28164 books match the query 'History' and 150 start with a non-letter

cover of 1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 30)

1650-1850

Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 30)

Kevin L. Cope

Bucknell University Press, 2025

Exploratory, investigative, and energetically analytical, 1650–1850 covers the full expanse of long-eighteenth-century thought, writing, and art while delivering abundant revelatory detail. Essays on well-known cultural figures combine with studies of emerging topics to unveil a vivid rendering of a dynamic period, simultaneously committed to singular genius and universal improvement.

The contributors to volume 30 join with Enlightenment thinkers in pulling, pushing, and stretching the elastic boundaries of human experience. Essays on comical apocalypticism, the evolution of satire, and the Asian periphery of English literature open a volume that offers two special features on extreme aspects of a modernizing world. The first probes the undiscovered world of last wills and testaments, while the second explores the soaring world of eighteenth-century birds. As always, 1650–1850 culminates in a bevy of book reviews critiquing the latest scholarship on long-established specialties, unusual subjects, and broad reevaluations of the period.
 
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
 
ISSN: 1065-3112
 
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cover of 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 24)

1650–1850

Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 24)

Kevin L. Cope

Bucknell University Press, 2019

With issue twenty-four of 1650–1850, this annual enters its second quarter-century with a new publisher, a new look, a new editorial board, and a new commitment to intellectual and artistic exploration. As the diversely inventive essays in this first issue from the Bucknell University Press demonstrate, the energy and open-mindedness that made 1650–1850 a success continue to intensify. This first Bucknell issue includes a special feature that explores the use of sacred space in what was once incautiously called “the age of reason.” A suite of book reviews renews the 1650–1850 legacy of full-length and unbridled evaluation of the best in contemporary Enlightenment scholarship. These lively and informative reviews celebrate the many years that book review editor Baerbel Czennia has served 1650–1850 and also make for an able handoff to Samara Anne Cahill of Nanyang Technological University, who will edit the book review section beginning with our next volume. Most important of all, this issue serves as an invitation to scholars to offer their most creative and thoughtful work for consideration for publication in 1650–1850.

About the annual journal 1650-1850

1650-1850 publishes essays and reviews from and about a wide range of academic disciplines—literature (both in English and other languages), philosophy, art history, history, religion, and science. Interdisciplinary in scope and approach, 1650-1850 emphasizes aesthetic manifestations and applications of ideas, and encourages studies that move between the arts and the sciences—between the “hard” and the “humane” disciplines. The editors encourage proposals for “special features” that bring together five to seven essays on focused themes within its historical range, from the Interregnum to the end of the first generation of Romantic writers. While also being open to more specialized or particular studies that match up with the general themes and goals of the journal, 1650-1850 is in the first instance a journal about the artful presentation of ideas that welcomes good writing from its contributors.

First published in 1994, 1650-1850 is currently in its 24th volume.

ISSN 1065-3112.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of 1764—The First Year of the American Revolution

1764—The First Year of the American Revolution

Ken Shumate

Westholme Publishing, 2021

How the American Response to British Plans for Parliamentary Taxation Set in Motion the Movement for Independence
The year 1764 is of extraordinary importance to the history of the American Revolution. It was a watershed year in the relationship between Great Britain and its North American colonies. 
    In 1763, the British began to strictly enforce the laws of trade in order to advance a newly formulated colonial policy that included use of customs duties as a means of drawing revenue from the colonies. Americans early in 1764 protested that the laws being enforced were economically unsound and would be destructive to the trade of the colonies. Despite knowing of the American discontent, British officials moved forward with their new colonial policy. Resolutions made by the House of Commons in March 1764 not only codified a more restrictive trade policy, but revealed a plan to impose direct parliamentary taxation. A resolution to levy stamp duties brought forth a storm of American petitions and essays in late 1764 that constitute the beginning of what has become known as the Stamp Act Crisis. 
In 1764: The First Year of the American Revolution, Ken Shumate presents the American arguments against the new British policy. The most prominent protests against direct parliamentary taxation were made by New York, Massachusetts, Virginia, Connecticut, and Rhode Island. Supporting the petitions were thoughtful essays by James Otis, Oxenbridge Thacher, Richard Bland, Thomas Fitch, and Stephen Hopkins. Shumate demonstrates the importance of these petitions and essays, written before the passage of the Stamp Act in 1765, as establishing the constitutional basis for the heated protests of that year and the following decade. The British interpretation of these writings as rejecting the supremacy of Parliament—even the sovereignty of Great Britain—further motivated the need for the Stamp Act as a demonstration of the fundamental right of Parliament to levy such taxes.
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cover of 1777: The Year of the Hangman

1777

The Year of the Hangman

John S. Pancake

University of Alabama Press, 1977

A detailed study of the British invasion from Canada during the War of Independence
 
No one who has read the history of the War of Independence can fail to be fascinated by the campaign of Gentleman Johnny Burgoyne. The story evokes pictures in the mind's eye: scarlet-coated Englishmen; the green and blue uniforms of the German mercenaries; the flash of brass and silver and steel accoutrements; the swarms of Indians in their war paint; the whole moving through the green forests or sailing the blue waters of lakes and riv­ers. Even the names have a lyrical tone: Richelieu, Champlain, Oriskany, Ticonderoga, and La Chine.
 
Part of this fascination is the fact that the fate of the expedition marked a turning point in the history of the war. It is not surprising that there has been a host of chroniclers, scholars, and novelists, and those who fall in a category somewhere between because their artistry bridges the gaps that footnoted facts cannot, and so allows some scope for imagination (and may teach more history than the rest).
 
This fascination was partly responsible for Pancake’s exploration of this particular part of the history of the war. There was also the fact that no scholar since Hoffman Nickerson in his Turning Point of the Revolution (1926) has attempted a detailed study of the British invasion from Canada, although there has been a vast amount of literature on specific as­pects of the campaign. No study to date has attempted to link the Canadian expedition to the concurrent operation of General Sir William Howe in Pennsylvania in such a way as to present a complete story of the campaign of 1777. From the point of its inception and launching by the American Secretary, Lord George Germain, to the point where it was reduced to a shambles at the end of the year.
 
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cover of 1863: Lincoln's Pivotal Year

1863

Lincoln's Pivotal Year

Edited by Harold Holzer and Sara Vaughn Gabbard

Southern Illinois University Press, 2013

Only hours into the new year of 1863, Abraham Lincoln performed perhaps his most famous action as president by signing the Emancipation Proclamation. Rather than remaining the highlight of the coming months, however, this monumental act marked only the beginning of the most pivotal year of Lincoln’s presidency and the most revolutionary twelve months of the entire Civil War. In recognition of the sesquicentennial of this tumultuous time, prominent Civil War scholars explore the events and personalities that dominated 1863 in this enlightening volume, providing a unique historical perspective on a critical period in American history.
 
Several defining moments of Lincoln’s presidency took place in 1863, including the most titanic battle ever to shake the American continent, which soon inspired the most famous presidential speech in American history. The ten essays in this book explore the year’s important events and developments, including the response to the signing of the Emancipation Proclamation; the battles of Gettysburg and Vicksburg, and other less-well-known confrontations; the New York City draft riots; several constitutional issues involving the war powers of President Lincoln; and the Gettysburg Address and its continued impact on American thought. Other topics include the adaptation of photography for war coverage; the critical use of images; the military role of the navy; and Lincoln’s family life during this fiery trial.
 
 With an informative introduction by noted Lincoln scholar Harold Holzer and a chronology that places the high-profile events of 1863 in context with cultural and domestic policy advances of the day, this remarkable compendium opens a window into a year that proved decisive not only for the Civil War and Lincoln’s presidency but also for the entire course of American history.
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cover of 1865 Alabama: From Civil War to Uncivil Peace

1865 Alabama

From Civil War to Uncivil Peace

Christopher Lyle McIlwain Sr.

