This first focused analysis of veterans’ experiences in ancient Greece offers a fresh, “bottom-up” perspective on important military and political aspects of early Hellenistic history.

Runner-up, PROSE Award, Classics and Ancient History, 2013

From antiquity until now, most writers who have chronicled the events following the death of Alexander the Great have viewed this history through the careers, ambitions, and perspectives of Alexander’s elite successors. Few historians have probed the experiences and attitudes of the ordinary soldiers who followed Alexander on his campaigns and who were divided among his successors as they fought for control of his empire after his death. Yet the veterans played an important role in helping to shape the character and contours of the Hellenistic world.

This pathfinding book offers the first in-depth investigation of the Macedonian veterans’ experience during a crucial turning point in Greek history (323–316 BCE). Joseph Roisman discusses the military, social, and political circumstances that shaped the history of Alexander’s veterans, giving special attention to issues such as the soldiers’ conduct on and off the battlefield, the army assemblies, the volatile relationship between the troops and their generals, and other related themes, all from the perspective of the rank-and-file. Roisman also reexamines the biases of the ancient sources and how they affected ancient and modern depictions of Alexander’s veterans, as well as Alexander’s conflicts with his army, the veterans’ motives and goals, and their political contributions to Hellenistic history. He pays special attention to the Silver Shields, a group of Macedonian veterans famous for their invincibility and martial prowess, and assesses whether or not they deserved their formidable reputation.

Among the more interesting incunabula preserved in the Salle de la Réserve of the Bibliothèque National in Paris are the apparently unique copies of two editions, very similar in content, of a work entitled Les Adevineaux amoureux. In much more comprehensive form Les Adevineaux amoureux is preserved in a manuscript belonging to the Musée Conde at Chantilly. All three texts, in medieval French, appear to date from the 1470s. The present work, Amorous Games, is a critical edition of Les Adevineaux amoureux.

Amorous Games is a miscellany whose principal unifying force is the compiler's aim to provide a manual of conversation and entertainment for polite society. Included are series of questions and answers belonging to the well-established medieval tradition of the "Demandes amoureuses"; a very large number of riddles, mainly folk riddles; and "venditions en amours," little poems that apparently came into bing as part of a social game.

Students of medieval French literature, particularly those with a penchant for some of the minor genres, will find new material in the Amorous Games. Folklorists will discover what is probably the largest collection of riddles bequeathed to us by medieval France and also much that is of value to specialists in the proverb and folk tale.

For this critical edition of Les Adevineaux amoureux Professor Hassell has selected the Chantilly manuscript, because it is the most complete and also because it had not yet been published. The Appendix contains the text of the more complete of the two incunabula and the significant variants appearing in the other fifteenth-century printed edition. The manuscript text has been collated with that of the incunabula, and copious notes and an index to the riddles have been supplied. In his introduction Professor Hassell discusses in detail the major classes and subclasses of the riddle, drawing on the work of Petsch, Taylor, Abrahams, and other scholars of the genre.

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Ancestors, Kings, and the Dao outlines the evolution of musical performance in early China, first within and then ultimately away from the socio-religious context of ancestor worship. Examining newly discovered bamboo texts from the Warring States period, Constance A. Cook compares the rhetoric of Western Zhou (1046–771 BCE) and Spring and Autumn (770–481 BCE) bronze inscriptions with later occurrences of similar terms in which ritual music began to be used as a form of self-cultivation and education. Cook’s analysis links the creation of such classics as the Book of Odes with the ascendance of the individual practitioner, further connecting the social actors in three types of ritual: boys coming of age, heirs promoted into ancestral government positions, and the philosophical stages of transcendence experienced in self-cultivation.

The focus of this study is on excavated texts; it is the first to use both bronze and bamboo narratives to show the evolution of a single ritual practice. By viewing the ancient inscribed materials and the transmitted classics from this new perspective, Cook uncovers new linkages in terms of how the materials were shaped and reshaped over time and illuminates the development of eulogy and song in changing ritual contexts.

Ancestral ritual in early China was an orchestrated dance between what was present (the offerings and the living) and what was absent (the ancestors). The interconnections among the tangible elements of the sacrifice were overt and almost mechanical, but extending those connections to the invisible guests required a medium that was itself invisible. Thus in early China, ancestral sacrifice was associated with focused thinking about the ancestors, with a structured mental effort by the living to reach out to the absent forebears and to give them shape and existence. Thinking about the ancestors-about those who had become distant-required active deliberation and meditation, qualities that had to be nurtured and learned.

This study is a history of the early Chinese ancestral cult, particularly its cognitive aspects. Its goals are to excavate the cult's color and vitality and to quell assumptions that it was no more than a simplistic and uninspired exchange of food for longevity, of prayers for prosperity. Ancestor worship was not, the author contends, merely mechanical and thoughtless. Rather, it was an idea system that aroused serious debates about the nature of postmortem existence, served as the religious backbone to Confucianism, and may even have been the forerunner of Daoist and Buddhist meditation practices.

