855 books match the query 'Architecture' and 111 start with a

cover of A Brave and Lovely Woman: Mamah Borthwick and Frank Lloyd Wright

A Brave and Lovely Woman

Mamah Borthwick and Frank Lloyd Wright

Mark Borthwick

University of Wisconsin Press, 2025

Mamah Borthwick was an energetic, intelligent, and charismatic woman who earned a master’s degree at a time when few women even attended college, translated writings by a key figure of the early feminist movement, and taught at one of Germany’s best schools for boys. She is best known, however, as the mistress of the famous American architect Frank Lloyd Wright, and for her shocking murder at the renowned Wisconsin home he built for her, Taliesin. A Brave and Lovely Woman offers an important corrective to the narrative of Wright and Borthwick, a love story as American in character as it is Shakespearean in conclusion. 

Little of Wright’s life and work has been left untouched by his many admirers, critics, and biographers. And yet the woman who stood at the center of his emotional life, Mamah Borthwick, has fallen into near obscurity. Mark Borthwick—a distant relative—recenters Mamah Borthwick in her own life, presenting a detailed portrait of a fascinating woman, a complicated figure who was at once a dedicated mother and a faithless spouse, a feminist and a member of a conservative sorority, a vivacious extrovert and a social pariah. Careful research and engaging prose at last give Borthwick, an obscure but crucial character in one of America’s most famous tragedies, center stage.
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cover of A Building History of Northern New England

A Building History of Northern New England

James L. Garvin

University Press of New England, 2002

This is a book about understanding old buildings. In an era in which much of the US landscape has been littered by unimaginative, prefabricated structures, James L. Garvin tells owners and would-be owners of old buildings in Maine, New Hampshire, and Vermont what they need to know before they begin the restoration process. In wonderfully lucid prose, Garvin describes the production of the materials from which the buildings of northern New England were built, outlines the stylistic evolution of the region's structures from the early 1700s to World War II, and offers guidelines for dating old buildings. Focusing on domestic architecture, but including examples of public, commercial, religious, and industrial buildings, he offers custodians of buildings an understanding of the technologies embodied in these structures, answers questions about stylistic changes, and allows the architecture of northern New England to be understood for the first time with a technical depth that is already available for buildings in better-studied parts of the US. Written for both homeowners and those responsible for public and museum structures, this volume provides an understanding of the region's building history even as it specifically answers questions that most often perplex architects and preservationists. By offering all custodians of northern New England buildings a richer understanding of architectural style and structure, the book encourages the use of appropriate methods and materials in building conservation and rehabilitation. Generously illustrated throughout, the book is also an essential resource for anyone who is interested in American and New England architecture and the building trades, and for anyone who has ever wondered about the secrets and stories of old buildings.
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cover of A City for Children: Women, Architecture, and the Charitable Landscapes of Oakland, 1850-1950

A City for Children

Women, Architecture, and the Charitable Landscapes of Oakland, 1850-1950

Marta Gutman

University of Chicago Press, 2014

American cities are constantly being built and rebuilt, resulting in ever-changing skylines and neighborhoods. While the dynamic urban landscapes of New York, Boston, and Chicago have been widely studied, there is much to be gleaned from west coast cities, especially in California, where the migration boom at the end of the nineteenth century permanently changed the urban fabric of these newly diverse, plural metropolises.

In A City for Children, Marta Gutman focuses on the use and adaptive reuse of everyday buildings in Oakland, California, to make the city a better place for children. She introduces us to the women who were determined to mitigate the burdens placed on working-class families by an indifferent industrial capitalist economy. Often without the financial means to build from scratch, women did not tend to conceive of urban land as a blank slate to be wiped clean for development. Instead, Gutman shows how, over and over, women turned private houses in Oakland into orphanages, kindergartens, settlement houses, and day care centers, and in the process built the charitable landscape—a network of places that was critical for the betterment of children, families, and public life.  The industrial landscape of Oakland, riddled with the effects of social inequalities and racial prejudices, is not a neutral backdrop in Gutman’s story but an active player. Spanning one hundred years of history, A City for Children provides a compelling model for building urban institutions and demonstrates that children, women, charity, and incremental construction, renovations, alterations, additions, and repurposed structures are central to the understanding of modern cities.
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cover of A Fortified Sea: The Defense of the Caribbean in the Eighteenth Century

A Fortified Sea

The Defense of the Caribbean in the Eighteenth Century

Edited by Pedro Luengo and Gene Allen Smith

University of Alabama Press, 2024

WINNER OF THE SOCIETY FOR MILITARY HISTORY'S 2025 DISTINGUISHED BOOK AWARD

A multinational, interdisciplinary study illuminating how fortifications reshaped the Caribbean as a contested imperial borderland in the eighteenth century.

A Fortified Sea illuminates the key role of military forts in the greater Caribbean during the long eighteenth century. The historical Caribbean, with its multiple contested boundaries at the periphery of European western expansion, typically has been analyzed as part of an empire. European powers, including Spain, the Netherlands, England, and Denmark, carved up the Caribbean Sea into a cultural patchwork. These varied cultural contexts were especially evident during regional and national conflicts throughout the eighteenth century and prompted the construction of more fortifications to protect imperial interests. The emergence of Anglo-American colonies during the eighteenth century and later the United States gradually altered previous geopolitical balances, redefining the cultural and geopolitical boundaries of the region.

This collection of essays incorporates several historiographical traditions—from Spanish to American—all portraying the borderland as a breakthrough contested cultural, social, economic, and military boundary. A multinational roster of contributors approaches topics through a war studies lens as well as architecturally and historically, enriching a usually monothematic view. As well, discussion of cultural management of the historical remains of forts shows local communities trying to preserve and interpret the role of forts in society.

Part I defines the training of military engineers in Spain. Part II engages with British defensive military plans and settlements in the Caribbean and shows how the British dealt with the rhetorical image of the empire. Part III clarifies the building processes of fortifications in Santiago de Cuba, Cartagena de Indias, Havana, and Veracruz, among other places. Copious period maps complement the prodigious research. The book will appeal to readers interested in the history of the Caribbean, military history, and European imperial expansion.
 

CONTRIBUTORS
Mónica Cejudo Collera / Pedro Cruz Freire / María Mercedes Fernández Martín / Aaron Graham / Manuel Gámez Casado / Francisco Javier Herrera García / Nuria Hinarejos Martín / Pedro Luengo / Ignacio J. López-Hernández / José Miguel Morales Folguera / Alfredo J. Morales / Juan Miguel Muñoz Corbalán / Jesús Maria Ruiz Carrasco / Germán Segura García / Gene Allen Smith / Christopher K. Waters

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cover of A Gift of Angels: The Art of Mission San Xavier del Bac

A Gift of Angels

The Art of Mission San Xavier del Bac

Bernard L. Fontana; photographs by Edward McCain

University of Arizona Press, 2010

It rises suddenly out of the Sonoran Desert landscape, towering over the tallest tree or cactus, a commanding building with a sensuous dome, elliptical vaults, and sturdy bell towers. There is nothing else like it around, nor does it seem there should be. This incongruity of setting is what strikes first-time visitors to Mission San Xavier del Bac. This great church is of another place and another time, while its beauty is universal and timeless.