University of Alabama Press, 2017

Unraveling the twelve months that forged modern Alabama.

To understand Alabama today, it's necessary to understand what happened in 1865. In 1865 Alabama: From Civil War to Uncivil Peace Christopher McIlwain examines the end of the Civil War and the early days of Reconstruction, tracing how the action—and inaction—of leaders in the state during those twelve months shaped the decades that followed as well as state politics today. McIlwain focuses on four factors: the immediate and unconditional emancipation of enslaved people, the destruction of Alabama’s industrial economy, significant broadening of northern support for suffrage rights for freedmen, and a long scarcity of investment capital. Each element proves important to understanding aspects of Alabama today.  

Relevant events outside Alabama are woven into the narrative, including McIlwain’s controversial argument regarding the effect of Lincoln’s assassination. Most historians assume that Lincoln favored black suffrage and that he would have led the fight to impose that on the South. But he made it clear to his cabinet members that granting suffrage rights was a matter to be decided by the southern states, not the federal government. Thus, according to McIlwain, if Lincoln had lived, black suffrage would not have been the issue it became in Alabama.

In his fresh analysis of what really happened in Alabama in 1865 and why—McIlwain illuminates that Alabama's challenges were neither entirely the fault of northern or southern policies but rather the complex interaction between the two. 

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cover of 1865: America Makes War and Peace in Lincoln’s Final Year

1865

America Makes War and Peace in Lincoln’s Final Year

Edited by Harold Holzer and Sara Vaughn Gabbard

Southern Illinois University Press, 2015

In 1865 Americans faced some of the most important issues in the nation’s history: the final battles of the Civil War, the struggle to pass the Thirteenth Amendment, the peace process, reconstruction, the role of freed slaves, the tragedy of Abraham Lincoln's assassination, and the trials of the conspirators. In this illuminating collection, prominent historians of nineteenth-century America offer insightful overviews of the individuals, events, and issues on 1865 that shaped the future of the United States.

Following an introduction by renowned Lincoln scholar Harold Holzer, nine new essays explore the end of the Civil War, Lincoln’s death, and the start of the tentative peace in 1865. Michael Vorenberg discusses how Lincoln shepherded through the House of Representatives the resolution sending the Thirteenth Amendment to the states for ratification, John F. Marszalek and Michael B. Ballard examine the partnership of Lincoln’s war management and General Ulysses S. Grant’s crucial last thrusts against Robert E. Lee, and Richard Striner recounts how Lincoln faced down Confederate emissaries who proposed immediate armistice if Lincoln were to reverse the Emancipation Proclamation. Ronald C. White Jr. offers a fresh look at Lincoln’s second inaugural address, and Richard Wightman Fox provides a vivid narrative of Lincoln’s dramatic walk through Richmond after the Confederates abandoned their capital.

Turning to Lincoln’s assassination, Edward Steers Jr. relates the story of Booth’s organizational efforts that resulted in the events of that fateful day, and Frank J. Williams explains the conspirators’ trial and whether they should have faced military or civilian tribunals. Addressing the issue of black suffrage, Edna Greene Medford focuses on the African American experience in the final year of the war. Finally, Holzer examines the use of visual arts to preserve the life and legacy of the martyred president.

Rounding out the volume are a chronology of national and international events during 1865, a close look at Lincoln’s activities and writings from January 1 through April 14, and other pertinent materials. This thoughtful collection provides an engaging evaluation of one of the most crucial years in America’s evolution.

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cover of 1916: Ireland's Revolutionary Tradition

1916

Ireland's Revolutionary Tradition

Kieran Allen

Pluto Press, 2016

The Easter Rising of 1916, in which just over a thousand Irish rebels seized key locations in Dublin and proclaimed the independence of the Irish Republic before being brutally suppressed by the vastly larger and better-equipped British Army, is an event whose meaning remains contested to this day. For some it represents a blood sacrifice without the hope—or even the intention­—of success. For others, it was the first act in a tumultuous political drama played out in Dublin streets and London cabinet rooms that led to the eventual formation of an independent Irish state.
 
In 1916, Kieran Allen argues that this pivotal moment in Irish history has been obscured by those who see it only as a prelude for a war of independence. Emphasizing an often ignored social and political radicalism at the heart of the rebellion, he shows that it gave birth to a revolutionary tradition that continues to haunt the Irish elite. Socialist aspirations mixed, and sometimes clashed, with the republican current, but both were crushed in a counterrevolution that accompanied the Anglo-Irish treaty of 1921. The result today is a partitioned Ireland that acts as a neoliberal tax haven for multinational corporations—a state of affairs quite alien to both Connolly’s and Pearse’s vision.
 
Published to coincide with the Rising’s centennial, 1916: Ireland’s Revolutionary Tradition re-establishes the political role of socialist republican figures, offers a highly accessible history of the Easter Rising, and explores the militancy and radicalism that continues to haunt the Irish elite one hundred years later. 
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cover of 1960s Gay Pulp Fiction: The Misplaced Heritage

1960s Gay Pulp Fiction

The Misplaced Heritage

Drewey Wayne Gunn

University of Massachusetts Press, 2013

As a result of a series of court cases, by the mid-1960s the U.S. post office could no longer interdict books that contained homosexuality. Gay writers were eager to take advantage of this new freedom, but the only houses poised to capitalize on the outpouring of manuscripts were “adult” paperback publishers who marketed their products with salacious covers. Gay critics, unlike their lesbian counterparts, have for the most part declined to take these works seriously, even though they cover an enormous range of genres: adventures, blue-collar and gray-flannel novels, coming-out stories, detective fiction, gothic novels, historical romances, military stories, political novels, prison fiction, romances, satires, sports stories, and spy thrillers—with far more short story collections than is generally realized. Twelve scholars have now banded together to begin a recovery of this largely forgotten explosion of gay writing that occurred in the 1960s.

Descriptions of these pulps have often been inadequate and misinforming, the result of misleading covers, unrepresentative sampling of texts, and a political blindness that refuses to grant worth to pre-Stonewall writing. This volume charts the broader implications of this state of affairs before examining some of the more significant pulp writers from the period. It brings together a diverse range of scholars, methodologies, and reading strategies. The evidence that these essays amass clearly demonstrates the significance of gay pulps for gay literary history, queer cultural studies, and book history.

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cover of 1968 Mexico: Constellations of Freedom and Democracy

1968 Mexico

Constellations of Freedom and Democracy

Susana Draper

Duke University Press, 2018

Recognizing the fiftieth anniversary of the protests, strikes, and violent struggles that formed the political and cultural backdrop of 1968 across Europe, the United States, and Latin America, Susana Draper offers a nuanced perspective of the 1968 movement in Mexico. She challenges the dominant cultural narrative of the movement that has emphasized the importance of the October 2nd Tlatelolco Massacre and the responses of male student leaders. From marginal cinema collectives to women’s cooperative experiments, Draper reveals new archives of revolutionary participation that provide insight into how 1968 and its many afterlives are understood in Mexico and beyond. By giving voice to Mexican Marxist philosophers, political prisoners, and women who participated in the movement, Draper counters the canonical memorialization of 1968 by illustrating how many diverse voices inspired alternative forms of political participation. Given the current rise of social movements around the globe, in 1968 Mexico Draper provides a new framework to understand the events of 1968 in order to rethink the everyday existential, political, and philosophical problems of the present.
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cover of 1971: A Year in the Life of Color

1971

A Year in the Life of Color

Darby English

University of Chicago Press, 2016

In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto.