This book is a study of the variable perceptions of Greek collective identity, discussing ancient categories such as blood- and mythically-related primordiality, language, religion, and culture. With less emphasis on dichotomies between Greeks and others, the book considers complex middle grounds of intra-Hellenic perceptions, oppositional identities, and outsiders’ views. Although the authors do not seek to provide a litmus test of Greek identity, they do pay close attention to modern theories of ethnicity, its construction, function, and representation, and assess their applicability to views of Greekness in antiquity.

From the Archaic period through the Roman Empire, archaeological, anthropological, historical, historiographical, rhetorical, artistic, and literary aspects are studied. Regardless of the invented aspects of ethnicity, the book illustrates its force and validity in history.

First brought to Florence by Lorenzo de’ Medici as a celebrity preacher, Girolamo Savonarola (1452–1498), a Dominican friar, would ultimately play a major role in the events that convulsed the city in the 1490s and led to the overthrow of the Medici themselves. After a period when he held close to absolute power in the great Renaissance republic, Savonarola was excommunicated by the Borgia pope, Alexander VI, in 1497 and, after a further year of struggle, was hanged and burned in Florence’s Piazza della Signoria in 1498.

The Latin writings brought together in this volume consist of various letters, a formal apologia, and his Dialogue on the Truth of Prophecy, all written in the last year of his life. They defend his prophetic mission and work of reform in Florence while providing a fascinating window onto the mind of a religious fanatic. All these works are here translated into English for the first time.

A comprehensive examination of the history and excavation of the Etruscan city of Arretium.

Beneath the Italian city of Arezzo lie the remains of Etruscan Arretium. This volume, the first comprehensive treatment of excavations at Arretium, gathers the most up-to-date scholarship on the city and delves into key archaeological discoveries and the stories they tell about life in the Etruscan world.

Chapters explore local history—including the city’s complex political exchanges with Rome—Etruscan religion, Arretium’s role as a center of the arts, and the challenges of excavation amid the bustle of European urban modernity. Editors Ingrid Edlund-Berry and Cristiana Zaccagnino have gathered chapters by expert contributors that detail Arretium’s material culture, including the city’s famed pottery, Arretine ware, which was known across the Mediterranean; terracotta pieces depicting gods and other supernatural beings; and exquisite bronze-work, most notably the piece now known as the Chimaera of Arezzo. One of the few Etruscan cities that continued flourishing after the Roman takeover, Arretium proves to be a trove of archaeological riches and of the historical insights they reveal.

During the late twelfth to fourteenth centuries, several precursors of what is now commonly known as Shinto came together for the first time. By focusing on Mt. Miwa in present-day Nara Prefecture and examining the worship of indigenous deities (kami) that emerged in its proximity, this book serves as a case study of the key stages of “assemblage” through which this formative process took shape. Previously unknown rituals, texts, and icons featuring kami, all of which were invented in medieval Japan under the strong influence of esoteric Buddhism, are evaluated using evidence from local and translocal ritual and pilgrimage networks, changing land ownership patterns, and a range of religious ideas and practices. These stages illuminate the medieval pedigree of Ryōbu Shintō (kami ritual worship based loosely on esoteric Buddhism’s Two Mandalas), a major precursor to modern Shinto.

In analyzing the key mechanisms for “assembling” medieval forms of kami worship, Andreeva challenges the twentieth-century master narrative of Shinto as an unbroken, monolithic tradition. By studying how and why groups of religious practitioners affiliated with different cultic sites and religious institutions responded to esoteric Buddhism’s teachings, this book demonstrates that kami worship in medieval Japan was a result of complex negotiations.

The Avignon papacy (1309–1377) represented the zenith of papal power in Europe. The Roman curia’s move to southern France enlarged its bureaucracy, centralized its authority, and initiated closer contact with secular institutions. The pope’s presence also attracted leading minds to Avignon, transforming a modest city into a cosmopolitan center of learning. But a crisis of legitimacy was brewing among leading thinkers of the day. The Avignon Papacy Contested considers the work of six fourteenth-century writers who waged literary war against the Catholic Church’s increasing claims of supremacy over secular rulers—a conflict that engaged contemporary critics from every corner of Europe.

Unn Falkeid uncovers the dispute’s origins in Dante’s Paradiso and Monarchia, where she identifies a sophisticated argument for the separation of church and state. In Petrarch’s writings she traces growing concern about papal authority, precipitated by the curia’s exile from Rome. Marsilius of Padua’s theory of citizen agency indicates a resistance to the pope’s encroaching power, which finds richer expression in William of Ockham’s philosophy of individual liberty. Both men were branded as heretics. The mystical writings of Birgitta of Sweden and Catherine of Siena, in Falkeid’s reading, contain cloaked confrontations over papal ethics and church governance even though these women were later canonized.

While each of the six writers responded creatively to the implications of the Avignon papacy, they shared a concern for the breakdown of secular order implied by the expansion of papal power and a willingness to speak their minds.