Mark Borthwick
University of Wisconsin Press, 2025
James L. Garvin
University Press of New England, 2002
Marta Gutman
University of Chicago Press, 2014
Edited by Pedro Luengo and Gene Allen Smith
University of Alabama Press, 2024
WINNER OF THE SOCIETY FOR MILITARY HISTORY'S 2025 DISTINGUISHED BOOK AWARD
A multinational, interdisciplinary study illuminating how fortifications reshaped the Caribbean as a contested imperial borderland in the eighteenth century.
A Fortified Sea illuminates the key role of military forts in the greater Caribbean during the long eighteenth century. The historical Caribbean, with its multiple contested boundaries at the periphery of European western expansion, typically has been analyzed as part of an empire. European powers, including Spain, the Netherlands, England, and Denmark, carved up the Caribbean Sea into a cultural patchwork. These varied cultural contexts were especially evident during regional and national conflicts throughout the eighteenth century and prompted the construction of more fortifications to protect imperial interests. The emergence of Anglo-American colonies during the eighteenth century and later the United States gradually altered previous geopolitical balances, redefining the cultural and geopolitical boundaries of the region.
This collection of essays incorporates several historiographical traditions—from Spanish to American—all portraying the borderland as a breakthrough contested cultural, social, economic, and military boundary. A multinational roster of contributors approaches topics through a war studies lens as well as architecturally and historically, enriching a usually monothematic view. As well, discussion of cultural management of the historical remains of forts shows local communities trying to preserve and interpret the role of forts in society.
Part I defines the training of military engineers in Spain. Part II engages with British defensive military plans and settlements in the Caribbean and shows how the British dealt with the rhetorical image of the empire. Part III clarifies the building processes of fortifications in Santiago de Cuba, Cartagena de Indias, Havana, and Veracruz, among other places. Copious period maps complement the prodigious research. The book will appeal to readers interested in the history of the Caribbean, military history, and European imperial expansion.
CONTRIBUTORS
Mónica Cejudo Collera / Pedro Cruz Freire / María Mercedes Fernández Martín / Aaron Graham / Manuel Gámez Casado / Francisco Javier Herrera García / Nuria Hinarejos Martín / Pedro Luengo / Ignacio J. López-Hernández / José Miguel Morales Folguera / Alfredo J. Morales / Juan Miguel Muñoz Corbalán / Jesús Maria Ruiz Carrasco / Germán Segura García / Gene Allen Smith / Christopher K. Waters
Bernard L. Fontana; photographs by Edward McCain
University of Arizona Press, 2010
Oak Park Historic Preservation Committee
University of Chicago Press, 2000
Anne M. Nequette
University of Arizona Press, 2002
Bob Hunter
Ohio University Press, 2012
Ever look at a modern skyscraper or a vacant lot and wonder what was there before? Or maybe you have passed an old house and been curious about who lived there long ago. This richly illustrated new book celebrates Columbus, Ohio’s, two-hundred-year history and supplies intriguing stories about the city’s buildings and celebrated citizens, stopping at individual addresses, street corners, parks, and riverbanks where history was made. As Columbus celebrates its bicentennial in 2012, a guide to local history is very relevant.
Like Columbus itself, the city’s history is underrated. Some events are of national importance; no one would deny that Abraham Lincoln’s funeral procession down High Street was a historical highlight. But the authors have also included a wealth of social and entertainment history from Columbus’s colorful history as state capital and destination for musicians, artists, and sports teams.
The book is divided into seventeen chapters, each representing a section of the city, including Statehouse Square, German Village, and Franklinton, the city’s original settlement in 1797. Each chapter opens with an entertaining story that precedes the site listings. Sites are clearly numbered on maps in each section to make it easy for readers to visit the places that pique their interest. Many rare and historic photos are reproduced along with stunning contemporary images that offer insight into the ways Columbus has changed over the years.
A Historical Guidebook to Old Columbus invites Columbus’s families to rediscover their city with a treasure trove of stories from its past and suggests to visitors and new residents many interesting places that they might not otherwise find. This new book is certain to amuse and inform for years to come.
Series Edited by Kenneth M. Setton, Volume Edited by Harry W. Hazard
University of Wisconsin Press, 1977
Preeti Chopra
University of Minnesota Press, 2010
Milette Gaifman
University of Chicago Press, 0
What representations of a monument across centuries can tell us about how we engage with, study, and understand the past.
