front cover of American Datelines
American Datelines
Major News Stories from Colonial Times to the Present
Edited by Ed Cray, Jonathan Kotler, and Miles Beller
University of Illinois Press, 1990
Capturing the kick and stir of history as it unfolded, American Datelines reveals the courage, hope, and grit of the American experience as chronicled in the headlines of the nation's public press from the earliest issue of The Boston News-Letter to the major newspapers of today. 
 
The original articles in this compelling collection are arranged chronologically and appear as they were first published, providing a lively and unique view of the events that have most influenced politics and culture. Readers can experience the thrill and excitement of breaking news from the real story of Jesse James and the capture of Al Capone to a vibrant portrayal of baseball's first professional African American player and a probing look at the shocking New York Armory show where modern art was born. This first paperback edition features an updated introduction by the editors and several newsworthy additions, including the fall of the Berlin Wall, the O. J. Simpson trial, the Clinton impeachment trial, the home run race between Mark McGwire and Sammy Sosa, and Bush v. Gore.
 
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The Best American Newspaper Narratives of 2012
George Getschow
University of North Texas Press, 2014

front cover of The Best American Newspaper Narratives, Volume 2
The Best American Newspaper Narratives, Volume 2
George Getschow
University of North Texas Press, 2015

front cover of The Best American Newspaper Narratives, Volume 3
The Best American Newspaper Narratives, Volume 3
Gayle Reaves
University of North Texas Press, 2016

front cover of The Best American Newspaper Narratives, Volume 4
The Best American Newspaper Narratives, Volume 4
Gayle Reaves
University of North Texas Press, 2017

front cover of The Best American Newspaper Narratives, Volume 5
The Best American Newspaper Narratives, Volume 5
Gayle Reaves
University of North Texas Press, 2018

front cover of The Best American Newspaper Narratives, Volume 6
The Best American Newspaper Narratives, Volume 6
Gayle Reaves
University of North Texas Press, 2019

front cover of The Best American Newspaper Narratives, Volume 7
The Best American Newspaper Narratives, Volume 7
Gayle Reaves
University of North Texas Press, 2020

front cover of How the News Feels
How the News Feels
The Empathic Power of Literary Journalists
Jonathan D. Fitzgerald
University of Massachusetts Press, 2023

Literary journalism’s origins can be traced to the nineteenth century, when it developed alongside the era’s sentimental literature. Combining fact-based reporting with the sentimentality of popular fiction, literary journalism encouraged readers to empathize with subjects by presenting more nuanced and engaging stories than typical news coverage. While women writers were central to the formation and ongoing significance of the genre, literary journalism scholarship has largely ignored their contributions.

How the News Feels re-centers the work of a range of writers who were active from the nineteenth century until today, including Catharine Williams, Margaret Fuller, Nellie Bly, Winifred Black, Zora Neale Hurston, Joan Didion, Adrian Nicole LeBlanc, and Alexis Okeowo. Offering intimate access to their subjects’ thoughts, motivations, and yearnings, these journalists encouraged readers to empathize with society’s outcasts, from asylum inmates and murder suspects to “fallen women” and the working poor. As this carefully researched study shows, these writers succeeded in defining and developing the genre of literary journalism, with stories that inspire action, engender empathy, and narrow the gap between writer, subject, and audience.

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Journalism and Realism
Rendering American Life
Thomas B Connery
Northwestern University Press, 2011
Both newspaper and magazine journalism in the nineteenth century fully participated in the development and emergence of American Realism in the arts, which attempted to accurately portray everyday life, especially in fiction. Magazines and newspapers provided the raw material for American Realism, but were also its early and vocal advocates. This symbiotic relationship reached its peak from 1890 to 1910, when writers who might be called the first literary journalists (or, much later, “new journalists”) closed the circle by more fully adopting the fiction writer’s style of attempting to “show the reader real life,” as their literary progeny Tom Wolfe would put it many years later. Journalism and Realism fills a much-needed gap in the scholarship of American Realism.
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Literary Journalism and the Aesthetics of Experience
John C. Hartsock
University of Massachusetts Press, 2015
Proponents and practitioners of narrative literary journalism have sought to assert its distinctiveness as both a literary form and a type of journalism. In Literary Journalism and the Aesthetics of Experience, John C. Hartsock argues that this often neglected kind of journalism—exemplified by such renowned works as John Hersey's Hiroshima, James Agee's Let Us Now Praise Famous Men, and Joan Didion's Slouching Towards Bethlehem—has emerged as an important genre of its own, not just a hybrid of the techniques of fiction and the conventions of traditional journalism.

Hartsock situates narrative literary journalism within the broader histories of the American tradition of "objective" journalism and the standard novel. While all embrace the value of narrative, or storytelling, literary journalism offers a particular "aesthetics of experience" lacking in both the others. Not only does literary journalism disrupt the myths sustained by conventional journalism and the novel, but its rich details and attention to everyday life question readers' cultural assumptions. Drawing on the critical theories of Nietzsche, Bakhtin, Benjamin, and others, Hartsock argues that the aesthetics of experience challenge the shibboleths that often obscure the realities the other two forms seek to convey.