1971: A Year in the Life of Color looks at many black artists’ desire to gain freedom from overt racial representation, as well as their efforts—and those of their advocates—to further that aim through public exhibition. Amid calls to define a “black aesthetic,” these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color’s special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists—among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas—rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture’s preoccupation with color.
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cover of 1980: America's Pivotal Year

1980

America's Pivotal Year

Jim Cullen

Rutgers University Press, 2023

1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
 
1980: America's Pivotal Year puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot J.R., cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.

Praise for Jim Cullen's previous Rutgers University Press books:

"Informed and perceptive" —Norman Lear on Those Were the Days: Why All in the Family Still Matters

"Jim Cullen is one of the most acute cultural historians writing today." —Louis P. Masur, author of The Sum of Our Dreams on Martin Scorsese and the American Dream

"This is a terrific book, fun and learned and provocative....Cullen provides an entertaining and thoughtful account of the ways that we remember and how this is influenced and directed by what we watch." —Jerome de Groot, author of Consuming History on From Memory to History

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cover of 1989: Revolutionary Ideas and Ideals

1989

Revolutionary Ideas and Ideals

Krishan Kumar

University of Minnesota Press, 2001

In 1989, from East Berlin to Budapest and Bucharest to Moscow, communism was falling. The walls were coming down and the world was being changed in ways that seemed entirely new. The conflict of ideas and ideals that began with the French Revolution of 1789 culminated in these revolutions, which raised the prospects of the "return to Europe" of East and Central European nations, the "restarting of their history," even, for some, the "end of history." What such assertions and aspirations meant, and what the larger events that inspired them mean-not just for the world of history and politics, but for our very understanding of that world-are the questions Krishan Kumar explores in 1989.

    

A well-known and widely respected scholar, Kumar places these revolutions of 1989 in the broadest framework of political and social thought, helping us see how certain ideas, traditions, and ideological developments influenced or accompanied these movements-and how they might continue to play out. Asking questions about some of the central dilemmas facing modern society in the new century, Kumar offers critical insight into how these questions might be answered and how political, social, and historical ideas and ideals can shape our destiny.       

Contradictions Series, volume 12

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cover of 2002 Guide to the History of Science

2002 Guide to the History of Science

Edited by Roger Turner

University of Chicago Press, 2002

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cover of 20th-Century Italian Women Writers: The Feminine Experience

20th-Century Italian Women Writers

The Feminine Experience

Alba Amoia

Southern Illinois University Press, 1996

As an international scholar and resident of Italy who has observed and shared the experiences of Italian women for the past twenty years, Alba Amoia has positioned herself perfectly to report to English-speaking audiences the great range and variety of writing produced by twentieth-century Italian women. Her personal contact with many of the authors she discusses lends further immediacy to her study.

Rather than focusing exclusively on contemporary living authors, Amoia discusses writers from the early part of the twentieth century as well, linking them with later writers spanning twentieth-century Italy’s literary movements and political, social, and economic developments. Yet the connections and contradictions that bind and divide these women are only beginning to be established because Italy is still a splintered country in which perceptions of Italian women as a historical group have only begun to crystallize. While feminine voices resound on the Italian literary scene, only recently has feminine authority made itself felt in the professional and institutional worlds.

The eleven writers in this volume criticize the female role in Italian society, externalize women’s unconscious needs, and offer unusual examples of feminine creativity. Amoia provides a critical treatment of each author, incorporating the accepted opinion of Italian and other critics. She isolates recurrent and fundamental themes in each author’s literary career: linguistic repression by males, personal frustration in the realm of "householditude," and disorientation within Italy’s unbalanced institutions and hierarchies still strongly anchored in archaic structures.

Amoia begins her discussion with two illustrious predecessors of Italy’s contemporary women writers: the 1926 Nobel Prize winner Grazia Deledda and the premier literary feminist Sibilla Aleramo. Continuing in chronological order, Amoia discusses Gianna Manzini, Lalla Romano, Elsa Morante, Natalia Ginzburg, Rosetta Loy, and Dacia Maraini. Amoia concludes her exploration of Italian women writers with three journalists: Matilde Serao, Oriana Fallaci, and Camilla Cederna.

Essentially, Amoia has provided a collection of succinct and accessible monographs featuring pertinent biographical information and extensive bibliographies. She discusses each author’s most representative works, seeking to give readers both a sense of these women as writers and an understanding of their significance in the male-dominated literary scene.

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cover of 21st-Century Hollywood: Movies in the Era of Transformation

21st-Century Hollywood

Movies in the Era of Transformation

Dixon, Wheeler Winston

Rutgers University Press, 2011

They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself.

21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.

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cover of 25 Women: Essays on Their Art

25 Women

Essays on Their Art

Dave Hickey

University of Chicago Press, 2015

Newsweek calls him “exhilarating and deeply engaging.” Time Out New York calls him “smart, provocative, and a great writer.” Critic Peter Schjeldahl, meanwhile, simply calls him “My hero.” There’s no one in the art world quite like Dave Hickey—and a new book of his writing is an event.
 
25 Women will not disappoint. The book collects Hickey’s best and most important writing about female artists from the past twenty years. But this is far more than a compilation: Hickey has revised each essay, bringing them up to date and drawing out common themes. Written in Hickey’s trademark style—accessible, witty, and powerfully illuminating—25 Women analyzes the work of Joan Mitchell, Bridget Riley, Fiona Rae, Lynda Benglis, Karen Carson, and many others. Hickey discusses their work as work, bringing politics and gender into the discussion only where it seems warranted by the art itself. The resulting book is not only a deep engagement with some of the most influential and innovative contemporary artists, but also a reflection on the life and role of the critic: the decisions, judgments, politics, and ethics that critics negotiate throughout their careers in the art world.
 
Always engaging, often controversial, and never dull, Dave Hickey is a writer who gets people excited—and talking—about art. 25 Women will thrill his many fans, and make him plenty of new ones.
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cover of 25th Street Confidential: Drama, Decadence, and Dissipation along Ogden's Rowdiest Road

25th Street Confidential

Drama, Decadence, and Dissipation along Ogden's Rowdiest Road

Val Holley

University of Utah Press, 2013

Generations of Ogdenites have grown up absorbing 25th Street’s legends of corruption, menace, and depravity. The rest of Utah has tended to judge Ogden—known in its first century as a “gambling hell” and tenderloin, and in recent years as a degraded skid row—by the street’s gaudy reputation. Present-day Ogden embraces the afterglow of 25th Street’s decadence and successfully promotes it to tourists. In the same preservationist spirit as Denver’s Larimer Square, today’s 25th Street is home to art galleries, fine dining, live theater, street festivals, mixed-use condominiums, and the Utah State Railroad Museum.

25th Street Confidential traces Ogden’s transformation from quiet hamlet to chaotic transcontinental railroad junction as waves of non-Mormon fortune seekers swelled the city’s population. The street’s outsized role in Ogden annals illuminates larger themes in Utah and U.S. history. Most significantly, 25th Street was a crucible of Mormon-Gentile conflict, especially after the non-Mormon Liberal Party deprived its rival, the People’s Party, of long-standing control of Ogden’s municipal government in 1889. In the early twentieth-century the street was targeted in statewide Progressive Era reform efforts, and during Prohibition it would come to epitomize the futility of liquor abatement programs.

This first full-length treatment of Ogden’s rowdiest road spotlights larger-than-life figures whose careers were entwined with the street: Mayor Harman Ward Peery, who unabashedly filled the city treasury with fees and fines from vicious establishments; Belle London, the most successful madam in Utah history; and Rosetta Ducinnie Davie, the heiress to London’s legacy who became a celebrity on the street, in the courts, and in the press. Material from previously unexploited archives and more than one hundred historic photos enrich this narrative of a turbulent but unforgettable street.

