Despite the frequent appearances of Osama Bin Laden and Ayman al-Zawahiri on television screens worldwide, Al Qaeda remains an elusive entity. As the world has grown increasingly familiar with the spectacle of Islamist terrorism, Al Qaeda’s essential worldview has remained bewilderingly opaque. To reveal its inner workings, Gilles Kepel and his collaborators, all scholars of Arabic and Islam, have collected and brilliantly annotated key texts of the major figures from whom the movement has drawn its beliefs and direction. The resulting volume offers an unprecedented glimpse into the assumptions of the salafist jihadists who have reshaped political life at the beginning of the third millennium.

Excerpts from the work of Azzabdallah Azzam, Ayman al-Zawahiri, Osama Bin Laden, and Abu Musab al-Zarqawi—drawn from speeches, internet postings, and published writings—tell the story of Al Qaeda’s evolution, from its origins in the Afghan war through the war in Iraq. These texts reveal the rational, discursive mode used to persuade and to justify violent armed struggle in a universe defined by militant Islam. Substantial interpretive introductions to each leader’s work and extensive critical commentary provide unparalleled access to the intellectual and doctrinal context of Al Qaeda in which these radical ideas have taken shape.

By viewing Al Qaeda from within, this indispensable volume reveals the terrorist network’s insidious role in the global web culture of today and the full dimensions of its frightening threat to world stability and security.

What elements of contemporary American life contribute to the United States having the greatest number and highest share of public mass shootings around the globe? The editors and contributors to All-American Massacre seek to answer this question by exploring how masculinity, racism, politics, media, fame, education, gun culture, and mental health influence the causes of mass shootings in the United States.  

With a specific focus on exploring how American culture, institutions, and social structures influence the circumstances, frequency, and severity of mass shootings in the United States, All-American Massacre advances emerging theoretical perspectives and forges fresh approaches, new research questions, and innovative data and conclusions.  

Bringing together pioneering scholars, this groundbreaking compilation of research and analysis identifies the social roots of this insidious threat and prompts new reflections on how we can stop the seemingly endless cycle of horror and death.All-American Massacre helps clarify the unique nature and salience of mass shootings in American life.  

Contributors: Melanie Brazzell, Tristan Bridges, Ryan Broll, F. Chris Curran, Sarah E. Daly, Salvatore D’Angelo, James Densley, Tom Diaz, Scott Duxbury, Benjamin W. Fisher, Betsy Friauf, Emma E. Fridel, Celene Fuller, Daniel Gascón, Patrick J. Gauding, Brooke Miller Gialopsos, Simon Gottschalk, Donald P. Haider-Markel, Stephanie Howells, Cheryl Lero Jonson, Mark R. Joslyn, Jessie Klein, Aaron Kupchik, Alison J. Marganski, Melissa M. Moon, Kristen J. Neville, Jaimee Nix, Daniel Okamura, Patrick F. Parnaby, Jillian Peterson, Michael Phillips, Paul Reeping, Jason R. Silva, William A. Stadler, Lindsay Steenberg, Tara Leigh Tober, Jillian J. Turanovic, Abigail Vegter, Stanislav Vysotsky, Lacey N. Wallace and the editors

On the face of it, most of us would agree that catastrophe is harmful and avoiding it is key to human survival and progress. And yet, the planet warms, 30,000 more Americans are killed by guns each year, and Donald J. Trump creates political chaos with his rage tweets. American Catastrophe explores such examples to argue that, in fact, we live in an age where catastrophe not only functions as a dominant organizing rhetoric but further as an appealing and unifying force for many communities across America.
 
Luke Winslow introduces the rhetorical homology as a critical tool useful for understanding how catastrophic appeals unite Americans across disparate religious, ecological, cultural, and political spheres. More specifically, the four case study chapters examining Christian fundamentalism, anti-environmentalism, gun rights messaging, and the administration of Donald Trump reveal a consistent formal pattern oriented toward catastrophe. In teasing out this orientation toward catastrophe, Winslow offers a fresh, provocative, and insightful contribution to our most pressing social challenges.
 

American Fantastic challenges readers to recognize an organizing myth in America’s perception of its imperialist past, “the myth of redemptive violence.” Derek J. Thiess persuasively argues that this myth serves to obscure the deep thread of Christian supremacy that underwrites America’s colonial and imperial impulses, from the early colonial period to westward expansion to the contemporary global order. This American imaginary, which enmeshes religion with violence, is constructed in multiple contentious and productive contact zones: between genres, between cultures, and between past and present.

Thiess’s interdisciplinary study examines America’s past and present imperial projects, from the Hawaiian Islands to the Eastern Seaboard, as they proliferate in popular story forms. By interrogating American myths, legends, and fantastic narratives across an impressive array of genres, including folk narratives, science fiction, movies, and more, Thiess exposes how the “myth of redemptive violence” manifests in contemporary constructions of America’s fantastic imaginaries.

In American Homicide, Randolph Roth charts changes in the character and incidence of homicide in the U.S. from colonial times to the present. Roth argues that the United States is distinctive in its level of violence among unrelated adults—friends, acquaintances, and strangers. America was extraordinarily homicidal in the mid-seventeenth century, but it became relatively non-homicidal by the mid-eighteenth century, even in the slave South; and by the early nineteenth century, rates in the North and the mountain South were extremely low. But the homicide rate rose substantially among unrelated adults in the slave South after the American Revolution; and it skyrocketed across the United States from the late 1840s through the mid-1870s, while rates in most other Western nations held steady or fell.