At a time when print media appear in decline, Hartsock offers a thoughtful response to those who ask, "What place if any is there for a narrative literary journalism in a rapidly changing media world?"
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Literary Journalism in the Twentieth Century
Norman Sims
Northwestern University Press, 2008

This wide-ranging collection of critical essays on literary journalism addresses the shifting border between fiction and non-fiction, literature and journalism.

Literary Journalism in the Twentieth Century addresses general and historical issues, explores questions of authorial intent and the status of the territory between literature and journalism, and offers a case study of Mary McCarthy’s 1953 piece, "Artists in Uniform," a classic of literary journalism.

Sims offers a thought-provoking study of the nature of perception and the truth, as well as issues facing journalism today.

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MATTERS OF FACT
READING NONFICTION OVER THE EDGE
DANIEL W. LEHMAN
The Ohio State University Press, 1998

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The Rediscovered Writings of Rose Wilder Lane, Literary Journalist
Edited by Amy Mattson Lauters
University of Missouri Press, 2007
Through numerous short stories, novels such as Free Land, and political writings such as “Credo,” Rose Wilder Lane forged a literary career that would be eclipsed by the shadow of her mother, Laura Ingalls Wilder, whose Little House books Lane edited. Lane’s fifty-year career in journalism has remained largely unexplored.
            This book recovers journalistic work by an American icon for whom scholarly recognition is long overdue. Amy Mattson Lauters introduces readers to Lane’s life through examples of her journalism and argues that her work and career help establish her not only as an author and political rhetorician but also as a literary journalist. Lauters has assembled a collection of rarely seen nonfiction articles that illustrate Lane’s talent as a writer of literary nonfiction, provide on-the-spot views of key moments in American cultural history, and offer sharp commentary on historical events.
            Through this collection of Lane’s journalism, dating from early work for Sunset magazine in 1918 to her final piece for Woman’s Day set in 1965 Saigon, Lauters shows how Lane infused her writing with her particular ideology of Americanism and individualism, self-reliance, and freedom from government interference, thereby offering stark commentary on her times. Lane shares her experiences as an extra in a Douglas Fairbanks movie and interviews D.W. Griffith. She reports on average American women struggling to raise a family in wartime and hikes over the Albanian mountains between the world wars. Her own maturing conservative political views provide a lens through which readers can view debates over the draft, war, and women’s citizenship during World War II, and her capstone piece brings us again into a culture torn by war, this time in Southeast Asia.
            These writings have not been available to the reading public since they first appeared. They encapsulate important moments for Lane and her times, revealing the woman behind the text, the development of her signature literary style, and her progression as a writer. Lauters’s introduction reveals the flow of Lane’s life and career, offering key insights into women’s history, the literary journalism genre, and American culture in the first half of the twentieth century.
Through these works, readers will discover a writer whose cultural identity was quintessentially American, middle class, midwestern, and simplistic—and who assumed the mantle of custodian to Americanism through women’s arts. The Rediscovered Writings of Rose Wilder Lane traces the extraordinary relationship between one woman and American society over fifty pivotal years and offers readers a treasury of writings to enjoy and discuss.
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The Rhetoric of the "Other" Literature
W. Ross Winterowd
Southern Illinois University Press, 1990

Using traditional and contemporary rhetorical theory, Winterowd argues that the fiction-nonfiction division of literature is unjustified and destructive.

He would bridge the gap between literary scholars and rhetoricians by including both fiction (imaginative literature) and nonfiction (literature of fact) in the canon. The actual difference in literary texts, he notes, lies not in their factuality but in their potential for eliciting an aesthetic response.

With speech act and rhetorical theory as a basis, Winterowd argues that presentational literature gains its power on the basis of its ethical and pathetic appeal, not because of its assertions or arguments.

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Style as Argument
Contemporary American Nonfiction
Chirs Anderson
Southern Illinois University Press, 1987

Taking the position that style has a value in its own right, that language forms a major component of the story a nonfiction writer has to tell, Anderson analyzes the work of America’s foremost practitioners of New Journalism—Tom Wolfe, Truman Capote, Norman Mailer, and Joan Didion.

Anderson does for nonfiction what insightful critics have long been doing for fiction and poetry. His approach is rhetorical, and his message is that the rhetoric of Wolfe, Capote, Mailer, and Didion is a direct response to the problem of trying to convey to a general audience the sublime, inexplicable, or private and intuitive experiences that conventional rhetoric cannot evoke.

The emphasis in this book is on style, not genre, and the analysis characterizes the distinctive styles of four American writers, showing how the richness and complexity of their prose discloses an important argument about the value of language itself. Their prose is complex, nuanced, layered, affecting, always aware of itself as style. This self-consciousness, Anderson contends, prepares the reader to regard style as argument, a “tacit but powerful statement about the value of form as form, style as style.”

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True Stories
A Century of Literary Journalism
Norman Sims
Northwestern University Press, 2007
Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal examples of the genre provide ample context and background for the study of this style of journalism.
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