Winner of the Utah Book Award in Nonfiction.
Chosen by Foreword as a finalist in the regional category for their IndieFab Book of the Year Award.
 
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cover of 28 June: Sarajevo 1914 - Versailles 1919: The War and Peace That Made the Modern World

28 June

Sarajevo 1914 - Versailles 1919: The War and Peace That Made the Modern World

Edited by Alan Sharp

Haus Publishing, 2014

On June 28, 1919, the Peace Treaty was signed in the Hall of Mirrors at Versailles, five years to the day after the assassination of Archduke Franz Ferdinand in Sarajevo triggered Europe's precipitous descent into war. This war was the first conflict to be fought on a global scale. By its end in 1918, four empires had collapsed, and their minority populations, which had never before existed as independent entities, were encouraged to seek self-determination and nationhood.

Following on from Haus’s monumental thirty-two Volume series on the signatories of the Versailles peace treaty, The Makers of the Modern World, 28 June looks in greater depth at the smaller nations that are often ignored in general histories, and in doing so seeks to understand the conflict from a global perspective, asking not only how each of the signatories came to join the conflict but also giving an overview of the long-term consequences of their having done so.
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cover of 29 Missing: The True and Tragic Story of the Disappearance of the SS Edmund Fitzgerald

29 Missing

The True and Tragic Story of the Disappearance of the SS Edmund Fitzgerald

Andrew Kantar

Michigan State University Press, 1998

On November 10, 1975, SS Edmund Fitzgerald, a giant freighter, sank with its entire crew of 29 aboard, in one of the most violent storms ever witnessed on Lake Superior. In 29 Missing, Kantar tells the "Fitz's" story from the christening in 1958 as the largest ship on the Great Lakes to the expedition in 1995 to recover the ship's bell in what proved to be a moving memorial to the lost crew. Using information from government investigative reports, the book provides a dramatic hour-by-hour account of what transpired during that terrible voyage, including dialogue from actual radio transmissions between the Fitzgerald and the Arthur Anderson, the freighter that followed behind the Fitz. 
     In his passionate retelling of the story, designed primarily for young adults, Kantar provides the facts leading up to the disappearance, detailing the subsequent expeditions to the wreck site as well as the leading theories about the sinking that have been debated by maritime experts.

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cover of 32 Counties: The Failure of Partition and the Case for a United Ireland

32 Counties

The Failure of Partition and the Case for a United Ireland

Kieran Allen

Pluto Press, 2021

'This is Irish history seen anew, from below, bristling with practical lessons for working-class struggle today' - Eamonn McCann

The 32 counties of Ireland were divided through imperial terror and gerrymandering. Partition was borne from a Tory strategy to defend the British Empire and has spawned a 'carnival of reaction' in Irish politics ever since. Over the last 100 years, conservative forces have dominated both states offering religious identity as a diversion from economic failures and inequality.

Through a sharp analysis of the history of partition, Kieran Allen rejects the view that the 'two cultures' of Catholic and Protestant communities lock people into permanent antagonism. Instead, the sectarian states have kept its citizens divided through political and economic measures like austerity, competition for reduced services and low wages.

Overturning conventional narratives, 32 Counties evokes the tradition of James Connolly and calls for an Irish unity movement from below to forge the North and the Republic into a secular, socialist and united Ireland.

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cover of 491 Days: Prisoner Number 1323/69

491 Days

Prisoner Number 1323/69

Winnie Madikizela-Mandela

Ohio University Press, 2014

On a freezing winter’s night, a few hours before dawn on May 12, 1969, South African security police stormed the Soweto home of Winnie Madikizela-Mandela, activist and wife of the imprisoned Nelson Mandela, and arrested her in the presence of her two young daughters, then aged nine and ten.

Rounded up in a group of other antiapartheid activists under Section 6 of the Terrorism Act, designed for the security police to hold and interrogate people for as long as they wanted, she was taken away. She had no idea where they were taking her or what would happen to her children. For Winnie Mandela, this was the start of 491 days of detention and two trials.

Forty-one years after Winnie Mandela’s release on September 14, 1970, Greta Soggot, the widow of one of the defense attorneys from the 1969–70 trials, handed her a stack of papers that included a journal and notes she had written while in detention, most of the time in solitary confinement. Their reappearance brought back to Winnie vivid and horrifying memories and uncovered for the rest of us a unique and personal slice of South Africa’s history.

491 Days: Prisoner Number 1323/69 shares with the world Winnie Mandela’s moving and compelling journal along with some of the letters written between several affected parties at the time, including Winnie and Nelson Mandela, himself then a prisoner on Robben Island for nearly seven years.

Readers will gain insight into the brutality she experienced and her depths of despair, as well as her resilience and defiance under extreme pressure. This young wife and mother emerged after 491 days in detention unbowed and determined to continue the struggle for freedom.

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cover of 4QInstruction

4QInstruction

Matthew J. Goff

SBL Press, 2013

The wisdom tradition of ancient Israel, represented in the Hebrew Bible by Proverbs, Job, and Ecclesiastes and in the Apocrypha by Ben Sira and the Wisdom of Solomon, is also well-attested in the texts from Qumran. 4QInstruction (1Q26, 4Q415–418, 4Q423), the largest wisdom text of the Dead Sea Scrolls, is considered a sapiential text primarily because of its explicit and insistent pedagogical nature. To make this significant wisdom text more widely available, this volume offers a critical edition, translation, and commentary on the main fragments of 4QInstruction. It examines particular texts of 4QInstruction as well as broader issues, including its date, genre, main themes, and place in Second Temple Judaism. Finally, in order to contextualize this pivotal work, 4QInstruction’s relationship to the sapiential and apocalyptic traditions is also explored.
[more]
cover of 50 Classic Hikes In Nevada: From The Ruby Mountains To Red Rock Canyon

50 Classic Hikes In Nevada

From The Ruby Mountains To Red Rock Canyon

Mike White

University of Nevada Press, 2006

Nevada boasts some of the most diverse and beautiful landscapes in North America and is rich in trails that embrace the state’s scenic, geologic, and historic resources. Mike White, renowned outdoors writer and instructor, now offers a guide to fifty of the best Nevada hikes, ranging across the entire state from the Mojave Desert to the Sierra Nevada, from sagebrush basins to the alpine heights of the Ruby Mountains. Here are hikes for every taste and level of fitness, including outings suitable for families with small children and full-scale assaults on challenging peaks. Each hike is described in terms of its route and special features, and includes a map and elevation profile. The book also offers information about the geology, wildlife, plants, history, and weather features of Nevada, as well as helpful directions to ensure safe and comfortable travel in Nevada’s rugged and isolated backcountry. This is an indispensable guide for anyone seeking enjoyable adventures in some of the country’s most spectacular natural regions.
[more]
cover of 50 Maps That Can't Explain the World: A Cartographic Tour from Ptolemy to Trump

50 Maps That Can't Explain the World

A Cartographic Tour from Ptolemy to Trump

Nicholas Danforth

University of Chicago Press, 0

An eye-opening journey through fifty maps that ask what, exactly, the people who made our world were thinking, and what that says about our past and future.

Everyone loves a good map. As writer Nicholas Danforth is keen to remind us, maps tell stories about the world and its history—but not always the ones their makers intend. In 50 Maps That Can't Explain the World, Danforth gives us a whirlwind tour of a wide variety of maps, illustrating what they can—and can't—teach us about the world.

Witty and irreverent, the pieces take on many cartographic topics of current political interest, including Russian imperialism, the misunderstood appeal of Greenland, and where Canada came from. Others concern mapmaking itself, exploring why north is “up” and how to map time. In doing so, these pieces show that places as varied as Khiva, Atlantis, and even Arkansas matter for addressing big questions, including the best way to draw borders or the future of America’s foreign policy. Featuring a wide array of unique and forgotten maps, all these pieces regale readers with their interesting tales, such as how the Near East became the Middle East or what the US would look like if it lost World War I.