Mission San Xavier del Bac is a two-century-old Spanish church in southern Arizona located just a few miles from downtown Tucson, a metropolis of more than half a million people in the American Southwest. A National Historic Landmark since 1963, the mission’s graceful baroque art and architecture have drawn visitors from all over the world.

Now Bernard Fontana—the leading expert on San Xavier—and award-winning photographer Edward McCain team up to bring us a comprehensive view of the mission as we’ve never seen it before. With 200 stunning full-color photographs and incisive text illuminating the religious, historical, and motivational context of these images, A Gift of Angels is a must-have for tourists, scholars, and other visitors to San Xavier.

From its glorious architecture all the way down to the finest details of its art, Mission San Xavier del Bac is indeed a gift of angels.
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cover of A Guide to Oak Park's Frank Lloyd Wright and Prairie School Historic District

A Guide to Oak Park's Frank Lloyd Wright and Prairie School Historic District

Oak Park Historic Preservation Committee

University of Chicago Press, 2000

The Frank Lloyd Wright and Prairie School Historic District in suburban Oak Park, Illinois is home to a truly remarkable collection of late-nineteenth and early-twentieth-century residential architecture. Within this seventy-eight block district lies the world's greatest concentration of residences designed by Prairie School architects. It includes twenty-six Frank Lloyd Wright buildings, as well as more than sixty buildings designed by members of the Prairie School, all of which are documented in this new Guide.

Internationally famous as the birthplace of the Prairie style, Oak Park is less well-known for other historically significant types of well-preserved architecture, ranging from the simple farm houses of its early settlers to the grand estates of Chicago's industrial giants. In addition to their architectural merit, these structures provide an important context for understanding and appreciating the work of the Prairie School. The district as a whole encapsulates the major trends in residential American architecture of the late nineteenth and early twentieth century.

This guide to Oak Park's Frank Lloyd Wright and Prairie School Historic District includes five walking tours of this architecturally fascinating area. It features one hundred eighteen structures, an illustrated guide to architectural styles, architects' biographies, and detailed maps. With well over a hundred splendid black and white photographs, this elegantly produced guide is an indispensable reference for tourists, students, and aficionados world-wide. 

A Guide to Oak Park's Frank Lloyd Wright and Prairie School Historic District was produced by the Oak Park Historic Preservation Committee.
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cover of A Guide to Tucson Architecture

A Guide to Tucson Architecture

Anne M. Nequette

University of Arizona Press, 2002

Tucson is a city rich in architectural heritage spanning three cultures, with a history of human settlement that makes it one of the oldest continually inhabited cities in the United States. Hispanic barrios, American architectural forms, and remnants of a prehistoric Native American past give Tucson a unique and eclectic identity unlike any other city. This book is a comprehensive, richly illustrated guide to Tucson's significant historic and contemporary architectural resources—not only buildings, but ruins, open spaces, landscapes, and other elements that define the city’s built environment. It captures all facets of Tucson’s architecture, from one-of-a-kind homes on Main Avenue and historic downtown buildings to destination resorts in the Catalina Foothills and other modern structures. In this book readers will find:
- walking and driving tours of fourteen areas, complete with maps, beginning with central neighborhoods such as Barrio Historico and Armory Park and moving on to the rapidly expanding outlying areas
- annotated descriptions of individual structures—residences, schools, churches, government buildings, offices, commercial establishments, and others—enhanced by more than 120 photographs
- profiles of prominent Tucson architects, including Henry Trost, Josias Joesler, and Judith Chafee
- a guide to architectural styles found in Tucson—with examples—and a glossary of terms. A Guide to Tucson Architecture is the only book to offer such an extensive guided tour of one of America's favorite destination cities, capturing both its historic character and its dynamic growth. Through it, readers will appreciate the holistic balance of influences that has created Tucson's unique architectural expression and that defines its modern identity.
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cover of A Historical Guidebook to Old Columbus: Finding the Past in the Present in Ohio’s Capital City

A Historical Guidebook to Old Columbus

Finding the Past in the Present in Ohio’s Capital City

Bob Hunter

Ohio University Press, 2012

Ever look at a modern skyscraper or a vacant lot and wonder what was there before? Or maybe you have passed an old house and been curious about who lived there long ago. This richly illustrated new book celebrates Columbus, Ohio’s, two-hundred-year history and supplies intriguing stories about the city’s buildings and celebrated citizens, stopping at individual addresses, street corners, parks, and riverbanks where history was made. As Columbus celebrates its bicentennial in 2012, a guide to local history is very relevant.

Like Columbus itself, the city’s history is underrated. Some events are of national importance; no one would deny that Abraham Lincoln’s funeral procession down High Street was a historical highlight. But the authors have also included a wealth of social and entertainment history from Columbus’s colorful history as state capital and destination for musicians, artists, and sports teams.

The book is divided into seventeen chapters, each representing a section of the city, including Statehouse Square, German Village, and Franklinton, the city’s original settlement in 1797. Each chapter opens with an entertaining story that precedes the site listings. Sites are clearly numbered on maps in each section to make it easy for readers to visit the places that pique their interest. Many rare and historic photos are reproduced along with stunning contemporary images that offer insight into the ways Columbus has changed over the years.

A Historical Guidebook to Old Columbus invites Columbus’s families to rediscover their city with a treasure trove of stories from its past and suggests to visitors and new residents many interesting places that they might not otherwise find. This new book is certain to amuse and inform for years to come.

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cover of A History of the Crusades, Volume IV: The Art and Architecture of the Crusader States

A History of the Crusades, Volume IV

The Art and Architecture of the Crusader States

Series Edited by Kenneth M. Setton, Volume Edited by Harry W. Hazard

University of Wisconsin Press, 1977

The six volumes of A History of the Crusades will stand as the definitive history of the Crusades, spanning five centuries, encompassing Jewish, Moslem, and Christian perspectives, and containing a wealth of information and analysis of the history, politics, economics, and culture of the medieval world.
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cover of A Joint Enterprise: Indian Elites and the Making of British Bombay

A Joint Enterprise

Indian Elites and the Making of British Bombay

Preeti Chopra

University of Minnesota Press, 2010

It was the era of the Raj, and yet A Joint Enterprise reveals the unexpected role of native communities in the transformation of the urban fabric of British Bombay from 1854 to 1918. Preeti Chopra demonstrates how British Bombay was, surprisingly, a collaboration of the colonial government and the Indian and European mercantile and industrial elite who shaped the city to serve their combined interests.

Chopra shows how the European and Indian engineers, architects, and artists worked with each other to design a city—its infrastructure, architecture, public sculpture—that was literally constructed by Indian laborers and craftsmen. Beyond the built environment, Indian philanthropists entered into partnerships with the colonial regime to found and finance institutions for the general public. Too often thought to be the product of the singular vision of a founding colonial regime, British Bombay is revealed by Chopra as an expression of native traditions meshing in complex ways with European ideas of urban planning and progress.