In a square in the heart of Athens, a cylindrical structure rests on a platform made up of large stone blocks. Semi-columns encircle it, and a slanted roof sits on top, with a plantlike feature at its highest point. Focusing on this well-documented remnant of classical Greece, the so-called Choregic Monument of Lysikrates, Milette Gaifman considers the history of engagement with this ancient landmark, looking at how names, scholarly classifications, and illustrations have shaped our understanding of it from the fourth century BCE to the modern era.
Studying the landmark’s representation through centuries of scholarship and illustrations, she examines how modes of engagement with the past often impose their own baggage, interpretive forces, and inaccuracies. By being aware of their histories, advantages, and limitations, Gaifman argues that we should treat them as helpful tools and flexible guidelines rather than as strict or unmoving criteria. A Landmark Through Time reveals how adapting and expanding traditional frameworks of classification and technologies can open fresh vantage points for appreciating the complexity and ingenuity of ancient Greek art and architecture.
William S. Walker
University of Massachusetts Press, 2013
Since its founding in 1846 “for the increase and diffusion of knowledge,” the Smithsonian Institution has been an important feature of the American cultural landscape. In A Living Exhibition, William S. Walker examines the tangled history of cultural exhibition at the Smithsonian from its early years to the chartering of the National Museum of the American Indian in 1989. He tracks the transformation of the institution from its original ideal as a “universal museum” intended to present the totality of human experience to the variegated museum and research complex of today.
Walker pays particular attention to the half century following World War II, when the Smithsonian significantly expanded. Focusing on its exhibitions of cultural history, cultural anthropology, and folk life, he places the Smithsonian within the larger context of Cold War America and the social movements of the 1960s, '70s, and '80s. Organized chronologically, the book uses the lens of the Smithsonian's changing exhibitions to show how institutional decisions become intertwined with broader public debates about pluralism, multiculturalism, and decolonization.
Yet if a trend toward more culturally specific museums and exhibitions characterized the postwar history of the institution, its leaders and curators did not abandon the vision of the universal museum. Instead, Walker shows, even as the Smithsonian evolved into an extensive complex of museums, galleries, and research centers, it continued to negotiate the imperatives of cultural convergence as well as divergence, embodying both a desire to put everything together and a need to take it all apart.
Mary Chapman Mathews
University of Alabama Press, 2006
An engaging history of The University of Alabama President’s Mansion
As part of The University of Alabama’s 175th anniversary celebration (2006), the new edition of A Mansion’s Memories includes details of the tenures of the four presidents who have served since the Mathews term. Profusely illustrated with 69 black-and-white and 17 color photographs, this classic is sure to be welcomed anew by alumni and friends of the University and all lovers of fine old buildings that still function in their original capacities.
Laurie J. Bryant
University of Utah Press, 2016
Copublished with the Utah State Historical Society. Affiliated with the Utah Division of State History, Utah Department of Heritage & Arts.
Stories of the ordinary people who helped build Salt Lake City emerge from a study of their often humble adobe houses. Rather than focusing on men and women in positions of power and influence, the emphasis here is on the lives of people who built their sturdy, simple homes from mud.
A Modest Homestead provides architectural descriptions of ninety-four extant adobe houses. These homes are for the most part unremarkable, except for their perhaps unexpected construction material. They are as basic as the people who built them—small tradesmen and farmers, laborers and domestics. Author Laurie Bryant discusses the neighborhoods in Salt Lake City where adobe houses have survived, often much renovated and disguised, and she showcases the houses not just as they appear today but as they were originally built. Almost all the houses now have additions and improvements, and without some dissection, they are not always recognizable. They now appear both comfortable and pleasant, which was not always the case in the nineteenth century. What emerges through closer examination and Bryant’s research is a fuller picture of the roughhewn life of many early Utahns.
Finalist for the Utah State Historical Society Best Book Award.
Tay Kheng Soon
National University of Singapore Press, 2023
Will Fellows
University of Wisconsin Press, 2005
From large cities to rural communities, gay men have long been impassioned pioneers as keepers of culture: rescuing and restoring decrepit buildings, revitalizing blighted neighborhoods, saving artifacts and documents of historical significance. A Passion to Preserve explores this authentic and complex dimension of gay men’s lives by profiling early and contemporary preservationists from throughout the United States, highlighting contributions to the larger culture that gays are exceptionally inclined to make.