Throughout, Danforth’s entertaining, thoughtful commentary reveals that while maps may not solve all the world’s woes, they can show us where we’ve been and point us to where we’re trying to go.

[more]
cover of 500 Years of Chicana Women's History / 500 Años de la Mujer Chicana: Bilingual Edition

500 Years of Chicana Women's History / 500 Años de la Mujer Chicana

Bilingual Edition

Martínez, Elizabeth "

Rutgers University Press, 2008

Named the 2009 AAUP Best of the Best - Outstanding Book Distinction

The history of Mexican Americans spans more than five centuries and varies from region to region across the United States. Yet most of our history books devote at most a chapter to Chicano history, with even less attention to the story of Chicanas.

500 Years of Chicana Women’s History offers a powerful antidote to this omission with a vivid, pictorial account of struggle and survival, resilience and achievement, discrimination and identity. The bilingual text, along with hundreds of photos and other images, ranges from female-centered stories of pre-Columbian Mexico to profiles of contemporary social justice activists, labor leaders, youth organizers, artists, and environmentalists, among others.  With a distinguished, seventeen-member advisory board, the book presents a remarkable combination of scholarship and youthful appeal.

In the section on jobs held by Mexicanas under U.S. rule in the 1800s, for example, readers learn about flamboyant Doña Tules, who owned a popular gambling saloon in Santa Fe, and Eulalia Arrilla de Pérez, a respected curandera (healer) in the San Diego area. Also covered are the “repatriation” campaigns” of the Midwest during the Depression that deported both adults and children, 75 percent of whom were U.S.–born and knew nothing of Mexico. Other stories include those of the garment, laundry, and cannery worker strikes, told from the perspective of Chicanas on the ground.

From the women who fought and died in the Mexican Revolution to those marching with their young children today for immigrant rights, every story draws inspiration. Like the editor’s previous book, 500 Years of Chicano History (still in print after 30 years), this thoroughly enriching view of Chicana women’s history promises to become a classic.
[more]
cover of 5000 Years of Popular Culture: Popular Culture before Printing

5000 Years of Popular Culture

Popular Culture before Printing

Fred E.H. Schroeder

University of Wisconsin Press, 1980

This collection of insightful essays by outstanding artists, anthropologists, historians, classicists and humanists was developed to broaden the study of popular culture and to provide instances of original and innovative interdisciplinary approaches.
    Its first purpose is to broaden the study of popular culture which is too often regarded in the academic world as the entertainment and leisure time activities of the 20th century. Second, the collection gives recognition to the fact that a number of disciplines have been investigating popular phenomena on different fronts, and it is designed to bring examples of these disciplines together under the common rubric of “popular culture.” Related to this is a third purpose of providing instances of original and innovative interdisciplinary approaches. Last, the collection should be a worthwhile contribution to the component disciplines as well as to the study of popular culture.
[more]
cover of 55 WEST VIRGINIA: A GUIDE TO THE STATE'S COUNTIES

55 WEST VIRGINIA

A GUIDE TO THE STATE'S COUNTIES

E. LEE NORTH

West Virginia University Press, 1998

[more]
cover of 6000 Miles of Fence

6000 Miles of Fence

By Cordia Sloan Duke

University of Texas Press, 1961

The fabulous XIT Ranch has been celebrated in song, story, and serious history. This book of reminiscences of old XIT cowmen puts on record the everyday life of the individuals who made the ranch run. Their forthright, yet picturesque, discussion of ranching hardships and dangers dissipates Hollywood and TV glamorizing. They relate in honest cowboy language what actually happened inside the XIT's 6,000 miles of fence.

Cordia Sloan Duke, wife of an XIT division manager, Robert L. Duke, many years ago realized that only those who had experienced ranch life could depict it with deep understanding. As the young wife of a rising young ranch hand, she kept in her apron pocket a notebook and pencil, recording all manner of interesting details as they caught her attention. This diary was the nucleus for the present book. Conceiving of an account of life on the XIT as presented by XIT cowboys, Mrs. Duke set about drawing from reticent, sometimes reluctant, ranch hands the impressions of the XIT (occasionally written down by their more literate wives or daughters) which they had retained through the years. Cordia Sloan Duke and Joe B. Frantz have organized the reminiscences around key aspects of ranch life, retaining the language of the cow hands.

[more]
cover of 9/11: The Culture of Commemoration

9/11

The Culture of Commemoration

David Simpson

University of Chicago Press, 2006

After the terrorist attacks of September 11, 2001, a general sense that the world was different—that nothing would ever be the same—settled upon a grieving nation; the events of that day were received as cataclysmic disruptions of an ordered world. Refuting this claim, David Simpson examines the complex and paradoxical character of American public discourse since that September morning, considering the ways the event has been aestheticized, exploited, and appropriated,  while “Ground Zero” remains the contested site of an effort at adequate commemoration. 

In 9/11, Simpson argues that elements of the conventional culture of mourning and remembrance—grieving the dead, summarizing their lives in obituaries, and erecting monuments in their memory—have been co-opted for political advantage. He also confronts those who labeled the event an “apocalypse,” condemning their exploitation of 9/11 for the defense of torture and war. 

In four elegant chapters—two of which expand on essays originally published in the London Review of Books to great acclaim—Simpson analyzes the response to 9/11: the nationally syndicated “Portraits of Grief” obituaries in the New York Times; the debates over the rebuilding of the World Trade Center towers and the memorial design; the representation of American and Iraqi dead after the invasion of March 2003, along with the worldwide circulation of the Abu Ghraib torture photographs; and the urgent and largely ignored critique of homeland rhetoric from the domain of critical theory. 

Calling for a sustained cultural and theoretical analysis, 9/11 is the first book of its kind to consider the events of that tragic day with a perspective so firmly grounded in the humanities and so persuasive about the contribution they can make to our understanding of its consequences.
[more]
cover of 900 Miles on the Butterfield Trail

900 Miles on the Butterfield Trail

A. C. Greene

University of North Texas Press, 1994

[more]
cover of 900 Years of St Bartholomew the Great: The History, Art and Architecture of London's Oldest Parish Church

900 Years of St Bartholomew the Great

The History, Art and Architecture of London's Oldest Parish Church

Edited by Charlotte Gauthier

Paul Holberton Publishing, 2022

The most comprehensive, updated history of St. Bartholomew the Great, the oldest parish church in London, as it celebrates its nine-hundred-year anniversary.

At the heart of the Smithfield area, with its pubs, restaurants, and market, is a church built when Henry I was King of England. Overlooking the fields where kings confronted rebellions, knights jousted, and heretics were burnt, St. Bartholomew’s Priory and Hospital played a central role in the history of medieval London.

The tale of St. Bartholomew’s is one of survival and renewal. Not only has the priory hosted many of London’s most famous (such as a young Benjamin Franklin), but it has also miraculously survived the tumults of the Reformation, the Civil War, the Great Fire of 1666, and the bomb raids of World Wars I and II.

Richly illustrated, 900 Years of St Bartholomew’s surveys the art, architecture, and deep historical significance of this enduring landmark.

[more]
cover of 911 A Public Emergency?, Volume 20

911 A Public Emergency?, Volume 20

Ella Shohat, Brent Edwards, Stefano Harney, Randy Martin, Timothy Mitchell, and Fred Moten, eds.

