The late anthropologist Valerio Valeri (1944–98) was best known for his substantial writings on societies of Polynesia and eastern Indonesia. This volume, however, presents a lesser-known side of Valeri’s genius through a dazzlingly erudite set of comparative essays on core topics in the history of anthropological theory. Offering masterly discussions of anthropological thought about ritual, fetishism, cosmogonic myth, belief, caste, kingship, mourning, play, feasting, ceremony, and cultural relativism, Classic Concepts in Anthropology, will be an eye-opening, essential resource for students and researchers not only in anthropology but throughout the humanities.

 

“The Forest of Taboos may be considered among the most important books ever written by an anthropologist. Valeri writes superbly, and this book makes a fundamental contribution to one of the most central lines of thought in twentieth-century anthropology. He shows that taboo is finally comprehensible.”—John Stephen Lansing, University of Michigan
 
“The Forest of Taboos is no conventional ethnography, more an extended meditative essay on its subject, erudite, rich in ideas and data, wide-ranging in its theoretical inspiration, and self-consciously literary in form. It is a fitting memorial to an author whose life was so tragically cut short.”—Roy Ellen, University of Kent at Canterbury

This eloquent and profound book, completed by Valerio Valeri shortly before his death in 1998, contends that the ambivalence felt by all humans about sex, death, and eating other animals can be explained by a set of coordinated principles that are expressed in taboos. In elegant prose, Valeri evokes the world of the Huaulu, forest hunters of Indonesia. The hidden attractions of the animal world, which invades the human world in perilous ways, he shows, also delineate that which the Huaulu regard as most human about themselves.

Valeri presents an overview of Hawaiian religious culture, in which hierarchies of social beings and their actions are mirrored by the cosmological hierarchy of the gods. As the sacrifice is performed, the worshipper is incorporated into the god of his class. Thus he draws on divine power to sustain the social order of which his action is a part, and in which his own place is determined by the degree of his resemblance to his god. The key to Hawaiian society—and a central focus for Valeri—is the complex and encompassing sacrificial ritual that is the responsibility of the king, for it displays in concrete actions all the concepts of pre-Western Hawaiian society. By interpreting and understanding this ritual cycle, Valeri contends, we can interpret all of Hawaiian religious culture.