The result, she argues, was the creation of a new shared landscape for Bombay’s citizens that ensured that neither the colonial government nor the native elite could entirely control the city’s future.
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cover of A Landmark Through Time: On Classifying Greek Art and Architecture

A Landmark Through Time

On Classifying Greek Art and Architecture

Milette Gaifman

University of Chicago Press, 0

What representations of a monument across centuries can tell us about how we engage with, study, and understand the past.

In a square in the heart of Athens, a cylindrical structure rests on a platform made up of large stone blocks. Semi-columns encircle it, and a slanted roof sits on top, with a plantlike feature at its highest point. Focusing on this well-documented remnant of classical Greece, the so-called Choregic Monument of Lysikrates, Milette Gaifman considers the history of engagement with this ancient landmark, looking at how names, scholarly classifications, and illustrations have shaped our understanding of it from the fourth century BCE to the modern era. 

Studying the landmark’s representation through centuries of scholarship and illustrations, she examines how modes of engagement with the past often impose their own baggage, interpretive forces, and inaccuracies. By being aware of their histories, advantages, and limitations, Gaifman argues that we should treat them as helpful tools and flexible guidelines rather than as strict or unmoving criteria. A Landmark Through Time reveals how adapting and expanding traditional frameworks of classification and technologies can open fresh vantage points for appreciating the complexity and ingenuity of ancient Greek art and architecture.

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cover of A Living Exhibition: The Smithsonian and the Transformation of the Universal Museum

A Living Exhibition

The Smithsonian and the Transformation of the Universal Museum

William S. Walker

University of Massachusetts Press, 2013

Since its founding in 1846 “for the increase and diffusion of knowledge,” the Smithsonian Institution has been an important feature of the American cultural landscape. In A Living Exhibition, William S. Walker examines the tangled history of cultural exhibition at the Smithsonian from its early years to the chartering of the National Museum of the American Indian in 1989. He tracks the transformation of the institution from its original ideal as a “universal museum” intended to present the totality of human experience to the variegated museum and research complex of today.

Walker pays particular attention to the half century following World War II, when the Smithsonian significantly expanded. Focusing on its exhibitions of cultural history, cultural anthropology, and folk life, he places the Smithsonian within the larger context of Cold War America and the social movements of the 1960s, '70s, and '80s. Organized chronologically, the book uses the lens of the Smithsonian's changing exhibitions to show how institutional decisions become intertwined with broader public debates about pluralism, multiculturalism, and decolonization. 

Yet if a trend toward more culturally specific museums and exhibitions characterized the postwar history of the institution, its leaders and curators did not abandon the vision of the universal museum. Instead, Walker shows, even as the Smithsonian evolved into an extensive complex of museums, galleries, and research centers, it continued to negotiate the imperatives of cultural convergence as well as divergence, embodying both a desire to put everything together and a need to take it all apart.

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cover of A Mansion's Memories

A Mansion's Memories

Mary Chapman Mathews

University of Alabama Press, 2006

An engaging history of The University of Alabama President’s Mansion

As part of The University of Alabama’s 175th anniversary celebration (2006), the new edition of A Mansion’s Memories includes details of the tenures of the four presidents who have served since the Mathews term. Profusely illustrated with 69 black-and-white and 17 color photographs, this classic is sure to be welcomed anew by alumni and friends of the University and all lovers of fine old buildings that still function in their original capacities.

 

 

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cover of A Modest Homestead: Life in Small Adobe Homes in Salt Lake City, 1850-1897

A Modest Homestead

Life in Small Adobe Homes in Salt Lake City, 1850-1897

Laurie J. Bryant

University of Utah Press, 2016

Copublished with the Utah State Historical Society. Affiliated with the Utah Division of State History, Utah Department of Heritage & Arts.

Stories of the ordinary people who helped build Salt Lake City emerge from a study of their often humble adobe houses. Rather than focusing on men and women in positions of power and influence, the emphasis here is on the lives of people who built their sturdy, simple homes from mud.
     A Modest Homestead provides architectural descriptions of ninety-four extant adobe houses. These homes are for the most part unremarkable, except for their perhaps unexpected construction material. They are as basic as the people who built them—small tradesmen and farmers, laborers and domestics. Author Laurie Bryant discusses the neighborhoods in Salt Lake City where adobe houses have survived, often much renovated and disguised, and she showcases the houses not just as they appear today but as they were originally built. Almost all the houses now have additions and improvements, and without some dissection, they are not always recognizable. They now appear both comfortable and pleasant, which was not always the case in the nineteenth century. What emerges through closer examination and Bryant’s research is a fuller picture of the roughhewn life of many early Utahns. 

Finalist for the Utah State Historical Society Best Book Award.

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cover of A New World in the Making: Life and Architecture in Tropical Asia

A New World in the Making

Life and Architecture in Tropical Asia

Tay Kheng Soon

National University of Singapore Press, 2023

A memoir and collection of essays on architecture and urbanism from one of the most interesting figures in Singapore’s cultural landscape.

According to architect Tay Kheng Soon, the time has come to change and build a new world. The feeling has impelled him to write this book, bringing together memoir and writings on identity, landscape and belonging, and on architecture and urbanism. Born in British-ruled Singapore, Soon was deeply engaged in the debates about building a new world that attended the end of colonialism. His focus, but far from his only concern, was Singapore's built environment—and its spiritual one—since the early 1960s. A New World in the Making is a must-read reflection on tropical Asia, on architecture and urbanism, and on looking ahead to the always urgent task of building a new world.
 
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cover of A Passion to Preserve: Gay Men as Keepers of Culture

A Passion to Preserve

Gay Men as Keepers of Culture

Will Fellows

University of Wisconsin Press, 2005

From large cities to rural communities, gay men have long been impassioned pioneers as keepers of culture: rescuing and restoring decrepit buildings, revitalizing blighted neighborhoods, saving artifacts and documents of historical significance. A Passion to Preserve explores this authentic and complex dimension of gay men’s lives by profiling early and contemporary preservationists from throughout the United States, highlighting contributions to the larger culture that gays are exceptionally inclined to make.

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cover of A Setting For Excellence, Part II: The Story of the Planning and Development of the Ann Arbor Campus of the  University of Michigan

A Setting For Excellence, Part II

The Story of the Planning and Development of the Ann Arbor Campus of the University of Michigan

Frederick W. Mayer

University of Michigan Press, 2017

Campus planning is often a crucial underlying set of goals for university administrations, even if, over time, the mix of new and old buildings, changes in usage patterns and activities of students, and evolution of styles present challenges to a cohesive campus plan. In its two-hundred year history the University of Michigan has planned its campus in waves, from the earliest days of the iconic buildings around the Diag to the plans for the hospitals and the North Campus. This immensely informative and entertaining second volume in the history of the evolution of the campuses offers an absorbing narrative from the perspective of Fred Mayer, who served for more than three decades as the campus planner for the university during an important period of its growth during the late twentieth century.

By tracing the development of the Ann Arbor campus from its early days to the present, within the context of the evolution of higher education in America, Mayer provides a strong argument for the importance of rigorous and enlightened campus planning as a critical element of the learning environment of the university. His comprehensive history of campus planning, illustrated with photos, maps, and diagrams from Michigan’s history, is an outstanding contribution to the university’s history as it approaches its bicentennial.

