front cover of Menachem Kipnis
Menachem Kipnis
Yiddish Folklore and Photographs from Interwar Poland
Sheila E. Jelen
Rutgers University Press, 2026

Menachem Kipnis (1878–1942) was one of the early twentieth-century’s greatest Jewish eastern European ethnomusicologists, folklorists, and photographers. He had a weekly column in the Warsaw Yiddish newspaper Haynt, retelling humorous old folk stories about the fictional Polish town of Chelm, populated exclusively by fools. At the same time, his photographs of Jewish life in eastern Europe regularly appeared in the Forverts (Forward), the most popular Yiddish daily newspaper in the United States. Now, for the first time, Kipnis’s stories and photographs are published together in a single book.

Menachem Kipnis brings these photographs and stories into dialogue with one another, bridging the Jewish communities in Poland and in America during the interwar period. This dialogue, between image and text, between European metropolis and American metropolis, captures a key historical moment when American Jews sought to imagine the lives of their coreligionists in the “Old Country” and eastern European urban Jews sought to distinguish themselves from their Jewish compatriots who were still living in the shtetl. Including an introductory essay, annotations, and an epilogue by Sheila E. Jelen, Menachem Kipnis suggests new ways of understanding both visual and literary depictions of eastern European Jewish culture between the two world wars.

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front cover of Shtetl
Shtetl
A Vernacular Intellectual History
Shandler, Jeffrey
Rutgers University Press, 2014

In Yiddish, shtetl simply means “town.” How does such an unassuming word come to loom so large in modern Jewish culture, with a proliferation of uses and connotations? By examining the meaning of shtetl, Jeffrey Shandler asks how Jewish life in provincial towns in Eastern Europe has become the subject of extensive creativity, memory, and scholarship from the early modern era in European history to the present.

In the post-Holocaust era, the shtetl looms large in public culture as the epitome of a bygone traditional Jewish communal life. People now encounter the Jewish history of these towns through an array of cultural practices, including fiction, documentary photography, film, memoirs, art, heritage tourism, and political activism. At the same time, the shtetl attracts growing scholarly interest, as historians, social scientists, literary critics, and others seek to understand both the complex reality of life in provincial towns and the nature of its wide-ranging remembrance.

Shtetl: A Vernacular Intellectual History traces the trajectory of writing about these towns—by Jews and non-Jews, residents and visitors, researchers, novelists, memoirists, journalists and others—to demonstrate how the Yiddish word for “town” emerged as a key word in Jewish culture and studies. Shandler proposes that the intellectual history of the shtetl is best approached as an exemplar of engaging Jewish vernacularity, and that the variable nature of this engagement, far from being a drawback, is central to the subject’s enduring interest.

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