What does it mean to dwell in a place? These adventurous poems go on foot in search of answers. Walking the cities, coasts, forests and mountains of Northern California and New England, they immerse themselves in the specifics of bioregion and microclimate, and take special note of the cycle of death and rebirth that plays out dramatically in California’s chaparral and grasslands. Inspired by Transcendentalism, Companion Grasses sees the sacred in the workings of the material world, but its indebtedness to the ecological tradition of California poets like Gary Snyder and Brenda Hillman means that it also unearths such evidence in the sensual materiality of words themselves. Both ecologically rich landscapes and highly rhythmic inscapes, these poems set seasonal and human dramas side-by-side, wresting an original, signature music from the meeting of site and sight. In pursuing an aesthetics situated in place, they compose an ethics of what it means to be a human companion to the natural world: “What we love, how we care for it,/is where we live.”

An architecture equally poetry, fairy-tale, autobiography, and fiction, The Room Where I Was Born rebuilds the house of the lyric from fragments salvaged from experience and literature. Though the poems are borne out of the intersection of violence and sexuality, they also affirm the tenderness and compassion necessary to give consciousness and identity sufficient meaning. Its language the threshold over which the brutal crosses into the beautiful, this collection is an achievement of courage and vision.