 
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cover of A Setting For Excellence: The Story of the Planning and Development of the Ann Arbor Campus of the University of Michigan

A Setting For Excellence

The Story of the Planning and Development of the Ann Arbor Campus of the University of Michigan

Frederick W. Mayer

University of Michigan Press, 2015

While there are times when the mix of old and new buildings and the chaotic activities of thousands of students can give a haphazard appearance to the university, campus planning has in fact become a highly refined form of architecture. This is demonstrated in a convincing fashion by this immensely informative and entertaining history of the evolution of the campuses of the University of Michigan by Fred Mayer, who served for more than three decades as the campus planner for the university during an important period of its growth during the late twentieth century.

By tracing the development of the Michigan campus from its early days to the present, within the context of the evolution of higher education in America, Mayer provides a strong argument for the importance of rigorous and enlightened campus planning as a critical element of the learning environment of the university. His comprehensive history of campus planning, illustrated with photos, maps, and diagrams from Michigan’s history, is an outstanding contribution to the university’s history as it approaches its bicentennial in 2017. Perhaps more important, Mayer’s book provides a valuable treatise on the evolution of campus planning as an architectural discipline.

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cover of A Tale of Two Bridges: The San Francisco–Oakland Bay Bridges of 1936 and 2013

A Tale of Two Bridges

The San Francisco–Oakland Bay Bridges of 1936 and 2013

Stephen Mikesell

University of Nevada Press, 2017

A Tale of Two Bridges is a history of two versions of the San Francisco—Oakland Bay Bridge: the original bridge built in 1936 and a replacement for the eastern half of the bridge finished in 2013. The 1936 bridge revolutionized transportation in the Bay Area and profoundly influenced settlement patterns in the region. It was also a remarkable feat of engineering. In the 1950s the American Society of Civil Engineers adopted a list of the “Seven Engineering Wonders” of the United States. The 1936 structure was the only bridge on the list, besting even the more famous Golden Gate Bridge. One of its greatest achievements was that it was built on time (in less than three years) and came in under budget. Mikesell explores in fascinating detail how the bridge was designed by a collection of the best-known engineers in the country as well as the heroic story of its construction by largely unskilled laborers from California, joined by highly skilled steel workers.

By contrast, the East Span replacement, which was planned between 1989 and 1998, and built between 1998 and 2013, fell victim to cost overruns in the billions of dollars, was a decade behind schedule, and suffered from structural problems that has made it a perpetual maintenance nightmare.

This is narrative history in its purest form. Mikesell excels at explaining highly technical engineering issues in language that can be understood and appreciated by general readers. Here is the story of two very important bridges, which provides a fair but uncompromising analysis of why one bridge succeeded and the other did not.

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cover of A View of Venice: Portrait of a Renaissance City

A View of Venice

Portrait of a Renaissance City

Kristin Love Huffman, editor

Duke University Press, 2024

Jacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.

Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon
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cover of A Wise One, a Warrior

A Wise One, a Warrior

Meena Kandasamy

Diaphanes, 2025

A narrative of the early modern Indian sculpture known as the Mithuna couple.

Meena Kandasamy writes about the Mithuna couple, a seventeenth-century ivory sculpture from Tamil Nadu, India, depicting lovers. Kandasamy unfurls a multi-layered, multi-directional narrative built from images, questions, and contradictions evoked by the sculpture. “How can we look at this work and not talk about who produced it?” Kandasamy asks and then examines how caste and class are carved into the object as indelibly as its physical details. Such knowledge complicates easy associations of love that may be evoked by the couple. 

Refusing any impulse to idealize or exoticize, Kandasamy connects the carving to personal and political stories that expose painful realities of who gets to love whom, and how. She sets the intimate alongside the institutional to interrogate terms such as decolonize, restitution, and preservation. Through an astonishing stylistic mix, including Twitter, academic discourse, poetry, and memoir, she talks back, forward, and sideways with the object.
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cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Alice Sinkevitch and Laurie McGovern Petersen; Preface by Geoffrey Baer; Introduction by Perry Duis

University of Illinois Press, 2014

An unparalleled architectural powerhouse, Chicago offers visitors and natives alike a panorama of styles and forms. The third edition of the AIA Guide to Chicago brings readers up to date on ten years of dynamic changes with new entries on smaller projects as well as showcases like the Aqua building, Trump Tower, and Millennium Park.
 
Four hundred photos and thirty-four specially commissioned maps make it easy to find each of the one thousand-plus featured buildings, while a comprehensive index organizes buildings by name and architect. This edition also features an introduction providing an indispensable overview of Chicago's architectural history.
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cover of AIA Guide to Chicago

AIA Guide to Chicago

American Institute of Architects Chicago; Edited by Laurie McGovern Petersen

University of Illinois Press, 2022

Chicago’s architecture attracts visitors from around the globe. The fourth edition of the AIA Guide to Chicago is the best portable resource for exploring this most breathtaking and dynamic of cityscapes. The editors offer entries on new destinations like the Riverwalk, the St. Regis Chicago, and The 606 as well as updated descriptions of Willis Tower and other refreshed landmarks. Thirty-four maps and over 500 photos make it easy to find each of the almost 2000 featured sites. A special insert, new to this edition, showcases the variety of Chicago architecture with over 80 full-color images arranged chronologically. A comprehensive index organizes entries by name and architect.

Sumptuously detailed and user friendly, the AIA Guide to Chicago encourages travelers and residents alike to explore the many diverse neighborhoods of one of the world’s great architectural destinations.

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cover of AMERICAN BRIDGE PATENTS: "THE FIRST CENTURY, 1790-1890"

AMERICAN BRIDGE PATENTS

"THE FIRST CENTURY, 1790-1890"

EMORY L. KEMP

West Virginia University Press, 2005

American Bridge Patents: The First Century (1790-1890), thoroughly illustrated with dozens of photographs and reproductions, presents the findings of a two-decade long study of several thousand pages of patent documents collected from the U.S. Patent Office. The essays in this volume offer readers tremendous insight into the creativity that characterized the evolution of bridge patents during this important and formative period of American engineering history. Of particular interest to the authors is the great variety of innovative and unusual designs that were accommodated by the then ambiguous patent law. Alongside these case studies, authors also address the Patent Office itself, whose processes regarding permissions were reformed in 1836, linking the evolution of patent law to the technology it managed.

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cover of Accumulation: The Art, Architecture, and Media of Climate Change

Accumulation

The Art, Architecture, and Media of Climate Change

Nick Axel

University of Minnesota Press, 2022

Examines how images of accumulation help open up the climate to political mobilization

 

The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments.

The essays in Accumulation address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.

