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Caribbean literature and culture have all too often been viewed in fragmented terms, without attention to the broader commonalities of the region. In this collection of essays written over many years, Roberto Márquez offers a more encompassing vision, one that respects the individual traditions of particular locales, languages, and cultures but also sees the larger themes that bind the area's literary heritage and history. Márquez begins by making the case for a genuinely Caribbean literary criticism, one that moves beyond the colonial history of fragmentation and isolation and the critical insularity of more conventional approaches. His pan-Caribbean perspective provides a point of departure for the scrutiny of the evolving dramas of race, nationality, nation-building, and cultural articulation in the region. Márquez then focuses specifically on Puerto Rico—its literary and socio—historical experience, the particularities of its “New Creole” incarnations, and the effects of waves of migration to the United States. In the final section of the book, he discusses writers and cultural figures from the other Spanish, Anglophone, and Francophone territories and the ways in which they engage or reflect the defining themes of literature, race, and national identity in Antillean America.

Activating Emancipation boldly interrogates our knowledge of the history of slavery, emancipation, race, and Islam in Mauritania, where slavery was abolished only in 1981 and criminalized in 2007. It centers on the voices and stories of Ḥrāṭīn peoples, a complex and ambiguous social category encompassing people with mixed free and servile ancestral backgrounds. The stigma of enslavement, along with their racialized status as Black, has placed them at the bottom of a social hierarchy dominated by Arab and Amazigh elites, racialized as “White.” 

In this groundbreaking study, Ḥrāṭīn historian Khaled Esseissah mobilizes oral and written sources to confront a long tradition in which Ḥrāṭīn are rendered invisible or shown as passive victims of oppression and narrates a new history of Ḥrāṭīn contributions to the building of modern Mauritania. Despite being emancipated or born free, Ḥrāṭīn men and women continued to face “White” threats to reenslave them or subject them to economic, religious, and sexual exploitation. Esseissah demonstrates that only by “activating their emancipation” have the Ḥrāṭīn challenged Arab dominance. He unravels complex and varied Ḥrāṭīn strategies, including engaging with French colonizers through collaboration and revolt, appealing to the Qur’an and Ḥadith, acquiring wealth, building political power, engaging in nationalist struggle, and exercising communal agency to support others, garner respectability, and assert their autonomy during the colonial period. He also illuminates Ḥrāṭīn adwaba, or villages of emancipation, as critical sites of slave liberation and freedom. In so doing, Activating Emancipation reframes the story of abolition in colonial Mauritania that is often either ignored or told from the French colonial perspective, which sees abolition merely as a legal event. The Ḥrāṭīn experience of emancipation is long and complex, challenging simple binaries between bondage and free labor, between colonial and anticolonial. 

Activating Emancipation reorients academic studies and international media coverage of Ḥrāṭīn communities, demonstrating the broad range of Ḥrāṭīn historical experiences that are not understood, or even visible, to many in Mauritania, Africa, and beyond. It provides a grounded historical analysis that moves us beyond both the orientalist and apologetic Muslim discourses that have long characterized journalistic, popular, and even scholarly debates about slavery, Islam, and Ḥrāṭīn experience in Mauritania.

Once in office, African-American mayors faced vexing challenges. In large and small cities from the Sunbelt to the Rustbelt, black mayors assumed office during economic downturns and confronted the intractable problems of decaying inner cities, white flight, a dwindling tax base, violent crime, and diminishing federal support for social programs. Many encountered hostility from their own parties, city councils, and police departments; others worked against long-established power structures dominated by local business owners or politicians. Still others, while trying to respond to multiple demands from a diverse constituency, were viewed as traitors by blacks expecting special attention from a leader of their own race. All struggled with the contradictory mandate of meeting the increasing needs of poor inner-city residents while keeping white businesses from fleeing to the suburbs.

This is the first comprehensive treatment of the complex phenomenon of African-American mayors in the nation's major urban centers. Offering a diverse portrait of leadership, conflict, and almost insurmountable obstacles, this volume assesses the political alliances that brought black mayors to office as well as their accomplishments--notably, increased minority hiring and funding for minority businesses--and the challenges that marked their careers. Mayors profiled include Carl B. Stokes (Cleveland), Richard G. Hatcher (Gary), "Dutch" Morial (New Orleans), Harold Washington (Chicago), Tom Bradley (Los Angeles), Marion Barry (Washington, D.C.), David Dinkins (New York City), Coleman Young (Detroit), and a succession of black mayors in Atlanta (Maynard Jackson, Andrew Young, and Bill Campbell).Probing the elusive economic dimension of black power, African-American Mayors demonstrates how the same circumstances that set the stage for the victories of black mayors exaggerated the obstacles they faced.

Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019
MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020

Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television.

Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.

Traces the history of eugenics ideology in the United States and its ongoing presence in contemporary life

The Nazis may have given eugenics its negative connotations, but the practice—and the “science” that supports it—is still disturbingly alive in America in anti-immigration initiatives, the quest for a “gay gene,” and theories of collective intelligence. Tracing the historical roots and persistence of eugenics in the United States, Nancy Ordover explores the political and cultural climate that has endowed these campaigns with mass appeal and scientific legitimacy.

The political meaning of prophetic language in America

Prophecy is the fundamental idiom of American politics—a biblical rhetoric about redeeming the crimes, suffering, and promise of a special people. Yet American prophecy and its great practitioners—from Frederick Douglass and Henry Thoreau to Martin Luther King, James Baldwin, and Toni Morrison—are rarely addressed, let alone analyzed, by political theorists. This paradox is at the heart of American Prophecy, a work in which George Shulman unpacks and critiques the political meaning of American prophetic rhetoric.

A groundbreaking synthesis of food studies, archival theory, and early American literature

 

There is no eating in the archive. This is not only a practical admonition to any would-be researcher but also a methodological challenge, in that there is no eating—or, at least, no food—preserved among the printed records of the early United States. Synthesizing a range of textual artifacts with accounts (both real and imagined) of foods harvested, dishes prepared, and meals consumed, An Archive of Taste reveals how a focus on eating allows us to rethink the nature and significance of aesthetics in early America, as well as of its archive.

Lauren F. Klein considers eating and early American aesthetics together, reframing the philosophical work of food and its meaning for the people who prepare, serve, and consume it. She tells the story of how eating emerged as an aesthetic activity over the course of the eighteenth century and how it subsequently transformed into a means of expressing both allegiance and resistance to the dominant Enlightenment worldview. Klein offers richly layered accounts of the enslaved men and women who cooked the meals of the nation’s founders and, in doing so, directly affected the development of our national culture—from Thomas Jefferson’s emancipation agreement with his enslaved chef to Malinda Russell’s Domestic Cookbook, the first African American–authored culinary text.

The first book to examine the gustatory origins of aesthetic taste in early American literature, An Archive of Taste shows how thinking about eating can help to tell new stories about the range of people who worked to establish a cultural foundation for the United States.

An intensely personal, and philosophical, account of why white America’s racial unconscious is not so unconscious

An Essay for Ezra is a critique of terror that begins but by no means ends with the presidency of Donald J. Trump. A father addresses his son and a boy shares his observations in a dynamic dialogistic exchange that is a commentary of and for its time, taking the measure of racial terror and of white supremacy both in our moment and as a historical phenomenon.

Framed through the experiences of the author’s biracial son, An Essay for Ezra is intensely personal while also powerfully universal. Drawing on the social and political thought of James Baldwin and Martin Luther King, Grant Farred examines the temptation and the perils of essentialism and the need to discriminate—to engage the black mind as much as the black body. With that dialectic as his starting point, Farred engages the ideas of Jameson, Barthes, Derrida, Adorno, Kant, and other thinkers to derive an ethics of being in our time of social peril. His antiessentialist racial analysis is salient, especially when he deploys Dave Chappelle as a counterpoint to Baldwin—and Chappelle’s brilliant comic philosophic voice jabs at both racial and gender identity.

Standing apart for its willingness to explore terror in all its ambivalence, this theoretical reflection on racism, knowledge, ethics, and being in our neofascist present brings to bear the full weight of philosophical inquiry and popular cultural critique on black life in the United States.

Between 1914 and 1918, German anthropologists conducted their work in the midst of full-scale war. The discipline was relatively new in German academia when World War I broke out, and, as Andrew D. Evans reveals in this illuminating book, its development was profoundly altered by the conflict. As the war shaped the institutional, ideological, and physical environment for anthropological work, the discipline turned its back on its liberal roots and became a nationalist endeavor primarily concerned with scientific studies of race.

Combining intellectual and cultural history with the history of science, Anthropology at War examines both the origins and consequences of this shift. Evans locates its roots in the decision to allow scientists access to prisoner-of-war camps, which prompted them to focus their research on racial studies of the captives. Caught up in wartime nationalism, a new generation of anthropologists began to portray the country’s political enemies as racially different. After the war ended, the importance placed on racial conceptions and categories persisted, paving the way for the politicization of scientific inquiry in the years of the ascendancy of National Socialism.