Duke University Press, 0

Since September 11, public discourse has often been framed in terms of absolutes: an age of innocence gives way to a present under siege, while the United States and its allies face off against the Axis of Evil. This special issue of Social Text aims to move beyond these binaries toward thoughtful analysis. The editors argue that the challenge for the Left is to develop an antiterrorism stance that acknowledges the legacy of U.S. trade and foreign policy as well as the diversity of the Muslim faith and the dangers presented by fundamentalism of all kinds.

Examining the strengths and shortcomings of area, race, and gender studies in the search for understanding, this issue considers cross-cultural feminism as a means of combating terrorism; racial profiling of Muslims in the context of other racist logics; and the homogenization of dissent. The issue includes poetry, photographic work, and an article by Judith Butler on the discursive space surrounding the attacks of September 11. This impressive range of contributions questions the meaning and implications of the events of September 11 and their aftermath.

Contributors. Muneer Ahmad, Meena Alexander, Lopamudra Basu, Judith Butler, Zillah Eisenstein, Stefano Harney, Randy Martin, Rosalind C. Morris, Fred Moten, Sandrine Nicoletta, Yigal Nizri, Jasbir K. Puar, Amit S. Rai, Ella Shohat, Ban Wang

[more]
cover of 9XM Talking: WHA Radio and the Wisconsin Idea

9XM Talking

WHA Radio and the Wisconsin Idea

Randall Davidson

University of Wisconsin Press, 2017

Randall Davidson provides a comprehensive history of the innovative work of Wisconsin's educational radio stations. Beginning with the first broadcast by experimental station 9XM at the University of Wisconsin, followed by WHA, through the state-owned affiliate WLBL, to the network of stations that in the years following WWII formed the Wisconsin Public Radio network, Davidson describes how, with homemade equipment and ideas developed from scratch, public radio became a tangible example of the Wisconsin Idea, bringing the educational riches of the university to all the state's residents. Marking the centennial year of Wisconsin Public Radio, this paperback edition includes a new foreword by Bill Siemering, National Public Radio's founding director of programming.
[more]
cover of [...After the Media]: News from the Slow-Fading Twentieth Century

[...After the Media]

News from the Slow-Fading Twentieth Century

Siegfried Zielinski

University of Minnesota Press, 2013

The media are now redundant. In an overview of developments spanning the past seventy years, Siegfried Zielinski’s [ . . . After the Media] discusses how the means of technology-based communication assumed a systemic character and how theory, art, and criticism were operative in this process. Media-explicit thinking is contrasted with media-implicit thought. Points of contact with an arts perspective include a reinterpretation of the artist Nam June Paik and an introduction to the work of Jake and Dinos Chapman. The essay ends with two appeals. In an outline of a precise philology of exact things, Zielinski suggests possibilities of how things could proceed after the media. With a vade mecum against psychopathia medialis in the form of a manifesto, the book advocates for a distinction to be made between online existence and offline being.

[more]
cover of [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause

[Un]framing the "Bad Woman"

Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause

By Alicia Gaspar de Alba

University of Texas Press, 2014

“What the women I write about have in common is that they are all rebels with a cause, and I see myself represented in their mirror,” asserts Alicia Gaspar de Alba. Looking back across a career in which she has written novels, poems, and scholarly works about Sor Juana Inés de la Cruz, la Malinche, Coyolxauhqui, the murdered women of Juárez, the Salem witches, and Chicana lesbian feminists, Gaspar de Alba realized that what links these historically and socially diverse figures is that they all fall into the category of “bad women,” as defined by their place, culture, and time, and all have been punished as well as remembered for rebelling against the “frames” imposed on them by capitalist patriarchal discourses.

In [Un]Framing the “Bad Woman,” Gaspar de Alba revisits and expands several of her published articles and presents three new essays to analyze how specific brown/female bodies have been framed by racial, social, cultural, sexual, national/regional, historical, and religious discourses of identity—as well as how Chicanas can be liberated from these frames. Employing interdisciplinary methodologies of activist scholarship that draw from art, literature, history, politics, popular culture, and feminist theory, she shows how the “bad women” who interest her are transgressive bodies that refuse to cooperate with patriarchal dictates about what constitutes a “good woman” and that queer/alter the male-centric and heteronormative history, politics, and consciousness of Chicano/Mexicano culture. By “unframing” these bad women and rewriting their stories within a revolutionary frame, Gaspar de Alba offers her compañeras and fellow luchadoras empowering models of struggle, resistance, and rebirth.

[more]
cover of ¡Chicana Power!: Contested Histories of Feminism in the Chicano Movement

¡Chicana Power!

Contested Histories of Feminism in the Chicano Movement

By Maylei Blackwell

University of Texas Press, 2011

The first book-length study of women's involvement in the Chicano Movement of the late 1960s and 1970s, ¡Chicana Power! tells the powerful story of the emergence of Chicana feminism within student and community-based organizations throughout southern California and the Southwest. As Chicanos engaged in widespread protest in their struggle for social justice, civil rights, and self-determination, women in el movimiento became increasingly militant about the gap between the rhetoric of equality and the organizational culture that suppressed women's leadership and subjected women to chauvinism, discrimination, and sexual harassment. Based on rich oral histories and extensive archival research, Maylei Blackwell analyzes the struggles over gender and sexuality within the Chicano Movement and illustrates how those struggles produced new forms of racial consciousness, gender awareness, and political identities.

¡Chicana Power! provides a critical genealogy of pioneering Chicana activist and theorist Anna NietoGomez and the Hijas de Cuauhtémoc, one of the first Latina feminist organizations, who together with other Chicana activists forged an autonomous space for women's political participation and challenged the gendered confines of Chicano nationalism in the movement and in the formation of the field of Chicana studies. She uncovers the multifaceted vision of liberation that continues to reverberate today as contemporary activists, artists, and intellectuals, both grassroots and academic, struggle for, revise, and rework the political legacy of Chicana feminism.

[more]
cover of ¡Huelga!: Indigenous Farm Labor Organizing in Mexico

¡Huelga!

Indigenous Farm Labor Organizing in Mexico

James Daria

University of Arizona Press, 2026

On March 17, 2015, tens of thousands of Mexican farmworkers went on strike in San Quintin, Baja California, to protest horrible working conditions on the farms that produce most of the fresh fruits and vegetables you consume. Calling themselves the “slaves of the twenty-first century,” these mostly Indigenous men, women, and children rose up in defiance of the conditions of modern slavery, forced labor, sexual harassment, and “hunger wages.” This ethnography provides an in-depth look into how Indigenous farmworkers organize in the fields and their communities to improve wages and working conditions.

Since the strike, the farmworkers have organized a union to fight for justice in the fields. In this work, author James Daria accompanies these farmworkers as they struggle for dignity. Daria also charts the tensions inside the farmworker movement as women struggle to gain greater power in the home as well as at work. In an era of complex global integration, Daria shows us how what we eat is tied to the suffering of those who produce our food. 

This book highlights and centers the Indigenous workers who struggle for justice in a global food system that connects us all. 

[more]
cover of ¡Presente!: The Politics of Presence

¡Presente!