Contributors: Emily Apter, New York U; Hans Baumann; Amanda Boeztkes, U of Guelph; Dominic Boyer, Rice U; Lindsay Bremner, U of Westminster; Nerea Calvillo, U of Warwick; Beth Cullen, U of Westminster; T. J. Demos, U of California, Santa Cruz; Jeff Diamanti, U of Amsterdam; Jennifer Ferng, U of Sydney; Jennifer Gabrys, U of Cambridge; Ian Gray, U of California, Los Angeles; Gökçe Günel, Rice U; Orit Halpern, Concordia U; Gabrielle Hecht, Stanford U; Cymene Howe, Rice U; Wendy Hui Kyong Chun, Simon Fraser U; Robin Kelsey, Harvard U; Bruno Latour, Sciences Po, Paris; Hannah le Roux, U of the Witwatersrand, Johannesburg; Stephanie LeMenager, U of Oregon; Nashin Mahtani; Kiel Moe, McGill U; Karen Pinkus, Cornell U; Stephanie Wakefield, Life U; McKenzie Wark, The New School; Kathryn Yusoff, Queen Mary U of London. 

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cover of Adobe and Rammed Earth Buildings: Design and Construction

Adobe and Rammed Earth Buildings

Design and Construction

Paul Graham McHenry

University of Arizona Press, 1989

Earth is the oldest and most widely used building material in the world today. It's abundant, inexpensive, and energy-efficient. But if you're building with earth, simplicity of material needn't be an excuse for poor planning. Paul Graham McHenry, author of the best-selling Adobe - Build It Yourself, here provides the most complete, accurate, and factual source of technical information on building with earth. Lavishly illustrated with scores of photographs and drawings, Adobe and Rammed Earth Buildings spells out details of: - soil selection
- adobe brick manufacturing
- adobe brick wall construction
- rammed earth wall construction
- window and door detailing
- earth wall finishes
- foundations
- floor and roof structures
- insulation
- mechanical considerations. Whether you're designing a new building or renovating an existing structure, Adobe and Rammed Earth Buildings can show you how to achieve better results.
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cover of Adobe: Build It Yourself

Adobe

Build It Yourself

Paul Graham McHenry

University of Arizona Press, 1985

This book explores the depths of adobe and enables the reader to build their own home intelligently and realistically. With an emphasis on adobe construction, McHenry discusses the planning of every aspect of one's home from the financing to the foundation, the floors to the fireplaces. The prospective builder must be prepared for a long period of frustration, doubt, worry, and plain hard work, but the helpful ideas found on the pages of this book will encourage readers to build despite the challenges. McHenry describes this process as a tremendous puzzle, for which one must create and arrange all the pieces, and then live with the result.

McHenry begins with a brief history of adobe and then moves on to the planning of the home, emphasizing the influence of individual ideas. The intention of this book is to help bridge the gap between architects, builders, craftsmen, and the unskilled but determined individual who wants to build their own home. This book outlines the technical aspects of adobe construction with several pictures and figures to simplify production.

The creation of a home, from the earliest design concepts to successful completion, is one of the most rewarding experiences one can ever have. McHenry's Adobe offers a realistic and straightforward guide to "doing it yourself." His advice regarding adobe is useful for professionals and amateurs alike.
[more]
cover of Adolf Hitler: A Psychological Interpretation of His Views on Architecture, Art, and Music

Adolf Hitler

A Psychological Interpretation of His Views on Architecture, Art, and Music

Sherree Owens Zalampas

University of Wisconsin Press, 1990

Zalampas applies the psychological model of Alfred Adler to Adolf Hitler through the examination of his views on architecture, art, and music. This study was made possible by the publication of Billy F. Price’s volume of over seven hundred of Hitler’s watercolors, oils, and sketches.
[more]
cover of Aesthetics and Technology in Building: The Twenty-First-Century Edition

Aesthetics and Technology in Building

The Twenty-First-Century Edition

Pier Luigi Nervi; Edited by Cristiana Chiorino, Elisabetta Margiotta Nervi, and Thomas Leslie

University of Illinois Press, 2018

The UNESCO headquarters in Paris. The Pirelli skyscraper in Milan. The Palazetto dello Sport in Rome. The "soaring beauty" of Pier Luigi Nervi's visionary designs and buildings changed cityscapes in the twentieth century. His uncanny ingenuity with reinforced concrete, combined with a gift for practical problem solving, revolutionized the use of open internal space in structures like arenas and concert halls.

Aesthetics and Technology in Building: The Twenty-First-Century Edition introduces Nervi's ideas about architecture and engineering to a new generation of students and admirers. More than 200 photographs, details, drawings, and plans show how Nervi put his ideas into practice. Expanding on the seminal 1961 Norton Lectures at Harvard, Nervi analyzes various functional and construction problems. He also explains how precast and cast-in-place concrete can answer demands for economy, technical and functional soundness, and aesthetic perfection. Throughout, he uses his major projects to show how these now-iconic buildings emerged from structural truths and far-sighted construction processes.

This new edition features dozens of added images, a new introduction, and essays by Joseph Abram, Roberto Einaudi, Alberto Bologna, Gabriele Neri, and Hans-Christian Schink on Nervi's life, work, and legacy.

[more]
cover of Against the Commons: A Radical History of Urban Planning

Against the Commons

A Radical History of Urban Planning

Álvaro Sevilla-Buitrago

University of Minnesota Press, 2022

An alternative history of capitalist urbanization through the lens of the commons

Characterized by shared, self-managed access to food, housing, and the basic conditions for a creative life, the commons are essential for communities to flourish and protect spaces of collective autonomy from capitalist encroachment. In a narrative spanning more than three centuries, Against the Commons provides a radical counterhistory of urban planning that explores how capitalism and spatial politics have evolved to address this challenge.

Highlighting episodes from preindustrial England, New York City and Chicago between the 1850s and the early 1900s, Weimar-era Berlin, and neoliberal Milan, Álvaro Sevilla-Buitrago shows how capitalist urbanization has eroded the egalitarian, convivial life-worlds around the commons. The book combines detailed archival research with provocative critical theory to illuminate past and ongoing struggles over land, shared resources, public space, neighborhoods, creativity, and spatial imaginaries.

Against the Commons underscores the ways urbanization shapes the social fabric of places and territories, lending particular awareness to the impact of planning and design initiatives on working-class communities and popular strata. Projecting history into the future, it outlines an alternative vision for a postcapitalist urban planning, one in which the structure of collective spaces is ultimately defined by the people who inhabit them.

[more]
cover of Age of Concrete: Housing and the Shape of Aspiration in the Capital of Mozambique

Age of Concrete

Housing and the Shape of Aspiration in the Capital of Mozambique

David Morton

Ohio University Press, 2019

Age of Concrete is a history of the making of houses and homes in the subúrbios of Maputo (Lourenço Marques), Mozambique, from the late 1940s to the present. Often dismissed as undifferentiated, ahistorical “slums,” these neighborhoods are in fact an open-air archive that reveals some of people’s highest aspirations. At first people built in reeds. Then they built in wood and zinc panels. And finally, even when it was illegal, they risked building in concrete block, making permanent homes in a place where their presence was often excruciatingly precarious.

Unlike many histories of the built environment in African cities, Age of Concrete focuses on ordinary homebuilders and dwellers. David Morton thus models a different way of thinking about urban politics during the era of decolonization, when one of the central dramas was the construction of the urban stage itself. It shaped how people related not only to each other but also to the colonial state and later to the independent state as it stumbled into being.

