This groundbreaking study examines how modern Colombian literature—from Gabriel García Márquez to Juan Gabriel Vásquez—reflects one of the world’s most tumultuous entrances into globalization. While these literary icons, one canonical, the other emergent, bookend Colombia’s fall and rise on the world stage, the period between the two was inordinately violent, spanning the Colombian urban novel’s evolution into narco-literature. Marking Colombia’s cultural and literary manifestations as threefold, this book explores García Márquez’s retreat to a rural romanticism that paradoxically made him a global literary icon; the country’s violent end to the twentieth century when its largest economic export was narcotics; and the contemporary period in which a new major author has emerged to create a “literature of national reconstitution.” Harkening back to the Regeneration movement and extending through the early twenty-first century, this book analyzes the cultural implications of Colombia’s relationship to the wider world.

Lost in a shipwreck in 1895, rewritten before the author's suicide in 1896, and not published until 1925, José Asunción Silva's After-Dinner Conversation (De sobremesa) is one of Latin America's finest fin de siècle novels and the first one to be translated into English. Perhaps the single best work for understanding turn-of-the-twentieth-century writing in South America, After-Dinner Conversation is also cited as the continent's first psychological novel and an outstanding example of modernista fiction and the Decadent sensibility.

Semi-autobiographical and more important for style than plot, After-Dinner Conversation is the diary of a Decadent sensation-collector in exile in Paris who undertakes a quest to find his beloved Helen, a vision whom his fevered imagination sees as his salvation. Along the way, he struggles with irreconcilable urges and temptations that pull him in every direction while he endures an environment indifferent or hostile to spiritual and intellectual pursuits, as did the modernista writers themselves. Kelly Washbourne's excellent translation preserves Silva's lush prose and experimental style. In the introduction, one of the most wide-ranging in Silva criticism, Washbourne places the life and work of Silva in their literary and historical contexts, including an extended discussion of how After-Dinner Conversation fits within Spanish American modernismo and the Decadent movement. Washbourne's perceptive comments and notes also make the novel accessible to general readers, who will find the work surprisingly fresh more than a century after its composition.

In Afterlives of Discovery, heidi andrea restrepo rhodes traces global and national histories as they entangle through the concept and material life of Discovery across Colombia’s evolution into a liberal settler colonial state. Rather than seeing Discovery as a singular event or bygone era, rhodes theorizes Discovery as a globally encompassing, racialized formation of domination and geographic speculation that continues to structure settler colonialism. Discovery’s logics, they argue, are rooted in colonial and capitalist fantasies projected onto the racialized space and place of the colonized other. rhodes draws on critical theory, human rights research, and Colombian archives to challenge dominant narratives that maintain the Colombian armed conflict began as a Marxist insurgency in 1964. Instead, rhodes shows that the conflict is an extension of Discovery’s ongoingness via projects of dispossession, extraction, whitening, and epistemic and political hegemony. Given that Colombia’s national past, present, and future are grounded in Discovery, rhodes asks: How is it possible to build futures that escape Discovery’s grasp?

Animals at the End of the World begins with an explosion, which six-year-old Inés mistakes for the end of the world that she has long feared. In the midst of the chaos, she meets the maid’s granddaughter, Mariá, who becomes her best friend and with whom she navigates the adult world in her grandparents’ confined house. Together, they escape the house and confront the “animals” that populate Bogotá in the 1980s. But Inés soon realizes she cannot count on either María or her preoccupied and conflicted parents. Alone, she must learn to decipher her outer and inner worlds, confronting both armies of beasts and episodes of domestic chaos. In the process, she also learns what it means to test boundaries, break rules, and cope with the consequences.

The first novel by Colombian author Gloria Susana Esquivel, Animals at the End of the World is a poetic and moving coming-of-age story that lingers long after its final page.

Forty years after the declaration of the "war on drugs" by President Nixon, the debate on the effectiveness and costs of the ban is red-hot. Several former Latin American presidents and leading intellectuals from around the world have drawn attention to the ineffectiveness and adverse consequences of prohibitionism. This book thoroughly analyzes the drug policies of one of the main protagonists in this war.

The book covers many topics: the economics of drug production, the policies to reduce consumption and decrease supply during the Plan Colombia, the effects of the drug problem on Colombia's international relations, the prevention of money laundering, the connection between drug trafficking and paramilitary politics, and strategies against organized crime. Beyond the diversity in topics, there is a common thread running through all the chapters: the need to analyze objectively what works and what does not, based on empirical evidence. Presented here for the first time to an English-speaking audience, this book is a contribution to a debate that urgently needs to transcend ideology and preconceived opinions.

The Magdalena River, linking Colombia’s Andean interior and Caribbean coast, has long served as a conduit for the expansion of colonial and racial capitalism in the Americas. Now a state-backed megaproject seeks to transform the waterway into a logistics corridor. In Artery, Austin Zeiderman relates the Magdalena’s fraught past and uncertain future to global entanglements of race, nature, and capital. Refusing disciplinary parochialism, Zeiderman engages with debates across the social sciences and humanities to examine how racial orders shape ecologies and infrastructures, thereby upholding exploitative relations not only among human populations, but also between people and the planet. Alert to ethnographic specificity and broad relevance, Zeiderman positions the Magdalena River within regimes of extractivism and inequality that continue to afflict the modern world.