That surge—and all subsequent increases in the homicide rate—correlated closely with four distinct phenomena: political instability; a loss of government legitimacy; a loss of fellow-feeling among members of society caused by racial, religious, or political antagonism; and a loss of faith in the social hierarchy. Those four factors, Roth argues, best explain why homicide rates have gone up and down in the United States and in other Western nations over the past four centuries, and why the United States is today the most homicidal affluent nation.

On April 22, 2015, the sorority sisters at Ohio’s Muskingum University’s Delta house encountered a horrific scene: pools of blood and gore in the first-floor bathroom. No one knew exactly what had happened, but the sisters suspected it had something to do with Emile Weaver. Studious, athletic, and well-liked, Emile had recently started wearing bulky sweatsuits and hiding her midsection, as if she was covering up a sudden weight gain. Could Emile be pregnant?
 
Emboldened by fear, the sorority sisters investigated. In the driveway next to the kitchen door, they found Emile’s newborn baby girl dead inside a garbage bag. Emile’s crime seemed senseless and left her family and friends with an aching question: what happened?
 
American Infanticide situates Emile's tragic act in a long intellectual, social, and legal history, uncovering disturbing missing chapters in our national history that undercut myths that have shaped public reactions to so-called monster moms and dumpster babies since the colonial era. Ultimately, the book uncovers how bias and inconsistency dictate how women accused of infant homicide are perceived and punished and sheds new light on how and why our legal responses to infanticide are so deeply misguided.

An Act of Unfathomable Cruelty that Presaged Post-Revolutionary America’s Treatment of Native Americans 
On March 8, 1782, a group of western settlers killed nearly one hundred unarmed and peaceful Indians who had converted to Christianity under the tutelage of missionaries from the Church of the United Brethren. The murders were cold-blooded and heartless; roughly two-thirds of those executed were women and children. Its brutality stunned Benjamin Franklin in far-away France. He wrote: “the abominable Murders committed by some of the frontier People on the poor Moravian Indians, has given me infinite Pain and Vexation. The Dispensations of Providence in this World puzzle my weak Reason. I cannot comprehend why cruel Men should have been permitted thus to destroy their Fellow Creatures.” Since that maelstrom of violence struck the small Indian village of Gnadenhutten, history has treated the episode as a simple morality tale. While there were ample incidents of good and evil on March 8, that summation does not explain what brought murderers and victims together on the banks of the Muskingum River in today’s Ohio. It was actually the culmination of a series of events among different Indian tribes, the British, Congressional authorities at Pittsburgh, the Pennsylvania militia, and key individuals, all of which are lost in contemporary explanations of the massacre.
    Anatomy of a Massacre: The Destruction of Gnadenhutten, 1782 fills that void by examining the political maneuvering among white settlers, Continental officials, British officers, western Indian tribes, missionaries, and the Indians practicing Christianity that culminated in the massacre. Uniquely, it follows the developing story from each perspective, using first-person accounts from each group to understand how they saw and experienced the changes on the American frontier. Along the way it profiles some of the key individuals responsible for the way the war unfolded. It is a fresh look at an often mentioned, but seldom understood, episode in the American Revolution.

Artifact is about the stories we tell ourselves after mass shootings. Each college campus shooting leaves a record: archival collections, monuments to the dead, government-led inquiries, internal university investigations, and lawsuits. Artifact: Encounters with the Campus Shooting Archives seeks to understand university and college campus shootings that involve students and faculty of those institutions. The book examines the aftermaths of such attacks by moving between university archives, memorials to victims, conversations with survivors, and beyond.

Julija Šukys examines a series of five North American university and college campus shootings between 1966 and 2015: the École Polytechnique in Montreal, Concordia University in Montreal, Virginia Tech, University of Alabama–Huntsville, and Umpqua Community College in Roseburg, Oregon. These attacks involved students and faculty as both victims and perpetrators—that is, all the shooters were either faculty members or (in one case, would-be) students of the institution where the killings took place.

Šukys arrives at each site long after the killings have taken place: by now, the teddy bears, flowers, and crosses have been cleared away. Prying journalists are long gone. She sorts through myriad objects left at makeshift memorial sites. She talks for hours with a professor who survived an attack only because her colleague’s gun jammed as it was pointed at her head. She wanders and documents the reconfigured buildings made unrecognizable after the horrors that occurred within them. She reads tedious court transcripts, officious government-commissioned reports, and a troubling memoir written by a shooter’s mother and sifts through the mathematics papers that one campus shooter publishes from his prison cell.

Artifact weighs what it means to live in a place where students and their teachers are gunned down on a seemingly regular basis. It asks how we can continue to learn, teach, and live when nothing changes in response to these deaths. It attempts to speak into silence, to look at the pain of those who have come through trauma, and to meet their gazes without platitudes or triumphalism. The result is a searching book about care, memory, forgiveness, and survival.

The image of the anarchist assassin haunted the corridors of power and the popular imagination in the late nineteenth century. Fear spawned a gross but persistent stereotype: a swarthy "Italian" armed with a bloody knife or revolver and bred to violence by a combination of radical politics, madness, innate criminality, and poor genes. That Italian anarchists targeted--and even killed--high-profile figures added to their exaggerated, demonic image.

Nunzio Pernicone and Fraser M. Ottanelli dig into the transnational experiences and the historical, social, cultural, and political conditions behind the phenomenon of anarchist violence in Italy. Looking at political assassinations in the 1890s, they illuminate the public effort to equate anarchy's goals with violent overthrow. Throughout, Pernicone and Ottanelli combine a cutting-edge synthesis of the intellectual origins, milieu, and nature of Italian anarchist violence with vivid portraits of its major players and their still-misunderstood movement.

A bold challenge to conventional thinking, Assassins against the Old Order demolishes a century of myths surrounding anarchist violence and its practitioners.

At Home with the Holocaust examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors’ traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.