Original, deeply researched, and beautifully composed, this book speaks in innovative ways to scholarship on urban history, colonialism and decolonization, and the postcolonial state. Replete with rare photographs and other materials from private collections, Age of Concrete establishes Morton as one of a handful of scholars breaking new ground on how we understand Africa’s cities.

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cover of Alabama Creates: 200 Years of Art and Artists

Alabama Creates

200 Years of Art and Artists

Edited by Elliot A. Knight

University of Alabama Press, 2019

A visually rich survey of two hundred years of Alabama fine arts and artists

Alabama artists have been an integral part of the story of the state, reflecting a wide-ranging and multihued sense of place through images of the land and its people. Quilts, pottery, visionary paintings, sculpture, photography, folk art, and abstract art have all contributed to diverse visions of Alabama’s culture and environment. The works of art included in this volume have all emerged from a distinctive milieu that has nourished the creation of powerful visual expressions, statements that are both universal and indigenous.

Published to coincide with the state’s bicentennial, Alabama Creates:  200 Years of Art and Artists features ninety-four of Alabama’s most accomplished, noteworthy, and influential practitioners of the fine arts from 1819 to the present. The book highlights a broad spectrum of artists who worked in the state, from its early days to its current and contemporary scene, exhibiting the full scope and breadth of Alabama art.

This retrospective volume features biographical sketches and representative examples of each artist’s most masterful works.  Alabamians like Gay Burke, William Christenberry, Roger Brown, Thornton Dial, Frank Fleming, the Gee’s Bend Quilters, Lonnie Holley, Dale Kennington, Charlie Lucas, Kerry James Marshall, David Parrish, and Bill Traylor are compared and considered with other nationally significant artists.

Alabama Creates is divided into four historical periods, each spanning roughly fifty years and introduced by editor Elliot A. Knight. Knight contextualizes each era with information about the development of Alabama art museums and institutions and the evolution of college and university art departments. The book also contains an overview of the state’s artistic heritage by Gail C. Andrews, director emerita of the Birmingham Museum of Art. Alabama Creates conveys in a sweeping and captivating way the depth of talent, the range of creativity, and the lasting contributions these artists have made to Alabama’s extraordinarily rich visual and artistic heritage.

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cover of Alexander Robey Shepherd: The Man Who Built the Nation’s Capital

Alexander Robey Shepherd

The Man Who Built the Nation’s Capital

John P. Richardson

Ohio University Press, 2016

With Alexander Robey Shepherd, John P. Richardson gives us the first full-length biography of his subject, who as Washington, D.C.’s, public works czar (1871–74) built the infrastructure of the nation’s capital in a few frenetic years after the Civil War. The story of Shepherd is also the story of his hometown after that cataclysm, which left the city with churned-up streets, stripped of its trees, and exhausted.

An intrepid businessman, Shepherd became president of Washington’s lower house of delegates at twenty-seven. Garrulous and politically astute, he used every lever to persuade Congress to realize Peter L’Enfant’s vision for the capital. His tenure produced paved and graded streets, sewer systems, trees, and gaslights, and transformed the fetid Washington Canal into one of the city’s most stately avenues. After bankrupting the city, a chastened Shepherd left in 1880 to develop silver mines in western Mexico, where he lived out his remaining twenty-two years.

In Washington, Shepherd worked at the confluence of race, party, region, and urban development, in a microcosm of the United States. Determined to succeed at all costs, he helped force Congress to accept its responsibility for maintenance of its stepchild, the nation’s capital city.

[more]
cover of Almost Nothing: Reclaiming Edith Farnsworth

Almost Nothing

Reclaiming Edith Farnsworth

Nora Wendl

University of Illinois Press, 2025

The iconic Edith Farnsworth House is a singular glass home designed by Mies van der Rohe. But the oft-told history of the house overwrites Farnsworth’s role as Mies’s collaborator and antagonist while falsely portraying her as the architect’s angry ex-lover.

Nora Wendl’s audacious work of creative nonfiction explodes the sex-and-real-estate myth surrounding the Edith Farnsworth House and its two central figures. An eminent physician and woman of letters, Farnsworth left a rich trove of correspondence, memoirs, and photographs that Wendl uses to reconstruct her voice. Farnsworth’s memories and experiences alternate with Wendl’s thoughts on topics like misogyny and professional ambition to fashion a lyrical examination of love, loneliness, beauty, and the search for the divine.

Eloquent and confessional, Almost Nothing restores Edith Farnsworth to her place in architectural history and the masterpiece that bears her name.

[more]
cover of Alternative Pathways to Complexity: A Collection of Essays on Architecture, Economics, Power, and Cross-Cultural Analysis

Alternative Pathways to Complexity

A Collection of Essays on Architecture, Economics, Power, and Cross-Cultural Analysis

Lane F. Fargher

University Press of Colorado, 2016

Alternative Pathways to Complexity focuses on the themes of architecture, economics, and power in the evolution of complex societies. Case studies from Mesoamerica, Asia, Africa, and Europe examine the relationship between political structures and economic configurations of ancient chiefdoms and states through a framework of comparative archaeology.
 
A group of highly distinguished scholars takes up important issues, theories, and methods stemming from the nascent body of research on comparative archaeology to showcase and apply important theories of households, power, and how the development of complex societies can be extended and refined. Drawing on the archaeological, ethnohistorical, and ethnographic records, the chapters in this volume contain critical investigations on the role of collective action, economics, and corporate cognitive codes in structuring complex societies.
 
Alternative Pathways to Complexity is an important addition to theoretical development and empirical research on Mesoamerica, the Old World, and cross-cultural studies. The theoretical implications addressed in the chapters will have broad appeal for scholars grappling with alternative pathways to complexity in other regions as well as those addressing diverse cross-cultural research.
 
Contributors: Sarah B. Barber, Cynthia L. Bedell, Christopher S. Beekman, Frances F. Berdan, Tim Earle, Carol R. Ember, Gary M. Feinman, Arthur A. Joyce, Stephen A. Kowalewski, Lisa J. LeCount, Linda M. Nicholas, Peter N. Peregrine, Peter Robertshaw, Barbara L. Stark, T. L. Thurston, Deborah Winslow, Rita Wright
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cover of American Architects and Their Books, 1840-1915

American Architects and Their Books, 1840-1915

Kenneth Hafertepe

University of Massachusetts Press, 2007

Since the Renaissance, architects have been authors and architecture has been the subject of publications. Architectural forms and theories are spread not just by buildings, but by the distribution of images and descriptions fed through the printing press. The study of an architect's library is an essential avenue to understanding that architect's intentions and judging his or her achievements.

In this well-illustrated volume, a chronological sequel to American Architects and Their Books to 1848, twelve distinguished historians of architecture discuss from various points of view the books that inspired architects both famous and not-so-famous, and the books the architects themselves produced. They examine the multifaceted relationship of nineteenth- and early twentieth-century architects to print culture—the literary works that architects collected, used, argued over, wrote, illustrated, designed, printed, were inspired by, cribbed from, educated clients with, advertised their services through, designed libraries for, or just plain enjoyed. The result is a volume that presents the intersection of the history of architecture, the history of ideas, and the history of the book. Changes in print culture during this period had a significant impact on the architectural profession, as revealed in these well-informed scholarly essays.