The Politics of Presence

Diana Taylor

Duke University Press, 2020

In ¡Presente! Diana Taylor asks what it means to be physically and politically present in situations where it seems that nothing can be done. As much an act, a word, an attitude, a theoretical intervention, and a performance pedagogy, Taylor maps ¡presente! at work in scenarios ranging from conquest, through colonial enactments and resistance movements, to present moments of capitalist extractivism and forced migration in the Americas. ¡Presente!—present among, with, and to; a walking and talking with others; an ontological and epistemic reflection on presence and subjectivity as participatory and relational, founded on mutual recognition—requires rethinking and unlearning in ways that challenge colonial epistemologies. Showing how knowledge is not something to be harvested but a process of being, knowing, and acting with others, Taylor models a way for scholarship to be present in political struggles.
[more]
cover of « Belle comme Vénus »: Le portrait historié entre Grand Siècle et Lumières

« Belle comme Vénus »

Le portrait historié entre Grand Siècle et Lumières

Marlen Schneider

Diaphanes, 2020

Vénus, Flore, Hébé ou Diane – autant de divinités antiques qui ont prêté, à partir de la fin du XVIIe siècle en France, leurs attributs et leurs costumes vaporeux, souvent affriolants, à quantité de femmes de l’aristocratie de cour, de la bourgeoisie montante et de la noblesse de robe. L’élite sociale se fait alors peindre en costume mythologique ou historique par des artistes célèbres tels que Nicolas de Largillierre, Hyacinthe Rigaud, François de Troy, Jean-Marc Nattier ou Jean Raoux.
Ces portraits dits « historiés », dans lesquels l’effigie d’une personne vivante s’enrichit d’attributs mythologiques comme dans un tableau d’histoire, sont un genre pictural à part entière. D’abord prérogative masculine adoptée par les grands pour célébrer leurs vertus, il devient vers 1680 l’apanage des modèles féminins : le langage allégorique les pare de qualités à connotation spécifiquement féminine et galante, comme la beauté, la jeunesse, la grâce, qui, bien comprises, pouvaient aussi être un moyen de manier le pouvoir. Dès les années 1740, ces peintures font cependant l’objet de critiques répétées et le genre perd peu à peu sa légitimité à la fin de l’Ancien Régime, avant que ce procédé de distinction aristocratique suscite la méfiance des historiens de l’art, qui n’y verront que l’expression d’un amusement futile de milieux oisifs.

Le présent ouvrage remet à leur juste place ces travestissements : à la fois œuvre d’art, objet culturel et pratique sociale, le portrait historié est un phénomène de goût révélateur d’une culture de cour en pleine transformation. Marlen Schneider met ici en lumière les fonctions, les propriétés formelles, la réception et la portée historique d’un type de représentation trop longtemps déconsidéré.
[more]
cover of « Et les grands cris de l’Est »: Robert Delaunay à Berlin, 1912–1914

« Et les grands cris de l’Est »

Robert Delaunay à Berlin, 1912–1914

Sophie Goetzmann

Diaphanes, 2021

Sur quoi repose le succès d’un artiste en dehors de son pays d’origine ? Les attentes d’un public étranger orientent-elles la réception d’une œuvre, parfois au prix d’une déformation de son sens initial ? Le transfert d’une production artistique d’un contexte culturel à un autre peut donner lieu à un « malentendu productif » conduisant les récepteurs à apprécier celle-ci à l’aune de leurs propres références nationales, a priori loin des intentions revendiquées par son auteur. Ce phénomène expliquerait-il le succès de Robert Delaunay en Allemagne avant la Première guerre mondiale ? Le peintre orphiste y est l'un des artistes les plus célèbres, dans un contexte pourtant marqué par de fortes tensions nationales. Au cours de l’année 1913, avec l’aide du galeriste et directeur de revue Herwarth Walden, il expose et voyage à deux reprises à Berlin. Ses œuvres y suscitent l’engouement particulier de trois artistes expressionnistes aux trajectoires très différentes, et dont les travaux semblent à première vue très éloignés de ceux du Français : les peintres Ludwig Meidner et Lyonel Feininger, et l'architecte Bruno Taut.

Dans un premier temps, ce livre retrace en détail ce qui a été alors lu et vu de l’œuvre de Delaunay dans la capitale allemande. Ensuite, à travers l’étude de la réception critique du peinte français par trois figures majeures de la scène artistique berlinoise, il revient sur l’idée que le contexte culturel national entraverait la compréhension d’une œuvre ou en influencerait systématiquement les interprétations. En dépassant ainsi les préjugés nationaux qui nourrissent les débats esthétiques au début du XXe siècle et continuent d’imprégner aujourd’hui encore l’histoire de l’art, Sophie Goetzmann nous révèle les liens inattendus qui unissent, par-delà les frontières, les avant-gardes désignées sous les termes d’orphisme et d’expressionnisme.
[more]
cover of Álamos, Sonora: Architecture and Urbanism in the Dry Tropics

Álamos, Sonora

Architecture and Urbanism in the Dry Tropics

John Messina

University of Arizona Press, 2008

The town of Álamos in the state of Sonora, Mexico, a one-day drive from the Arizona border, is one of the most intact colonial-era cities in northern Mexico. Álamos has been declared a National Historic Monument by the Mexican government and is one of only fourteen towns to be designated as Pueblos Mágicos. Founded by Spaniards who discovered silver deposits nearby, Álamos was a prosperous city from its inception. It is situated in a “dry tropical” valley where both desert flora and tropical plants intermingle. The propitious combination of wealth, climate, and New World Hispanic town planning principles led to the development of a remarkable architecture and city plan.

Until now, there has never been a book about the architecture and urban form of Álamos. In this much-needed work, John Messina, who teaches architecture and is a practicing architect, provides a well-informed history and interpretive description of the town. He also examines building materials and construction techniques, as well as issues of building preservation and restoration. At the same time, the author considers what other cities might learn from Álamos. Particularly for cities in the American Southwest that are struggling to reduce sprawl and increase density without compromising their quality of life, Álamos offers a range of possible solutions.

Thoroughly illustrated and designed for lay readers and professionals alike, this engaging book captures the essence and the uniqueness of Álamos while asking what lessons can be drawn by architects and planners who are attempting to reshape our own cities and towns into more livable, viable, and people-friendly environments.
[more]
cover of Éléments pour une histoire de l'informatique

Éléments pour une histoire de l'informatique

Donald E. Knuth

CSLI, 2011

This translation focuses on publications by Donald E. Knuth, one of the world’s leading computer programmers, that were addressed primarily to a general audience rather than to specialists. These fifteen papers discuss the history of computer science from ancient Babylon to modern times and survey the field of computer science and the nature of algorithms.

[more]
cover of Òrìsà Devotion as World Religion: The Globalization of Yorùbá Religious Culture

Òrìsà Devotion as World Religion

The Globalization of Yorùbá Religious Culture

Edited by Jacob K. Olupona and Terry Rey

University of Wisconsin Press, 2008

As the twenty-first century begins, tens of millions of people participate in devotions to the spirits called Òrìsà. This book explores the emergence of Òrìsà devotion as a world religion, one of the most remarkable and compelling developments in the history of the human religious quest. Originating among the Yorùbá people of West Africa, the varied traditions that comprise Òrìsà devotion are today found in Africa, the Americas, Asia, Europe, and Australia.
    The African spirit proved remarkably resilient in the face of the transatlantic slave trade, inspiring the perseverance of African religion wherever its adherents settled in the New World. Among the most significant manifestations of this spirit, Yorùbá religious culture persisted, adapted, and even flourished in the Americas, especially in Brazil and Cuba, where it thrives as Candomblé and Lukumi/Santería, respectively. After the end of slavery in the Americas, the free migrations of Latin American and African practitioners has further spread the religion to places like New York City and Miami. Thousands of African Americans have turned to the religion of their ancestors, as have many other spiritual seekers who are not themselves of African descent. 
    Ifá divination in Nigeria, Candomblé funerary chants in Brazil, the role of music in Yorùbá revivalism in the United States, gender and representational authority in Yorùbá religious culture—these are among the many subjects discussed here by experts from around the world. Approaching Òrìsà devotion from diverse vantage points, their collective effort makes this one of the most authoritative texts on Yorùbá religion and a groundbreaking book that heralds this rich, complex, and variegated tradition as one of the world’s great religions.   
[more]
cover of ‘Am I Less British?’: Racism, Belonging, and the Children of Refugees and Immigrants in North London

‘Am I Less British?’

