front cover of Love, Sorrow, And Rage
Love, Sorrow, And Rage
Alisse Waterston
Temple University Press, 1999
Love, Sorrow, and Rage gives powerful voice to women like Nora Gaines and Dixie Register, who tell use what it's like to live on the streets of New York, how it feels to lose your mind, about the taste of crack cocaine and the sweetness of friendship. In this novel-like narrative of homelessness and hope, poor women share a table, their meals, and their intimacies with author Alisse Waterston. On the pages of this impassioned ethnography, Waterston puts mythic, demonized bag ladies to rest, and in so doing, brings ordinary women to life.

From drug addiction and the spread of AIDS to the growing gap between rich and poor in the U.S., the topics in this book get front-page coverage in daily newspapers across the country. Waterston seeks to understand, to explain, and to solve the human crisis that surrounds us. Towards this end, she challenges us to look at the ways in which our society and the workings of our political, economic, and popular culture contribute to the suffering experienced by our most vulnerable citizens. An important corrective to popular depictions of the urban poor, Love, Sorrow, and Rage provides a penetrating analysis of the causes and consequences of poverty. It offers a deeper understanding of what leads to and perpetuates poverty and of the human complex of love, sorrow, and rage felt by those who experience it.

Love, Sorrow, and Rage will engage readers interested in urban studies, women's studies, social issues and policies, anthropology, sociology, political economy, and New York City life.
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front cover of Street Addicts in the Political Economy
Street Addicts in the Political Economy
Alisse Waterston
Temple University Press, 1997
In this book, Alisse Waterston reveals the economic, political, and ideological forces that shape the nature of street-addict life. Disputing the view that hard-core, low-income drug users are social marginals situated in deviant subcultures, the author dispels popular images of the mythic, dark dope fiend haunting our city streets. Using dramatic, first-person accounts from New York City addicts, Waterston analyzes their position in the social structure, the kind of work -- both legal and illegal -- they perform, and their relations with family, friends, and lovers. She presents a moving account of daily life from the addict's point of view and demonstrates how addicts are structurally vulnerable to the larger sociocultural system within which they live.
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