In addition to the editors, contributors include Jhennifer A. Amundson, Edward R. Bosley, Ted Cavanagh, Elspeth Cowell, Elaine Harrington, Michael J. Lewis, Anne E. Mallek, Daniel D. Reiff, Earle G. Shettleworth, Jr., and Chris Szczesny-Adams. Among the architects discussed are A. J. Downing, Charles Sumner Greene, James Sims, Samuel Sloan, John Calvin Stevens, Thomas U. Walter, and Frank Lloyd Wright.
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cover of American Architects and the Mechanics of Fame

American Architects and the Mechanics of Fame

By Roxanne Kuter Williamson

University of Texas Press, 1991

Why does one talented individual win lasting recognition in a particular field, while another equally talented person does not? While there are many possible reasons, one obvious answer is that something more than talent is requisite to produce fame. The "something more" in the field of architecture, asserts Roxanne Williamson, is the association with a "famous" architect at the moment he or she first receives major publicity or designs the building for which he or she will eventually be celebrated.

In this study of more than six hundred American architects who have achieved a place in architectural histories, Williamson finds that only a small minority do not fit the "right person–right time" pattern. She traces the apprenticeship connection in case studies of Louis Sullivan, Frank Lloyd Wright, Henry Hobson Richardson, the firm of McKim, Mead & White, Latrobe and his descendants, the Bulfinch and Renwick Lines, the European immigrant masters, and Louis Kahn.

Although she acknowledges and discusses the importance of family connections, the right schools, self-promotion, scholarships, design competition awards, and promotion by important journals, Williamson maintains that the apprenticeship connection is the single most important predictor of architectural fame. She offers the intriguing hypothesis that what is transferred in the relationship is not a particular style or approach but rather the courage and self-confidence to be true to one's own vision. Perhaps, she says, this is the case in all the arts.

American Architects and the Mechanics of Fame is sure to provoke thought and comment in architecture and other creative fields.

[more]
cover of American Architectural Books: A List of Books, Portfolios, and Pamphlets on Architecture and Related Subjects Published in American Before 1895

American Architectural Books

A List of Books, Portfolios, and Pamphlets on Architecture and Related Subjects Published in American Before 1895

Henry-Russell Hitchcock

University of Minnesota Press, 1942

[more]
cover of American Catholics and the Church of Tomorrow: Building Churches for the Future, 1925–1975

American Catholics and the Church of Tomorrow

Building Churches for the Future, 1925–1975

Catherine R. Osborne

University of Chicago Press, 2018

In the mid-twentieth century, American Catholic churches began to shed the ubiquitous spires, stained glass, and gargoyles of their European forebears, turning instead toward startling and more angular structures of steel, plate glass, and concrete.  But how did an institution like the Catholic Church, so often seen as steeped in inflexible traditions, come to welcome this modernist trend?  
 
Catherine R. Osborne’s innovative new book finds the answer: the alignment between postwar advancements in technology and design and evolutionary thought within the burgeoning American Catholic community.  A new, visibly contemporary approach to design, church leaders thought, could lead to the rebirth of the church community of the future. As Osborne explains, the engineering breakthroughs that made modernist churches feasible themselves raised questions that were, for many Catholics, fundamentally theological. Couldn’t technological improvements engender worship spaces that better reflected God's presence in the contemporary world? Detailing the social, architectural, and theological movements that made modern churches possible, American Catholics and the Churches of Tomorrow breaks important new ground in the history of American Catholicism, and also presents new lines of thought for scholars attracted to modern architectural and urban history.
[more]
cover of American Hotel: The Waldorf-Astoria and the Making of a Century

American Hotel

The Waldorf-Astoria and the Making of a Century

David Freeland

Rutgers University Press, 2021

Completed in 1931, New York’s Waldorf-Astoria towers over Park Avenue as an international landmark and a masterpiece of Art Deco architecture. A symbol of elegance and luxury, the hotel has hosted countless movie stars, business tycoons, and world leaders over the past ninety years.
 
American Hotel takes us behind the glittering image to reveal the full extent of the Waldorf’s contribution toward shaping twentieth-century life and culture. Historian David Freeland examines the Waldorf from the opening of its first location in 1893 through its rise to a place of influence on the local, national, and international stage. Along the way, he explores how the hotel’s mission to provide hospitality to a diverse range of guests was put to the test by events such as Prohibition, the anticommunist Red Scare, and civil rights struggles. 
 
Alongside famous guests like Frank Sinatra, Martin Luther King, Richard Nixon, and Eleanor Roosevelt, readers will meet the lesser-known men and women who made the Waldorf a leader in the hotel industry and a key setting for international events. American Hotel chronicles how institutions such as the Waldorf-Astoria played an essential role in New York’s growth as a world capital.
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cover of American Imperial Pastoral: The Architecture of US Colonialism in the Philippines

American Imperial Pastoral

The Architecture of US Colonialism in the Philippines

Rebecca Tinio McKenna

University of Chicago Press, 2017

In 1904, renowned architect Daniel Burnham, the Progressive Era urban planner who famously “Made No Little Plans,” set off for the Philippines, the new US colonial acquisition. Charged with designing environments for the occupation government, Burnham set out to convey the ambitions and the dominance of the regime, drawing on neo-classical formalism for the Pacific colony. The spaces he created, most notably in the summer capital of Baguio, gave physical form to American rule and its contradictions.

In American Imperial Pastoral, Rebecca Tinio McKenna examines the design, construction, and use of Baguio, making visible the physical shape, labor, and sustaining practices of the US’s new empire—especially the dispossessions that underwrote market expansion. In the process, she demonstrates how colonialists conducted market-making through state-building and vice-versa. Where much has been made of the racial dynamics of US colonialism in the region, McKenna emphasizes capitalist practices and design ideals—giving us a fresh and nuanced understanding of the American occupation of the Philippines.
[more]
cover of American Pantheon: Sculptural and Artistic Decoration of the United States Capitol

American Pantheon

Sculptural and Artistic Decoration of the United States Capitol

Donald R. Kennon

Ohio University Press, 2002

Like the ancient Roman Pantheon, the U.S. Capitol was designed by its political and aesthetic arbiters to memorialize the virtues, events, and persons most representative of the nation's ideals—an attempt to raise a particular version of the nation's founding to the level of myth.

American Pantheon examines the influences upon not only those virtues and persons selected for inclusion in the American pantheon, but also those excluded. Two chapters address the exclusion of slavery and African Americans from the art in the Capitol, a silence made all the more deafening by the major contributions of slaves and free black workers to the construction of the building. Two other authors consider the subject of women emerging as artists, subjects, patrons, and proponents of art in the Capitol, a development that began to emerge only in the second half of the nineteenth century.

The Rotunda, the Capitol's principal ceremonial space, was designed in part as an art museum of American history—at least the authorized version of it. It is explored in several of the essays, including discussions of the influence of the early-nineteenth-century Italian sculptors who provided the first sculptural reliefs for the room and the contributions of the mid-nineteenth-century Italian American artist Constantino Brumidi, to the mix of allegory, mythology, and history that permeates the space and indeed the Capitol itself.

