledge and moderation. Homer leads us to believe that the cosmos leans toward virtue, although its fundamental truths may be inherently unspeakable. This is the line of thought that Ranasinghe believes was further developed by Socrates, Plato, and Jesus, while being obscured by Aristotle, Augustine, and their followers. Homer’s later epic and his central insights are, according to Ranasinghe, the most fertile soil on which a humane civilization can grow and flourish.” 

Yet Ranasinghe ultimately says it best. “Homer must be read as the wisest Greeks did, not for fantastic tales of the Olympians but because his myths reveal eternal constants of the human state: the soul’s ruling passions and the possibility of knowing and educating these false gods. Wrestled with thus the Iliad becomes a cautionary tale, not one urging literal reading or mindless mimesis. It may always be that for the few who grasp Homer, many more will obey his gods or imitate his antiheroes; but the Odyssey hints that while its poet sees this potential for misuse, he is willing to take a noble risk and hope that eros can listen to and educate thumos. This faith is implicit in his tale of Achilles and the Trojan War. It is vital today that we see how the West’s end resembles its angry origins, as depicted in the Iliad. This is why Homer is said to be as fresh as the morning newspaper. His wisdom may outlive our literacy.” 

This is a posthumously published collection of Nalin Ranasinghe's sharp analyses of Shakespeare's five heavy dramas: Hamlet, King John, Julius Caesar, King Lear, and Antony and Cleopatra. True to form, Ranasinghe serves up philosophical and literary genius for the reader's benefit and delight.

"I will try to claim that Shakespeare offers an esoteric vindication of the human soul itself, not merely poetry, against the looming backdrop of the Counter-Reformation in Europe and the Puritan perversion of English Anglicanism. Neither the Scholasticism of the former nor the fundamentalism of the latter had any sympathy for the claims of men like Bottom or the Bastard to see beyond the confines of scripture and sacred social structures. While poetry could indulge in metaphysical fantasy, it could not take on the status quo without the assistance of more learned allies; this Shakespeare seems to do by his re-telling of Classical and English history. As disingenuous as Bottom (or Erasmus) in this artful use of ignorance and folly to conceal his serious goals, Shakespeare is thus tying poetry to history and giving us an alternate, if playful, account of Western Civilization."