front cover of The Latin American Ecocultural Reader
The Latin American Ecocultural Reader
Edited by Jennifer French and Gisela Heffes
Northwestern University Press, 2021

The Latin American Ecocultural Reader is a comprehensive anthology of literary and cultural texts about the natural world. The selections, drawn from throughout the Spanish-speaking countries and Brazil, span from the early colonial period to the present. Editors Jennifer French and Gisela Heffes present work by canonical figures, including José Martí, Bartolomé de las Casas, Rubén Darío, and Alfonsina Storni, in the context of our current state of environmental crisis, prompting new interpretations of their celebrated writings. They also present contemporary work that illuminates the marginalized environmental cultures of women, indigenous, and Afro-Latin American populations. Each selection is introduced with a short essay on the author and the salience of their work; the selections are arranged into eight parts, each of which begins with an introductory essay that speaks to the political, economic, and environmental history of the time and provides interpretative cues for the selections that follow.

The editors also include a general introduction with a concise overview of the field of ecocriticism as it has developed since the 1990s. They argue that various strands of environmental thought—recognizable today as extractivism, eco-feminism, Amerindian ontologies, and so forth—can be traced back through the centuries to the earliest colonial period, when Europeans first described the Americas as an edenic “New World” and appropriated the bodies of enslaved Indians and Africans to exploit its natural bounty.

[more]

front cover of Seven Trees Against the Dying Light
Seven Trees Against the Dying Light
A Bilingual Edition
Pablo Antonio Cuadra
Northwestern University Press, 2007

Standing against the visible landscape—the mountainous volcanoes, the jungles and savannahs—the seven trees conjured in these narrative poems by one of Latin America's masters also evoke another, more mysterious terrain.  It is this other landscape, as invisible as poetry before it is written down but etched by history and animated by the collective memory of a people, that speaks through Pablo Antonio Cuadra’s Seven Trees against the Dying Light.            

Storing experience as they exist, these tree-poems conserve local soil and memory in the place they inhabit. They are figures of life, stained by seawater and gun powder, by the bright red, bittersweet juice of the many life-giving plums that flourish in Nicaragua, and blood that has been spilled there.  And they offer a way of remembering who we are, where we come from, and, above all, where we are bound if we cannot learn to root language in the earth that sustains us.            

Printed here in Spanish with facing English translations, the edition includes an introduction with ecocritical focus, as well as complete notes on botanical, historical, mythological, and socio-political references.

[more]


Send via email Share on Facebook Share on Twitter