Frederick W. Mayer
University of Michigan Press, 2017
Frederick W. Mayer
University of Michigan Press, 2015
By tracing the development of the Michigan campus from its early days to the present, within the context of the evolution of higher education in America, Mayer provides a strong argument for the importance of rigorous and enlightened campus planning as a critical element of the learning environment of the university. His comprehensive history of campus planning, illustrated with photos, maps, and diagrams from Michigan’s history, is an outstanding contribution to the university’s history as it approaches its bicentennial in 2017. Perhaps more important, Mayer’s book provides a valuable treatise on the evolution of campus planning as an architectural discipline.
Stephen Mikesell
University of Nevada Press, 2017
A Tale of Two Bridges is a history of two versions of the San Francisco—Oakland Bay Bridge: the original bridge built in 1936 and a replacement for the eastern half of the bridge finished in 2013. The 1936 bridge revolutionized transportation in the Bay Area and profoundly influenced settlement patterns in the region. It was also a remarkable feat of engineering. In the 1950s the American Society of Civil Engineers adopted a list of the “Seven Engineering Wonders” of the United States. The 1936 structure was the only bridge on the list, besting even the more famous Golden Gate Bridge. One of its greatest achievements was that it was built on time (in less than three years) and came in under budget. Mikesell explores in fascinating detail how the bridge was designed by a collection of the best-known engineers in the country as well as the heroic story of its construction by largely unskilled laborers from California, joined by highly skilled steel workers.
By contrast, the East Span replacement, which was planned between 1989 and 1998, and built between 1998 and 2013, fell victim to cost overruns in the billions of dollars, was a decade behind schedule, and suffered from structural problems that has made it a perpetual maintenance nightmare.
This is narrative history in its purest form. Mikesell excels at explaining highly technical engineering issues in language that can be understood and appreciated by general readers. Here is the story of two very important bridges, which provides a fair but uncompromising analysis of why one bridge succeeded and the other did not.
Kristin Love Huffman, editor
Duke University Press, 2024
Meena Kandasamy
Diaphanes, 2025
American Institute of Architects Chicago; Edited by Alice Sinkevitch and Laurie McGovern Petersen; Preface by Geoffrey Baer; Introduction by Perry Duis
University of Illinois Press, 2014
American Institute of Architects Chicago; Edited by Laurie McGovern Petersen
University of Illinois Press, 2022
Sumptuously detailed and user friendly, the AIA Guide to Chicago encourages travelers and residents alike to explore the many diverse neighborhoods of one of the world’s great architectural destinations.
EMORY L. KEMP
West Virginia University Press, 2005
American Bridge Patents: The First Century (1790-1890), thoroughly illustrated with dozens of photographs and reproductions, presents the findings of a two-decade long study of several thousand pages of patent documents collected from the U.S. Patent Office. The essays in this volume offer readers tremendous insight into the creativity that characterized the evolution of bridge patents during this important and formative period of American engineering history. Of particular interest to the authors is the great variety of innovative and unusual designs that were accommodated by the then ambiguous patent law. Alongside these case studies, authors also address the Patent Office itself, whose processes regarding permissions were reformed in 1836, linking the evolution of patent law to the technology it managed.
Nick Axel
University of Minnesota Press, 2022
Examines how images of accumulation help open up the climate to political mobilization
The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.
The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.
Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London.
Paul Graham McHenry
University of Arizona Press, 1989
Paul Graham McHenry
University of Arizona Press, 1985

Sherree Owens Zalampas
University of Wisconsin Press, 1990
Pier Luigi Nervi; Edited by Cristiana Chiorino, Elisabetta Margiotta Nervi, and Thomas Leslie
University of Illinois Press, 2018
Aesthetics and Technology in Building: The Twenty-First-Century Edition introduces Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes.
This new edition features dozens of added images, a new introduction, and essays by Joseph Abram, Roberto Einaudi, Alberto Bologna, Gabriele Neri, and Hans-Christian Schink on Nervi's life, work, and legacy.
Álvaro Sevilla-Buitrago
University of Minnesota Press, 2022
An alternative history of capitalist urbanization through the lens of the commons
Characterized by shared, self-managed access to food, housing, and the basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons provides a radical counterhistory of urban planning that explores how capitalism and spatial politics have evolved to address this challenge.
Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. The book combines detailed archival research with provocative critical theory to illuminate past and ongoing struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries.
