Since times immemorial China regarded its culture, philosophy and statecraft as superior to all other nations, hence the saying Hua Yi Zhi Bian ( 華夷之辨)- China and the barbarians are different. In the so-called ‘Age of Humiliation’ (1839-1949), Western and Japanese imperialists reduced the old empire to a semi-colony. China has now regained its economic and military strength, but what drives its domestic and foreign policy? President Xi Jinping has declared that ‘Socialism with Chinese Characteristics for a New Era’ is at hand, but China can better be described as a country in search of a new identity. The philosopher Tu Weiming sees China as a battlefield of Socialism, Liberalism and Confucianism. The outcome of this struggle will have profound repercussions. Continuation of the present policy will only lead to increased tensions with its neighbours, because the Communist Party claims that only she can restore China’s rightful position under heaven. Beijing’s land reclamation in the South China Sea and the ‘One Belt, One Road’ initiative are foremost driven by a yearning to restore the days of China’s imperial grandeur. If China choses the ‘third way’ of blending the Confucian meritocratic tradition with a western style representative government, a clash with its neighbours and the United States can be avoided. China and the barbarians offers a fascinating insight into the thinking of China’s philosophers and powerbrokers of the past and present. Interviews with eight prominent Chinese intellectuals add an authentic ring to this book.

From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.