[more]
cover of American Unitarian Churches: Architecture of a Democratic Religion

American Unitarian Churches

Architecture of a Democratic Religion

Ann Marie Borys

University of Massachusetts Press, 2021

The Unitarian religious tradition was a product of the same eighteenth-century democratic ideals that fueled the American Revolution and informed the founding of the United States. Its liberal humanistic principles influenced institutions such as Harvard University and philosophical movements like Transcendentalism. Yet, its role in the history of American architecture is little known and studied.

In American Unitarian Churches, Ann Marie Borys argues that the progressive values and identity of the Unitarian religion are intimately intertwined with ideals of American democracy and visibly expressed in the architecture of its churches. Over time, church architecture has continued to evolve in response to developments within the faith, and many contemporary projects are built to serve religious, practical, and civic functions simultaneously. Focusing primarily on churches of the nineteenth and twentieth centuries, including Frank Lloyd Wright's Unity Temple and Louis Kahn's First Unitarian Church, Borys explores building histories, biographies of leaders, and broader sociohistorical contexts. As this essential study makes clear, to examine Unitarianism through its churches is to see American architecture anew, and to find an authentic architectural expression of American democratic identity.
[more]
cover of American-Designed Shopping Malls in China

American-Designed Shopping Malls in China

Charlie Qiuli Xue and Arwen Yingting Chen

Hong Kong University Press, 2026

How shopping malls transformed China’s urban landscapes and the consumer patterns of their residents.

China’s remarkable journey from poverty to becoming the world’s second-largest economic power is marked by extraordinary urban growth and the booming consumption capacity of urban populations. Central to this development are multifunctional commercial complexes and shopping malls, which are now key features of modern urban districts. Shopping malls, originally introduced to China by American architects in the 1980s, have since flourished on an even larger scale than their American counterparts.

This book delves into the origins of shopping mall development in the United States after World War II, tracing how American architects exported this building type into China’s rapidly evolving urban landscapes, particularly in Beijing, Shanghai, Chengdu, Kunming, and Guangzhou. Using primary sources, statistical analyses, and illustrated case studies, American-Designed Shopping Malls in China explores the evolution of shopping malls as a consequence of China’s profound economic, social, and cultural change over the past four decades. The book also highlights the impact of American consumerism on the everyday lives of Chinese people, altering not only consumer patterns but also local architectural practices. This tale of transformation is essential reading for anyone interested in China’s rapid urban development.

[more]
cover of An Aesthetic Occupation: The Immediacy of Architecture and the Palestine Conflict

An Aesthetic Occupation

The Immediacy of Architecture and the Palestine Conflict

Daniel Bertrand Monk

Duke University Press, 2002


In An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of “sacred” architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era—the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture’s utility to politics.
Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced—and normalized—the conflict’s inability to account for itself.
This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
[more]
cover of An Anthropology of Architectural Transformation: The Changing Fabric of a Romanian Block of Flats

An Anthropology of Architectural Transformation

The Changing Fabric of a Romanian Block of Flats

Maria Salaru

University College London, 2025

An intimate study of urban change, unveiling how a single block of flats in Romania tells a larger story about architecture and the art of making a home.

Maria Salaru takes readers inside a Romanian apartment block, tracing its evolution from 1974 to the present as residents navigate shifting political and economic landscapes. Through rich ethnographic detail, this work exposes how everyday acts of repair and maintenance reshape both individual apartments and the broader urban fabric of Piatra-Neamț. As state support for housing recedes, new forms of solidarity emerge—whether through self-organized communities, housing associations, or activist interventions—presenting a new perspective on the lived experience of architectural transformation.

This book opposes the view of architecture as static and instead presents buildings as dynamic spaces co-created over time by their inhabitants. It will appeal to social scientists exploring the intersection of materiality and urban change, as well as architects interested in the evolving relationship between people and the built environment. By capturing the micro-scale transformations that collectively redefine city life, An Anthropology of Architectural Transformation provides a persuasive case for rethinking how we study and inhabit our shared spaces.
[more]
cover of An Architectural Travel Guide to Utah

An Architectural Travel Guide to Utah

Martha Bradley Evans

University of Utah Press, 2020

An Architectural Travel Guide to Utah invites visitors and other explorers of Utah to see the state’s history, material culture, settlement, and natural landscape through the lens of its buildings. With more than 600 buildings as examples, this guide takes readers through Utah’s cities and rural villages, exploring neighborhoods and other built landscapes. An adobe house from the 1860s speaks volumes about the transmission of ideas, respectability, the places of origin of Utah’s white settlers, and their use of place-specific materials. The Utah State Capitol reflects the Neoclassicism preferred for statehouses throughout the nation, but its site overlooking a canyon to the east, the Great Salt Lake to the northwest, and the long view south down State Street—one of the longest streets in America—set it apart and make it very much of its place. From the most common vernacular cabin to the modern architecture of Abravanel Symphony Hall and the Salt Lake Arts Center, this guide uses the diversity of Utah’s architecture to showcase the diversity of its people, their visions for the good life, and the particular responses of their  built environment to the unique geography of this beautiful state. Includes 276 images, many in color.
[more]
cover of An Early Encounter with Tomorrow: Europeans, Chicago's Loop, and the World's Columbian Exposition

An Early Encounter with Tomorrow

Europeans, Chicago's Loop, and the World's Columbian Exposition

Arnold Lewis

University of Illinois Press, 1997

Winner of the Jacques Barzun Prize in Cultural History given by the Council of the American Philosophical Society
 
Extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons, An Early Encounter with Tomorrow documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class. This volume also contains an extensive bibliography, arranged by country, and profiles of the foreign observers who sought the implications for European culture in what Asa Briggs called the "shock city" of the western world.
 
 
[more]
cover of An Illini Place: Building the University of Illinois Campus

An Illini Place

Building the University of Illinois Campus

Incoronata Inserra

University of Illinois Press, 2017

Why does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
[more]
cover of Anarchitectural Experiments: When Unbuilt Designs Turn to Film

Anarchitectural Experiments

When Unbuilt Designs Turn to Film

Maciej Stasiowski

Intellect Books, 2022

A deeply researched exploration of the influence of simulation and cinematic design on visionary or speculative architecture. 

This book outlines the impact of film and animation on architectural representation through key projects. The opening analysis is useful in contextualizing speculative architectural projects, while the later chapters link the theory to imagery. To support his argument, Maciej Stasiowski here curates a diverse collection of interesting case studies that are accessible and easy to read.

Through its comprehensive review of speculative architecture and various media that describe it, Stasiowski’s book sets itself apart from other works in the discipline by discussing speculative projects that engage with cinematic strategies of portrayal and specifically the effect that modern technologies have on the subject now and in its potential futures. This thorough examination of the use of cinema and animation as a method of architectural visualization offers insights into a converging field of architectural and filmic disciplines and will appeal to architects and designers, filmmakers, academics, artists, set designers, and film production designers.
[more]