Against the Commons underscores the ways urbanization shapes the social fabric of places and territories, lending particular awareness to the impact of planning and design initiatives on working-class communities and popular strata. Projecting history into the future, it outlines an alternative vision for a postcapitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.
David Morton
Ohio University Press, 2019
Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious.
Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being.
Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.
Edited by Elliot A. Knight
University of Alabama Press, 2019
A visually rich survey of two hundred years of Alabama fine arts and artists
Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.
Published to coincide with the state’s bicentennial, Alabama Creates: 200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.
This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works. Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.
Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.
John P. Richardson
Ohio University Press, 2016
With Alexander Robey Shepherd, John P. Richardson gives us the first full-length biography of his subject, who as Washington, D.C.’s, public works czar (1871–74) built the infrastructure of the nation’s capital in a few frenetic years after the Civil War. The story of Shepherd is also the story of his hometown after that cataclysm, which left the city with churned-up streets, stripped of its trees, and exhausted.
An intrepid businessman, Shepherd became president of Washington’s lower house of delegates at twenty-seven. Garrulous and politically astute, he used every lever to persuade Congress to realize Peter L’Enfant’s vision for the capital. His tenure produced paved and graded streets, sewer systems, trees, and gaslights, and transformed the fetid Washington Canal into one of the city’s most stately avenues. After bankrupting the city, a chastened Shepherd left in 1880 to develop silver mines in western Mexico, where he lived out his remaining twenty-two years.
In Washington, Shepherd worked at the confluence of race, party, region, and urban development, in a microcosm of the United States. Determined to succeed at all costs, he helped force Congress to accept its responsibility for maintenance of its stepchild, the nation’s capital city.
Nora Wendl
University of Illinois Press, 2025
Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith Farnsworth House and its two central figures. An eminent physician and woman of letters, Farnsworth left a rich trove of correspondence, memoirs, and photographs that Wendl uses to reconstruct her voice. Farnsworth’s memories and experiences alternate with Wendl’s thoughts on topics like misogyny and professional ambition to fashion a lyrical examination of love, loneliness, beauty, and the search for the divine.
Eloquent and confessional, Almost Nothing restores Edith Farnsworth to her place in architectural history and the masterpiece that bears her name.
Lane F. Fargher
University Press of Colorado, 2016
Kenneth Hafertepe
University of Massachusetts Press, 2007
By Roxanne Kuter Williamson
University of Texas Press, 1991
Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated.
In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn.
Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts.
American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.
Henry-Russell Hitchcock
University of Minnesota Press, 1942
Catherine R. Osborne
University of Chicago Press, 2018
David Freeland
Rutgers University Press, 2021
Rebecca Tinio McKenna
University of Chicago Press, 2017
Donald R. Kennon
Ohio University Press, 2002
Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth.
American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century.
The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history—at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.
Ann Marie Borys
University of Massachusetts Press, 2021
Charlie Qiuli Xue and Arwen Yingting Chen
Hong Kong University Press, 2026
How shopping malls transformed China’s urban landscapes and the consumer patterns of their residents.
China’s remarkable journey from poverty to becoming the world’s second-largest economic power is marked by extraordinary urban growth and the booming consumption capacity of urban populations. Central to this development are multifunctional commercial complexes and shopping malls, which are now key features of modern urban districts. Shopping malls, originally introduced to China by American architects in the 1980s, have since flourished on an even larger scale than their American counterparts.
This book delves into the origins of shopping mall development in the United States after World War II, tracing how American architects exported this building type into China’s rapidly evolving urban landscapes, particularly in Beijing, Shanghai, Chengdu, Kunming, and Guangzhou. Using primary sources, statistical analyses, and illustrated case studies, American-Designed Shopping Malls in China explores the evolution of shopping malls as a consequence of China’s profound economic, social, and cultural change over the past four decades. The book also highlights the impact of American consumerism on the everyday lives of Chinese people, altering not only consumer patterns but also local architectural practices. This tale of transformation is essential reading for anyone interested in China’s rapid urban development.
Daniel Bertrand Monk
Duke University Press, 2002
Maria Salaru
University College London, 2025
Martha Bradley Evans
University of Utah Press, 2020

Arnold Lewis
University of Illinois Press, 1997
Incoronata Inserra
University of Illinois Press, 2017

Maciej Stasiowski
Intellect Books, 2022