front cover of The Art of Being a Parasite
The Art of Being a Parasite
Claude Combes
University of Chicago Press, 2005
Parasites are a masterful work of evolutionary art. The tiny mite Histiostoma laboratorium, a parasite of Drosophila, launches itself, in an incredible display of evolutionary engineering, like a surface-to-air missile at a fruit fly far above its head. Gravid mussels such as Lampsilis ventricosa undulate excitedly as they release their parasitic larval offspring, conning greedy predators in search of a tasty meal into hosting the parasite.

The Art of Being a Parasite is an extensive collection of these and other wonderful and weird stories that illuminate the ecology and evolution of interactions between species. Claude Combes illustrates what it means to be a parasite by considering every stage of its interactions, from invading to reproducing and leaving the host. An accessible and engaging follow-up to Combes's Parasitism, this book will be of interest to both scholars and nonspecialists in the fields of biodiversity, natural history, ecology, public health, and evolution.
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Ecological Explosions
The History of Biological Invasions and Invasion Science
Daniel Simberloff
University of Chicago Press, 2025
A leading biologist offers a comprehensive and accessible history of invasive species science, from its earliest antecedents through its current research foci and controversies.
 
From the arrival of the naval shipworm in the Black Sea in the first millennium BC to the escape of the Burmese python in Florida in 1992, humans have moved species to new locations, deliberately or inadvertently, for thousands of years. Agricultural and environmental impacts of some invasions were evident early, although whether observers recognized that the cause was an introduced species is uncertain. The history of invasion biology truly begins in the sixteenth through eighteenth centuries, when explorers noticed European species on various distant islands and in North America. In the nineteenth century, biogeographers, studying species distributions across the globe, introduced the first native and non-native species categorizations, and prominent researchers like Charles Darwin began to describe the impacts of introduced species. In the nineteenth and twentieth centuries, as humans moved increasing numbers of species across the globe, the advent of modern ecology deepened our understanding of the scope of the problem.
 
In Ecological Explosions, invasive species expert Daniel Simberloff provides a thorough overview of the development of invasion science, from early research—including from the perspectives of leading scientists like Aldo Leopold—to the field’s future. Simberloff explores the work of pioneering ecologists like Charles Elton, antecedents of what became today’s invasion biology, before discussing the field’s true emergence in the 1980s, its explosive methodological and theoretical expansion, its integration with other disciplines, and its increasing visibility, not only within the biological literature but also in government policies across the world in the 1990s. Finally, he investigates current controversies, such as the debate over whether the entire science is xenophobic, and asks how ecosystems might adapt to a rapidly globalizing world and ever-increasing numbers of introduced species—including the joro spider, lionfish, spotted lanternfly, common reed, and Asian carp.
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front cover of How Life Began
How Life Began
Evolution's Three Geneses
Alexandre Meinesz
University of Chicago Press, 2008
The origin of life is a hotly debated topic. The Christian Bible states that God created the heavens and the Earth, all in about seven days roughly six thousand years ago. This episode in Genesis departs markedly from scientific theories developed over the last two centuries which hold that life appeared on Earth about 3.5 billion years ago in the form of bacteria, followed by unicellular organisms half a millennia later. It is this version of genesis that Alexandre Meinesz explores in this engaging tale of life's origins and evolution.
 
How Life Began elucidates three origins, or geneses, of life—bacteria, nucleated cells, and multicellular organisms—and shows how evolution has sculpted life to its current biodiversity through four main events—mutation, recombination, natural selection, and geologic cataclysm. As an ecologist who specializes in algae, the first organisms to colonize Earth, Meinesz brings a refreshingly novel voice to the history of biodiversity and emphasizes here the role of unions in organizing life. For example, the ingestion of some bacteria by other bacteria led to mitochondria that characterize animal and plant cells, and the chloroplasts of plant cells.
 
As Meinesz charmingly recounts, life’s grandeur is a result of an evolutionary tendency toward sociality and solidarity. He suggests that it is our cohesion and collaboration that allows us to solve the environmental problems arising in the decades and centuries to come. Rooted in the science of evolution but enlivened with many illustrations from other disciplines and the arts, How Life Began intertwines the rise of bacteria and multicellular life with Vermeer’s portrait of Antoni van Leeuwenhoek, the story of Genesis and Noah, Meinesz’s son’s early experiences with Legos, and his own encounters with other scientists. All of this brings a very human and humanistic tone to Meinesz’s charismatic narrative of the three origins of life.
 
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front cover of Killer Algae
Killer Algae
Alexandre Meinesz
University of Chicago Press, 1999
Two decades ago, a Stuttgart zoo imported a lush, bright green seaweed for its aquarium. Caulerpa taxifolia was captively bred by the zoo and exposed, for years, to chemicals and ultraviolet light. Eventually a sample of it found its way to the Oceanographic Museum in Monaco, then headed by Jacques Cousteau. Fifteen years ago, while cleaning its tanks, that museum dumped the pretty green plant into the Mediterranean.

This supposedly benign little plant—that no one thought could survive the waters of the Mediterranean—has now become a pernicious force. Caulerpa taxifolia now covers 10,000 acres of the coasts of France, Spain, Italy, and Croatia, and has devastated the Mediterranean ecosystem. And it continues to grow, unstoppable and toxic. When Alexandre Meinesz, a professor of biology at the University of Nice, discovered a square-yard patch of it in 1984, he warned biologists and oceanographers of the potential species invasion. His calls went unheeded. At that point, one person could have pulled the small patch out and ended the problem. Now, however, the plant has defeated the French Navy, thwarted scientific efforts to halt its rampage, and continues its destructive journey into the Adriatic Sea.

Killer Algae is the biological and political horror story of this invasion. For despite Meinesz's pleas to scientists and the French government, no agency was willing to take responsibility for the seaweed, and while the buck was passed, the killer algae grew. And through it all, the Oceanographic Museum in Monaco sought to exculpate itself. In short, Killer Algae—part detective story and part bureaucratic object lesson—is a classic case of a devastating ecological invasion and how not to deal with it.

"[U]tterly fascinating, not only because of the ecological battles [Meinesz] describes but also because of the wondrous natural phenomena involved."—Richard Bernstein, New York Times

"Akin to Rachel Carson's Silent Spring, Killer Algae shows the courage of a voice in the wilderness."—Choice

"A textbook case of how not to manage an environmental disaster."—Kirkus Reviews

"Meinesz's story is a frightening one, reading more like a science fiction thriller than a scientific account."—Publishers Weekly




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