Racism, Belonging, and the Children of Refugees and Immigrants in North London

Dogus Simsek

University College London, 2024

An insightful study into contemporary identity formation and the sense of belonging of children of immigrants from Turkey, through an ethnography of their lives in North London.

‘Am I Less British?’ focuses on the children of refugees and immigrants from Turkey in North London. Providing a rich ethnography of the lives of the children, the book studies their sense of identity and belonging, and their transnational experiences. It aims to understand how the children position themselves within a range of locations (London, North London, and Turkey), where they face class hierarchy, racism, and discrimination. Dogus Simsek explores how these children think about their sense of belonging within the contemporary political context in Britain and Turkey. De-identifying themselves from national identities and holding onto their oppressed identities appear as new forms of resistance in response to racism and exclusion.

The experiences of the young people reflect the complexity of their lives in changing political and social circumstances across the borders of nation-states, as well as the importance of other categories of identity, including local identities. Overall, the book argues that the intersections of local, national, and transnational approaches, the political context through which the lives of young people are framed, and their sophisticated engagement with ideas of race, class, ethnicity, and gender, are crucial to understanding their identity formation.
 
[more]
cover of “A Good Poor Man’s Wife”: Being a Chronicle of Harriet Hanson Robinson and Her Family in Nineteenth-Century New England

“A Good Poor Man’s Wife”

Being a Chronicle of Harriet Hanson Robinson and Her Family in Nineteenth-Century New England

Claudia L. Bushman

University Press of New England, 1998

A shrewd observer of 19th-century America, Harriet Hanson Robinson’s participation in important events and her salty comments, preserved and recorded in the poetry and books she wrote during her lifetime, offer a dramatic account of how one strong-minded woman, who first worked as a textile worker in the industrial town of Lowell, MA, turned to writing and politics to sustain her family after her husband’s early death. Harriet’s personal papers shed light on such topics as labor history, state politics, and the mechanics of writing and publication. Her best-known publications, Loom and Spindle, which deals with early factory life, and Massachusetts in the Woman Suffrage Movement, are often quoted today.
[more]
cover of “Proletarian Hegemony” in the Chinese Revolution and the Canton Commune of 1927

“Proletarian Hegemony” in the Chinese Revolution and the Canton Commune of 1927

S. Bernard Thomas

University of Michigan Press, 1975

The Communist aim of proletarian hegemony in the Chinese revolution was given concrete expression through the Canton Commune—reflected in the policies and strategies that led to the uprising, in the makeup and program of the Soviet setup in Canton, and in the subsequent assessment of the revolt by the Comintern and the Chinese Communist Party.
“Proletarian Hegemony” in the Chinese Revolution and the Canton Commune of 1927 describes these developments and, with the further ideological treatment given the Commune serving as a backdrop, will then examine the continuing evolution and ultimate transformation of the proletarian line and the concept of proletarian leadership in the post-1927 history of Chinese Communism. [3]
[more]
cover of “Sing for the Pro-Palestinian Student Activists.” A Commencement Speech and the Fight to Protect the Freedom of Expression

“Sing for the Pro-Palestinian Student Activists.” A Commencement Speech and the Fight to Protect the Freedom of Expression

Rebekah Modrak

Disobedience Press, 2026

Sing for the pro-Palestinian student activists who have, over these past two years, opened our hearts to the injustice and inhumanity of Israel’s war in Gaza.

This single sentence, concluding a brief commencement address by the University of Michigan’s Faculty Senate Chair, ignited a controversy that simmered for weeks. Professor Derek Peterson had praised the work of female, Jewish, and Black activists who had fought for inclusion, ending with a shoutout to students who protested the university’s financial ties to Israel’s war on Gaza. 

Hours later, U-M President Domenico Grasso publicly apologized, calling the remarks “hurtful and insensitive.” Peterson faced a barrage of threatening hate mail, alongside demands that he be fired and the university defunded. Conversely, a chorus of passionate dissent argued that a college education should equip students for, not shield them from, sharp controversies.

This volume collects commentary from students, alumni, labor organizers, and faculty. Most, but not all, defend Peterson’s right to say what he said, reflecting on questions of academic freedom, repressive notions of what is “appropriate,” the institution’s traditions of moral courage, the danger of assuming a monolithic “Jewish community,” and the Palestine exception to free speech.
 

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cover of “The Most Dangerous Communist in the United States”: A Biography of Herbert Aptheker

“The Most Dangerous Communist in the United States”

A Biography of Herbert Aptheker

Gary Murrell

University of Massachusetts Press, 2015

When J. Edgar Hoover declared Herbert Aptheker “the most dangerous Communist in the United States,” the notorious FBI director misconstrued his true significance. In this first book-length biography of Aptheker (1915–2003), Gary Murrell provides a balanced yet unflinching assessment of the controversial figure who was at once a leading historian of African America, radical political activist, literary executor of W. E. B. Du Bois, and lifelong member of the American Communist Party. Although blacklisted at U.S. universities, Aptheker published dozens of books, including the groundbreaking American Negro Slave Revolts (1943) and the monumental seven-volume Documentary History of the Negro People (1951–1994). He also edited four volumes of the correspondence and unpublished writings of Du Bois, an achievement that Eric Foner, writing in the New York Times Book Review, called “a milestone in the coming of age of Afro-American history.”

As Murrell shows, Aptheker the historian was inseparable from Aptheker the leading Communist Party intellectual, polemicist, and agitator. During the 1960s, his ability to rouse and inspire both black and white student radicals made him one of the few Old Leftists accepted by the New Left. Aptheker had joined the CPUSA during its heyday in the 1930s, convinced that only through the party's leadership could fascism be defeated and true liberation be achieved: he ended his affiliation five decades later in 1991 after the collapse of socialism in the Soviet Union and Eastern Europe.

In an afterword, Bettina Aptheker adds to Murrell's narrative by illuminating her mother Fay's vital contributions to her father's work and by affirming the particularly devastating challenges of life in a family dedicated to radical political and social change.

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cover of “These Are Our Roots”: The History of the K’iche’ People as Told by Lords of the Tamub’ and Ilokab’

“These Are Our Roots”

The History of the K’iche’ People as Told by Lords of the Tamub’ and Ilokab’

transcription, translation, and commentary by Allen J. Christenson

University Press of Colorado, 2026

In “These Are Our Roots”,  Allen J. Christenson translates and analyzes historical documents composed by Tamub’ and Ilokab’ nobles of the K’iche’ Maya, who ruled much of the Guatemalan highlands until their lands were invaded by Spanish conquistadors in 1524. Complete original English translations of three Tamub’ texts and a new translation of the “Title of the Ilokab’” reveal how K’iche’ nobility strategically appropriated Christian elements from Dominican missionary texts while maintaining their Indigenous worldview. These documents served multiple purposes: legally establishing land rights, asserting nobility status, preserving cultural identity, and claiming religious legitimacy by positioning themselves as descendants of biblical figures—a sophisticated response to Spanish colonization that balanced accommodation and resistance through literacy, which had become a crucial tool for Indigenous elites navigating the colonial system.

The Tamub’ and Ilokab’ branches of the K’iche’ people have generally been overshadowed by their well-known Kaweq brethren, who wrote such literature masterpieces as the Popol Vuh and the Title of Totonicapán. But it is the voices relegated to the shadows of history that share views of events from different perspectives and whisper about what really happened behind the scenes—family jealousies, political rivalries, and delicious gossip about the great and the good who tend to focus on their own self-aggrandizing stories. “These Are Our Roots” is a valuable scholarly contribution to Maya studies and ethnohistory that makes these important primary sources more accessible to students and scholars.

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